DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.The first thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral, continuo, or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes, with the solo instrument heard softly in the background at slow tempo. Finally, you can play at the original tempo to the accompaniment of an orchestra, piano, or basso continuo.All versions appearing on the CD were recorded live by renowned soloists, accompanists, and orchestras. There are no synthesised sounds in a DOWANI edition! / Trompette Et Orgue / niveau : Elementaire / Partition + Cd

Thirty-one of the best known hymns, with suggested registrations for each song and keyboard chord chart. / Paroles Et Accords

Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. Titles: 'A Little Fairytale' (Rönnberg), 'Allegretto' (Czerny), 'Amaryllis' (Ghys), 'Chant Arabe' (Anonymous), 'Cuckoo' (German Folk Song), 'Go Tell Aunt Rhody' (Folk Song), 'Gossip Tune' (German Folk Song), 'Herdsman's Song' (Danish Folk Song), 'Hippopotamus' (Rönnberg), 'Hot Dog' (English Folk Song), 'Lightly Row' (German Folk Song), 'Little Playmates' (Chwatal), 'Little Snail' (Traditional), 'London Bridge' (English Folk Song), 'Lullaby' (German Folk Song), 'Mary Had a Little Lamb' (Folk Song), 'My School Day' (Folk Song), 'Paris' (French Folk Song), 'Piglet' (G. Rönnberg, 'Song of the Wind' (Folk Song), 'Spain' (Traditional), 'The Fly' (Traditional), 'The Musical Box' (Rönnberg), 'Twinkle, Twinkle, Little Star Theme and Variations' (Suzuki). 'Allegretto,' 'Go Tell Aunt Rhody,' and 'Lullaby' are National Federation of Music Clubs Festivals Bulletin 2016--2020 selections. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue

Four stirring organ arrangements on hymns for Holy Week have been gathered for this collection: All Glory, Laud and Honor (Palm Sunday)- Beneath the Cross of Jesus (Maundy Thursday)- Alas! and Did My Savior Bleed with O Sacred Head, No Wounded (Good Friday)- and Crown Him with Many Crowns (Easter). The pieces work as preludes, offertorys, postludes or even concert pieces, in sequence or individually. / Orgue

Par MCDOWALL CECILIA. This inventive work, composed in 2019, owes its title to that year's two great anniversaries connected to manned flight: the 50th anniversary of the first moon landing and the 500th anniversary of the death of Leonardo da Vinci. A range of highly effective textures and atmospheric harmonies takes us on a journey towards a gloriously affirmative D major ending./ Répertoire / Orgue

Teaches you everything you need to know to play modern style organ. Specially written for the benefit of students who are teaching themselves. No previous knowledge of the organ is needed as the course starts at the very beginning and progresses right up to professional standard. Book 3 moves on to the bosa nova/modern pop style and 20 more songs including 'Never On A Sunday', 'My Way' and 'What I Did For Love'. / Orgue

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

Dowani 3 Tempi Play est long une méthode efficace et éprouvée par le temps de pratiquer qui offre plus que conventionnels jouent au long éditions. Dowani 3 Tempi Play permet Outre-vous pour apprendre un travail systématique et avec un accompagnement à différents tempi.La première chose que vous entendez sur le CD est la version de concert dans un enregistrement de première classe avec instrument soliste et orchestre, continuo, ou l'accompagnement au piano. Puis le piano ou le clavecin d'accompagnement s'inscrit dans le tempo lent et moyen à des fins pratiques, avec l'instrument soliste entendre en sourdine au tempo lent. Enfin, vous pouvez jouer au tempo d'origine pour l'accompagnement d'un orchestre, le piano, ou basso continuo.Toutes les versions figurant sur le CD ont été enregistrés en direct par des solistes de renom, accompagnateurs, et des orchestres. Il n'y a aucun sons synthétisés dans une édition Dowani! / Trompette Et Orgue / niveau : Elementaire / Partition + Cd

Cette édition de Noël de l'organiste Dimanche Matin comprend 14 arrangements pour orgue et piano. Chants classiques capturer l'esprit de la saison, et de fournir une expérience mémorable pour votre congrégation. Vedette de la collection sont des cantiques de Noël traditionnels ainsi que show-arrêt suites saisonniers qui peuvent être utilisés à la fois comme des préludes et postludes. Apportez une bonne nouvelle pour tous avec Orgue et Piano Christmas Duos. / Orgue Et Piano

Based on popular songs and with easy-to-follow text and diagrams, this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning, you will be playing arrangements which include a complete rhythm section with full sounding chords, bass and drums. Irish Songs is a superb compilation of 17 popular songs from Ireland, arranged for all types of electronic keyboard by Kenneth Baker. Includes suggested registrations, fingering and lyrics, plus chord symbols and charts. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Par BLOW JOHN. Edited by Barry Cooper The organ voluntaries, double or cornet voluntaries and psalm-tune settings by John Blow form a substantial corpus of material - 48 pieces in all - that sheds much light on the developing keyboard style of the late 17th century. Predominantly serious and contrapuntal, they bear witness to the technical mastery of their composer and to his role as an important influence in Restoration musical life. First published in 1996./ Répertoire / Orgue

Par PORTER-BROWN REGINALD. Tuba Tune is majestic and spirited piece for solo Organ, composed by Reginald Porter-Brown (1910-1982)./ Recueil / Orgue

Little Organ Book / Six Chorales 'Von Verschiedener Art' (Schübler-Chorales) / Chorale-Partitas. Par BACH JOHANN SEBASTIAN. Replaces BA 5171 Volume 1 of Bach' s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA). This updated edition takes into account the latest findings of Bach scholarship: Thus, for example, a newly-discovered copy of the first edition containing inscriptions in Bach' s own hand could be incorporated into the musical text of the Schübler Chorales. For the Orgel-Büchlein, Bach' s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach' s most famous collection was played at that time. Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the 'riddle' of how these partitas were handed down. Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis. - Complete new engraving - New detailed Foreword by Christine Blanken (Ger/Eng) - Links to relevant sources in Bach digital/ Répertoire / Orgue