New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Time To Say Goodbye Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1104969-140 As performed b...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1104969-140
As performed by Andrea
Bocelli. Composed by
F. Peterson, Francesco
Sartori, and Lucio
Quarantotto. Arranged by
Toshio Mashima. New
Sounds for Concert Band.
Pop & Rock. Score Only.
Composed 2010. 20 pages.
De Haske Publications
#DHP 1104969-140.
Published by De Haske
Publications
(BT.DHP-1104969-140).
9x12 inches.
English-German-French-Dut
ch.
This beautiful
duet was an appropriate
way to mark the end of
Henry Maske’s
career and simultaneously
introduce Andrea Bocelli
to the international
music scene. His
collaboration with Sarah
Brightman resulted in an
unforgettable
performance. Perfect for
ending or providing an
intimate moment during
your concert, this
arrangement exhibits the
high standards the New
Sounds for Concert Band
series is known for.
Met dit
meeslepende duet brak
Andrea Bocelli in 1996
internationaal door als
tenor. Hij zong dit
onvergetelijke lied samen
met Sarah Brightman.
Time to say
Goodbye is het ideale
werk om als slot van uw
uitvoering, als
afscheidsliedof gewoon
als rustig moment in uw
concert te programmeren.
Kwaliteit zoals u dat
gewend bent in de serie
New Sounds for Concert
Band!
Dieses
mitreißende Duett
wurde 1996 zur Hymne zum
Abschluss der Karriere
von Henry Maske und
markierte gleichzeitig
den internationalen
Durchbruch des Startenors
Andrea Bocelli, dessen
Auftritt mit Sarah
Brightman unvergessen
ist. Zum Abschluss Ihres
Konzerts, zum Abschied
oder einfach nur als
gefühlvoller,
ruhiger Programmpunkt
eignet sich diese
Bearbeitung in gewohnter
Qualität der Reihe New
Sounds for Concert Band
ideal!
Questo
coinvolgente duo del 1966
cantato per onorare la
fine della carriera di
Herny Maske ha anche
segnato il debutto
internazionale di Andrea
Bocelli, la cui
interpretazione al fianco
di Sarah Brightman resta
indimenticabile. Un brano
ideale per concludere il
vostro concerto, ma anche
come brano di sicuro eff
etto del vostro
programma.
Piano SKU: HL.49045690 Zur Klavierschule Piano Kids Die richtigen Stuc...(+)
Piano
SKU:
HL.49045690
Zur
Klavierschule Piano Kids
Die richtigen Stucke fur
Konzert und Freizeit.
Composed by Hans-Gü
and nter Heumann. Piano.
Classical, German
Edition. Softcover. 56
pages. Schott Music
#ED22643. Published by
Schott Music
(HL.49045690).
For decades,
pupils (aged 6+) have
been learning the basics
of piano playing with
plenty of imagination and
creativity by using the
popular three-volume
piano method Piano Kids
by Hans-Gunter Heumann.
In 2014 the method was
revised and has since
been published in a
revised and expanded new
edition: New songs and
illustrations breathe new
life into the standard
work and adjust it to the
realityof life of today's
first-time piano players.
The educational concept
of Piano Kids, resulting
from the combination of
textbooks, additional
activity books as well as
the large number of
themed tune books, is now
completed by tune books
that are companions to
the textbooks.These new
tune books contain a wide
range of very easy pieces
for beginners which are
in line with the progress
of the textbooks
andprovide the young
pianists with
age-appropriate playing
literature from the very
first piano lesson.
Well-known folklore
melodies, upbeat
compositions in the style
of pop, rock and jazz
music as well as the
first little masterpieces
by Mozart, Beethoven
& Co. motivate and
stimulate the pupils and
add variety to the music
lessons. Volume 1 starts
with several pieces for
piano duet which will
easily motivate beginners
without demanding too
much. All pieces are
limited to the five-note
range while nevertheless
covering the whole
spectrum of styles: from
folk melodies via
classical pieces by
composers such as
Gurlitt, Turk or Bartok
to modern compositions
from the areas of pop,
rock and jazz music.
Alongside Vol. 2 of the
piano method, Volume 2
extends the pitch range
and heightens the
rhythmic demands. Apart
from the wide rangeof
songs from the areas of
folk, rock and pop music,
the young musicians get
to know the first easy
piano pieces by Mozart,
Beethoven & Co. Many
little 'treats' will have
a lasting motivating
effect on the pianists,
like e.g. the Baby
Elephant Walk by Henri
Mancini or The
Entertainer by Scott
Joplin. These pieces have
been arranged by
Hans-Gunter Heumann in
such a way that they do
not demand too much of
the children but motivate
them when playing these
famous melodies.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano
SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202.
