Suite for Orchestra (2001). Composed by Michael Nyman. Music Sales Americ...(+)
Suite for Orchestra
(2001). Composed by
Michael Nyman. Music
Sales America. Classical.
Softcover. 90 pages.
Chester Music #CH81334.
Published by Chester
Music (HL.238313).
Orchestra SKU: SU.17150480 For Orchestra. Composed by Daniel Berna...(+)
Orchestra
SKU:
SU.17150480
For
Orchestra. Composed
by Daniel Bernard
Roumain. Orchestra. Study
Score. Notevole Music
Publishing #17150480.
Published by Notevole
Music Publishing
(SU.17150480).
Instrumentation
: 2,1 2,1 2,1 2,1; 4331;
timp, 3perc, traps,
pno/synth; stgs Duration:
21' Full Score & Parts:
available on rental
Composed: 2010 Published
by: DredLin Music
Publishing.
By Charlie Parker. Edited by Jeffrey Sultanof. Arranged by Joe Lippman. For stud...(+)
By Charlie Parker. Edited
by Jeffrey Sultanof.
Arranged by Joe Lippman.
For studio ensemble with
alto saxophone soloist
(Solo Alto Saxophone,
Oboe, French Horn, 4
Violins, 2 Violas, Cello,
Harp, Guitar (Optional),
Piano, Bass, Drums).
Ballad. Difficult.
Published by Jazz Lines
Publications
Orchestra SKU: HL.14042598 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra
SKU:
HL.14042598
Composed
by Poul Ruders. Music
Sales America. Classical.
Softcover. Composed 2013.
Edition Wilhelm Hansen
#WH31776. Published by
Edition Wilhelm Hansen
(HL.14042598).
ISBN
9788759827482.
Prog
ramme Note Poul Ruders
WIND-DRUMMING
WIND-DRUMMING was written
in 1979 on a commission
from The Danish
Percussion Ensemble. The
piece is a clash of two
kinds of
sound-associations, the
mystic, exotic impact of
Latin-American drumming,
and the more well dressed
reputation of Western
concert-instruments, in
this case a wind-quintet
(w. electric flute). The
two instrumental camps
either melt into one soft
humming ritual or are
split wide apart, the
winds tearing their way
through the undergrowth
of rainforest-drumming.
There is more than one
way of getting on to
WIND-DRUMMING: obviously
it is about the
confrontation of two
incongruent ways of
living, a lament on the
damage done tothe
tropical rainforests of
the world by modern
civilisation. One can
hear it plainly as a
direct rhythm-show, a
downright number or a
joyous homage to the most
exiting kind of
folkloristic music at
all: the carnal spell of
the Brazilian Samba. Poul
Ruders.
Composed by Luigi Denza (1846-1922). Arranged by Sandra Dackow. Orchestra. Part(...(+)
Composed by Luigi Denza
(1846-1922). Arranged by
Sandra Dackow. Orchestra.
Part(s); Score; String
Orchestra. Orchestra
Expressions Book 2. Grade
2.5. 152 pages. Published
by Alfred Music
Arranged by Sandra Dackow. Conductor's score and set of performance parts for st...(+)
Arranged by Sandra
Dackow. Conductor's score
and set of performance
parts for string
orchestra (8 - 1st
violin, 8 - 2nd violin, 5
- 3rd violin/viola
(treble clef), 5 - viola,
5 - cello, 5 - string
bass, 1 - piano
accompaniment). Series:
Orchestra Expressions
Series. Published by
Alfred Publishing.
Orchestra SKU: CF.PO192S On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192S
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown.
Condensed score. Carl
Fischer Music #PO192S.
Published by Carl Fischer
Music (CF.PO192S).
ISBN 9781491157367.
UPC:
680160915927.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Orchestra SKU: CF.PO192F On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192F
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown. Full
score. Carl Fischer Music
#PO192F. Published by
Carl Fischer Music
(CF.PO192F).
