Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great masterpieces from the Baroque, Classical, Romantic, and Modern eras. Series: Piano Treasury Series. 399 pages. Published by Music Sales.

By Bernard Gasso (Editor). For Piano. Classical. 192 pages. Published by Music Sales.

Composed by Dmitri Kabalevsky (1904-1987), edited by Carl A. Rosenthal. For piano solo. Format: piano solo book. With standard notation and fingerings. 20th Century and Russian. 90 pages. 9x12 inches. Published by G. Schirmer, Inc.

By Ludwig van Beethoven. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

(75 Early / Late Intermediate Selections to Develop Technique and Musicianship). Edited by Maurice Hinson. For Piano. Piano Collection. Essential Keyboard Repertoire. Masterwork. Early Intermediate / Late Intermediate. Book. 144 pages. Published by Alfred Music Publishing

SKU: CA.5023400

Composed by Josef Gabriel Rheinberger. Edited by Dorothee Gobel. This edition: Linen cover, Complete edition. Josef Gabriel Rheinberger - Complete Works. German title: Klavierwerke Zu 2 Handen I (Ln). Josef Gabriel Rheinberger. Complete Works. Full score (complete edition / selected edition). 176 pages. Carus Verlag #CV 50.234/00. Published by Carus Verlag (CA.5023400).

ISBN 9790007087517.

From the 17th, 18th, and 19th Centuries. Composed by Keith Snell. Neil A. Kjos Piano Library, Collection. Keith Snell Series. Book and online audio. Neil A. Kjos Music Company #GP459. Published by Neil A. Kjos Music Company

Volume 3 of keyboard compositions by Spanish composers of the 16th to 18th century, including Pablo Bruna, Diego Xaraba, D. Scarlatti, Julian Prieto and J.S. Bach

(Nos. 16-32). By Ludwig van Beethoven (1770-1827). Edited by Robert Taub. Schirmer Performance Editions. Published by G. Schirmer (

The World's Great Classical Music. By Various. Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 232 pages. Published by Hal Leonard.

Easiest Piano Pieces by Frederic Chopin. Composed by Frederic Chopin (1810-1849). Edited by Wilhelm Ohmen. Piano. Softcover. 52 pages. Schott Music #ED22459-1. Published by Schott Music (HL.49045374).

Schirmer's Library of Musical Classics Volume 2112. Composed by Various. Piano Collection. Softcover. 232 pages. G. Schirmer #LB2112. Published by G. Schirmer

Edited by Guy/Mcarthur. For Piano. The second installment of this exceptional piano literature series continues to strengthen a student's ability to find and project melody. The music represents a variety of keys, tempi, meters, and style. Includes technical exercises for melodic expression, descriptive summaries for each piece, and composer biographies. Contents include: Fantasia in G major Wq. 117:8 (C.P.E. Bach); Concerto in D Minor BWV 974 2nd mvt (J.S. Bach); Gavotte from French Suite #5 (J.S. Bach); Buciumeana from Romanian Dances No. 4 (Bartok); Bagatelle in F Major Op. 33 No. 3 (Beethoven); Sonata in C# Major Op. 27 No. 2 1st mvt (Beethoven); Dream (Bloch); Waltz in G# Minor Op. 39 No. 3 (Brahms); Mazurka in G Minor Op. 67 No. 2 (Chopin); Prelude in C Minor Op. 28 No. 20 (Chopin

By Ludwig van Beethoven. Edited by Stewart Gordon. For Piano. Piano Collection. Alfred Masterwork Edition. Masterwork. Level: Early Advanced. Book. 260 pages. Published by Alfred Publishing.

Chamber Music String Quartet

SKU: PR.14440265S

Composed by Sydney F. Hodkinson. Large Score. With Standard notation. Duration 25 minutes. Merion Music #144-40265S. Published by Merion Music (PR.14440265S).

UPC: 680160027910.

The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed. Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler. An annunicatory 'leaping motive' (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force. A five-note motive, usually very deliberate, also keeps recurring like an insistent caller. All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic 'grammar' spoken tends to recall the jazz world of my youth. To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms. The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda. The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like 'call-and-response.' It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani. The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto. All three movements make much use of canonic stretti, similar gestures, and repetition. For example, the climax of movement III's Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.
The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed.  Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler.An annunicatory ‘leaping motive’ (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force.  A five-note motive, usually very deliberate, also keeps recurring like an insistent caller.  All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic ‘grammar’ spoken tends to recall the jazz world of my youth.To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms.  The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda.  The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like ‘call-and-response. ’  It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani.  The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto.All three movements make much use of canonic stretti, similar gestures, and repetition.  For example, the climax of movement III’s Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.

By Peter Pickow (Editor) ; Amy Appleby (Editor). For Piano. Romantic, Classical. Sheet Music. 320 pages. Published by Music Sales.

(Schirmer's Library of Musical Classics, Vol. 2071). By Ludwig van Beethoven (1770-1827). Piano Collection. Softcover. 232 pages

Collection for solo piano(all C instruments), . 159 pages. Published by Santorella Publications.

Schirmer's Library of Musical Classics, Vol. 2058. By Muzio Clementi. Piano Collection. Size 9x12 inches. 242 pages. Published by G. Schirmer, Inc. ISBN 0634099221.

Edited by Jane Magrath. For Piano. Piano Collection. Classics Alive!. Masterwork. Level: Intermediate. Book. 96 pages. Published by Alfred Publishing.

Piano Solo. By Various. Piano Collection. Size 9x12 inches. 198 pages. Published by G. Schirmer, Inc.

Edited by Steven Osborne. Classical. Textbook. Trinity College London #TCL024091. Published by Trinity College London

Edited by Ronald Herder. For Piano. Piano Collection. Masterwork. Book. Published by Dover Publications.

Composed by Frederic Chopin (1810-1849), edited by Rafael Joseffy. For piano. Format: piano solo book. With introductory text and performance notes. Romantic period. 212 pages. 9x12 inches. Published by Schirmer.

Piano Solo. Composed by Various. Music Sales America. Classical. Softcover. 352 pages. Music Sales #AM66895. Published by Music Sales