What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement.
Guitar - Beginner SKU: AP.44446 Book 1. The Most Complete Guita...(+)
Guitar - Beginner
SKU:
AP.44446
Book
1. The Most
Complete Guitar Course
Available. Composed
by Aaron Stang. This
edition: 2nd. Guitar
Method or Supplement;
Method/Instruction.
Belwin's 21st Century
Guitar Course. Book and
Digital Download; DVD,
Software. 48 pages.
Belwin Music #00-44446.
Published by Belwin Music
(AP.44446).
ISBN
9781470623814. UPC:
038081501901.
English.
Belwin's
21st Century Guitar
Method is a complete
course that puts lessons
in the context of popular
styles and classic tunes.
It introduces new topics
at a progressive speed
and uses both music
notation and tablature
(TAB). Correlating
supplemental books
integrate more advanced
concepts and techniques,
while keeping the
learning process fun.
Audio recordings include
full instruction---a
great resource for
students and teachers
alike---with
demonstration and
play-along tracks that
will help students
optimize their practice
time. Detailed video
lessons and fun
play-along software are
also available.
Book 1 Features
* Online access to
play-along and lesson
audio included *
Covers rock, pop, folk,
blues, and classical
styles * Features
unique Rock Workshop
units that teach
improvisation and rock
rhythm and lead guitar
* Uses standard music
notation and tablature to
aid with learning new
material * Optional
teacher accompaniment
parts * Duets to play
with a teacher or with
the included audio
recording * Complete
lesson videos and fun
play-along software
available.
About 21st
Century Guitar
Course
Thi
s hugely popular basic
guitar method series
includes numerous
supplements (theory
workbook, ensembles, song
books and a supplemental
rock method). The
available CD includes
full instruction plus
full demonstration and
play-along tracks. Level
1 lays a foundation with
note reading and chords
and includes teacher duet
parts to encourage the
student and teacher to
perform together. TAB is
used to make learning
chords, accompaniments,
riffs and other stylistic
guitar parts easy and
fun, standard music
notation is used for
melodic playing. Level
two goes deeper into
common guitar genres such
and rock and blues and
also introduces applied
music theory, chord and
scale construction and
fretboard understanding.
Recommended for 8 years
old and up.
Mallet Minded Marimba - Intermédiaire De Haske Publications
Marimba - intermediate SKU: BT.DHP-1001930-401 By Gert Bomhof. By Ivo Wei...(+)
Marimba - intermediate
SKU:
BT.DHP-1001930-401
By
Gert Bomhof. By Ivo
Weijmans. De Haske
Percussion Series.
Educational Tool. Book
Only. Composed 2000. 44
pages. De Haske
Publications #DHP
1001930-401. Published by
De Haske Publications
(BT.DHP-1001930-401).
ISBN 9789043108287.
International.
This
book contains 28
fantastic pieces that can
be played on either two
xylophones, two marimbas
or on a xylophone and a
marimba.
Mars,
polka, rock, samba,
walsâ?¦ In dit boek
komen deze en nog vele
andere stijlen aan bod.
Diverse speeltechnieken
worden behandeld in de 28
originele soloâ??s en
duetten.
Marsch,
Polka, Rock, Samba,
Walzer... In diesem Buch
für Xylophon oder
Marimbaphon kommen diese
und noch viele andere
Stile vor. Daneben werden
in den 28 Soli und
Duetten zahlreiche
Spieltechniken geübt.
Mallet
Minded contient 28
compositions originales
pour un et deux
instruments clavier (2
xylophones / 2 marimbas
ou 1 xylophone and 1
marimba).
Marce,
Polka, Rock, Samba,
Walzer. Afrrontate una
moltitudine di generi
musicali suonando i 28
brani proposti da questa
pubblicazione. Imparerete
a tenere il ritmo e ad
esprimere musicalit ,
incantando il pubblico
nei vostri primi
concerti.
Reduction for Piano Four Hands (1949-1950) 1 Piano, 4 Hands; Piano Four Hands (P...(+)
Reduction for Piano Four
Hands (1949-1950) 1
Piano, 4 Hands; Piano
Four Hands (Performance
Score) - advanced
SKU:
HL.49019354
Reduction for Piano
Four Hands. Composed
by Nino Rota. Edited by
Rodolfo Alessandrini and
Sara Bartolucci. This
edition: Saddle
stitching. Sheet music.
