Wind band or wind instrumentsensemble (1 * 1 * 3 * Bassklar. * Altsax. in Es * Tenorsax. in B * Baritonsax. in Es * 1 - 1 * 2 * 2 * Tenorhr. * Bar. * 1 - Glsp.) - intermediate

SKU: HL.49019886

Composed by Bertold Hummel. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. Composed 1998. Op. 81g. 16 pages. Duration 5'. Schott Music #SHS1024. Published by Schott Music (HL.49019886).

ISBN 9790001144797. 9.25x12.0x0.076 inches.

At funeral or memorial services and ceremonies, the traditional, slowly marching funeral music, the Tombeau, still plays an important musical role today. In most cases, such musics were created for a specific occasion, like the death of a prince or an artist. That was the case with this Tombeau for wind orchestra, too: Bertold Hummel wrote it after the death of a fellow composer and friend.Hummel was not afraid of expressing his feelings in a wistfully nostalgic funeral music full of tonal beauty which is close to the musical language of the 19th century with regard to form and harmony.In addition to the score and parts, our edition of this moving piece also contains the particell with which Hummel put down the Tombeau on paper in 1998.

By Mary Mcdonald. For SSATB choir and piano (with optional orchestra). Eastertide, General, Trinity Sunday, Sacred. Sacred Anthem

Soprano voice, soprano saxophone, piano

SKU: P2.50010

Composed by Lori F. Ardovino. Chamber music, 20th century. Published by Potenza Music (P2.50010).

Between Walls is a group of songs on the poems of William Carlos Williams for soprano voice, soprano saxophone and piano. Within each movement, the music helps describe the text or set the mood of each of the movements. The first movement, Between Walls, is solemn, without joy or humor, quiet in nature and thoughtful. In the text, where nothing will grow, the last pitch on grow is much higher than the previous pitches, as if it were to grow. The soprano and the saxophone are unison on In which and then move apart a step and a third on shine the ending with a dissonant minor 2nd on the word broken, playing upon the text. Young Woman at a Window is for soprano and piano alone. This movement is also quite dissonant and the piano sustains that tonality by using pedal through out. The soprano sings in the lower tessitura while the piano moves slowly between major thirds and minor seconds to minor thirds and tritones to the end of the piece, suggesting the sadness of the women, with tears on her cheeks. The listener is left to wonder what she and the child are looking at. The Nightingales is a contrast to the first two movements. The tonality is more consonant, lyrical in the saxophone line and arpeggiated chords sustained with pedal throughout most of the piano line, promoting a poetic and expressive premise. In The Thing, the lines move more independently and do not come together as one until the text bitterly together, which is unison, to the last line moving apart to the M3rd. As the Cat is sprightly and jaunty, the piano and saxophone placing the beats in an unexpected manner, the soprano a bit disjunctive at times, just as how a cat might work it's way carefully over obstacles to find it's way to it's final destination.

By Deborah Baker Monday. Orchestra. For string orchestra. String Tracks. Grade 2. Score and parts. Published by Neil A. Kjos Music Company

Composed by Richard Burchard. Gentry Publications. Concert, Contest. Octavo. 12 pages. Gentry Publications #JG5240. Published by Gentry Publications

String Quartet

SKU: HL.14031851

Composed by Vagn Holmboe. Music Sales America. Classical. Book [Softcover]. 24 pages. Music Sales #KP00797. Published by Music Sales (HL.14031851).

ISBN 9788759880661. Danish.

Holmboe' s last quartet work, which is unoffi­cially also String Quartet No. 21, was the last work he ever composed, and was unfinished on his death in 1996. His pupil Per Nørgård has finished the quartet, and himself characterizes his contribution by saying that the score existed “in an only partly completed form, which could however be written out with only a few cases of doubt”. With only two movements and a play­ing time of about nine minutes it is at its exist­ing length the shortest of Holmboe's string quar­tets. The first movement takes the form of one long arch in a rocking triple time which constantly shiftsamong different tempo and pulse sensations. At the same time the rhythmic en­ergy increases until the movement, in a faster Con moto tempo accelerates to a more flowing 12/8 time, coloured both rhythmically by cross-­rhythms in duple time and timbrally by harmon­ics in the viola. In its middle section, Con fuoco, the movement culminates in both tempo and expression until it falls calm in brief recapitula­tions in reverse order of the first two sections. The rocking feeling continues in the second movement, but now at a more extroverted level from the outset, Allegro and pizzicato. The en­ergy builds up further as the mood intensifies to Con fuoco, while all instruments go over to bowed playing, but like the first movement, this movement ends Adagio here however not as a gradual attenuation but through a sudden shift in tempo to a calm, imitative passage before the movement slowly thins out to the almost inaudible through a last, dense, open sounding chord with a brief violin solo above it.

