Saxophone

SKU: HL.48181238

Composed by Marcel Mule. Leduc. Classical. Softcover. 32 pages. Alphonse Leduc #AL20566. Published by Alphonse Leduc (HL.48181238).

UPC: 888680868192. 9.0x12.0x0.136 inches.

Varied Studies in all keys by Marcel Mule (1901-2001) is a set of thirty studies for Saxophone. Initially composed by Jakob Dont, Rodolphe Kreutzer, Jacques Mazas, Niccolo Paganini, Pierre Rode among others, these Varied Studies in all keys for all Saxophones would fit the skills of advanced-intermediate players. Marcel Mule (1901-2001) is one of the greatest French Saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and, therefore, of breathing. He wrote different methods that focus on technique, articulation and tone productions such as '18 Exercises or Studies', 'Daily Exercises after Terschack' or '30 Great Exercises or Studies after Soussmann' (in two books), among others..

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

10 Great Etudes for Playing and Improvising on the Blues. Composed by Jim Snidero. Brass - Trombone and Baritone Method or Collection; Improvisation; Method/Instruction; Play- Along; Technique Musicianship; Theory. Advance Music. Blues; Jazz. Book; CD. Alfred Music #01- ADV14533. Published by Alfred Music

25 Easy Pieces for Clarinet and Piano. Composed by Various. Edited by Ulrike Warnecke. This edition: Saddle stitching. Sheet music. Woodwind Solo. Klassik fur Kinder mochte Klarinettenschuler an die Schonheit der Konzertliteratur des Barocks, der Klassik und der Romantik heranfuhren. Die Stucke sind sehr leicht bearbeitet und konnen mit etwa 2 Jahren Unterricht gut bewaltigt werden; die dreigestrich. German Edition, Classical. Score and part, Softcover. 21907. 68 pages. Schott Music #ED21907. Published by Schott Music (HL.49044747).

A Practical Performing Edition. By Frederic Chopin. Edited by Willard A. Palmer. Perf. Idil Biret. For Piano. Piano Collection. Masterwork CD Editions. Masterwork. Book & CD. Published by Alfred Publishing.

(study score (Fruhfassung 1841)). By Robert Schumann. Edited by Jon Finson. Breitkopf Full Scores. Parts, Urtext. 192 pages

Concert Band - Grade 2

SKU: AP.49171S

Composed by Douglas E. Wagner. Concert Band; Performance Music Ensemble. Belwin Young Band. Form: Ballade. Folk. Score. 16 pages. Duration 3:20. Belwin Music #00-49171S. Published by Belwin Music (AP.49171S).

ISBN 9781470646820. UPC: 038081564999. English.

The worldwide pandemic of 2020 left in its wake devastating numbers of lives lost, resulting in unspeakable suffering for families coping with the grief for their now absent loved ones. This is especially true for the first responders, frontline personnel, doctors, nurses, scientists, medical support teams, and healthcare staff members whose selfless dedication and devotion to caring for others tragically resulted in their own passing. Guided by their personal, deep sense of duty and obligation to heal and help, they put themselves in harm's way, paying the ultimate price so that others might live. Celebrate their lives with Douglas Wagner's composition, We Will Remember Them.

May their bright stars ever spread the night sky, piercing the darkness to continue bringing light, hope, and inspiration to us all.

At the going down of the sun and in the morning, we will remember them. (3:20).

Technique, Theory and Etudes. Berklee Guide. Flamenco, Instruction, Technique. Softcover Media Online. Published by Berklee Press

23 Pieces from 5 Centuries. Composed by Various. Edited by Ulrich Junk. This edition: Saddle stitching. Sheet music with CD. Woodwind Solo. Baroque, Modern, Romantic, Classical. Edition with CD. 52 pages. Schott Music #ED22553. Published by Schott Music

Concert Band - Grade 2

SKU: AP.49171

Composed by Douglas E. Wagner. Concert Band; Performance Music Ensemble. Belwin Young Band. Form: Ballade. Score and Part(s). 78 pages. Duration 3:20. Belwin Music #00-49171. Published by Belwin Music (AP.49171).