Piano Duet. Classical,
Duet. Softcover. Composed
1949/1950. 35 pages.
Duration 22'. Schott
Music #ED21391. Published
by Schott Music
(HL.49019354).
ISBN
9790001187527. UPC:
888680697372.
9.0x12.0x0.182
inches.
On
Christmas Eve 1950, the
Italian Radio broadcast a
radio play based on
Adalbert Stifter's
novella Rock Crystal. The
music was written by Nino
Rota, the translation was
made by Gabriella Benci
and Ippolito Pizzetti
(the son of the composer
Ildebrando Pizzetti, one
of Rota's teachers).
Here, too, the duo
carefully edited the
existing piano version.
With these two pieces,
the piano duet repertoire
has taken on a whole new
colour, and both
performers and listeners
can plunge into the
atmosphere of Rota's film
music. Contents: I
Allegretto, con intimo
fervore * II Andante con
moto * III Andantino * IV
Andante immobile * V
Allegro * VI Lento, non
troppo * VII Allegro *
VIII Andantino mosso * IX
Mosso e leggero, appena
rubato * X Andante
sostenuto * XI Allegretto
agitato * XII Grandioso *
XIII Allegretto.
Generalbass SKU: CA.3123214 Composed by Johann Sebastian Bach. Edited by ...(+)
Generalbass
SKU:
CA.3123214
Composed
by Johann Sebastian Bach.
Edited by Ulrich
Leisinger. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL. Basso
continuo. Innovative
practice aids, Masses,
Latin, Lent and
Passiontide. Individual
part. BWV 232. 40 pages.
Duration 100 minutes.
Carus Verlag #CV
31.232/14. Published by
Carus Verlag
(CA.3123214).
ISBN
9790007211035. Language:
Latin.
Bach's B
minor Mass is among the
greatest and most
ambitious works of all
time. The various stages
of composition of the
Mass occupied the
composer for over two
decades: beginning with
the Sanctus (1724), by
way of the Missa of 1733,
to the remaining
movements of the
Ordinary, which were
composed during his last
years. Thus the Mass, in
its wealth of forms with
arias, duets, as well as
concertante and fugal
choruses, displays the
essence of Bach's skill
and personal style. The
greatest musical work of
art of all times and all
peoples (to quote the
enthusiastic Hans Georg
Nageli, who first edited
the Mass in 1818) and one
of the most demanding
choral works in the
repertoire is presented
by Frieder Bernius, the
Kammerchor Stuttgart and
the Barockorchester
Stuttgart in a stellar
recording based on the
principles of historical
performance practice
(Carus 83.211). Awarded
the Gramophone - Editor's
Choice. Score and part
available separately -
see item CA.3123200.
Soli SSATB, SSAATTBB Choir, 2 Fl, 3 Ob/2 Obda, 2 Fg, Cor, 3 Tr, Timp, 2 Vl, Va, ...(+)
Soli SSATB, SSAATTBB
Choir, 2 Fl, 3 Ob/2 Obda,
2 Fg, Cor, 3 Tr, Timp, 2
Vl, Va, Bc
SKU:
CA.3123204
Composed
by Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Stuttgart
Urtext Edition: Bach
vocal; Carus sheet music
series: Vocal scores XL.
XL in large print.
Innovative practice aids,
Masses, Latin, Lent and
Passiontide. Vocal score.
BWV 232. 184 pages.
Duration 100 minutes.
Carus Verlag #CV
31.232/04. Published by
Carus Verlag
(CA.3123204).
ISBN
9790007187866. Language:
Latin.
Bach's B
minor Mass is among the
greatest and most
ambitious works of all
time. The various stages
of composition of the
Mass occupied the
composer for over two
decades: beginning with
the Sanctus (1724), by
way of the Missa of 1733,
to the remaining
movements of the
Ordinary, which were
composed during his last
years. Thus the Mass, in
its wealth of forms with
arias, duets, as well as
concertante and fugal
choruses, displays the
essence of Bach's skill
and personal style. The
greatest musical work of
art of all times and all
peoples (to quote the
enthusiastic Hans Georg
Nageli, who first edited
the Mass in 1818) and one
of the most demanding
choral works in the
repertoire is presented
by Frieder Bernius, the
Kammerchor Stuttgart and
the Barockorchester
Stuttgart in a stellar
recording based on the
principles of historical
performance practice
(Carus 83.211). Awarded
the Gramophone - Editor's
Choice. Score available
separately - see item
CA.3123200.
