By Victor C Johnson. For SAB choir and piano. Concert, Multicultural. Octavo. Published by Heritage Music Press. (15/2256H)

By Brad Printz. For SATB choir and piano. Christmas, Sacred. Sacred Anthem. Published by Laurel Press. (10/3426LA)

(For You and For Me). Concert Band. Concert Band; Score. Belwin Symphonic Band. Hymn. Grade 4. 32 pages. Published by Belwin Publishing

SKU: LO.99-3899L

Composed by Patricia Mock. Arranged by Faye Lopez. Choral. Sacred Anthem. Performance/accompaniment CD. Lorenz Publishing Company #99/3899L. Published by Lorenz Publishing Company (LO.99-3899L).

UPC: 000308150544.

Perfo rmance/accompaniment CD for Heart Song of Praise (10/5154L) With lyrics drawn from the Psalms, this anthem reflects on the wonders of God’s grace and urges the listener to respond by lifting up a Heart Song of Praise. Containing moments of tenderness and soaring majesty, this memorable piece is enhanced by a lovely oboe part (which can also be performed by flute or violin).

Children's Choir; Choral (2-Part Treble)

SKU: HL.35027760

Composed by Alice Brotherton and Mark Williams. Harold Flammer WorshipSongs Jr. Children'S Choir, Concert, General Worship. Octavo. 8 pages. Duration 127 seconds. Published by Shawnee Press (HL.35027760).

UPC: 884088539078. 6.75x10.5x0.019 inches. Alice Brotherton/Mark Williams.

Uses: General, Spring Concert Scripture: Luke 12:27 This song is a precious message of God's protection and provision for our lives. The lovely melody arches with sensitivity to the words and an optional second part adds warmth and tenderness.

SATB with flute Choral (SATB)

SKU: HL.35019680

Composed by Celsie Staggers, Robert Staggers, and Ruth Elaine Schram. Shawnee Sacred. Christmas Sacred, Christmas/Advent Sacred. Octavo. 12 pages. Shawnee Press #A7829. Published by Shawnee Press (HL.35019680).

UPC: 747510065227. 6.75x10.5x0.029 inches. Celsie and Robert Staggers/Ruth Elaine Schram.

Ruth Elaine Schram has a special gift for writing memorable melodies. This piece is no exception as she tenderly cradles a picturesque text with exquisite tuneful beauty. The contrasting middle section is a challenge for all to hurry and behold the Savior: “Run, run, run to Bethlehem! See this thing which has come to pass...” Then the quietness of the manger returns with a quote from the familiar carol: “O come, let us adore Him.” The optional flute part adds a lovely shimmer to this beautiful nocturne. “Shepherd's Carol” is a must for your Christmas programming.

By Evelyn Larter. For SATB choir, soloist and piano. Christmas, Sacred. Sacred Anthem

(For You and For Me). Concert Band. Concert Band; Part(s); Score. Belwin Symphonic Band. Hymn. Grade 4. 252 pages. Published by Belwin Publishing

By Nestor Taylor. For SSBB soli, SATB Choir divisi (Mixed Voices). Secular. Choral. Moderately Difficult (for divisi writing). 12 pages

Composed by Jackie Frost Halversen. Christmas. Octavo. Duration 2 minutes, 40 seconds. Published by Jackman Music Corporation

Soprano voice & basso continuo

SKU: HH.HH145-FSP

Composed by Tomaso Giovanni Albinoni. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Duration 7 minutes. Edition HH Music Publishers #HH145-FSP. Published by Edition HH Music Publishers (HH.HH145-FSP).

ISBN 9790708041962.

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on a more serious subject than most. Standing at the deathbed of Lidio, who has undeviatingly loved her without reciprocation all his life, Clori is stricken by remorse at her ingratitude and enjoins others to surrender to Cupid. As usual, Albinoni does not wallow in the lachrymose, but there is an affecting tenderness that suffuses the whole cantata.

By Dennis Alexander. For Piano. Piano Solo. Intermediate level piece for the Piano Solo event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Sheet. 4 pages. Published by Alfred Publishing.

By The Commitments. Songbook for voice and piano. From the motion picture The Commitments. 51 pages. Published by Alfred Publishing.

Chorus a cappella

SKU: BR.CHB-5234-02

Composed by Fanny Cecile Mendelssohn. Edited by Gottfried Heinz and J. Draheim. Choir; stapled. Chor-Bibliothek (Choral Library). Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica). Song; Romantic. Choral score. 4 pages. Breitkopf and Haertel #ChB 5234-02. Published by Breitkopf and Haertel (BR.CHB-5234-02).

ISBN 9790004411537. 7.5 x 10.5 inches. German.

Madame Hensel, Mendelssohn's sister, whose eyes speak intelligence and profundity''. This diary entry made by Robert Schumann in June 1843 succinctly but fittingly characterizes Fanny Hensel, without a doubt the most significant woman composer of the 19th century. Born in Hamburg on 14 November 1805, she was the eldest sister of Felix Mendelssohn Bartholdy and the granddaughter of the philosopher Moses Mendelssohn. In 1829 she married the Prussian court painter and occasional poet Wilhelm Hensel (1794-1861). After her sudden death in Berlin on 14 May 1847 as a result of a stroke, the music journalist Ludwig Rellstab poignantly wrote that she shared the brotherhood ef talent with her famous sibling.Fanny Hensel was given the same excellent and comprehensive musical training as her precocious brother, including composition lessons with Goethe's friend Carl Friedrich Zelter. Felix and Fanny not only loved each other tenderly, but they also maintained an intensive, life-long exchange of ideas which proved musically profitable to both of them. However, it was only in 1846 that Mendelssohn gave up his resistance to Fanny's publication plans. And so, just shortly before her death, she was able to publish a carefully selected sample of her songs and piano pieces.Not only these pieces, but also a few orchestral and chamber-music works (e.g. the String Quartet in E flat major, KM 2255) and, in particular, choral music occupy an important position in her oeuvre. Most of her choral works were written in 1846, and she was able to rehearse them with the chorus she conducted at the famous Sunday Concerts in the Mendelssohn home. She had six of these choral songs published in a revised version under the title Gartenlieder Op. 3 by the Berlin music publisher Bote & Bock. The title of the Gartenlieder brings to mind Mendelssohn's well-known Lieder im Freien zu singen (Opera 41, 48, 59; ChB 4763-4780), published before 1846. But, as far as the quality of their melodic writing, the compositional technique, and the choice of texts are concerned, as well as the perfect balance between folk-like simplicity and polished design, they are as outstanding as the works of her brother.

Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica).