Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
Concerto Piano et Orchestre [Reduction] Theodore Presser Co.
For Piano and Orchestra. By Ellen Taaffe Zwilich. Edited by Marc Andre Hamelin. ...(+)
For Piano and Orchestra.
By Ellen Taaffe Zwilich.
Edited by Marc Andre
Hamelin. For Piano, Piano
Reduction. First
Performed by Marc- Andre
Hamelin, Piano with
Gunther Herbig conducting
the Detroid Symphony June
26, 1986 at the
Meadowbrooke Festival.
Classical. Solo part. 62
pages. Duration 24:00:00.
Published by Theodore
Presser Company.
Piano/harpsichord and orchestra (solo: pno - 1.2.0.2 - 2.2.0.0 - timp - str) ...(+)
Piano/harpsichord and
orchestra (solo: pno -
1.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15106
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10766 is printed in score
form; two copies are
needed for
performance.Our edition
EB
8578 contains
Ferrucci Busoni's
cadenzas for the Piano
Concerto in C m. Solo
concerto; Classical. Full
score. 72 pages. Duration
30'. Breitkopf and
Haertel #PB 15106.
Published by Breitkopf
and Haertel
(BR.PB-15106).
ISBN
9790004211892. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Piano & Orchestra SKU: SU.46100400 For Piano & Orchestra. Composed...(+)
Piano & Orchestra
SKU:
SU.46100400
For
Piano & Orchestra.
Composed by Andrew
Waggoner. Keyboard,
Piano/Harpsichord,
Orchestra. Concerto.
Study Score. Subito Music
Corporation #46100400.
Published by Subito Music
Corporation
(SU.46100400).
Piano &
Orchestra Duration: 18'
Composed: 2016 Published
by: Andrew Waggoner Music
Performance materials
available on rental
only:.
(Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edite...(+)
(Urtext der Neuen
Mozart-Ausgabe). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Christoph Wolff. For
Piano Solo, Orchestra.
Neue Mozart-Ausgabe.
Serie V, Werkgruppe 15/2.
Klassik,
Musikwissenschaft
(Classical, Music
Theory). Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter Verlag
Piano, Orchestra SKU: FG.042-08428-1 Composed by Usko Merilainen. Score. ...(+)
Piano, Orchestra
SKU:
FG.042-08428-1
Composed by Usko
Merilainen. Score.
Published by Fennica
Gehrman (FG.042-08428-1).
ISBN
979-0-042-08428-1.
Kinetic Poem is, after
two piano concertos and
Dialogues for piano and
orchestra, Merilainen's
fourth and latest work
(1981) in which the piano
plays a concertante role.
The piano-orchestra
relationship is
synergetic: small motifs,
which draw their material
from the spectacular solo
part, are rotated by the
orchestra and change
their form, only to he
absorbed back into the
relentless solo
stream.
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sal...(+)
Piano and Orchestra
SKU: HL.14030961
Composed by Bent
Sorensen. Music Sales
America. Classical.
Score. 96 pages. Edition
Wilhelm Hansen #KP00980.
Published by Edition
Wilhelm Hansen
(HL.14030961).
ISBN
9788759857458.
English.
Score of
the Danish Composer's
Concerto for Piano and
Orchestra written in
1996. Bent Sorensen
writes: 'The title of
this piano concerto came,
as usual, very early to
me, when my thoughts
about the work had
started to circulate, but
before 'real' music was
written down. I held on
to the Italian title,
even though its
association with Vivaldi
had no influence on my
music, and even when
German, French, English,
and Danish titles
covering almost the same
content -'Nachtmusik',
'Nocturne', 'By Night',
'Om Natten', were just
about to get the upper
hand. The piano concerto
has, then, in my opinion,
something to do with
night, but to describe
this further is at least
as difficult to me as it
is to defend the final
Italian title against
those which were
rejected. The Piano
Concerto is in two
movements. The first,
swarming, is perhaps the
mystery of the night, and
the second perhaps the
dreams of the night; with
this, however, I have
already given the
concerto a more
programmatic content than
I can defend. Each
movement ends with a
cadenza and perhaps the
last of those - the
ending of the work that
is - is inspired by a
sequence from Bruce
Chatwin's wonderful book
'The Viceroy of Ouidah':
Or the Amazons howling.
'No, No, No. It was not
the leopard that killed
him. Not the buffalo that
killed him. It was night.
Night that killed
him!'.
String Orchestra and Piano SKU: BT.EMBZ13447 Für Violine, Violoncel...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ13447
Für Violine,
Violoncello und
Klavier. Composed by
Istvan Bogar. Book Only.
Composed 1988. 20 pages.
Editio Musica Budapest
#EMBZ13447. Published by
Editio Musica Budapest
(BT.EMBZ13447).
Orchestra and Piano SKU: BT.EMBZ12207 Für Klavier und Kammerorchest...(+)
Orchestra and Piano
SKU: BT.EMBZ12207
Für Klavier und
Kammerorchester.
Composed by Erzsebet
Szonyi. Contemporary
Music. Book Only.
Composed 1983. 28 pages.
Editio Musica Budapest
#EMBZ12207. Published by
Editio Musica Budapest
(BT.EMBZ12207).
By Theodore Antoniou. For Piano Solo, Flute, Oboe, 2 Clarinet (B Flat), 2 Bassoo...(+)
By Theodore Antoniou. For
Piano Solo, Flute, Oboe,
2 Clarinet (B Flat), 2
Bassoon, 2 Horn, Trumpet,
Drums. Study Score. Op.
21. Duration 13'.
Published by Baerenreiter
Verlag
(Chopin National Edition). Composed by Frederic Chopin (1810-1849). Edited by Ja...(+)
(Chopin National
Edition). Composed by
Frederic Chopin
(1810-1849). Edited by
Jan Ekier and Pawel
Kaminski. For Orchestra,
Piano (Full Score). PWM.
Polskie Wydawnictwo
Muzyczne #51600026.
Published by Polskie
Wydawnictwo Muzyczne