Liberty Bell, The Orchestre d'harmonie - Intermédiaire/avancé Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.29812001 Composed by John Philip S...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.29812001
Composed
by John Philip Sousa.
Arranged by William D.
Revelli.
Symphonic/Concert Band
Series. Concert. 24
pages. Hal Leonard #7450.
Published by Hal Leonard
(HL.29812001).
Pop Culture Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By Monty Norman, Elmer Bernstein, Joseph Barbara, William Hanna, Hoyt Curtain, H...(+)
By Monty Norman, Elmer
Bernstein, Joseph
Barbara, William Hanna,
Hoyt Curtain, Henry
Mancini, Margaret Cobb,
Bruce Channel, David
Mook, Ben Raleigh, The
Surfaris, And John Philip
Sousa. Arranged by Robert
Sheldon. For Concert
Band. Concert Band. Young
Symphonic. Pop. Level:
2.5 (Medium Easy) (grade
2.5). Conductor Score and
Parts. 140 pages.
Published by Alfred
Publishing.
(Featuring: What Child Is This? / We Three Kings). By William Chatterton Dix and...(+)
(Featuring: What Child Is
This? / We Three Kings).
By William Chatterton Dix
and John Henry Hopkins,
Jr.. Arranged by Roy
Phillippe. Concert Band.
Concert Band; Score.
Belwin Young Band.
Christmas; Sacred;
Winter. Grade 2. 28
pages. Published by
Belwin Music
Northwind March Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Wingert-Jones Publications
By William Paris Chambers. Arranged by John R. Bourgeois. For Concert Band. Conc...(+)
By William Paris
Chambers. Arranged by
John R. Bourgeois. For
Concert Band. Concert
Band Music. Bourgeois
Editions. Concert March.
Level: Medium. Full Score
and Set of Parts.
Published by
Wingert-Jones
Publications.
(Facsimile British Library MS Mus. 1591). Edited by Oliver Neighbour. This editi...(+)
(Facsimile British
Library MS Mus. 1591).
Edited by Oliver
Neighbour. This edition:
Facsimile. Hardback.
Documenta Musicologica.
Series II, Volume 44 /
Barenreiter Facsimile.
Language: English/German.
414 pages. Published by
Baerenreiter Verlag
(Brass Parts: 2 trumpets
(C or B-flat), 2
trombones)
SKU:
HP.C6169B
Composed by
William Runyan. Arranged
by John Ferguson. Organ
with Optional Brass &
Congregation. General
Worship, Sacred, God -
Faithfulness. Choral
Parts. Hope Publishing
Company #C6169B.
Published by Hope
Publishing Company
(HP.C6169B).
UPC:
763628261696. Thomas O.
Chisholm.
Classic
hymn Fully expressing
God's unwavering
faithfulness, this choral
setting with organ and
optional brass quintet
displays the power and
grandeur of this
time-honored hymn. A
reproducible
congregational part is
included, making it
possible for everyone to
lift their voices in
song!.
The Liberty Bell Orchestre d'harmonie [Conducteur et Parties séparées] Hal Leonard
By John Philip Sousa. Arranged by Dr. William D. Revelli. Score and full set of ...(+)
By John Philip Sousa.
Arranged by Dr. William
D. Revelli. Score and
full set of parts.
Symphonic/Concert Band
Series. Size 8.5x11
inches. Published by Hal
Leonard.
(Hail to You, Our Savior). Composed by William Byrd (1540-1623). Edited by John ...(+)
(Hail to You, Our
Savior). Composed by
William Byrd (1540-1623).
Edited by John Lee. For
SATB choir. Good Friday,
Body and Blood of Christ,
Holy Thursday. Ars
Antiqua Series. Sacred.
Easy. Octavo. 12 pages.
Published by GIA
Publications
Cello; handbell; violin - Level 2 SKU: HP.2548P Composed by William H. Do...(+)
Cello; handbell; violin -
Level 2
SKU:
HP.2548P
Composed by
William H. Doane.
Arranged by Arnold B.
Sherman and Joel Raney.
Hymntune, Lent, Sacred.
String Parts. 6 pages.
Hope Publishing Company
#2548P. Published by Hope
Publishing Company
(HP.2548P).
UPC:
763628225483. Ephesians
1:6, Galatians 6:14,
Isaiah 55:1, John 19:25,
Luke 23:47-49, Mark
13:37, Matthew 10:8,
Matthew 27:54, Revelation
22:16, 2 Corinthians
5:20-21, 2 Corinthians
6:1-10.
Lenten Hymn
tune Fanny Crosby's hymn
text, Near the Cross, is
a meaningful, devotional
prayer that is especially
useful for the Lenten
season or communion
service. Joel Raney
captured its spiritual
essence in a piano solo
that Arnold B. Sherman
has now adapted for 3-5
octaves handbells and 3
octaves of optional
handchimes. The addition
of strings (Violin 1 & 2,
Cello or Synth)added by
Joel Raney, makes this an
enthralling musical
experience.
Trumpet - intermediate SKU: HL.49003109 Trumpet and Piano. Edited ...(+)
Trumpet - intermediate
SKU: HL.49003109
Trumpet and Piano.
Edited by Gwilym Beechey.
Arranged by Gwilym
Beechey. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 34 pages.
Schott Music #ED12312.
Published by Schott Music
(HL.49003109).
ISBN
9790220115080. UPC:
073999867374.
9.0x12.0x0.128
inches.
Choral SSAA choir SKU: CF.CM9587 Composed by John Ratledge. Sws. Jbc. Per...(+)
Choral SSAA choir
SKU:
CF.CM9587
Composed by
John Ratledge. Sws. Jbc.
Performance Score. 16
pages. Duration 3:30.
Carl Fischer Music
#CM9587. Published by
Carl Fischer Music
(CF.CM9587).
ISBN
9781491154090. UPC:
680160912599. 6.875 x
10.5 inches. Key: C
major. English.
Transcribed by Wilson
Hall. Hidegaard Von
Bingen translated by
William Hall.
I
am the secret fire in all
things, scored for
SSAA divisi and two
soprano soloists, was
premiered by the
Vancouver Chamber Choir,
Jon Washbun, conductor,
in November 2008. The
Hildegard von Bingen
text, translated by
Wilson Hall (deceased
professor of English at
Shorter College in Rome,
Georgia and dear friend),
is a text that fosters
many opportunities to
depict the mysterious
nature of God, His
transcendence into all
the human experience, and
the hope, through
vulnerability, that
resonates in the gravamen
for individual
transubstantiation
through the struggles
inherent in Life's Stuff.
This composition
celebrates the
transforming power of
spirituality, the
evolution of the human
spirit when one
amalgamates with
unknowing, and the
ecstasy that saturates
Life when one
acknowledges the God
Presence already within.
 . I am the
secret fire in all
things, scored for
SSAA divisi and two
soprano soloists, was
premiered by the
Vancouver Chamber Choir,
Jon Washbun, conductor,
in November 2008. The
Hildegard von Bingen
text, translated by
Wilson Hall (deceased
professor of English at
Shorter College in Rome,
Georgia and dear friend),
is a text that fosters
many opportunities to
depict the mysterious
nature of God, His
transcendence into all
the human experience, and
the hope, through
vulnerability, that
resonates in the gravamen
for individual
transubstantiation
through the struggles
inherent in Life's Stuff.
This composition
celebrates the
transforming power of
spirituality, the
evolution of the human
spirit when one
amalgamates with
unknowing, and the
ecstasy that saturates
Life when one
acknowledges the God
Presence already within.
 . I am the secret
fire in all things,
scored for SSAA divisi
and two soprano soloists,
was premiered by the
Vancouver Chamber Choir,
Jon Washbun, conductor,
in November 2008. The
Hildegard von Bingen
text, translated by
Wilson Hall (deceased
professor of English at
Shorter College in Rome,
Georgia and dear friend),
is a text that fosters
many opportunities to
depict the mysterious
nature of God, His
transcendence into all
the human experience, and
the hope, through
vulnerability, that
resonates in the gravamen
for individual
transubstantiation
through the struggles
inherent in Life's Stuff.
This composition
celebrates the
transforming power of
spirituality, the
evolution of the human
spirit when one
amalgamates with
unknowing, and the
ecstasy that saturates
Life when one
acknowledges the God
Presence already within.
 . I am the secret
fire in all things,
scored for SSAA divisi
and two soprano soloists,
was premiered by the
Vancouver Chamber Choir,
Jon Washbun, conductor,
in November 2008. The
Hildegard von Bingen
text, translated by
Wilson Hall (deceased
professor of English at
Shorter College in Rome,
Georgia and dear friend),
is a text that fosters
many opportunities to
depict the mysterious
nature of God, His
transcendence into all
the human experience, and
the hope, through
vulnerability, that
resonates in the gravamen
for individual
transubstantiation
through the struggles
inherent in Life's
Stuff.This composition
celebrates the
transforming power of
spirituality, the
evolution of the human
spirit when one
amalgamates with
unknowing, and the
ecstasy that saturates
Life when one
acknowledges the God
Presence already
within. .
SATB choir, tenor voice
solo, piano accompaniment
- Intermediate
SKU:
GI.G-9918
Composed by
William H. Monk. Arranged
by John F. Hudson.
Evoking Sound. Tune Name:
Eventide. Music
Education. Octavo. 8
pages. GIA Publications
#9918. Published by GIA
Publications (GI.G-9918).
UPC: 785147991809.
English. Text by Henry F.
Lyte.
A Series for Solo Instruments with CD Play-Along and Piano Accompaniment. By Geo...(+)
A Series for Solo
Instruments with CD
Play-Along and Piano
Accompaniment. By George
J. Elvey; George Warren;
Henri F. Hemy; James G.
