| Sacred Songs for Fingerstyle Guitar Guitare notes et tablatures - Débutant Mel Bay
Saddle-stitched. Folk. Book and online audio. Mel Bay Publications, Inc #310...(+)
Saddle-stitched. Folk.
Book
and online audio. Mel Bay
Publications, Inc #31074.
Published by Mel Bay
Publications, Inc
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chaconne Piano seul Schott
Transcription from Partita No. 1 in D Minor BWV1004 Piano Solo. Composed by ...(+)
Transcription from
Partita
No. 1 in D Minor BWV1004
Piano Solo. Composed by
Martin Stadtfeld. Piano
Solo.
Classical. Softcover. 24
pages. Schott Music
#ED23299.
Published by Schott Music
$21.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bluegrass Picker's Tune Book [Partition] Mel Bay
By Richard Matteson, Jr. For Fretted. Tune book. Bluegrass. Level: Beginning. Bo...(+)
By Richard Matteson, Jr.
For Fretted. Tune book.
Bluegrass. Level:
Beginning. Book. Size
8.75x11.75. 248 pages.
Published by Mel Bay
Publications, Inc.
(1)$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hofner - The Complete Violin Bass Story Livre - Pas de partitions [Livre] Centerstream
Reference. Guitar Reference, Pop Reference, Bass Reference. Softcover. 320 pag...(+)
Reference. Guitar
Reference, Pop
Reference, Bass
Reference. Softcover. 320
pages. Published by
Centerstream Publications
(HL.119788).
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphonie Nr. 4 e-moll op. 98 Orchestre [Conducteur d'étude / Miniature] Breitkopf & Härtel
(study score). By Johannes Brahms (1833-1897). Edited by Hans Gal. For orchestra...(+)
(study score). By
Johannes Brahms
(1833-1897). Edited by
Hans Gal. For orchestra.
Breitkopf Full Scores.
Parts, Urtext. 104 pages
$20.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Art of Violin Playing, The-Bk. 1 Violon [Livre] Carl Fischer
Book One. By Carl Flesch. Edited by E. Rosenblith. Arranged by E. Rosenblith A. ...(+)
Book One. By Carl Flesch.
Edited by E. Rosenblith.
Arranged by E. Rosenblith
A. Mutter. For Violin.
Masters Collection.
Classical. Text. 192
pages. Published by Carl
Fischer.
$42.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Getting Into Bluegrass Banjo Banjo [Partition + Accès audio] Mel Bay
Banjo - Beginning-Intermediate SKU: MB.20803M Composed by Alan Munde. Squ...(+)
Banjo -
Beginning-Intermediate
SKU: MB.20803M
Composed by Alan Munde.
Squareback saddle stitch,
Banjo: 5-String,
Bluegrass, Method.
Getting Into. Style. Book
and online audio. 96
pages. Mel Bay
Publications, Inc
#20803M. Published by Mel
Bay Publications, Inc
(MB.20803M). ISBN
9780786690916. 8.75 x
11.75 inches. The
Getting Into Bluegrass
Banjo book and audio by
Alan Munde is the
accumulation of
successful teaching
concepts developed in his
40 plus years as a
professional bluegrass
musician and teacher.
Munde presents a
straight-forward and
well-founded course of
bluegrass banjo
essentials. Designed for
those who have never
played a stringed
instrument to those
taking up bluegrass banjo
as a second instrument.
Includes access to online
audio. Getting Started -
Covers the parts of the
banjo, hand positions,
first picking patterns,
pull-offs, hammer-ons,
slides, exercise songs,
ending with the
professional sounding
Levelland Mountain
Breakdown. Review of
Rolls, New rolls, and
combinations of Rolls,
with Examples - Offers
the most used rolls in
bluegrass banjo playing
with often-played
examples of each. The
player learns many of the
licks used in the style
with an example of how to
combine them to make a
solo. Roll Logic - How to
place a melody into the
several different roll
patterns. Tools and
Techniques - Helps
develop left hand
techniques through the
use of intervals of
thirds and
sixths.Creating Solos to
Songs - At the heart of
the book is this
revealing section with
many examples of how to
create many, many solos
to the song Jesse
James.Songs - Put to use
all you have learned on
these great standards
Ground Hog, Wildwood
Flower two versions ,Nine
Pound Hammer, Worried Man
Blues, Lost All My Money,
Old Country Church, Kneel
at the Cross, and Train
45. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Early Jazz Dances, Songs, Instrumentals for Fingerstyle Guitar Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.31060M Perfect binding. Jazz. Book and onli...(+)
Guitar - Intermediate
SKU: MB.31060M
Perfect binding. Jazz.