The quartet is dedicated to Holmboe's wife MeLa May Holmboe, and was given its first performance by the Kontra Quartet on 22nd March 1997 at the Carl Nielsen Academy of Music in Odense, Denmark.

String Quartet, Accordion

SKU: BT.WHKP01684

Composed by Hans Abrahamsen. Classical. Score Only. 32 pages. Edition Wilhelm Hansen #WHKP01684. Published by Edition Wilhelm Hansen (BT.WHKP01684).

English.

Three Little Nocturnes was composed by Hans Abrahamsen in 2005. Commissioned by the Cikada Ensemble, with support from NOMUS, and written for Frode Haltli and the Cikada String Quartet. Programme Note: In the first nocturne a slow, falling music emerges on an irregular pulse, filled with high harmonics in the strings. The second nocturne is fast and unrestful music, with a lot of passion, which in a moment runs into a glimpse of a tango. In this movement the accordion is employed in its traditional fashion, using the chord bass, with its “oom-pah-pah” standard chords. The third nocturne is again slow, indeed very slow, and it has German tempo and expression markings. Thepiece ends with a lullaby in the accordion, played with an unusual technique, imitating the string portato. This is accompanied by high harmonics in the strings, while the first violin slowly and softly plays a melody from the second nocturne. Hans Abrahamsen.

Chamber Ensemble

SKU: HL.14015171

Composed by Vagn Holmboe. Music Sales America. Classical. Book [Softcover]. 12 pages. Music Sales #KP00796. Published by Music Sales (HL.14015171).

ISBN 9788759878224. Danish.

Quartetto Sereno - String Quartet No.21 Op.197 (op. posth.) by Vagn Holmboe.

Holmboe's last quartet work, which is unoffi­cially also String Quartet No. 21, was the last work he ever composed, and was unfinished on his death in 1996. His pupil Per Nørgård has finished the quartet, and himself characterizes his contribution by saying that the score existed “in an only partly completed form, which could however be written out with only a few cases of doubt”. With only two movements and a play­ing time of about nine minutes it is at its exist­ing length the shortest of Holmboe's stringquar­tets. The first movement takes the form of one long arch in a rocking triple time which constantly shifts among different tempo and pulse sensations. At the same time the rhythmic en­ergy increases until the movement, in a faster Con moto tempo accelerates to a more flowing 12/8 time, coloured both rhythmically by cross-­rhythms in duple time and timbrally by harmon­ics in the viola. In its middle section, Con fuoco, the movement culminates in both tempo and expression until it falls calm in brief recapitula­tions in reverse order of the first two sections. The rocking feeling continues in the second movement, but now at a more extroverted level from the outset, Allegro and pizzicato. The en­ergy builds up further as the mood intensifies to Con fuoco, while all instruments go over to bowed playing, but like the first movement, this movement ends Adagio here however not as a gradual attenuation but through a sudden shift in tempo to a calm, imitative passage before the movement slowly thins out to the almost inaudible through a last, dense, open sounding chord with a brief violin solo above it.

The quartet is dedicated to Holmboe's wife MeLa May Holmboe, and was given its first performance by the Kontra Quartet on 22nd March 1997 at the Carl Nielsen Academy of.

(x). For Piano/Vocal/Guitar. This edition: Piano/Vocal/Guitar. P/V/C Mixed Folio. 2000-2009 Best. Movie. Book. 256 pages. Published by Alfred Music Publishing

Fretted. Book and CD package. With notes and tablature. Size 9x12 inches. 64 pages. Published by String Letter Publishing.

By Randall Hartsell. For Piano. This edition: 2 copies included. Piano Duo (Two Pianos, Four Hands). Level: Intermediate (grade 4/5). 4 pages. Published by Alfred Publishing.

Wind band or wind instrumentsensemble (1 * 1 * 3 * Bassklar. * Altsax. in Es * Tenorsax. in B * Baritonsax. in Es * 1 - 1 * 2 * 2 * Tenorhr. * Bar. * 1 - Glsp.) - intermediate

SKU: HL.49019887

Composed by Bertold Hummel. Sheet music. Ensemble. Softcover. Composed 1998. Op. 81g. 50 pages. Duration 5'. Schott Music #SHS1024-70. Published by Schott Music (HL.49019887).

ISBN 9790001144803. 9.25x12.0x0.336 inches.

At funeral or memorial services and ceremonies, the traditional, slowly marching funeral music, the Tombeau, still plays an important musical role today. In most cases, such musics were created for a specific occasion, like the death of a prince or an artist. That was the case with this Tombeau for wind orchestra, too: Bertold Hummel wrote it after the death of a fellow composer and friend.Hummel was not afraid of expressing his feelings in a wistfully nostalgic funeral music full of tonal beauty which is close to the musical language of the 19th century with regard to form and harmony.In addition to the score and parts, our edition of this moving piece also contains the particell with which Hummel put down the Tombeau on paper in 1998.