ISBN
9781491157374. UPC:
680160915934.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
And There Was Light Orchestre [Conducteur et Parties séparées] Shawnee Press
Full Orchestra (Print) Choral (Orchestra Accompaniment) SKU: HL.293395 (+)
Full Orchestra (Print)
Choral (Orchestra
Accompaniment)
SKU:
HL.293395
A
Cantata for
Christmas. Composed
by Joseph M. Martin.
Shawnee Sacred. Advent,
Cantata, Christmas,
Christmas/Advent Sacred.
Softcover. Duration 3000
seconds. Published by
Shawnee Press
(HL.293395).
ISBN
9781540050984. UPC:
888680936129.
9.0x13.75x2.61
inches.
This
cantata is a celebration
of light. Filled with
time-honored carols and
expressive original
songs, this work will
dazzle and inspire. The
first half of the cantata
is dedicated to hopeful
prophecies associated
with the coming Light of
the World. With the birth
of Jesus, the second part
moves forward to declare
the tidings of great joy
and is crowned with an
opportunity for the
congregation to join in
singing, Joy to the
World. Brant Adams and
Robert Sterling shine as
orchestrators of this
truly festive work.
Glorious! Songs include:
A Festive Call to
Christmas; Celebration of
Light; Come, Golden
Light; Dazzling Joy;
Beautiful Name; Dreamer
of Stars; Angel Song;
Silver and Shadows;
Joyous Carols of
Christmas. Score and
Parts for Full Orchestra
(fl 1-2, ob, cl 1-2, bn,
hn 1-2, tpt 1-3, tbn,
1-2, tba, timp, perc 1-2,
hp, pno, vn 1-2, va, vc,
db) available as a
Printed Edition and as a
digital download. Score
and Parts for Consort
(fl, cl, tpt 1-2, tbn,
perc, kybd str) available
as a Printed Edition and
as a digital
download.
Orchestra (Study Score) SKU: HL.49010307 Incidental Music for Goethe's...(+)
Orchestra (Study Score)
SKU: HL.49010307
Incidental Music for
Goethe's Drama.
Composed by Ludwig van
Beethoven. Edited by
Wilhelm Altmann. Arranged
by Wilhelm Altmann. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical, Opera,
Romantic. Study Score.
Op. 84. 92 pages.
Eulenburg Edition
#ETP823. Published by
Eulenburg Edition
(HL.49010307).
ISBN
9783795769468. UPC:
841886014923.
5.25x7.5x0.219 inches.
German.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
By Bedrich Smetana (1824-1884). Edited by Frantisek Bartos. This edition: Urtext...(+)
By Bedrich Smetana
(1824-1884). Edited by
Frantisek Bartos. This
edition: Urtext edition.
Paperback. Study score,
Urtext edition. Language:
Czech/English/German.
Duration 1 hour, 15
minutes. Published by
Baerenreiter Verlag
(Scores from the Original Parts) Performed by Miles Davis. For alto saxophone, b...(+)
(Scores from the Original
Parts) Performed by Miles
Davis. For alto
saxophone, baritone
saxophone, trumpet, horn,
trombone, tuba, piano,
bass and drum set.
Format: full score
(multiple copies needed
for performance). With
full score notation and
introductory text. Jazz.
Series: Hal Leonard
Transcribed Scores. 168
pages. 9x12 inches.
Published by Hal Leonard.
(Featuring: Lily?s Theme / Underworld / Dragon Flight / Neville / A New Head...(+)
(Featuring: Lily?s Theme
/
Underworld / Dragon
Flight /
Neville / A New
Headmaster /
The Resurrection Stone /
Showdown / A New
Beginning
with Hedwig's Theme). By
Alexandre Desplat and
John
Williams. Arranged by
Jerry
Brubaker. Orchestra. Full
Orchestra; Part(s);
Score. Pop
Concert Full Orchestra.