Book and online audio.
180 pages. Mel Bay
Publications, Inc
#31060M. Published by Mel
Bay Publications, Inc
(MB.31060M). ISBN
9781513468051. 8.75x11.75
inches. As aspiring
fingerpicking guitarists
started expanding their
horizons from folk,
blues, and ragtime in the
1970s, it was only
logical to look towards
early jazz tunes as a
vast source for new
possibilities. For one
thing, they could follow
the same evolutionary
path from ragtime to jazz
that had been taken by
pianists such as Jelly
Roll Morton and Harlem
stride players like James
P. Johnson and Fats
Waller. These musicians
all composed in a variety
of styles, but their most
ambitious piano solos
expanded on the classic
ragtime format developed
by the likes of Scott
Joplin, James Scott, and
Joseph Lamb, using
several strains that
usually changed keys at
least once. Morton, the
self-proclaimed inventor
of jazz, would record
versions of tunes like
King Porter
Stomp and The
Original Jelly Roll
Blues that are
similar to straight
ragtime performances, and
others where there is
lots of room left for
embellishment and jazz
improvisation.
The present
collection is a bonanza
for guitarists who want
to tackle advanced
arrangements along the
lines of ragtime but
featuring jazz age
harmonies from the
playing of Jelly Roll
Morton, Louis Armstrong,
Bix Beiderbecke, WC
Handy, the Original
Dixieland Jazz Band and
other early jazz legends.
The 32 arrangements
included are by a wide
assortment of guitarists
including Ernie Hawkins,
Pat Donohue, Lasse
Johansson, Duck Baker,
Ton Van Bergeyk, Sandy
Shalk, Steve McWilliam,
and Dorian Henry.
Titles
include: Oh, You
Beautiful Doll,
I’ve Got The
Blues, High Society, St.
Louis Blues, Davenport
Blues, Poor Butterfly,
Dixie Jass Band One-Step,
Memphis Blues, Big Foot
Ham, Grandpa’s
Spells, The Original
Jelly Roll Blues,
Midnight Mama, Milenberg
Joys, Fizz Water, Back
Home in Indiana, Sweet
Georgia Brown, Red Wing
(An Indian Intermezzo),
There’ll Be Some
Changes Made, Way Down
Yonder In New Orleans,
Charleston, Where The
Morning Glories Grow,
Limehouse Blues, Susie
(of the Islands), I Need
Some Pettin’,
Weather Bird, Cornet Chop
Suey, Kansas City Stomps,
King Porter Stomp,
Jubilee Stomp, Take It
Easy, If I Had You,
Moonlight
Serenade $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hammond Organ Complete - 2nd Edition Orgue [Partition + Accès audio] Berklee
Tunes, Tones, and Techniques for Drawbar Keyboards. Berklee Guide. Instruction...(+)
Tunes, Tones, and
Techniques
for Drawbar Keyboards.
Berklee Guide.
Instruction.
Softcover Audio Online.
136
pages. Published by
Berklee
Press
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Violin 1 (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str) ...(+)
Violin 1 (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-15
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Part. 20
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-15. Published by
Breitkopf and Haertel
(BR.OB-5562-15). ISBN
9790004342282. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SSTB - choir: SATBSATB - 1.2.0.2 - ...(+)
Chorus (with soloists)
and orchestra (solos:
SSTB - choir: SATBSATB -
1.2.0.2 - 2.2.3.0 - timp
- org - str) SKU:
BR.PB-5596-07
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
Softbound.
Partitur-Bibliothek
(Score Library). The
Missa in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Study Score.
188 pages. Duration 52'.
Breitkopf and Haertel #PB
5596-07. Published by
Breitkopf and Haertel
(BR.PB-5596-07). ISBN
9790004214060. 6.5 x 9
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $29.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) [Conducteur] Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SSTB - choir: SATBSATB - 1.2.0.2 - ...(+)
Chorus (with soloists)
and orchestra (solos:
SSTB - choir: SATBSATB -
1.2.0.2 - 2.2.3.0 - timp
- org - str) SKU:
BR.PB-5562 Urtext
- Completion.
Composed by Wolfgang
Amadeus Mozart. Edited by
Clemens Kemme. Arranged
by Clemens Kemme. Choir;
Softbound.
Partitur-Bibliothek
(Score Library). The
Missa in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Full score.
188 pages. Duration 52'.
