By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arranged by Mar...(+)
By Ludwig van Beethoven
(1770-1827). Edited by
Jonathan Del Mar.
Arranged by Martin
Schelhaas. For
Piano/Violin/Violoncello
(Solo Piano/Solo
Violin/Solo
Violoncello/Flute/2
Oboes/2 Clarinets/2
Bassoons/2 Horns/2
Clarions/Timpani/2
Violins/Viola/Violoncello
/Contrabass). This
edition: Paperback,
Urtext edition. Piano
reduction, Set of parts.
Opus 56. 91/44/19/19
pages. Duration 35'.
Published by Baerenreiter
Verlag
With a Preface by Susanne Shigihara - for Violoncello solo. By Max Reger. Edited...(+)
With a Preface by Susanne
Shigihara - for
Violoncello solo. By Max
Reger. Edited by
Wolf-Dieter Seiffert.
Violoncello. Pages: VI
and 25. Urtext
edition-paper bound.
Published by G. Henle.
With Comments in English. By Alfredo Piatti. Edited by C. Bellisario. Violoncell...(+)
With Comments in English.
By Alfredo Piatti. Edited
by C. Bellisario.
Violoncello. Pages: V and
40. Urtext edition
(Paper-bound). Published
by G. Henle.
Scholarly-critical performing edition. Composed by Johann Sebastian Bach (168...(+)
Scholarly-critical
performing edition.
Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Douglas Woodfull-Harris
and
Bettina Schwemer. This
edition: Facsimile,
Urtext
edition. In a folder.
Barenreiter Urtext. Six
Suites for Violoncello
solo.
Performance Score(s),
anthology, book,
facsimile.
BWV 1007-1012.
Baerenreiter
Verlag #BA05217.
Published
by Baerenreiter Verlag
Cello SKU: HU.HN780 Composed by Eugene Ysaye. Edited by Christian Bellisario. C...(+)
Cello
SKU: HU.HN780
Composed by Eugene Ysaye.
Edited by Christian
Bellisario. Cello Solo,
Strings, Repertoire,
Solos. Sonata for
Violoncello solo Op. 28.
20th Century, Classical.
Softcover Book. 14 pages.
G. Henle #HN780.
Published by G. Henle
(HU.HN780).
12.2 x 9.3 inches.
(Francesco Geminiani - Opera Omnia. Critical Edition directed by Christopher Hog...(+)
(Francesco Geminiani -
Opera Omnia. Critical
Edition directed by
Christopher Hogwood).
Composed by Francesco
Geminiani (1687-1762).
Edited by Christopher
Hogwood. For Violoncello
and Basso Continuo;
Violin and Basso
Continuo. Opera Omnia -
Vol. 5. Early Music.
Critical commentary. Op.
5 (H. 103-108, H.
109-114). 152 pages.
Published by Ut Orpheus
For Flute, Oboe, Viola, Violoncello and Glass Harmonica (Piano). By Wolfgang Ama...(+)
For Flute, Oboe, Viola,
Violoncello and Glass
Harmonica (Piano). By
Wolfgang Amadeus Mozart.
Edited by H. Wiese.
Chamber Music with Winds.
Pages: Score = VI and 21
* Fl = 3 * Ob = 3 * Va =
3 * Vc = 3 *
Glasharmonica = 8. Urtext
edition-paper bound.
Published by G. Henle.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-23. Published by
Breitkopf and Haertel
(BR.OB-5283-23).
ISBN
9790004332863. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Violoncello Solo or Duet & Piano (Organ) or CD Play Back / Play Along - Grade 2+...(+)
Violoncello Solo or Duet
& Piano (Organ) or CD
Play Back / Play Along -
Grade 2+
SKU:
MA.EMR-50353
28
Christmas Carols / 28
Melodies de Noel.
Composed by Dennis
Armitage. Score and
parts. Duration 33'00.
Editions Marc Reift #EMR
50353. Published by
Editions Marc Reift
(MA.EMR-50353).
Possible
instrumentations: 2 Violoncellos & CD Play
Back / Play Along 2
Violoncellos & Organ (+
CD Play Back / Play Along
optional) 2
Violoncellos & Piano (+
CD Play Back / Play Along
optional) Violoncello
& CD Play Back / Play
Along Violoncello &
Organ (+ CD Play Back /
Play Along
optional) Violoncello
& Piano (+ CD Play Back /
Play Along optional).
Piano - advanced to difficult SKU: HL.49019305 Recitative and Romance ...(+)
Piano - advanced to
difficult
SKU:
HL.49019305
Recitative and Romance
from Tannhauser by
Richard Wagner.
Composed by Richard
Wagner. Edited by Wilhelm
Ohmen. Arranged by Franz
Liszt. This edition:
Saddle stitching. Sheet
music. Piano. Softcover.
12 pages. Duration 6'.
Schott Music #ED21300.
Published by Schott Music
(HL.49019305).
ISBN
9790001180597. UPC:
841886018105.
