Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. This
edition: Paperbound.
Music from Vienna. German
title: Veni Sancte
Spiritus. Sacred vocal
music, Motets, Whitsun.
Set of Orchestra Parts.
Composed circa 1725. 64
pages. Duration 5
minutes. Carus Verlag #CV
27.702/19. Published by
Carus Verlag
(CA.2770219).
ISBN
9790007133917. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
parts available
separately - see item
CA.2770200.
Opera in five acts. Composed by Charles Francois Gounod (1818-1893). Edited by...(+)
Opera in five acts.
Composed
by Charles Francois
Gounod
(1818-1893). Edited by
Paul
Prevost. Arranged by
Karl-
Heinz Muller. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Version
with recitatives. Vocal
Score. Baerenreiter
Verlag
#BA08713-90. Published by
Baerenreiter Verlag
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. Music from
Vienna. German title:
Veni Sancte Spiritus.
Sacred vocal music,
Motets, Whitsun. Single
Part, Cello. Composed
circa 1725. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 27.702/13.
Published by Carus Verlag
(CA.2770213).
ISBN
9790007202651. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
part available separately
- see item
CA.2770200.
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. C-Dur (C
major). Music from
Vienna. German title:
Veni Sancte Spiritus.
Sacred vocal music,
Motets, Whitsun. Single
Part, Violin 1. Composed
circa 1725. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 27.702/11.
Published by Carus Verlag
(CA.2770211).
ISBN
9790007202637. Key: C
major. Language: Latin.
Text: Langton,
Stephen.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
part available separately
- see item
CA.2770200.
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. 1x
27.702/21 bassoon, 1x
27.702/31 clarino 1, 1x
27.702/32 clarino 2, 1x
27.702/33 trombone 1, 1x
27.702/34 trombone 2, 1x
27.702/41 timpani. Music
from Vienna. German
title: Veni Sancte
Spiritus Set (6). Sacred
vocal music, Motets,
Whitsun. Set of Orchestra
Parts. Composed circa
1725. 12 pages. Duration
5 minutes. Carus Verlag
#CV 27.702/09. Published
by Carus Verlag
(CA.2770209).
ISBN
9790007202620. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
parts available
separately - see item
CA.2770200.
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. Music from
Vienna. German title:
Veni Sancte Spiritus.
Sacred vocal music,
Motets, Whitsun. Choral
Score. Composed circa
1725. 4 pages. Duration 5
minutes. Carus Verlag #CV
27.702/05. Published by
Carus Verlag
(CA.2770205).
ISBN
9790007161668. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score
available separately -
see item CA.2770200.
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. Music from
Vienna. German title:
Veni Sancte Spiritus.
Sacred vocal music,
Motets, Whitsun. Single
Part, Violin 2. Composed
circa 1725. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 27.702/12.
Published by Carus Verlag
(CA.2770212).
ISBN
9790007202644. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task. Score and
part available separately
- see item
CA.2770200.
Dixit Dominus Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
By George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. For Soli S...(+)
By George Frideric Handel
(1685-1759). Edited by
Wolfgang Gersthofer. For
Soli SSATB, Choir SSATB,
2 Violin, 2 Viola, Cello,
Basso Continuo. This
edition: Paperbound.
German title: Dixit
Dominus (Psalm 109).
Psalms, Latin. Full
score. Language: Latin.
Composed 1707. HWV 232.
96 pages. Duration 45
minutes. Published by
Carus Verlag
Pfingstsequenz.
Composed by Antonio
Caldara. Edited by Guido
Erdmann. Arranged by
Guido Erdmann. This
edition: Paperbound.
Music from Vienna. German
title: Veni Sancte
Spiritus. Sacred vocal
music, Motets, Whitsun.
Full score. Composed
circa 1725. 20 pages.
Duration 5 minutes. Carus
Verlag #CV 27.702/00.
Published by Carus Verlag
(CA.2770200).
ISBN
9790007097639. Key: C
major. Language: Latin.
Text: Langton, Stephen.
Text: Stephan
Langton.
Antonio
Caldara, with about 3,400
works to his credit,
ranks among the most
prolific composers of the
Baroque era and of music
history in general. From
1716 Caldara was employed
as the Vice-Music
Director at the Court of
Vienna, where he quickly
developed into the
primary and favorite
composer of the musically
knowledgeable Emperor
Karl VI. Caldara's
festive setting of the
sequence for Whitsun,
Veni Sancte Spiritus,
which may have been
composed around 1725, is
now made available for
the first time in print.
The catchy and compact
piece is suited for
concert performance and
is also excellently
suited for the liturgical
context of Whitsun:
during the Mass, for
example, as entrance or
exit music or as music
for the offertory.
Through similar scoring
requirements Caldara's
setting of the sequence
can also be used with
many compositions of the
Ordinary without any
additional effort. For
most church choirs the
tutti sections with
Caldara's favored
homophonic, yet effective
vocal writing represent a
grateful task.
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
Petite Messe solennelle Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur d'étude / Miniature] Carus Verlag
By Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SATB, SATB Choi...(+)
By Gioachino Rossini
(1792-1868). Edited by
Klaus Doge. For Soli
SATB, SATB Choir, 2
Pianos, Armo. This
edition: paperbound.
Score available
separately - see item
CA.4065000. Latin Masses.
Level 3. Study score.
