Let There Be Peace Chorale 3 parties 3 parties Mixtes [Octavo] Heritage Music Press
Let There Be Peace on Earth with I've Got Peace Like a River. Composed by...(+)
Let There Be Peace on
Earth with I've Got Peace
Like a River.
Composed by Douglas E.
Wagner. Concert. Octavo.
Heritage Music Press
#15/2729H. Published by
Heritage Music Press
(LO.15-2729H).
Piano SKU: DB.01-00681 Fur Klavier, Theremin und Electronica. Comp...(+)
Piano
SKU:
DB.01-00681
Fur
Klavier, Theremin und
Electronica. Composed
by Gernot Wolfgang.
Keyboard music. 19 pages
pages. Doblinger Music
Publishers #01-00681.
Published by Doblinger
Music Publishers
(DB.01-00681).
ISBN
9790012200284.
Cont
emporary Classical meets
Jazz
Grooves.
Theremin'
s Journey is quite
different. True, there is
a piano - which plays
bluesy, filmic, generally
quite unmemorable music -
but add in the theremin
and pre-recorded
electronics and the
listener is off on a
bizarre jazz meets sci-fi
meets film-pop journey.
The high-pitched spooky
whine of the theremin is
unmistakable, and
unforgettable in small
doses, as here; the work
was in fact commissioned
by Joanne Pearce Martin,
who plays both theremin
and piano. This track
actually carries a
'health' warning on the
cover: Crackles are part
of the electronic track
and are intentional: the
CD is not defective! As
it happens, the crackling
is not particularly
noticeable, and in
general the electronics
are atmospheric and
additive in combination
with the theremin.
Especially the first and
last two or three minutes
of the 'journey' are
really quite fascinating
musically.
(musicweb-international.c
om, May 2011) //
Theremin's Journey places
that curiously
otherworldly instrument
and piano in cheeky
avant-garde tandem with
electronic
sonorities...(GRAMOPHONE,
August 2011).
Composed by Matthew
Emery. Duration 3
minutes, 26 seconds. Carl
Fischer Music #CM9774.
Published by Carl Fischer
Music (CF.CM9774).
ISBN 9781491164457.
UPC: 680160923359. Key: E
major. English. Leslie
Grant Scott adapted by
Composer.
I Have
Heard the Music There for
treble voices, optional
descant, with piano is a
lyrical work that
utilizes a reoccurring
motif which grows and
varies. The developing
variation-like use of
this theme speaks to the
image or notion of
growth; the growth of a
tree, of a person, or a
choir. We may start out
small, then vary, change,
develop, transform. The
vocal line’s
slight variation, use of
repetition, imitation,
and canonic-like
movements weave a thread
of familiarity through
the piano’s
tapestry of subtle shifts
in timbre, register, and
alternation between
chorale-like writing and
moments of florid
flourishing; the music
paints the imagery of the
text.The text by Leslie
Grant Scott illuminates
themes of the humanity,
solace, and comfort we
find in Nature. The
forest’s foliage
filters out the harshness
of the world, and we are
calmed by the
forest’s heart. To
me Nature is also a
metaphor for community,
or the network of loved
ones you may have, over
perhaps your choir;
together with compassion
and kindness we are able
to filter the
world’s harshness,
together we grow, we
celebrate, and we listen
to the music around
us.SILENCE [Leslie Grant
Scott, 1912 PD] adpt. M.
EmeryI have heard the
music thereIn the deep
forest's heart, Where
filters the sun's rays,
In a still, golden haze.I
have heard the music
there.The breathless
silence speaks, Bringing
Nature's soft balm And
her great soothing calm
To all those who will
hear.I have heard the
music there.
Dance of the Tumblers Ensemble de Percussions [Conducteur et Parties séparées] - Avancé Tapspace Publications
(from The Snow Maiden). Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-19...(+)
(from The Snow Maiden).
Composed by Nikolay
Andreyevich
Rimsky-Korsakov
(1844-1908). Arranged by
Lewis Norfleet.
Percussion Ensemble. For
glockenspiel, xylophone,
chimes, 2 vibraphones,
two 4.3-octave (low A)
marimbas, two smaller
4-octave marimbas, 4
timpani, snare drum,
small and large crash
cymbals (pairs), bass
drum, triangle, gong,
tambourine. Note for
larger ensembles: If
there is a f (13
players).
Medium-Advanced. Score
and parts on CD-ROM. 18
pages. Duration 3'00 .
Published by Tapspace
Publications
Theresienmesse in B Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg] SKU: CA.4061093<...(+)
Soli SATB, Coro SATB, 2
Clt, 2 Ctr, Timp, 2 Vl,
Va, Bc, [Fg]
SKU:
CA.4061093
Missa
in B. Composed by
Franz Joseph Haydn. Carus
Choir Coach (audio only).