Violine 1 SKU: CA.3123211 Composed by Johann Sebastian Bach. Edited by Ul...(+)
Violine 1
SKU:
CA.3123211
Composed
by Johann Sebastian Bach.
Edited by Ulrich
Leisinger. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL. Violin
1. Innovative practice
aids, Masses, Latin, Lent
and Passiontide.
Individual part. BWV 232.
32 pages. Duration 100
minutes. Carus Verlag #CV
31.232/11. Published by
Carus Verlag
(CA.3123211).
ISBN
9790007211004. Language:
Latin.
Bach's B
minor Mass is among the
greatest and most
ambitious works of all
time. The various stages
of composition of the
Mass occupied the
composer for over two
decades: beginning with
the Sanctus (1724), by
way of the Missa of 1733,
to the remaining
movements of the
Ordinary, which were
composed during his last
years. Thus the Mass, in
its wealth of forms with
arias, duets, as well as
concertante and fugal
choruses, displays the
essence of Bach's skill
and personal style. The
greatest musical work of
art of all times and all
peoples (to quote the
enthusiastic Hans Georg
Nageli, who first edited
the Mass in 1818) and one
of the most demanding
choral works in the
repertoire is presented
by Frieder Bernius, the
Kammerchor Stuttgart and
the Barockorchester
Stuttgart in a stellar
recording based on the
principles of historical
performance practice
(Carus 83.211). Awarded
the Gramophone - Editor's
Choice. Score and part
available separately -
see item CA.3123200.
Violine 2 SKU: CA.3123212 Composed by Johann Sebastian Bach. Edited by Ul...(+)
Violine 2
SKU:
CA.3123212
Composed
by Johann Sebastian Bach.
Edited by Ulrich
Leisinger. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL. Violin
2. Innovative practice
aids, Masses, Latin, Lent
and Passiontide.
Individual part. BWV 232.
32 pages. Duration 100
minutes. Carus Verlag #CV
31.232/12. Published by
Carus Verlag
(CA.3123212).
ISBN
9790007211011. Language:
Latin.
Bach's B
minor Mass is among the
greatest and most
ambitious works of all
time. The various stages
of composition of the
Mass occupied the
composer for over two
decades: beginning with
the Sanctus (1724), by
way of the Missa of 1733,
to the remaining
movements of the
Ordinary, which were
composed during his last
years. Thus the Mass, in
its wealth of forms with
arias, duets, as well as
concertante and fugal
choruses, displays the
essence of Bach's skill
and personal style. The
greatest musical work of
art of all times and all
peoples (to quote the
enthusiastic Hans Georg
Nageli, who first edited
the Mass in 1818) and one
of the most demanding
choral works in the
repertoire is presented
by Frieder Bernius, the
Kammerchor Stuttgart and
the Barockorchester
Stuttgart in a stellar
recording based on the
principles of historical
performance practice
(Carus 83.211). Awarded
the Gramophone - Editor's
Choice. Score and part
available separately -
see item CA.3123200.
Viola SKU: CA.3123213 Composed by Johann Sebastian Bach. Edited by Ulrich...(+)
Viola
SKU:
CA.3123213
Composed
by Johann Sebastian Bach.
Edited by Ulrich
Leisinger. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal;
Carus sheet music series:
Vocal scores XL. Viola.
Innovative practice aids,
Masses, Latin, Lent and
Passiontide. Individual
part. BWV 232. 24 pages.
Duration 100 minutes.
Carus Verlag #CV
31.232/13. Published by
Carus Verlag
(CA.3123213).
ISBN
9790007211028. Language:
Latin.
Bach's B
minor Mass is among the
greatest and most
ambitious works of all
time. The various stages
of composition of the
Mass occupied the
composer for over two
decades: beginning with
the Sanctus (1724), by
way of the Missa of 1733,
to the remaining
movements of the
Ordinary, which were
composed during his last
years. Thus the Mass, in
its wealth of forms with
arias, duets, as well as
concertante and fugal
choruses, displays the
essence of Bach's skill
and personal style. The
greatest musical work of
art of all times and all
peoples (to quote the
enthusiastic Hans Georg
Nageli, who first edited
the Mass in 1818) and one
of the most demanding
choral works in the
repertoire is presented
by Frieder Bernius, the
Kammerchor Stuttgart and
the Barockorchester
Stuttgart in a stellar
recording based on the
principles of historical
performance practice
(Carus 83.211). Awarded
the Gramophone - Editor's
Choice. Score and part
available separately -
see item CA.3123200.