9.0x12.0x0.068
inches.
Arrangement
s for the piano,
transcriptions and opera
paraphrases take up a
large part in Franz
Liszt's complete ouvre.
He even arranged scenes
from the music dramas of
Richard Wagner. The
transcription of 'Lied an
den Abendstern' comes
from the third act of the
romantic opera Tannhauser
und der Sangerkrieg auf
Wartburg. In his
transcription of 1849
Liszt kept exactly to
Wagner's original but he
divided the scene into
'Recitative' and
'Romance'. He transposed
the piece to the keys of
G sharp minor and A flat
major, which sound warmer
on the piano and which
also allow for a more
easy-to-play romantic
piano setting. Liszt uses
the cantilena of the
violoncellos in Wagner's
original as tonal
highlight with octaves in
the descant. A
transcription that is
beautiful to listen to
for both pianist and
audience and perfectly
suitable for concert
performances and
recitals.
(Fantasia for Cello and Piano). Composed by Edward Mollenhauer. Edited by Christ...(+)
(Fantasia for Cello and
Piano). Composed by
Edward Mollenhauer.
Edited by Christoph
Sassmannshaus. For cello
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Transcribed for
Violoncello and Piano.
Level 2. Piano reduction,
part(s). Published by
Baerenreiter Verlag
(Fantasia for Cello and Piano). Composed by Edward Mollenhauer. Edited by Christ...(+)
(Fantasia for Cello and
Piano). Composed by
Edward Mollenhauer.
Edited by Christoph
Sassmannshaus. For cello
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Transcribed for
Violoncello and Piano.
Level 2. Piano reduction,
part(s). Published by
Baerenreiter Verlag
For Violoncello. Includes a high-quality printed music score and a compact disc ...(+)
For Violoncello. Includes
a high-quality printed
music score and a compact
disc containing a
complete performance with
soloist; then a second
version with the
orchestral accompaniment,
minus you, the soloist.
Published by Music Minus
One.
For Violoncello. Includes an authoritative, newly engraved music score printed o...(+)
For Violoncello. Includes
an authoritative, newly
engraved music score
printed on high-quality
ivory paper, and two
compact discs containing:
a complete version with
both soloists; then a
second version in digital
stereo of the orchestral
accompaniment, minus the
'cellist; and a third
version minus both
soloists. Published by
Music Minus One.
For Violoncello. Includes a high-quality printed music score and a compact disc ...(+)
For Violoncello. Includes
a high-quality printed
music score and a compact
disc containing a
complete performance with
soloist; then a second
version with the
orchestral accompaniment,
minus you, the soloist.
Published by Music Minus
One.
For Violoncello. Includes an authoritative, newly engraved music score printed o...(+)
For Violoncello. Includes
an authoritative, newly
engraved music score
printed on high-quality
ivory paper, and a
compact disc containing a
complete version with
soloist); then a second
version in digitally
remastered stereo of the
orchestral accompaniment,
minus the soloist.
Published by Music Minus
One.
For Violoncello. Includes complete printed music score on high-quality ivory pap...(+)
For Violoncello. Includes
complete printed music
score on high-quality
ivory paper, including
extensive performance
notes by the composer;
and a compact disc
containing a complete
performance with soloist
in digital stereo, then
performed again minus
you, the soloist.
Published by Music Minus
One.
Harpsichord/piano SKU: BR.OB-5509-12 Urtext. Composed by Carl Phil...(+)
Harpsichord/piano
SKU:
BR.OB-5509-12
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. This edition:
harpsichord/piano part.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Part. 16
pages. Duration 27'.
Breitkopf and Haertel #OB
5509-12. Published by
Breitkopf and Haertel
(BR.OB-5509-12).
ISBN
9790004338452. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Cello; Orchestra (Full Score) SKU: HL.48010942 Volume 29b Works for Vi...(+)
Cello; Orchestra (Full
Score)
SKU:
HL.48010942
Volume
29b Works for Violoncello
and Orchestra.
Composed by Frederick
Delius. This edition:
M060075315. Boosey &
Hawkes Scores/Books.
Classical, Collection,
Contemporary. 80 pages.
Boosey & Hawkes
#M060075315. Published by
Boosey & Hawkes
(HL.48010942).
UPC:
073999928303.
10.0x13.5x0.224
inches.
Contents:
Concerto for Violoncello
and Orchestra * Caprice
and Elegy for Violoncello
Solo and Chamber
Orchestra.
Arrangement for Violoncello and Piano by the Composer. By Edward Elgar. Edited b...(+)
Arrangement for
Violoncello and Piano by
the Composer. By Edward
Elgar. Edited by Jonathan
Del Mar. For Cello Solo,
piano. Piano
Reduction/Vocal Score;
Urtext Edition. Op. 85.