Form:
Medley. Light Concert;
Movie;
Pop. Grade 4. 226 pages.
Published by Alfred Music
Publishing
(Featuring: Lily?s Theme / Underworld / Dragon Flight / Neville / A New Head...(+)
(Featuring: Lily?s Theme
/
Underworld / Dragon
Flight /
Neville / A New
Headmaster /
The Resurrection Stone /
Showdown / A New
Beginning
with Hedwig's Theme). By
Alexandre Desplat and
John
Williams. Arranged by
Jerry
Brubaker. Orchestra. Full
Orchestra; Score. Pop
Concert
Full Orchestra. Form:
Medley.
Light Concert; Movie;
Pop.
Grade 4. 28 pages.
Published
by Alfred Music
Publishing
(Orchestra) SKU: HL.49013026 Dance drama by Luchino Visconti. One set<...(+)
(Orchestra)
SKU:
HL.49013026
Dance
drama by Luchino
Visconti. One set.
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed 1956. 168
pages. Duration 50'.
Schott Music #ED 9416.
Published by Schott Music
(HL.49013026).
ISBN
9790001131476.
1
(auch Picc.) * 1 * Engl.
Hr. * 1 * Bassklar. * 1 -
2 * 2 * 1 * 0 - P. - Hfe.
- Str.Jazzband (kann nach
Belieben verandert
werden): Fl. * Altsax. *
Tenorsax. * Jazztrp. *
Jazzpos. - S. (hg. Beck.
* Tamt. * kl. Tr. [mit
Schnarrs.] * Tomt. *
Jazztr. * Bong. * gr. Tr.
[mit Ped.] * Mar. * Tubo)
(3 Spieler) - Klav. -
Kb.
1 (auch Picc.)
* 1 * Engl. Hr. * 1 *
Bassklar. * 1 - 2 * 2 * 1
* 0 - P. - Hfe. -
Str. Jazzband (kann
nach Belieben verandert
werden): Fl. * Altsax. *
Tenorsax. * Jazztrp. *
Jazzpos. - S. (hg.
Beck. * Tamt. * kl. Tr.
[mit Schnarrs.] * Tomt. *
Jazztr. * Bong. * gr. Tr.
[mit Ped.] * Mar. *
Tubo) (3 Spieler) - Klav.
- Kb.
Old Hundred Orchestre [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.016-0179-00 Arranged by Allen. Orchestra. Score and set of parts....(+)
SKU:
CL.016-0179-00
Arranged by Allen.
Orchestra. Score and set
of parts. Composed 1912.
C.L. Barnhouse
#016-0179-00. Published
by C.L. Barnhouse
(CL.016-0179-00).
This product
contains five short
arrangements: Holy, Holy,
Holy Abide With Me Joy To
The World Stand Up, Stand
Up For Jesus Old Hundred
NOTE: This is a vintage
orchestra publication,
designed for the small
theater orchestras of the
very late 1800s and early
1900s – whose
instrumentation varies
considerably from a
modern full orchestra
work. Parts for standard
string instruments are
included, along with wind
and percussion parts as
scored by the musical
judgment of the composer
or arranger. Be cautioned
that published parts
might include less
familiar transpositions,
such as Clarinet or
Cornet in A, Horn in Eb,
etc. Please contact us
with any specific
instrumentation
questions.
(Tanzstunden I)
Tanzschauspiel. Libretto
frei nach Moliere.
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1949/1995. 172 pages.
Duration 35'. Schott
Music #ED 9456. Published
by Schott Music
(HL.49013033).
ISBN
9790001131919.
8.25x11.75x0.462
inches.