For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. P/V/C Mixed Folio. Sheet Music Playlist. Book. 240 pages. Published by Alfred Music Publishing

Piano Solo (Piano)

SKU: HL.50601848

For Piano. Composed by Cheryl Frances-Hoad. Instrumental. Concert, Recital. Softcover. 8 pages. Duration 2340 seconds. Cadenza Music #CAZ1122. Published by Cadenza Music (HL.50601848).

UPC: 888680937089. English.

Cheryl Frances-Hoad's Commuterland for Solo Piano.

'Commuterland was written directly after I had had to do a long commute every day for a week for a project I was working on.

The frustration of rush hour, and being caught behind crowds walking slowly through underground tunnels is expressed in this piece!

At the same time I was listening to a lot of Bartok, and the repetitive motivic cells and harmonies are in part a hommage to this composer, who is one of my idols.' - Cheryl Frances-Hoad

(Easy Piano). Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book; Piano - Easy Piano Collection. The Giant Book of Sheet Music. Movie; TV. Easy Piano. 168 pages. Published by Alfred Music

For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. P/V/C Mixed Folio. World's Greatest. Movie. Book. 256 pages. Published by Alfred Music Publishing

Orchestra String Orchestra - Grade 5

SKU: FJ.ST6278S

Score Only. Composed by Jack Jarrett. Series; String Orchestra. FJH String Orchestra. Score. Duration 6:30. The FJH Music Company Inc #98-ST6278S. Published by The FJH Music Company Inc (FJ.ST6278S).

English.

This emotional expression of loss and grief will bring out the true musicianship and maturity of your ensemble. The amazing harmonic vocabulary effortlessly supports the contemplative melodies as the work slowly and effectively develops. Simply stunning, and worth every second of rehearsal. *Recorded by the strings of the London Symphony Orchestra with the composer conducting.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

By Melody Bober. For Piano. Duet or Duo; Piano Duet (1 Piano, 4 Hands). The Alfred Duet Series. Intermediate. Sheet. 12 pages

Band concert band - Grade 2

SKU: CF.YPS258

Composed by William Harbinson. Set of Score and Parts. Carl Fischer Music #YPS258. Published by Carl Fischer Music (CF.YPS258).

ISBN 9781491163580. UPC: 680160922376.

Homew ard is a lyrical ballad in ABA form. The composition presents few rhythmic challenges, allowing the ensemble to concentrate on beauty of sound, balance, dynamic nuance, phrasing, and expressive performance. The woodwind voices present the melody at the opening accompanied by a flute countermelody. Care should be taken to balance the two parts. The four-measure phrases call for tapered dynamics and freedom of the metric pulse at cadence points. A change of tempo and key, with a lean toward the minor mode, mark the contrasting B section (m. 9). Heed the dynamic markings that swell to a climax (m. 16) and then subside within this section. Take liberty to hold back the tempo at the percussion link to the forte restatement of A (m. 27) and the arrival of the fortissimo climax (m. 33). The coda (m. 35) should be presented slowly and serenely as the composition comes to a quiet close.

Orchestra (Orchestra)

SKU: HL.14008415

Composed by Sir Peter Maxwell Davies. Music Sales America. Post-1900. Sheet Music, Miniature Score. With Text language: English. 110 pages. Chester Music #CH55687. Published by Chester Music (HL.14008415).

UPC: 884088808242. 8.5x11.0x0.261 inches.

This work, written by Maxwell Davies in 1983 for chamber orchestra, was commissioned to celebrate the quartercentenary of Edinburgh University. The first performance was given by the Scottish Chamber Orchestra conducted by Edward Harper in October 1983. Duration c. 29mins. This work was thought through in outline following a visit to the ruined pre-Reformation church of Hoy in Orkney, on a fine Spring afternoon after Maxwell Davies had played the harmonium for the tiny congregation in its large bleak Victorian replacement. The old church was surrounded by the graves of centuries, the more recent ones with familiar names, largely of people who lived in houses now ruinous - crofters, fishermen, clerics, sea-captains. Next to it stood the chief farmhouse, the Bu, going back to Viking times. He thought of the lives and deaths encompassed there, expressed through hundreds of years of music in the church, and in the big barn of the farm. The plainsongs 'Dies Irae' and 'Victimae Paschali Laudes' are used throughout the work - the first concerning the Day of Judgement, from the Mass for the Dead, the second particular to Easter Sunday and the Resurrection. These are subject to constant transformation - the intervallic contour slowly changes from one into the other, and their notes are made to dance through Renaissance astrological 'magic square' patterns. The orchestra consists of double woodwind, two horns, two trumpets and strings.

Composed by Melissa Dunphy. Octavo. E.C. Schirmer Publishing #8931. Published by E.C. Schirmer Publishing