Choir (SATB choir) SKU: AP.48419 Arranged by Adam Podd. MakeMusic Cloud; ...(+)
Choir (SATB choir)
SKU: AP.48419
Arranged by Adam Podd.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Sacred;
Spiritual; Traditional.
Choral Octavo. 16 pages.
Alfred Music #00-48419.
Published by Alfred Music
(AP.48419).
UPC:
038081552422. English.
Traditional
Spiritual.
This
enthusiastic gospel
treatment of the
traditional Christmas
spiritual is a bona fide
roof-raiser! Additive
verses feature solos,
duets, or entire
sections, and everyone
joins in for the
exuberant refrains. A
final repeated chorus
stacks voice parts to
take the rockin'
arrangement over the top.
Don't miss the fantastic
SoundTrax! This title is
available in MakeMusic
Cloud.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Soli SSATB, SSA ChoirATTBB, 2 Fl, 3 Ob/2 Obda, 2 Fg, Cor, 3 Tr, Timp, 2 Vl, Va, ...(+)
Soli SSATB, SSA
ChoirATTBB, 2 Fl, 3 Ob/2
Obda, 2 Fg, Cor, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3123294
Composed by Johann
Sebastian Bach. Carus
Choir Coach. Messe In
H-Moll.Ccc. Compact Disc.
BWV 232. Duration 100
minutes. Carus Verlag #CV
31.232/94. Published by
Carus Verlag
(CA.3123294).
Language:
Latin.
Bach's B
minor Mass is among the
greatest and most
ambitious works of all
time. The various stages
of composition of the
Mass occupied the
composer for over two
decades: beginning with
the Sanctus (1724), by
way of the Missa of 1733,
to the remaining
movements of the
Ordinary, which were
composed during his last
years. Thus the Mass, in
its wealth of forms with
arias, duets, as well as
concertante and fugal
choruses, displays the
essence of Bach's skill
and personal style. The
greatest musical work of
art of all times and all
peoples (to quote the
enthusiastic Hans Georg
Nageli, who first edited
the Mass in 1818) and one
of the most demanding
choral works in the
repertoire is presented
by Frieder Bernius, the
Kammerchor Stuttgart and
the Barockorchester
Stuttgart in a stellar
recording based on the
principles of historical
performance practice
(Carus 83.211). Awarded
the Gramophone - Editor's
Choice. Score available
separately - see item
CA.3123200.
Soli SSATB, SSA ChoirATTBB, 2 Fl, 3 Ob/2 Obda, 2 Fg, Cor, 3 Tr, Timp, 2 Vl, Va, ...(+)
Soli SSATB, SSA
ChoirATTBB, 2 Fl, 3 Ob/2
Obda, 2 Fg, Cor, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3123293
Composed by Johann
Sebastian Bach. Carus
Choir Coach. Messe In
H-Moll.Ccc. Compact Disc.
BWV 232. Duration 100
minutes. Carus Verlag #CV
31.232/93. Published by
Carus Verlag
(CA.3123293).
Language:
Latin.
Bach's B
minor Mass is among the
greatest and most
ambitious works of all
time. The various stages
of composition of the
Mass occupied the
composer for over two
decades: beginning with
the Sanctus (1724), by
way of the Missa of 1733,
to the remaining
movements of the
Ordinary, which were
composed during his last
years. Thus the Mass, in
its wealth of forms with
arias, duets, as well as
concertante and fugal
choruses, displays the
essence of Bach's skill
and personal style. The
greatest musical work of
art of all times and all
peoples (to quote the
enthusiastic Hans Georg
Nageli, who first edited
the Mass in 1818) and one
of the most demanding
choral works in the
repertoire is presented
by Frieder Bernius, the
Kammerchor Stuttgart and
the Barockorchester
Stuttgart in a stellar
recording based on the
principles of historical
performance practice
(Carus 83.211). Awarded
the Gramophone - Editor's
Choice. Score available
separately - see item
CA.3123200.
Soli SSATB, SSA ChoirATTBB, 2 Fl, 3 Ob/2 Obda, 2 Fg, Cor, 3 Tr, Timp, 2 Vl, Va, ...(+)
Soli SSATB, SSA
ChoirATTBB, 2 Fl, 3 Ob/2
Obda, 2 Fg, Cor, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3123291
Composed by Johann
Sebastian Bach. Carus
Choir Coach. Messe In
H-Moll.Ccc. Compact Disc.
