Keyboard

SKU: HL.50513578

Composed by K. Simpson. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL1018. Published by Alfred Lengnick & Co (HL.50513578).

A thorough and comprehensive exploration of the disciplines of improvisation for confident Keyboard players looking to develop their skills in playing 'by ear'. Beginning with simple progressions and basic chorale-style melodies, Kenneth Simpson's step-by-step tutorial introduces more keys, cadences and approches. Suspensions, inversions, figures and moving basslines are also covered, leading to a full understanding of the construction of Keyboard works in the early Classical canon.

Keyboard

SKU: LM.27497

Pop, jazz. Score. Editions Henry Lemoine #27497. Published by Editions Henry Lemoine (LM.27497).

ISBN 9790230974974.

Keyboard

SKU: LM.110010

Composed by Derek Sebastian. Pop, jazz. Score. Editions Henry Lemoine #110010. Published by Editions Henry Lemoine (LM.110010).

ISBN 9790230931816.

Keyboard

SKU: LM.25474

Composed by Pierre Cammas. Pop, jazz. Score. Editions Henry Lemoine #25474. Published by Editions Henry Lemoine (LM.25474).

ISBN 9790230954747.

Keyboard

SKU: LM.25471

Composed by Patrice Galas and Pierre Cammas. Pop, jazz. Score. Editions Henry Lemoine #25471. Published by Editions Henry Lemoine (LM.25471).

ISBN 9790230954716.

Keyboard

SKU: LM.PIZZCLACT

Method, studies. Certificate to download. Editions Henry Lemoine #PIZZCLACT. Published by Editions Henry Lemoine (LM.PIZZCLACT).

Keyboard

SKU: LM.PIZZCLADVD

Method, studies. DVD. Editions Henry Lemoine #PIZZCLADVD. Published by Editions Henry Lemoine (LM.PIZZCLADVD).

Keyboard

SKU: M7.DOHR-16337

Theme and Variations. Composed by Lothar Graap. Sheet music. 8 pages. MDS (Music Distribution Services) #DOHR 16337. Published by MDS (Music Distribution Services) (M7.DOHR-16337).

ISBN 9790202033371.

Keyboard

SKU: M7.ART-42174

2 Bände im Set. Sheet music with Online material. Method. MDS (Music Distribution Services) #ART 42174. Published by MDS (Music Distribution Services) (M7.ART-42174).

ISBN 9783866421745. German.

Keyboard

SKU: SU.80101342

For Keyboard. Composed by Carson Cooman. Keyboard, Piano/Harpsichord, Keyboard, Organ. Score. Zimbel Press #80101342. Published by Zimbel Press (SU.80101342).

Keyboard Duration: 8' Composed: 2013 Published by: Zimbel Press Ricercari are three pieces inspired by the keyboard music of the early and mid 16th century. During this time, the genre of the ricercare developed as a sort of instrumental motet and a kind of proto-fugue. Each work here is a contrapuntal ricercare in a modal cast, each in a different number of voices. However, all three blend elements of the 16th century style with more contemporary sounds. These pieces may be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard).

Keyboard

SKU: SU.80101365

For Keyboard. Composed by Carson Cooman. Keyboard. Score. Zimbel Press #80101365. Published by Zimbel Press (SU.80101365).

These three dances (pavane, tordion, and allemande) are inspired by Renaissance forms, although they employ a harmonic and melodic language that blends allusions to Renaissance harmony with more contemporary elements. They may be played on any keyboard instrument. Organ and harpsichord are the most likely candidates, but performance on clavichord, harmonium, reed organ, piano, or even electronic keyboard is also possible. Instrumentation: Keyboard. Composed: 2014 Published by: Zimbel Press.

Keyboard

SKU: SU.80101352

For Keyboard. Composed by Carson Cooman. Keyboard. Score. Zimbel Press #80101352. Published by Zimbel Press (SU.80101352).

Keyboard Duration: 5' Composed: 2014 Published by: Zimbel Press The formal inspiration for this piece came from early Italian keyboard toccatas (those of Frescobaldi are probably the most famous today, though there are certainly many others). However, the early influences do not come exclusively from a single source. The toccatas of Hassler, the ricercari of Steigleder, the fantasias of Cornet and Kerckhoven, the fugues of Couperin, and anonymous late medieval keyboard music all are thrown into the mix, and blended with a contemporary use of mixed modality. This piece may be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard).

Keyboard

SKU: SU.80101349

For Keyboard. Composed by Arthur Frackenpohl. Keyboard. Score. Zimbel Press #80101349. Published by Zimbel Press (SU.80101349).

Three movements in a Baroque-inspired style that can be played on any keyboard instrument (including organ, harpsichord, or piano). Two chorale preludes (Ach Gott, wie manches Herzelied and Nur mein Jesus ist mein Leben) are followed by a freely-composed fugue in D minor. Instrumentation: Keyboard. Composed: 1948, rev. 2007 Published by: Zimbel Press.

Keyboard

SKU: SU.80101353

For Keyboard. Composed by Carson Cooman. Keyboard. Score. Zimbel Press #80101353. Published by Zimbel Press (SU.80101353).

Keyboard Duration: 6' Composed: 2014 Published by: Zimbel Press Inspired by Bach's BWV 998 (a keyboard piece likely originally conceived for the lautenwerk or lute harpsichord), this piece may be played effectively on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). The opening triple-meter prelude in Eb major is sunny and bright in character, with its arpeggiated textures evoking plucked strings. The fughetta begins in the relative minor (C), with a darker and more dissonantly chromatic character; however, it works through several keys to end in Eb major. The concluding allegro returns to joyous mood of the opening movement (though its middle section returns again to C minor).

Keyboard

SKU: SU.80101322

For Keyboard. Composed by Craig A. Penfield. Keyboard, Piano/Harpsichord. Score. Zimbel Press #80101322. Published by Zimbel Press (SU.80101322).

A set of 24 three movement sonatas that can be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). The composer writes the following: My inspiration for composing these sonatas comes as a direct result of the music of the Renaissance and early Baroque. It is an attempt by this composer to capture in his own musical vocabulary some of the 'essence' that pervades the music of these past centuries. These pieces are easy to play and extremely useful for services, recitals, or teaching. Instrumentation: Keyboard. Composed: 2012 Published by: Zimbel Press.