ISBN 9781470646813. UPC: 038081564982. English.

The worldwide pandemic of 2020 left in its wake devastating numbers of lives lost, resulting in unspeakable suffering for families coping with the grief for their now absent loved ones. This is especially true for the first responders, frontline personnel, doctors, nurses, scientists, medical support teams, and healthcare staff members whose selfless dedication and devotion to caring for others tragically resulted in their own passing. Guided by their personal, deep sense of duty and obligation to heal and help, they put themselves in harm's way, paying the ultimate price so that others might live. Celebrate their lives with Douglas Wagner's composition, We Will Remember Them.

May their bright stars ever spread the night sky, piercing the darkness to continue bringing light, hope, and inspiration to us all.

At the going down of the sun and in the morning, we will remember them. (3:20).

Organ

SKU: HL.280395

Organ Solo. Composed by Bendt Fabricius. Music Sales America. Classical. Softcover. 57 pages. Edition Wilhelm Hansen #WH33092. Published by Edition Wilhelm Hansen (HL.280395).

Hymn preludes and choral arrangements by Bendt Fabricus (2018). Foreword: This small collection of preludes and choral arrangements is a selection of movements, created through more than 30 years of work as an organist in the Danish National Church. The collectionis first and foremost intended as a useful work tool for all my colleagues around the Danish organ benches. There are movements thatare suitable for the small one-manual organ in the village church and others that are intended for the concert organ in the large city church. Some movements are easy to follow, even with a simple and traditionally constructed structure, while others, both harmonious and rhythmic, offer greater complexity and degree of difficulty. Virtually all the kits composed for two manuals and pedal can also be realized on organs that have only one manual and pedal. As far as registration instructions are concerned, my statements are only intended as a guide to the sonorous expression in a given movement, as of course everyone is free to find exactly the registration that is deemed appropriate on the instrument in question. It is my wish that all organists can benefit fromthe collection and that it will prove to be a useful and beneficial supplement in the daily work. Bendt Fabricius.

10 Great Etudes for Playing and Improvising on the Blues. Composed by Jim Snidero. Improvisation; Method/Instruction; Play- Along; Technique Musicianship; Theory; Woodwind - Clarinet Method or Collection. Advance Music. Blues; Jazz. Book; CD. Alfred Music #01- ADV14535. Published by Alfred Music

(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords. Waltons Irish Music Books. Softcover. 64 pages. Hal Leonard #WM1321. Published by Hal Leonard

Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarinet 2, Congas, Cowbell, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 1.5

SKU: CF.FPS151

Composed by Tyler Arcari. First Plus Band (FPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+3 +1+1+3+6+12+2 pages. Duration 1 minute, 36 seconds. Carl Fischer Music #FPS151. Published by Carl Fischer Music (CF.FPS151).

ISBN 9781491152119. UPC: 680160909612.

Every one remembers the first time that they saw a snake. Though fascinating to some and terrifying to others, few animals are as universally mesmerizing. Composer Tyler Arcari has crafted a very fun piece making use of auxiliary percussion instruments to emulate a snake's hiss or ominous rattle. With very strong and interesting melodic material, and scored to make a developing band sound great, this piece is sure to be a favorite among students.
Everyone remembers the first time that they saw a snake. The majority of people have a base fear of them, while others have a “heebie-jeebiesâ� � experience. We all know how the great explorer Dr. Indiana Jones felt about snakes, especially when he famously fell into a snake pit during Raiders of the Lost Ark. However you feel about snakes, a pit of them certainly sounds like an adventure.About the work:Snake Pit uses a lot of auxiliary percussion instruments. Some of these sounds are intended to subtly mimic the sounds that snakes make. The maraca in m. 4, of course, is a rattler’s call! The Chinese cymbal is intended to sound like the “hiss” of a not-so-friendly serpent. The eighth-note pattern at m. 9 is used throughout as a “creepy” effect using dynamic contrast so take care to emphasize this when present.I enjoy the gong as a “color” instrument in the band. I try to balance it with the low brass. Take care that at m. 42 the gong is not “front-and center” but more of a support for the nice accented chords in the low brass. Also, the trumpets can become spaced too much here. The accents are more for emphasis and less space.

Composed by John Cumberland. Sacred, Christmas, Contemporary Worship. Lorenz Publishing Company #70/2177L. Published by Lorenz Publishing Company

Soprano/Alto High Voice; Vocal

SKU: HL.383303

Soprano/Alto Edition. By Various. Vocal Collection. Pop, Pop/Rock, Rock. Softcover. Published by Hal Leonard (HL.383303).

ISBN 9781705154137. UPC: 196288021421. 9.0x12.0x0.666 inches.

Do you need a perfect contemporary song for a vocal audition or performance? The Singer's Anthology of Pop/Rock Ballads gives you over 30 pop/rock classics to choose from––all transposed into appropriate keys and based on the original recorded hits. These songs fall into the new wave of standards that you are hearing more often at cabaret, concerts, and special occasions. These songs are most often identified with singer-songwriters, so this collection features the work of Billy Joel, Carole King, Adele, and others. These arrangements were custom made for this collection as authentic performing editions, friendly to both the singer and accompanist. Keys were carefully chosen, either preserving the original recorded key or transposing as near the original as possible to increase accessibility. This volume is presented in separate editions for Soprano/Alto and Tenor/Baritone, with some songs shared between the two, and others specific to the voice type. The Soprano/Alto edition features 31 songs, including: All by Myself • At Last • Don't Know Why • Hallelujah • Hello • I Can't Make You Love Me • I Will Always Love You • Killing Me Softly with His Song • Landslide • Million Reasons • (You Make Me Feel Like) A Natural Woman • New York State of Mind • She Used to Be Mine • Someone like You • A Thousand Years • Time After Time • When We Were Young • Will You Love Me Tomorrow (Will You Still Love Me Tomorrow) • and more.

10 Great Etudes for Playing and Improvising on the Blues. Composed by Jim Snidero. Improvisation; Method/Instruction; Play- Along; Technique Musicianship; Theory; Woodwind - Saxophone Method or Collection. Advance Music. Blues; Jazz. Book; CD. Alfred Music #01- ADV14530. Published by Alfred Music

SKU: HL.156355

By Herbie Hancock. Magnolia Films. Documentary. DVD. Hal Leonard #10008. Published by Hal Leonard (HL.156355).

UPC: 876964009447. 5.5x7.5x0.575 inches.

A rare and true icon of modern music, Herbie Hancock continues to bring audiences new and inventive visions of music. In August 2005, the Possibilities album was released, featuring the collaborative talents of a legendary lineup of artists. The film, Herbie Hancock: Possibilities, showcases this musical project in development and design, as Herbie interacts with artists, such as Christina Aguilera, John Mayer, Paul Simon, Annie Lennox, Sting and others. A leader of musical innovation, Herbie explores the creation of fresh music through collaboration and expansion upon his and others' experiences, and what results is a collection of poignant musical imprints.

Choral (TBB)

SKU: HL.394562

Composed by Kyle Pederson. Jonathan Palant Choral Series. Concert, Festival, Inspirational. Octavo. Duration 160 seconds. Published by Hal Leonard (HL.394562).

UPC: 196288032908. 6.75x10.5x0.036 inches.

Given everything our communities, choir, and world have experienced recently, we could all use a bit of light. This high energy, uplifting piece encourages us to tend to our hearts and to others, remembering that each of us has the power to bring light into our own lives-and into the lives of others. Featuring a supportive, rhythmic piano accompaniment and accessible vocal lines, this piece will have singers and audiences movin' and groovin'.

(study score). By Robert Schumann. Edited by Joachim Draheim. Breitkopf Full Scores. Parts, Urtext. 172 pages

Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowles. (Score and Parts). Fentone Play Along Books. Published by Fentone Music.

Composed by Frederic Macarez. Leduc. Classical. CD only. 32 pages. Alphonse Leduc #AL28880. Published by Alphonse Leduc