Duration 25'. Published
by Baerenreiter-Ausgaben
(German import). (BA9040
90)
Cello and piano SKU: M7.VHR-3921 Ein Stück - eine Lage. Mit 14 groo...(+)
Cello and piano
SKU:
M7.VHR-3921
Ein
Stück - eine Lage. Mit
14 groovigen Stücken
zum Lagenprofi am
Cello.. Composed by
Johannes Sollner and
Stephanie Schupp. Sheet
music with Online
material. 44 pages.
Holzschuh Musikverlag
#VHR 3921. Published by
Holzschuh Musikverlag
(M7.VHR-3921).
ISBN
9783864341588.
Lage
nspiel auf dem Cello mit
garantiertem
Spaß-Faktor! 14
poppig-rockig-groovige
Stücke von Tango bis
Pop-Ballade, von Swing
bis Heavy Metal. Jedes in
einer anderen Lage, von
der halben Lage eng bis
zur 4. Lage weit. Ideal,
um einzelne oder alle
Lagen neu zu erlernen, zu
wiederholen oder zu
vertiefen. Mit leichter,
aber cooler
Klavierbegleitung. Dazu
kostenlose Play-alongs
zum Download oder zum
Streamen. Kurzum: eine
STEILVORLAGE für
Cello-Unterricht,
Vorspiele oder zum
alleine Grooven! Die
Ausgabe enthält einen
20-seitigen Einleger
für Violoncello solo.
Außerdem
erhältlich: Ausgabe
für Violoncello solo
und Begleitcello
(Bestellnummer VHR
3920).
(after the Suites for Violoncello solo BWV 1007, 1009). Composed by Johann Sebas...(+)
(after the Suites for
Violoncello solo BWV
1007, 1009). Composed by
Johann Sebastian Bach
(1685-1750). Arranged by
Joachim Linckelmann. For
flute. Stapled.
Solissimo. After the
Suites for Violoncello
solo BWV 17, 19. Level 2.
Performance score. Text
Language:
German/English/French. 15
pages. Published by
Baerenreiter Verlag
(Basso ad libitum). By Wolfgang Amadeus Mozart (1756-1791). Edited by Albrecht H...(+)
(Basso ad libitum). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Albrecht Holder and James
Massol. For Bassoon,
Cello, Basso Continuo.
Schott. Softcover. 36
pages. Schott Music
#ED21137. Published by
Schott Music
For Alto Saxophone. Classical (Laureate Master Classes with piano). Includes a h...(+)
For Alto Saxophone.
Classical (Laureate
Master Classes with
piano). Includes a
high-quality printed
music score annotated
with performance
suggestions and a compact
disc with complete
versions (with soloist)
followed by piano
accompaniments to each
piece, minus the soloist.
Published by Music Minus
One
Cello and 13 solo strings (Cello) SKU: HL.49018807 For Violoncello Sol...(+)
Cello and 13 solo strings
(Cello)
SKU:
HL.49018807
For
Violoncello Solo and 13
Solo Strings.
Composed by Bertold
Hummel. This edition:
Paperback/Soft Cover.
Sheet music. Study Score.
Study score. Composed
1984. Op. 80. 92 pages.
Duration 25'. Schott
Music #ED20743. Published
by Schott Music
(HL.49018807).
ISBN
9790001169738. UPC:
884088668075.
8.25x11.75x0.243
inches.
Hummel's
piece for solo
violoncello and 13
strings follows Hermann
Hesse's famous poem
'Stufen' ('Steps') with
regard to form and
content. Hummel, a
cellist himself, arranges
the solo part with
playing techniques and
tone colours that are
typical of the
instrument. The work
begins and ends with a
perfect fifth which sets
a clear, concise motif.
Short phrases in
distinctive bowing
patterns and harmonics
determine the intensive
dialogue between solo
instrument and the group
of 13 string instruments.
At the end, the tension
leads to an
all-explanatory B-A-C-H
theme: an unmistakable
homage to the old
master.
Urtext. Composed
by Edouard Lalo. Edited
by Peter Jost. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
first definitive author's
version - In Cooperation
with G. Henle Verlag.
Solo concerto; Romantic.
Part. 12 pages. Breitkopf
and Haertel #OB 15100-23.
Published by Breitkopf
and Haertel
(BR.OB-15100-23).
ISBN
9790004339671. 10 x 12.5
inches.
In the past
years, French music has
become a focal point of
Breitkopf's orchestral
library. With Edouard
Lalo's popular
violoncello concerto,
these new editions of
French music now bring
publishers Breitkopf and
G. Henle together once
again in another example
of their proven
cooperation. Peter Jost,
an expert on French music
who established his claim
to expertise through his
Debussy, Franck and
Saint-Saens editions,
ensures a flawless Urtext
edition which is based
for the first time on the
autograph piano
reduction. This
piano-cello score shows
traces of several layers
of arrangements, the last
two of which were
obviously not taken into
account in the first
edition. The new edition
thus offers a wealth of
new, authentic readings.A
carefully researched text
with clear and spacious
printing highlights this
sympathetic collaboration
of two esteemed
publishing houses,
Breitkopf & Hartel and
Henle. (Mary Nemet,
Strings)