Walton; John B. Dykes;
Ludwig Van Beethoven;
Martin Luther; Samuel
Sebastian Wesley; William
Walker. Arranged by Larry
Clark. For Trombone. This
edition: Trombone. Easy
Hymn Favorites - A Series
for Solo Instruments With
CD Play-Along and Piano
Accompaniment. Choral.
Level: easy. Score and
Audio CD. 16 pages.
Published by Carl
Fischer.
Pop Culture Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
By Monty Norman, Elmer Bernstein, Joseph Barbara, William Hanna, Hoyt Curtain, H...(+)
By Monty Norman, Elmer
Bernstein, Joseph
Barbara, William Hanna,
Hoyt Curtain, Henry
Mancini, Margaret Cobb,
Bruce Channel, David
Mook, Ben Raleigh, The
Surfaris, And John Philip
Sousa. Arranged by Robert
Sheldon. For Concert
Band. Concert Band. Young
Symphonic. Pop. Level:
2.5 (Medium Easy) (grade
2.5). Conductor Score. 24
pages. Published by
Alfred Publishing.
Gloria tibi Trinitas. By John Taverner. Arranged by William Tortolano. Translate...(+)
Gloria tibi Trinitas. By
John Taverner. Arranged
by William Tortolano.
Translated by: The Grail.
For Cantor or Unison
Chorus, and String
Quartet (2 Violins,
Viola, Cello) or Brass
quartet (2 Trumpets, 2
Trombones). Bible
Reference: Psalm 110.
Instrumental. Chamber
Music Sacred. Level:
easy. Text language:
English/Latin. Published
by GIA Publications.
By Henry Doktorski. For button accordion. This edition: Paperback. Instructional...(+)
By Henry Doktorski. For
button accordion. This
edition: Paperback.
Instructional. Method.
Method book and CD. Text
Language: English. 48
pages. Published by
Santorella Publications
SKU: HL.14029708 Music Sales America. 60 pages. Edition Wilhelm Hansen #K...(+)
SKU: HL.14029708
Music Sales America. 60
pages. Edition Wilhelm
Hansen #KP01547.
Published by Edition
Wilhelm Hansen
(HL.14029708).
8.25x11.75x0.183
inches.
The title
of this piece is taken
from the late astronomer
and educator Carl Sagan's
book Cosmos (1980). Sagan
was a great voice in the
pursuit of knowledge and
reason, an invaluable
force in the struggle
against ignorance and
superstition. His vast
historical knowledge and
sensitive ear for the
poetic also allowed him
to adorn his various
texts with short
quotations from original
folklore through history,
quotations which I have
used as mental and
spiritual appetizers,
heading some of the
movements in this piece.
Serenade also reaches out
to other inspirational
sources, such as William
Shakespeare, Joseph
Conrad and British
science-writer John
Gribbin, another great
educator and popularizer.
The Darwin quotation
heading the second
movement was also found
in Sagan's book Cosmos
(it is originally from
Charles Darwin: On The
Origin Of Species) and so
was the quotation about
The Backbone of the
Night. The
Ku-Fu-quotation can be
found in Sagan's last
great work THE
DEMON-HAUNTED WORLD
(1995).
(Elementary Level). By Various. Arranged by Edna Mae Burnam, Glenda Austin, John...(+)
(Elementary Level). By
Various. Arranged by Edna
Mae Burnam, Glenda
Austin, John Thompson,
and William L. Gillock.
For Piano/Keyboard.
Willis. Elementary. 16
pages. Published by
Willis Music
by Phil Duncan. For Harmonica (Diatonic). method. All Styles. Level: Multiple Le...(+)
by Phil Duncan. For
Harmonica (Diatonic).
method. All Styles.
Level: Multiple Levels.
Book. Size 8.75x11.75.
112 pages. Published by
Mel Bay Publications,
Inc.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Piano seul [Partition] - Débutant Alfred Publishing
(52 Titles to Play and Sing). Arranged by Willard A. Palmer, Morton Manus, and D...(+)
(52 Titles to Play and
Sing). Arranged by
Willard A. Palmer, Morton
Manus, and Dennis
Alexander. For easy piano
and voice. Piano -
Alfred's Basic Adult
Piano Course. Alfred's
Basic Adult Piano Course.
Classical and Folk.
Difficulty: easy-medium.
Collection. Easy piano
notation, fingerings and
lyrics (on some songs).
96 pages. Published by
Alfred Music Publishing
Voice SKU: BT.ALHE32011 Johnny Est Parti Pour Hilo. Composed by Wi...(+)
Voice
SKU:
BT.ALHE32011
Johnny Est Parti Pour
Hilo. Composed by
William Billings. Choral
Score. Composed 2015.
Heugel & Cie #ALHE32011.
Published by Heugel & Cie
(BT.ALHE32011).