For Violin, Violoncello, Piano and Orchestra - Piano Reduction. By Ludwig van Beethoven. Edited by B.V.D. Linde, H. Kann. Work for the Stage. Pages: Piano Reduction = IV and 103* Vl = 16 * Vc = 16 * Solo Pno = 38. Piano Reduction-paper bound. Published by G. Henle.

Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Ulrich Leisinger. For violoncello solo. Baroque. 5-8. Full score. Standard notation. 93 pages. Published by Wiener Urtext/Vienna Urtext

Cello - Level 4

SKU: VD.ED96372

Fassung fur Violoncello solo. Composed by Henning Frederichs. Classical. Playing score. Composed 1990. 6 S. pages. Verlag Dohr #ED96372. Published by Verlag Dohr (VD.ED96372).

ISBN 9790202003725. 11.69 x 8.26 inches.

Violoncello - Level 5

SKU: BA.BA11071

Composed by Matthias Pintscher. In a folder. Part II of the cycle Profiles of Light. Performance score. Composed 2015. 4 pages. Baerenreiter Verlag #BA11071_00. Published by Baerenreiter Verlag (BA.BA11071).

ISBN 9790006562015. 42 x 29.7 cm inches.

“Now II” is the second part of a triptych of chamber pieces entitled “Profiles of Light”. The first part is written for solo piano (Now I, BA 11073), the second for unaccompanied cello. The two instruments are then combined in the concluding third part, Uriel (BA 11013).

All three pieces were inspired by the Abstract Expressionist paintings of the American artist Barnett Newman. Newman's work has had a formative impact on Matthias Pintscher's artistic philosophy: what does it mean to reduce things to essentials while seeking maximum immediacy of expression? Several of Newman's paintings have a radiant light of uncommon intensity, yet resembling a dark illumination. The same sort of thing is found in the late works of Franz Schubert, where a comparable profundity and retrospective yearning likewise shine through the surface of even the brightest tonalities.

This is a piece about resonances, about the inward and outward givens of existence, about life itself: 'I find the cello a highly suitable instrument for depicting such existential conditions'.

Cello

SKU: HL.50600309

Composed by Franghiz Ali-Zadeh. String. Classical. Softcover. Sikorski #SIK8542. Published by Sikorski (HL.50600309).

Oyan! for violoncello solo by Franghiz Ali-Zadeh.

Violoncello (solo: vc - 0.2.0.0 - 2.0.0.0 - str)

SKU: BR.OB-3770-23

Composed by Franz Joseph Haydn. Edited by Francois Auguste Gevaert. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 3770-23. Published by Breitkopf and Haertel (BR.OB-3770-23).

ISBN 9790004301678. 9 x 12 inches.

Cello

SKU: HL.50600302

Composed by Milko Kelemen. String. Classical. Softcover. Sikorski #SIK8539. Published by Sikorski (HL.50600302).

0.068 inches.

Musica amorosa for violoncello solo by Milko Kelemen.

(BWV 1007-1012. Faksimile der vier Quellen im Beiband zum Kritischen Bericht). Composed by Johann Sebastian Bach (1685-1750). Edited by Hans Eppstein. For cello. This edition: Complete edition, Urtext edition. Linen. New Bach Edition. Series VI, Volume 2. Performance score, anthology. BWV 1007-1012. Published by Baerenreiter Verlag

For 2 Violins, Violoncello and Piano (Harpsichord) - Score with Parts. By Franz Joseph Haydn. Edited by H. Walter. Piano Quartets. Pages: Score = 47 * Vl I Part = 12 * Vl II Part = 12 * Vc Part = 12. Full score-paper bound. Published by G. Henle.

by Craig Duncan. For violin. solos. Non-Series. Classic. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 48 pages. Published by Mel Bay Publications, Inc.

By Edward Elgar (1857-1934). Edited by Jonathan Del Mar. For Violoncello-Solo, Orchestra. Wind Parts; Urtext Edition. Op. 85

Violoncello Solo. By Mikhail Bukinik. Schott. Book only. Size 9x12 inches. 24 pages. Published by Schott.

By Friedhelm Rentzsch. For violoncello. German title: Monolog fur Vc (1979). Full score. Language: all languages. Composed 1979. 4 pages. Duration 7 minutes. Published by Carus Verlag full score

With Comments in English. By Eugene Ysaye. Edited by Chr. Belllisario. Violoncello. Pages: V and 10. Urtext edition (Paper-bound). Published by G. Henle.

Manuscrits uniques conserves dans la collection du Comte de Schonborn-Wiesentheid, dates de 1725. By Giovanni Benedetti Platti. Edited by Frohmut Dangel-Hofmann. Violoncelle et basse continue. For Cello. Facsimiles. Collection Dominantes. Level: Grade 0. 80 pages. Published by Editions Fuzeau Classique - France (French import).

By Antal Friss. EMB. Size 9x12 inches. 67 pages. Published by Editio Musica Budapest.

By Antonio Vivaldi. Arranged by Gian Francesco Malipiero, Fritz Zobeley. String Solo. Size 9x12 inches. 37 pages. Published by Ricordi.

Cello

SKU: HL.50510645

Composed by Antal Friss. EMB. Volume 5. Method. Book [Softcover]. 74 pages. Editio Musica Budapest #Z6563. Published by Editio Musica Budapest (HL.50510645).

ISBN 9790080065631. UPC: 073999697803. 9.0x12.0x0.245 inches. Hungarian, English.

Violoncell o Solo. Eng, Hun.

Violoncello

SKU: BA.BA05277

Composed by Johann Sebastian Bach. Edited by Andrew Talle. This edition: facsimile. Paperback. Facsimile. BWV 1007-1012. Baerenreiter Verlag #BA05277_00. Published by Baerenreiter Verlag (BA.BA05277).

ISBN 9790006569618. 32.5 x 25.5 cm inches.

The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.

Consideri ng the worksâ?? significance, the great number of editions in existence is not surprising. However, the composerâ??s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing.

This facsimile edition is the first to juxtapose all four autograph sources as well as the first print (along with Bachâ??s own arrangement of Suite No. V for lute). For the first time, readers can compare a specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources.

The Concerto for Clarinet, Violoncello and Chamber Orchestra is an alternative scoring of the originalConcerto for Clarinet and Viola Op. 91

By Antal Friss. EMB. Size 9x12 inches. 94 pages. Published by Editio Musica Budapest.