Breitkopf and Haertel #PB
5562. Published by
Breitkopf and Haertel
(BR.PB-5562). ISBN
9790004213728. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $119.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Violin 2 (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str) ...(+)
Violin 2 (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-16
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Part. 24
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-16. Published by
Breitkopf and Haertel
(BR.OB-5562-16). ISBN
9790004342299. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Woodwinds (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str)...(+)
Woodwinds (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-30
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Set of parts.
116 pages. Duration 52'.
Breitkopf and Haertel #OB
5562-30. Published by
Breitkopf and Haertel
(BR.OB-5562-30). ISBN
9790004342329. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $113.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Viola (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str) ...(+)
Viola (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-19
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Part. 20
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-19. Published by
Breitkopf and Haertel
(BR.OB-5562-19). ISBN
9790004342305. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Basso (cello/double bass) (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - t...(+)
Basso (cello/double bass)
(solos: SSTB - choir:
SATBSATB - 1.2.0.2 -
2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-26
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Part. 20
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-26. Published by
Breitkopf and Haertel
(BR.OB-5562-26). ISBN
9790004342312. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2....(+)
Chorus (with soloists)
and piano (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str) SKU:
BR.EB-8654 Urtext
- Completion.
Composed by Wolfgang
Amadeus Mozart. Edited by
Clemens Kemme. Arranged
by Clemens Kemme. Choir;
Softbound. Edition
Breitkopf. The Missa in c
was so dear to Mozart
that he cited it as
evidence of the reality
of my vow to marry his
beloved Constanze and to
complete the only
half-finished mass.
Nevertheless, one of
Mozart's greatest
masterpieces remained a
torso. Mass; Classical.
Piano/Vocal Score. 116
pages. Duration 52'.
Breitkopf and Haertel #EB
8654. Published by
Breitkopf and Haertel
(BR.EB-8654). ISBN
9790004184882. 7.5 x 10.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $23.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Organ (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str) ...(+)
Organ (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-11
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by C. M.
and Kemme Grunert. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Part. 32
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-11. Published by
Breitkopf and Haertel
(BR.OB-5562-11). ISBN
9790004343548. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $29.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Continuo (figured) (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - o...(+)
Continuo (figured)
(solos: SSTB - choir:
SATBSATB - 1.2.0.2 -
2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-12
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Part. 24
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-12. Published by
Breitkopf and Haertel
(BR.OB-5562-12). ISBN
9790004344460. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $28.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Vom Klang der Zeit Breitkopf & Härtel
SKU: BR.BV-374 Bach-Festschrift Klaus Hofmann. Composed by Ulrich ...(+)
SKU: BR.BV-374
Bach-Festschrift Klaus
Hofmann. Composed by
Ulrich Bartels and Uwe
(Hrsg.) Wolf. Edited by
U. Wolf and Ulrich
Bartels. Softbound.
Buchverlag Breitkopf &
Hartel (Music Books).
Besetzung, Bearbeitung
und Auffuehrungspraxis
bei Johann Sebastian Bach
- Klaus Hofmann zum 65.
Geburtstag. Baroque
period. Book. 200 pages.
Breitkopf and Haertel #BV
374. Published by
Breitkopf and Haertel
(BR.BV-374). ISBN
9783765103742. 6.5 x 9.5
inches. Besetzung,
Bearbeitung und
Auffuehrungspraxis bei
Johann Sebastian Bach -
Klaus Hofmann zum 65.
Geburtstag Die
vorliegende Ausgabe
stutzt sich auf die bei
Breitkopf & Hartel
erschienene Gesamtausgabe
Johannes Brahms Samtliche
Werke der Gesellschaft
der Musikfreunde
Wien. ,,Wieder ist
das Neuerscheinen der
Studienpartitur einer
Brahms-Sinfonie zu melden
diesmal der Nr. 2 in
D-Dur op. 73. Und wieder
muss der klare Druck und
die geschickte
Seitenaufteilung geruhmt
werden. (Das
Liebhaberorchester)
The present edition is
based on the complete
edition Johannes Brahms -
Collected Works of the
Gesellschaft der
Musikfreunde in Vienna
which was published by
Breitkopf & Hartel. The
Urtext edition presented
here is based on the
Brahms Complete Edition
of the 'Gesellschaft der
Musikfreunde' in Vienna
published by Breitkopf &
Hartel. Die vorliegende
Ausgabe stutzt sich auf
die bei Breitkopf &
Hartel erschienene
Gesamtausgabe Johannes
Brahms - Samtliche Werke
der Gesellschaft der
Musikfreunde Wien. The
present edition is based
on the Complete Edition
Johannes Brahms -
Samtliche Werke of the
Gesellschaft der
Musikfreunde in Vienna
which was published by
Breitkopf & Hartel.
proficiency. NE
W! Free MP3 files of all
pieces. Piano duets, get
ready! Here comes Michael
Proksch's A Spaniard for
Elise, a collection of
twelve exquisite pieces
that are an irresistible
treat for lovers of
four-hand playing. The
Spaniard offers something
for every level of
proficiency. You'll feel
blissful In Seventh
Heaven and full of
joie de vivre on
Paris's Pont-Neuf in
Seine Scene. You can join
Erik Satie, Surprised by
the Fresh Country Air and
engage in a temperamental
dialogue of styles in A
Spaniard for Elise.