Hob. XXII:12. Duration 37
minutes. Carus Verlag
#4061093. Published by
Carus Verlag
(CA.4061093).
Key: B
flat major.
Latin.
The Mass in
B flat major by Joseph
Haydn is known under the
name
âTheresienmesse.â
The reason for this
epithet has to this day
not been clarified, but
it could have to do with
a performance of this
Mass in Vienna in May
1800, probably in the
presence of the Empress
Marie Therese. Compared
with Haydnâs last
two masses and the large
oratorios, the relatively
modest orchestral scoring
of the Theresienmesse is
notable (for two
clarinets, two trumpets
with timpani, strings and
organ continuo). Thus the
Mass is also easily
performable in those
churches where music
programs have only modest
means at their disposal -
and at the same they can
have this treasure from
the late Viennese
classical period. Score
available separately -
see item CA.4061000.
Theresienmesse in B Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg] SKU: CA.4061092<...(+)
Soli SATB, Coro SATB, 2
Clt, 2 Ctr, Timp, 2 Vl,
Va, Bc, [Fg]
SKU:
CA.4061092
Missa
in B. Composed by
Franz Joseph Haydn. Carus
Choir Coach (audio only).
Hob. XXII:12. Duration 37
minutes. Carus Verlag
#4061092. Published by
Carus Verlag
(CA.4061092).
Key: B
flat major.
Latin.
The Mass in
B flat major by Joseph
Haydn is known under the
name
âTheresienmesse.â
The reason for this
epithet has to this day
not been clarified, but
it could have to do with
a performance of this
Mass in Vienna in May
1800, probably in the
presence of the Empress
Marie Therese. Compared
with Haydnâs last
two masses and the large
oratorios, the relatively
modest orchestral scoring
of the Theresienmesse is
notable (for two
clarinets, two trumpets
with timpani, strings and
organ continuo). Thus the
Mass is also easily
performable in those
churches where music
programs have only modest
means at their disposal -
and at the same they can
have this treasure from
the late Viennese
classical period. Score
available separately -
see item CA.4061000.
Theresienmesse in B Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg] SKU: CA.4061094<...(+)
Soli SATB, Coro SATB, 2
Clt, 2 Ctr, Timp, 2 Vl,
Va, Bc, [Fg]
SKU:
CA.4061094
Missa
in B. Composed by
Franz Joseph Haydn. Carus
Choir Coach (audio only).
Hob. XXII:12. Duration 37
minutes. Carus Verlag
#4061094. Published by
Carus Verlag
(CA.4061094).
Key: B
flat major.
Latin.
The Mass in
B flat major by Joseph
Haydn is known under the
name
âTheresienmesse.â
The reason for this
epithet has to this day
not been clarified, but
it could have to do with
a performance of this
Mass in Vienna in May
1800, probably in the
presence of the Empress
Marie Therese. Compared
with Haydnâs last
two masses and the large
oratorios, the relatively
modest orchestral scoring
of the Theresienmesse is
notable (for two
clarinets, two trumpets
with timpani, strings and
organ continuo). Thus the
Mass is also easily
performable in those
churches where music
programs have only modest
means at their disposal -
and at the same they can
have this treasure from
the late Viennese
classical period. Score
available separately -
see item CA.4061000.
Theresienmesse in B Soli, choeur mixte et accompagnement [Set de Parties séparées] Carus Verlag
(Missa in B). By Franz Joseph Haydn (1732-1809). Edited by Wolfgang Hochstein. F...(+)
(Missa in B). By Franz
Joseph Haydn (1732-1809).
Edited by Wolfgang
Hochstein. For SATB Soli,
SATB Choir, 2 clarinets,
2 Clarino/Trumpet,
Timpani, 2 Violin, Viola,
Basso Continuo,
[Bassoon]. B-Dur (B-flat
major). Stuttgart Urtext
Edition. Score available
separately - see item
CA.4061000. Masses,
Latin. Set of
instrumental parts
(except strings).
Language: Latin. Hob.
XXII:12. 52 pages.
Duration 40 minutes.
Published by Carus Verlag
Theresienmesse in B Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg] SKU: CA.4061091<...(+)
Soli SATB, Coro SATB, 2
Clt, 2 Ctr, Timp, 2 Vl,
Va, Bc, [Fg]
SKU:
CA.4061091
Missa
in B. Composed by
Franz Joseph Haydn.
CD-Reihen bei Carus:
Carus Choir Coach. Carus
Choir Coach (audio only).
Hob. XXII:12. Duration 37
minutes. Carus Verlag
#4061091. Published by
Carus Verlag
(CA.4061091).