Language: Latin. Composed
1863. 184 pages. Duration
90 min. Published by
Carus Verlag
Opera seria in two acts. Composed by Wolfgang Amadeus Mozart (1756-1791). Edit...(+)
Opera seria in two acts.
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Edited by
Franz Giegling. Arranged
by
Eugen Epplee. This
edition:
urtext edition. Hardback.
Barenreiter Urtext. Vocal
Score. KV 621.
Baerenreiter
Verlag #BA04554-93.
Published
by Baerenreiter Verlag
Deutsches Magnificat. By Georg Philipp Telemann. Edited by Klaus Hofmann. Arrang...(+)
Deutsches Magnificat. By
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. For Soli SATB,
SATB Choir, 2 Oboes, 2
Recorders f1, 2 Violins,
Viola, Basso continuo.
TVWV 9:18. Magnificat;
Stuttgart Urtext
editions; Use during
church year: Christmas.
Score. Language:
German/English. 72 pages.
Duration 25 min.
Published by Carus Verlag
(German import).
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01).
ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra.
On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Die Tageszeiten Soli, choeur mixte et accompagnement [Conducteur] - Intermédiaire Carus Verlag
By Georg Philipp Telemann (1681-1767). Edited by Reipsch, Brit. For SATB Soli, S...(+)
By Georg Philipp Telemann
(1681-1767). Edited by
Reipsch, Brit. For SATB
Soli, SATB Choir, 2
Flute, 2 Oboe, Bassoon, 2
Violin, Viola, Viola da
gamba, Basso Continuo.
This edition: paperbound.
TVWV 20:39. Full score
available separately -
see item CA.3913700.
Cantatas. Level 3.
Piano/Vocal score.
Language: German. 52
pages. Duration 55 min
Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Ernest May and Klaus
Hofmann. This edition:
complete edition, urtext
edition. Linen. New Bach
Edition (NBA) I/20.
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA05059_01.
Published by Baerenreiter
Verlag (BA.BA05059-01).
ISBN 9790006462919. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Kantate zum 17. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 17. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir,
[Cornet], Flute, 2 Oboes,
Strings, Organ. This
edition: paperbound. BWV
114. Score available
separately - see item
CA.3111400. Cantatas; Use
during the church year:
Trinity; Stuttgart Urtext
Editions. Level 3.
Piano/Vocal score.
Language: German/English.
Composed 1724. 40 pages.
Duration 26 min.
Published by Carus Verlag
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Viola. Composed
1715(?). BWV 165. 4
pages. Duration 13
minutes. Carus Verlag #CV
31.165/13. Published by
Carus Verlag
(CA.3116513).
ISBN
9790007209100. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Bassoon. Composed
1715(?). BWV 165. 4
pages. Duration 13
minutes. Carus Verlag #CV
31.165/21. Published by
Carus Verlag
(CA.3116521).
Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Soli SATB, SATB Choir, 2 Vl, Va, Fg, Bc SKU: CA.3116549 Cantata for th...(+)
Soli SATB, SATB Choir, 2
Vl, Va, Fg, Bc
SKU:
CA.3116549
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Organ. Composed
1715(?). BWV 165. 12
pages. Duration 13
minutes. Carus Verlag #CV
31.165/49. Published by
Carus Verlag
(CA.3116549).
ISBN
9790007209131. Language:
German/English. Text:
Franck, Salomo.
The
cantata O heilges Geist-
und Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. Composed
1715(?). BWV 165. 8
pages. Duration 13
minutes. Carus Verlag #CV
31.165/11. Published by
Carus Verlag
(CA.3116511).
ISBN
9790007209087. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. Composed
1715(?). BWV 165. 8
pages. Duration 13
minutes. Carus Verlag #CV
31.165/12. Published by
Carus Verlag
(CA.3116512).
ISBN
9790007209094. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Cantata
for the Trinity
Sunday. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Stuttgart Urtext Edition:
Bach vocal. O Heiliges
Geist- Und Wasserbad.
Sacred vocal music,
Cantatas, Trinity. Single
Part, basso continuo.
Composed 1715(?). BWV
165. 8 pages. Duration 13
minutes. Carus Verlag #CV
31.165/14. Published by
Carus Verlag
(CA.3116514).
ISBN
9790007209117. Text
language: German/English.
Text: Franck,
Salomo.
The cantata
O heilges Geist- und
Wasserbad (O Holy
spirit's solemn rite) BWV
165 is one of Bach's
earliest cantata
compositions and was
presumably first
performed in the Weimar
Schlosskirche for Trinity
Sunday in 1715. With a
simple instrumentation of
only strings and basso
continuo (including
bassoon), the cantata
offers an alternative to
the later Leipzig
cantatas for the Feast of
the Holy Trinity, also
with regard to the vivid
interpretation of the
text in the librettos by
Salomon Franck. In the
two expressive
recitatives and the three
distinctively different
arias, Bach repeatedly
emphasizes the central
words of the text, which
focuses on the meaning of
the rebirth of the spirit
through baptism. Score
and part available
separately - see item
CA.3116500.
Vespers 1610 Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
Vespers 1610. Composed by Claudio Monteverdi (1567-1643). Edited by Uwe W...(+)
Vespers 1610.
Composed by Claudio
Monteverdi (1567-1643).
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Full score
(clothbound edition). No.
206. 192 pages. Duration
90 minutes. Published by
Carus Verlag
(CA.2780101).