Enhancing the pedagogical
value of this singular
collection are comments
on how to play the
pieces, as well as a CD
which can not only be
listened to and enjoyed,
but also used as a
play-along version, as it
carries individual tracks
for the primo and secondo
parts
To
music and notes sample
No. 5 High
Spirits Primo
: Staccati with a
dynamic, forward drive
produced with a nimbly
reacting wrist and calm
arm. Strongly accentuate
the first note at legato
slurs. The appoggiaturas
can be initially left
out. mm. 1-8: Right hand
plays alone; mm. 9-16
divided between l.h. and
r.h. Secondo:
four-measure-long
accompaniment pattern
(can also be used as a
basis for original
melodies!). The fourth
beats are stressed
through slurred eighths.
Cover design
by Doris Jausly,
illustrations by Dorothea
Lindenberg $53.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa in C minor K. 427 "Great Mass in C minor" Barenreiter
2MixedCh-SATB (Mixed choirs (SATB) (2)) SKU: BA.BA09188-91 Composed by Wo...(+)
2MixedCh-SATB (Mixed
choirs (SATB) (2))
SKU: BA.BA09188-91
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Classical. Choral score.
KV 427. 44 pages.
Baerenreiter Verlag
#BA09188_91. Published by
Baerenreiter Verlag
(BA.BA09188-91). ISBN
9790006565139. 27 x 19 cm
inches. Key: C minor.
Text Language:
Latin. Mozart's
magnificent
unfinishedGreat Mass in C
minor K. 427is impressive
not only for its
monumentality and musical
beauty but for its
fragmentary state which
has fascinated scholars
and performers for
decades.
Working
together with the
International Mozarteum
Foundation in Salzburg,
Barenreiter now presents
a new edition of this
work, reflecting the
cutting edge of
scholarship while doing
justice to the needs of
performers.
High
scholarly standards, the
completion and
reconstruction of
movements: this
pioneering publication
incorporates all this in
order to come as close as
possible to the work
itself: -
TheKyrieandGloria, both
of which survive complete
in Mozart's hand, are
edited in accordance with
scholarly standards. -
The first two sections of
theCredohave been
meticulously completed by
the editor Ulrich
Leisinger, drawing on
original Mozart
compositions e.g. the
ariaDeh vieni non
tardarfromThe Marriage of
Figaroand paying
attention to a
stylistically appropriate
and transparent
sound. -
TheSanctusandBenedictus(w
ith theHosanna), which
are either incomplete or
survive only in secondary
sources, have been
reconstructed by the
editor.
Sections
without any known sources
are left out in this
edition. Rounding off the
publication is an
extensive Foreword
(Ger/Eng).
The
first performance of
Ulrich Leisinger's new
edition was given in
April 2019 in the
Elbphilharmonie Hamburg
by the Hamburg State
Philharmonic Orchestra
and the ChorWerk Ruhr
under the baton of Kent
Nagano. The first
Austrian premiere took
place in Salzburg on
August 2019 in the Great
Hall of the Mozarteum,
with Andrew Manze
conducting the Salzburg
Camerata to rousing
applause from audience
and critics
alike.
The C-minor
Mass reconstruction by
Helmut Eder on the basis
of the New Mozart Edition
(BA 4846) is still
available: the score and
performance material are
on hire, the vocal score
is on sale.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Barenreiter
Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Ba...(+)
Soloists, Mixed choir
(SATB), Orchestra
(Soprano solo, Alto solo,
Tenor solo, Bass solo,
Mixed choir (SATB),
Orchestra) SKU:
BA.BA11310-90
Composed by Wolfgang
Amadeus Mozart. Edited by
Michael Ostrzyga. This
edition: urtext edition.
Paperback. New
Completion. Vocal Score.