BWV 232. Duration 100
minutes. Carus Verlag #CV
31.232/91. Published by
Carus Verlag
(CA.3123291).
Language:
Latin.
Bach's B
minor Mass is among the
greatest and most
ambitious works of all
time. The various stages
of composition of the
Mass occupied the
composer for over two
decades: beginning with
the Sanctus (1724), by
way of the Missa of 1733,
to the remaining
movements of the
Ordinary, which were
composed during his last
years. Thus the Mass, in
its wealth of forms with
arias, duets, as well as
concertante and fugal
choruses, displays the
essence of Bach's skill
and personal style. The
greatest musical work of
art of all times and all
peoples (to quote the
enthusiastic Hans Georg
Nageli, who first edited
the Mass in 1818) and one
of the most demanding
choral works in the
repertoire is presented
by Frieder Bernius, the
Kammerchor Stuttgart and
the Barockorchester
Stuttgart in a stellar
recording based on the
principles of historical
performance practice
(Carus 83.211). Awarded
the Gramophone - Editor's
Choice. Score available
separately - see item
CA.3123200.
Soli SSATB, SSA ChoirATTBB, 2 Fl, 3 Ob/2 Obda, 2 Fg, Cor, 3 Tr, Timp, 2 Vl, Va, ...(+)
Soli SSATB, SSA
ChoirATTBB, 2 Fl, 3 Ob/2
Obda, 2 Fg, Cor, 3 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.3123292
Composed by Johann
Sebastian Bach. Carus
Choir Coach. Messe In
H-Moll.Ccc. Compact Disc.
BWV 232. Duration 100
minutes. Carus Verlag #CV
31.232/92. Published by
Carus Verlag
(CA.3123292).
Language:
Latin.
Bach's B
minor Mass is among the
greatest and most
ambitious works of all
time. The various stages
of composition of the
Mass occupied the
composer for over two
decades: beginning with
the Sanctus (1724), by
way of the Missa of 1733,
to the remaining
movements of the
Ordinary, which were
composed during his last
years. Thus the Mass, in
its wealth of forms with
arias, duets, as well as
concertante and fugal
choruses, displays the
essence of Bach's skill
and personal style. The
greatest musical work of
art of all times and all
peoples (to quote the
enthusiastic Hans Georg
Nageli, who first edited
the Mass in 1818) and one
of the most demanding
choral works in the
repertoire is presented
by Frieder Bernius, the
Kammerchor Stuttgart and
the Barockorchester
Stuttgart in a stellar
recording based on the
principles of historical
performance practice
(Carus 83.211). Awarded
the Gramophone - Editor's
Choice. Score available
separately - see item
CA.3123200.
Clarinet - easy to intermediate SKU: HL.49045435 For 2 Clarinets. ...(+)
Clarinet - easy to
intermediate
SKU:
HL.49045435
For 2
Clarinets. Composed
by Rudolf Mauz. This
edition: Saddle
stitching. Sheet music.
Woodwind. Classical.
Softcover. 56 pages.
Schott Music #ED22545.
Published by Schott Music
(HL.49045435).
ISBN
9783795709952. Andreas
Schuermann.
The
volume of duets in the
Frohliche Klarinette
series contains
easy-to-play duets from
various music styles:
classical music, jazz,
blues, klezmer, rock and
folk music.In the first
part, the melody is at
first in the lower
register and, when
repeated, an octave
higher. Thus, it is
possible to become
familiar with the
overblown tones and
stabilize them in a
pleasant way. Many of the
pieces do not contain any
overblown tones in the
second part at all.Apart
from their use in music
lessons, the pieces are
also perfect for
concerts, recitals or
other special events. The
duets from jazz, blues,
rock, klezmer and folk
music contain additional
harmonic signs (for C
instruments) which allow
for accompaniment with
guitar, piano, etc.
Guitar (rock and blues) - Beginning-Intermediate SKU: MB.30701M Composed ...(+)
Guitar (rock and blues) -
Beginning-Intermediate
SKU: MB.30701M
Composed by Sven Nier.
Saddle-stitched, Solos,
Duets and Ensembles,
Method, Solos. Dirt
Simple. Style. Book and
online audio. 28 pages.
Mel Bay Publications, Inc
#30701M. Published by Mel
Bay Publications, Inc
(MB.30701M).
ISBN
9781513461663. 8.75 x
11.75 inches.