Bei der
Neuschrift des Stucks im
Winter 1995-96, funfzig
Jahre nach seiner
Entstehung (als
Buhnenmusik zu Molieres
Comedie ballet Georges
Dandin, aus der
anschliessend ein Ballett
wurde mit dem englischen
Clown Jack Pudding in der
Titelrolle), ist es mir
darum gegangen, den alten
Notentext auszulosen und
sein thematisches und
harmonisches Material
nach Kriterien zu ordnen
und zu entwickeln, die
mir seinerzeit noch nicht
zur Verfugung standen,
und die recht
skizzenhafte Anlage des
Urtexts in eine Klangwelt
heruberzutragen, die
meinen heutigen
Vorstellungen und
Wertbegriffen von Theater
und Musik entspricht und
die gleichzeitig das
heutige kulturelle Klima
Neapels widerspiegelt und
damit eine besondere Art
von Wirklichkeit, die
mich einmal so sehr
gefangengenommen,
bezaubert und beeinflusst
hat.- Hans Werner
Henze
: 1 (auch
Picc.) * 1 * 1 * 1 - 1 *
1 * 1 * 0 - P. S. (3
Trgl. * Crot. * Rohrengl.
* Trinidad steel drum * 3
hg. Beck. * 3 Tamt. * 3
Tomt. * Schellentr. * kl.
Tr. * gr. Tr. [m. u. o.
Beck.] * Bongo * Guiro *
Kast. * Ratsche *
Peitsche * Lotosfl. *
Cuica * Mar. * Putipu
[neap. Brummtopf]*
Scetavajasse [neap.
Schrapstock mit Schellen]
* Flex. * Vibr. *
Marimba) (3 Spieler) -
Klav. (auch Cel. und Akk.
ad lib.) - Str.
(for the victims of the September 11, 2001 attacks and all victims of senseless ...(+)
(for the victims of the
September 11, 2001
attacks and all victims
of senseless violence).
By Rene Clausen.
Orchestra. For Piccolo, 2
Flutes, 2 Oboes, English
Horn, 2 Clarinets, Bass
Clarinet, 2 Bassoons, 4
Horns, 3 Trumpets, 2
Trombones, Bass Trombone,
Tuba, Timpani, Cymbals,
Mallets, Snare Drum, Bass
Drum, Percussion, Harp,
Piano, 2 Violins, Viola,
Cello, Double Bass.
Concert. Orchestral Full
Score and Parts.
Published by Roger Dean
Publishing
Orchestra SKU: HH.HH268-FSC Composed by Timothy Raymond. Orchestral. Full...(+)
Orchestra
SKU:
HH.HH268-FSC
Composed
by Timothy Raymond.
Orchestral. Full score.
Duration 10 minutes.
Edition HH Music
Publishers #HH268-FSC.
Published by Edition HH
Music Publishers
(HH.HH268-FSC).
ISBN
9790708092209.
The
musical material derives
from transformations of
the carol melody, which
only appears with any
degree of literalness in
a dream like passage
close to the beginning
and vanishes –
though, in some sense,
its dna is present in
every bar. The piece is
through composed and
consists of slow –
at times, elegiac
– music flanking
fast central episodes.
Two chords, which seem to
signify a kind of
question at the very
beginning, return twice,
later in the work.
Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen.
This edition: urtext
edition. Stapled. Score.
Hob. I:92. Duration 28
minutes. Published by
Baerenreiter Verlag
(BA.BA10977).
Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. For ...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen.
For orchestra (flute/2
oboes/2 bassoons/2
horns/2
violins/viola/cello/contr
abass). This edition:
Urtext edition. Stapled.
Urtext from: Henle
Complete Edition of the
Works of Joseph Haydn.
Score. Hob. I:91.
Published by Baerenreiter
Verlag
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Hans Christian
Schmidt. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Christian Martin Schmidt
is laying bare to musical
practice the original
form of Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time. Overture;
Romantic. Full score. 72
pages. Duration 12'.
Breitkopf and Haertel #PB
5364. Published by
Breitkopf and Haertel
(BR.PB-5364).
ISBN
9790004211458. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.