Baerenreiter Verlag
#BA11310_90. Published by
Baerenreiter Verlag
(BA.BA11310-90). ISBN
9790006569267. 27 x 19 cm
inches. Text Language:
Latin. This
publication offers a
source-critical edition
of Mozartâ??s
fragmentary
â??Requiemâ? as well
as an alternative to the
traditional Sü�mayr
version. It makes it
possible to perform 1)
the fragment, identified
in print in both the
score and the parts, 2)
the authentic sections
left incomplete by
Mozart, now in a
stylistically appropriate
orchestration, and 3)
those sections missing
entirely in the fragment,
newly added in
Mozartâ??s idiom taking
into account historical
additions by Sü�mayr
and Eybler.
When
completing the fragment,
the editor drew on
comprehensive comparative
and analytical studies of
Mozartâ??s church style
and compositional
workmanship. The
influence of Handel and
Bach manifested in his
final years, particularly
in the â??Requiemâ?
fragment, is taken into
account in those sections
requiring completion or
fresh
composition.
At
two points readers may
choose between
alternative movements (or
sections), since
proceeding from
SüÃ?mayrâ??s
historical version, two
divergent options cannot
be weighed against each
other but each one may
well reflect Mozartâ??s
intentions: the
â??Lacrimosaâ? may
end with or without
â??Amenâ? fugue, and
the â??Sanctusâ? may
begin in the customary D
major or in D minor.
Above all, this makes it
possible to retain the
B-flat major
â??Hosannaâ? from
SüÃ?mayrâ??s
autograph, a movement
which, until now, has not
been appreciated as
compositionally
flawless.
â?¢
Scholarly-critical
edition of the
â??Requiemâ?
fragment â?¢ With
performance material for
presentation of 1) the
fragment, 2) a version
with completions of the
authentic Mozart sections
or 3) a full
completion consistent
with Mozartâ??s musical
idiom â?¢ Missing
sections were completed
by drawing from other
fragmentary sacred works
by Mozart â?¢ Added
or completed sections
incorporate influences
from Bach and Handel
already detectable in the
fragment â?¢
Alternative performance
options for the
â??Lacrimosaâ?,
â??Sanctusâ? and
â??Benedictusâ? â
?¢ Easy-to-play piano
reduction â?¢
Extensive foreword
(Ger/Eng) on the
workâ??s history,
reception and modern
completions, with
analytical stylistic
critique â?¢
Detailed Critical
Commentary (Eng), partly
available on the
Bärenreiter
website â?¢ Tried
and tested on many
occasions, e.g. at
Harvard University, the
Rheingau Music Festival,
the Monadnock Music
Festival (New Hampshire),
in Salt Lake City (Utah),
as well as in radio
broadcasts (NDR, SWR,
WDR) and CD recordings
with Concerto Köln,
Chorwerk Ruhr and Florian
Helgath (â??Le Disque
classique du jourâ?
from francemusique.fr and
three nominations for
Opus Klassik 2021 in the
categories
â??Ensembleâ?,
â??Choral Recordingâ?
and â??Editorial
Achievementâ?)
You will
find a detailed brochure
on the new completion of
Mozart's Requiem
here.
$20.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Say Something Harpe Hal Leonard
Folk Harp; Harp SKU: HL.131541 Arranged for Harp. By A. Great Big ...(+)
Folk Harp; Harp SKU:
HL.131541 Arranged
for Harp. By A. Great
Big World. Arranged by
Sylvia Woods. Harp. Pop.
Softcover. 4 pages.
Published by Hal Leonard
(HL.131541). ISBN
9780936661667. UPC:
888680025564.
8.5x11.0x0.031
inches. Say
Something is an original
song by the American duo
A Great Big World. The
lyrics are about letting
go when a relationship
ends. It became an
international hit when
Christina Aguilera joined
A Great Big World on a
re-recorded version in
2013. Sylvia Woods has
made a 4-page advanced
beginner to intermediate
arrangement, playable on
either lever or pedal
harp. This music features
a pedal point (also
called a pedal note or
pedal tone), which is a
sustained or continually
repeated note that is
held constant while
harmonies change in other
parts. A pedal point is
usually found in the
bass, but here it is in
the middle register.
Virtually every measure
includes a middle C note
on the downbeat.
Sometimes it is played
with the right hand, and
at other times with the
left. But it is almost
always there. This pedal
point harmony is what
originally drew me into
this beautiful piece of
music the first time I
heard it on the radio.
The music is in the key
of C, and no sharping
levers are required, as
there are no lever
changes. Fingerings,
lyrics and chord symbols
are included. The harp
range required is 24
strings from a low C up
to an E. It can be played
on 24-string to 26-string
harps with a C as the
lowest string if you play
both hands an octave
higher than written. $8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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