Key: B
flat major.
Latin.
The Mass in
B flat major by Joseph
Haydn is known under the
name
âTheresienmesse.â
The reason for this
epithet has to this day
not been clarified, but
it could have to do with
a performance of this
Mass in Vienna in May
1800, probably in the
presence of the Empress
Marie Therese. Compared
with Haydnâs last
two masses and the large
oratorios, the relatively
modest orchestral scoring
of the Theresienmesse is
notable (for two
clarinets, two trumpets
with timpani, strings and
organ continuo). Thus the
Mass is also easily
performable in those
churches where music
programs have only modest
means at their disposal -
and at the same they can
have this treasure from
the late Viennese
classical period. Score
available separately -
see item CA.4061000.
Songs for SATB Choir
(English Edition).
Composed by Ilse Weber.
BH Secular Choral.
Classical. Softcover. 20
pages. Bote & Bock
#M202535004. Published by
Bote & Bock
(HL.48024388).
9.0x12.0x0.086
inches.
Ilse Weber
(1903-1944) played these
songs composed and
composed by her with
children in ghetto
Theresienstadt to the
guitar. She went to the
infirmary with children
of the infirmary in the
Auschwitz concentration
camp. Prisoners testify
that she tried to console
the children in the gas
chamber with their
lullaby Wiegala. Winfried
Radeke has already
presented Ilse Weber's
song collection Ich
wandre durch
Theresienstadt in 2008 in
an edition for voice and
piano. It is now also
making choirs available
in versions for
three-part women's choir
and four-part mixed choir
in German and English
editions. In her
simplicity and intimacy
Ilse Weber's songs are
among the most touching
testimonies from
Theresienstadt. They keep
the memory of the
Nazi-persecuted author
sounding alive.
Lieder für
vierstimmigen gemischten
Chor. Composed by
Ilse Weber. BH Secular
Choral. Classical.
Softcover. 20 pages. Bote
& Bock #M202534984.
Published by Bote & Bock
(HL.48024386).
9.0x12.0x0.102
inches.
Ilse Weber
(1903-1944) played these
songs composed and
composed by her with
children in ghetto
Theresienstadt to the
guitar. She went to the
infirmary with children
of the infirmary in the
Auschwitz concentration
camp. Prisoners testify
that she tried to console
the children in the gas
chamber with their
lullaby Wiegala. Winfried
Radeke has already
presented Ilse Weber's
song collection Ich
wandre durch
Theresienstadt in 2008 in
an edition for voice and
piano. It is now also
making choirs available
in versions for
three-part women's choir
and four-part mixed choir
in German and English
editions. In her
simplicity and intimacy
Ilse Weber's songs are
among the most touching
testimonies from
Theresienstadt. They keep
the memory of the
Nazi-persecuted author
sounding alive.
SATB choir, piano SKU: AU.9781451451696 Composed by Sally Kidwell. Octavo...(+)
SATB choir, piano
SKU:
AU.9781451451696
Composed by Sally
Kidwell. Octavo.
Published by Augsburg
Fortress
(AU.9781451451696).
Frederick
Faber's inspiring and
encouraging text is
remarkably set by Sally
Kidwell. Within the
piece, there is a mellow
reflection on Faber's
original words, which
expresses how God's love
is beyond what we
understand of it. The
soft interweaving and
rejoining of voices give
the anthem a drifting
charm, as the phrases are
delicately pulled and
reshaped.
By Sr. Marie Therese Sokol. For Voices: SATB. Instruments: Harp, violin, cello, ...(+)
By Sr. Marie Therese
Sokol. For Voices: SATB.
Instruments: Harp,
violin, cello, bass
(instruments optional).
Keyboard accompaniment.
For the centenary of St.
Therese of Lisieux,
1897-1997. Choral Sacred.
Published by GIA
Publications.
The Haunted Carousel Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(For Band with Optional iPad Theremin). Composed by Erika Svanoe. Concert Band. ...(+)
(For Band with Optional
iPad Theremin). Composed
by Erika Svanoe. Concert
Band. Concert Band;
Part(s); Score. Young
Symphonic. Fall;
Halloween. Grade 3. 268
pages. Published by
Alfred Music
By Lori True. Arranged by Lori; Haas Kybd: True. For Voices: Unison or assembly....(+)
By Lori True. Arranged by
Lori; Haas Kybd: True.
For Voices: Unison or
assembly. Instruments: C
instrument (instruments
optional). Keyboard
accompaniment. "Today We
Have Gathered" from
Circles of Care: Hymns
and Songs. Wedding
Sacred. Published by GIA
Publications. Level:
5.
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252