This
guitar method focuses on
playing engaging rhythmic
themes entirely on open
strings. What seems at
first to be a simple task
quickly becomes a real
challenge, requiring a
high level of accuracy
and an excellent sense of
rhythm. While the picking
hand can only play what
the other hand has
prepared, nothing musical
will happen unless you
pluck the right string.
Sven Niers exercises and
tunes offer motivating,
effective training to
facilitate hitting the
correct string with
precision, winning half
the coordination battle.
While the audio examples
are recorded on an
electric instrument,
guitar teachers and
beginning students in all
styles will appreciate
this innovative book.
Includes access to
outstanding play-along
online audio with and
without the solo
part.
Drum Kit SKU: BT.DHP-0991669-400 By Gert Bomhof. By Gert Bomhof. De Haske...(+)
Drum Kit
SKU:
BT.DHP-0991669-400
By
Gert Bomhof. By Gert
Bomhof. De Haske
Percussion Series.
Method. Book with CD.
Composed 1999. 64 pages.
De Haske Publications
#DHP 0991669-400.
Published by De Haske
Publications
(BT.DHP-0991669-400).
ISBN 9789043107839.
Dutch.
In deze
methode gaat het niet
alleen om technische en
muzikale oefeningen voor
het aanleren van ritme en
drumpatronen: al het
geleerde wordt aan de
hand van swingende
drumsoloâ??s in pop-,
rock- en funkstijl direct
in de praktijk
gebracht.De meeste
stukjes kunnen ook als
duet worden gespeeld. De
vrolijke tekeningen en
drumspelletjes maken deze
methode een must voor
iedere beginnende
drummer.
Guitar - Beginning-Intermediate SKU: MB.97195M A Comprehensive Method ...(+)
Guitar -
Beginning-Intermediate
SKU: MB.97195M
A Comprehensive Method
for Today's
Guitarist!. Composed
by William Bay.
Flatpicking, Style,
Method, Contemporary,
Perfect binding.
Mastering the Guitar.
General/Note Reading and
Chording. Book and online
audio. 184 pages. Mel Bay
Publications, Inc
#97195M. Published by Mel
Bay Publications, Inc
(MB.97195M).
ISBN
9780786696734. UPC:
786696737. 8.75 x 11.75
inches.
Absolutely
the best, most
comprehensive new method
available for guitar.
Introducing the
innovative new Zone
Concept for learning
position playing. Over
150 solos and duets in
the keys of C, G, D, and
B minor. Musical styles:
bossa nova, Latin,
fiddle/tunes/
hornpipes/reels, Celtic
music, ragtime, baroque,
jazz, swing jazz ballads,
American folk ballads,
rock, early-American
hymnody, be-bop, blues,
samba, and tango.
Concepts presented: basic
improvisation, rhythmic
variation, velocity
studies, sight-reading,
passing tone studies ,
chord progression
studies, arpeggio
studies, dropped-D
tuning, blues, blues
turn-arounds,
licks/fills/ breaks, bass
runs, principles of
memorization, chord
studies, minor pentatonic
scale, principles of
successful practice,
priciples of successful
performance, movable
power chords, and rock
comping. New Composers
featured: J.S.
Bach,Carcassi, Moaazni,
Giuliani, Carulli,
Vivaldi, Handel, Sor,
Galilei, Tarrega,
Debussy, H.L. Clark, St.
Jacome, Corelli, Johann
Krieger, Wohlfahrt,
Jeremiah Clarke, plus
guitar duos on selections
from Handels Water Music,
Vivaldis Four Seasons,
and selected Bach
cantatas. Includes access
to extensive online
audio.
Concert Band/Harmonie - Grade 3 SKU: BT.1416-07-140-MS Composed by Brian ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1416-07-140-MS
Composed by Brian Wilson,
Chuck Berry, Danny
Hamilton, and Ray
Hildebrand. Arranged by
Naohiro Iwai. New Sounds
for Concert Band. Pop &
Rock. Score Only.
Composed 2007. 36 pages.
Music Sales #1416-07-140
MS. Published by Music
Sales
(BT.1416-07-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Naohiro Iwai
has here combined three
of the most popular songs
of the 1960's: Surfin'
USA (performed by the
Beach Boys), Hey Paula
(performd by the Pop Duet
Paul and Paula) and the
instrumental music
Diamond Head, by Danny
Hamilton, the first big
success of the POP J (pop
Japanese music). With
Sounds from the
60’s, plunge back
in the grooving tangy
sounds of one of the most
colourful decades.
Naohiro Iwai
versammelte in seinem
Medley für
Blasorchester drei
unvergessene Songs, die
die Popmusik der
Sechziger prägten:
Surfin’ USA
von den Beach Boys,
Hey Paula vom
Popduo Paul & Paula und
das Instrumentalstück
Diamond Head von
Danny Hamilton. Mit
diesem Medley können
Sie die Atmosphäre
einer großen
Pop-Ära wieder
aufleben lassen!
Fanfare Band - Grade 2.5 SKU: BT.1413-07-120-MS Composed by Amy Foster-Gi...(+)
Fanfare Band - Grade 2.5
SKU:
BT.1413-07-120-MS
Composed by Amy
Foster-Gillies, Andrea
Bocelli, and David
Babyface Foster. Arranged
by Wim Stalman. De Haske
Pop Collection. Pop &
Rock. Score Only.
Composed 2007. 20 pages.
Music Sales #1413-07-120
MS. Published by Music
Sales
(BT.1413-07-120-MS).
Composed by Amy
Foster-Gillies, Andrea
Bocelli, and David
Babyface Foster. Arranged
by Wim Stalman. De Haske
Pop Collection. Pop &
Rock. Score Only.
Composed 2007. 20 pages.
Music Sales #1413-07-140
MS. Published by Music
Sales
(BT.1413-07-140-MS).
Brass Band - Grade 2.5 SKU: BT.1413-07-130-MS Composed by Amy Foster-Gill...(+)
Brass Band - Grade 2.5
SKU:
BT.1413-07-130-MS
Composed by Amy
Foster-Gillies, Andrea
Bocelli, and David
Babyface Foster. Arranged
by Wim Stalman. De Haske
Pop Collection. Pop &
Rock. Score Only.
Composed 2007. 20 pages.
Music Sales #1413-07-130
MS. Published by Music
Sales
(BT.1413-07-130-MS).
Pophits.nl Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1104915-120 Arranged by Peter Kleine S...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1104915-120
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2010. 24 pages. De Haske
Publications #DHP
1104915-120. Published by
De Haske Publications
(BT.DHP-1104915-120).
9x12 inches.
English-German-French-Dut
ch.
Pophits.nl
I> is het vervolg op de
succesvolle medley
Hollandse Hits en bevat
weer vier
Nederlandstalige nummers.
De selectie van deze
nummers kwam totstand
door middel van een door
Kunstfactor uitgeschreven
enquête.Deze medley
bevat:Lippen opde
mijne - Nick &
SimonDit nummer werd de
vijfde nummer-1 hit voor
het duo Nick & Simon.Het
nummer heeft een zomerse
inslag en eenhoog
meezinggehalte.
Dochters - Marco
BorsatoDochters is
de veertiende nummer-1
hit voor MarcoBorsato.
Deze gevoelige ballad
beschrijft de levensfases
van een dochter. Van kind
tot aan getrouwde vrouw.
Weer een meesterwerkvan
de hand van John
Ewbank.Mi Rowsu
(Tuintje In Mijn
Hart) - Jan Smit &
DamaruMi Rowsu is
een nummer van
deSurinaamse zanger
Damaru. Hij schreef het
nummer voor zijn dochter.
Mi rowsu is
Surinaams voormijn roos.
In Nederland werd dit
vrolijke nummer bekend
als duet met Jan Smit en
haalde binnen korte tijd
de nummer-1 notering in
de hitlijsten.So
Incredible - Ilse de
LangeSo Incredible
is een single van Ilsede
Lange. Dit nummer
verscheen op 19 september
2008 en bereikte de
nummer-1 positie in de
Single Top 100. Het heeft
een uitgesproken sound en
is de ideale afsluiter
van dezeprachtige
medley.Deze medley geeft
u de gelegenheid weereen
aantal bekende
Nederlandstalige nummers
toe te voegen aan uw
concert of optreden.
Succes verzekerd bij uw
toeschouwers, maar ook
bij uw
muzikanten!
Peter
Kleine Schaars schuf
dieses Medley aus vier
bezaubernden Liedern von
holländischen
Interpreten, die über
die Grenzen unseres
Nachbarlandes hinaus
bekannt sind: Lippen op
de Mijne von Nick &
Simon, Dochters von Marco
Borsato, Mi Rowsu
(Tuintje in Mijn Hart)
von Damaru & Jan Smit
sowie So Incredible von
Ilse de Lange.