Composed by Charles Strouse, lyrics by Martin Charnin. For voice and piano. From the Broadway musical "Annie". Format: easy piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and easy piano notation. Broadway. 40 pages. 9x12 inches. Published by Hal Leonard.

Arranged by John Brimhall. For voice and piano. From the Broadway musical "Annie". Format: easy piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and easy piano notation. Broadway. 32 pages. 9x12 inches. Published by Hal Leonard.

Composed by Charles Strouse, lyrics by Martin Charnin. For voice, piano and guitar chords. From the Broadway musical "Annie". Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and color photos. Broadway. 56 pages. 9x12 inches. Published by Hal Leonard.

For voice and keyboard (right hand only). From the Broadway musical "Annie". Format: easy piano/vocal/chords songbook. With vocal melody, lyrics, chord names, big note notation, introductory text and color photos. Broadway. Series: Hal Leonard E-Z Play Today. 56 pages. 9x12 inches. Published by Hal Leonard.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS108F

Composed by Bud Woodruff. First-Plus String Orchestra (FAS). Full score. With Standard notation. 8 pages. Carl Fischer Music #FAS108F. Published by Carl Fischer Music (CF.FAS108F).

ISBN 9781491151761. UPC: 680160909261. 9 x 12 inches.

Annie's Gone Home, composed in the style of a spiritual, was written as a tribute to composer Bud Woodruff's mother. The tune is built on phrases of easily understandable material, but the poignant nature of the piece is marked with profundity. From the subtle bass solo to the emotional high points, the piece is inspired by this strong woman in the life of the composer.

Annies Gone Home is a tribute to my Mother, Annette Fenner Hains (19232017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

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Annieas Gone HomeA is a tribute to my Mother, Annette Fenner Hains (1923a2017). Her siblings and cousins always called her aAnnie.a She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annieas Gone HomeA is a tribute to my Mother, Annette Fenner Hains (1923a2017). Her siblings and cousins always called her aAnnie.a She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annie's Gone Home is a tribute to my Mother, Annette Fenner Hains (1923-2017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.
Annie's Gone Home is a tribute to my Mother, Annette Fenner Hains (1923-2017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals. While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.
Annie’s Gone Home is a tribute to my Mother, Annette Fenner Hains (1923–2017). Her siblings and cousins always called her “Annie.” She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

By Charles Strouse, Martin Charnin. Piano/Vocal/Chords Vocal Selections (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 82 pages. Published by Hal Leonard.

2-Part Choral (2-Part)

SKU: HL.379343

Discovery Level 2. Composed by Charles Strouse. Arranged by Mac Huff. Discovery Choral. Broadway, Musicals. Octavo. Duration 150 seconds. Published by Hal Leonard (HL.379343).

ISBN 9781705151198. UPC: 196288017820. 6.75x10.5x0.036 inches.

“It's the Hard-Knock Life,” from the musical, “Annie,” expresses the hardships children face living in a depression-era orphanage. As punishment for trying to escape from the orphanage during the night, Miss Hannigan has Annie and the other orphans clean their room all night.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

Composed by John Philip Sousa (1854-1932). Arranged by Robert E. Foster. March. Full score. Published by Wingert-Jones Publications (WJ.3016752).

Vocal Score. By Charles Strouse. Vocal Score. Size 9x12 inches. 128 pages. Published by Hal Leonard.

Composed by Annie Lennox. Piano/Vocal/Guitar Artist Songbook. General Merchandise. Duration 240 seconds. Music Sales #AM937080. Published by Music Sales

Performed by John Denver. For voice, piano and guitar chords. Format: piano/vocal/chords single. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Folk. D Major. 4 pages. 9x12 inches. Published by Hal Leonard.

(Featuring: Loch Lomond / The Blue Bells of Scotland / Annie Laurie). Arranged by James D. Ployhar. Concert Band. Concert Band. Belwin Beginning Band. Contemporary. Grade 1. Conductor Score and Parts. 142 pages. Duration 1:46:00. Published by Alfred Music Publishing

(Choral Highlights). Composed by Charles Strouse, words by Martin Charnin. Arranged by Greg Gilpin. Choir Secular. 2-Part Choir. Choral Octavo. Pop Choral. Broadway; Secular. 20 pages. Published by Alfred Music

Choral (ShowTrax CD)

SKU: HL.292705

By John Denver. By John Denver. Arranged by Alan Billingsley. Pop Choral Series. Concert, Medley, Pop, Seventies, Show Choir. CD. Duration 290 seconds. Published by Hal Leonard (HL.292705).

UPC: 888680931247. 5.0x5.0x0.169 inches.

Four iconic songs--Rocky Mountain High, Take Me Home, Country Roads, Annie's Song, Thank God, I'm a Country Boy--by one of America's most famous pop artists of the '70s and '80s. These songs will resonate with your students, and parents, and will be fun for your students to learn.

Choral (TTBB a cappella)

SKU: HL.151532

Composed by Stephen Foster. Barbershop Harmony Society. A Cappella, Barbershop, Folk. 24 pages. Hal Leonard #209804. Published by Hal Leonard (HL.151532).

ISBN 9781495088285. UPC: 812817020498. 8.5x11.0x0.12 inches.

Oh! Susanna, Camptown Races, Gentle Annie, and If You've Only Got a Mustache.

By Charles Strouse. Piano/Vocal/Chords Vocal Selections (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 56 pages. Published by Hal Leonard.

(2012 Revival Edition). By Charles Strouse. For Piano/Vocal. Vocal Selections. Softcover. 56 pages. Published by Hal Leonard

By Gilbert M. Martin. For SATB choir. Octavo. Published by Heritage Music Press. (15/1147)

Concert Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion, Piccolo, Suspended Cymbal, Timpani, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Trumpet 3 and more. - Grade 3-3.5

SKU: CF.CPS62F

Full Score. Composed by Scottish Folk Song. Arranged by Carl Strommen. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 16 pages. Carl Fischer Music #CPS62F. Published by Carl Fischer Music (CF.CPS62F).

ISBN 9780825861666. UPC: 798408061661. 9 X 12 inches. Text: Scottish Folk Song.

The song Annie Laurie was written to her by William Douglas, and amended by Lady John Scott. This song was a favorite with Scottish soldiers during the Crimean War. Composer Carl Strommen gives us a wonderful new setting of this popular folk song that explores all of the glorious colors of the modern concert band. A great change of pace piece for any concert and a great way to improve the musicianship of your students.

Performed by Annie Lennox. For voice, piano and guitar chords. Format: piano/vocal/chords single. With vocal melody, piano accompaniment, lyrics and chord names. Pop Rock and Adult Contemporary. 9x12 inches. Published by Warner Brothers. Lord of the Rings