(2.2.0.2/0.0.0.0,(perc),s tr)

SKU: TM.04242SC

Composed by Jean-Baptiste Lully. Arranged by Wecherlin. Score. Lucks Music Library #A4242. Published by Lucks Music Library (TM.04242SC).

Ballet. Overture, Serenade, Dialogue en Musique, Ballet, Menuet Chante, 1st Air des Garcons Tailleurs, 2nd Air de Garcons, Final du Act III, Air a Boibe, Marche & 1st Entree de Ballet (Ceremonie turque) , Air de Muphti, Entree du Ballet, Entree de Ballet, Air de Danse. Perc = Ad lib Bass Drum/Cymbals in the 9th movement.

(0.3.0.1/0.3.0.0,timp,cem ,str)

SKU: TM.05066SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A1219. Published by Lucks Music Library (TM.05066SC).

Ballet. Overture, Serenade, Dialogue en Musique, Ballet, Menuet Chante, 1st Air des Garcons Tailleurs, 2nd Air de Garcons, Final du Act III, Air a Boibe, Marche & 1st Entree de Ballet (Ceremonie turque) , Air de Muphti, Entree du Ballet, Entree de Ballet, Air de Danse.

(0.3.0.1/0.3.0.0,timp,cem ,str)

SKU: TM.05066SET

Composed by Johann Sebastian Bach. Set Type: D. Set of parts. Lucks Music Library #A1219. Published by Lucks Music Library (TM.05066SET).

Ballet. Overture, Serenade, Dialogue en Musique, Ballet, Menuet Chante, 1st Air des Garcons Tailleurs, 2nd Air de Garcons, Final du Act III, Air a Boibe, Marche & 1st Entree de Ballet (Ceremonie turque) , Air de Muphti, Entree du Ballet, Entree de Ballet, Air de Danse.

(2.2.0.2/0.0.0.0,(perc),s tr)

SKU: TM.04242SET

Composed by Jean-Baptiste Lully. Arranged by Wecherlin. Set Type: D. Set of parts. Lucks Music Library #A4242. Published by Lucks Music Library (TM.04242SET).

Ballet. Overture, Serenade, Dialogue en Musique, Ballet, Menuet Chante, 1st Air des Garcons Tailleurs, 2nd Air de Garcons, Final du Act III, Air a Boibe, Marche & 1st Entree de Ballet (Ceremonie turque) , Air de Muphti, Entree du Ballet, Entree de Ballet, Air de Danse. Perc = Ad lib Bass Drum/Cymbals in the 9th movement.

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

(2+1.3.3.2/4.2+2.3.1, timp, perc, 2 hrp, str)

SKU: TM.06541SC

Composed by Charles-Camille Saint-Saens. Score. Lucks Music Library #A1984. Published by Lucks Music Library (TM.06541SC).

4 movements: No. 1 Introduction - Entree des clans, No. 2 Idylle ecossaise, No. 4 Danse de la gypsy, No. 6 Gigue et finale. See #05888 for No. 3 La fete du Houblon.

(2+1.3.3.2/4.2+2.3.1, timp, perc, 2 hrp, str)

SKU: TM.06541SET

Composed by Charles-Camille Saint-Saens. Set Type: D. Set of parts. Lucks Music Library #A1984. Published by Lucks Music Library (TM.06541SET).

4 movements: No. 1 Introduction - Entree des clans, No. 2 Idylle ecossaise, No. 4 Danse de la gypsy, No. 6 Gigue et finale. See #05888 for No. 3 La fete du Houblon.

(1+1.2.2.2/4.0+2.3.0,timp ,perc,str)

SKU: TM.13985SET

Composed by Charles-Camille Saint-Saens. Arranged by Moses Tobani. Set Type: D. Set of parts. Published by Lucks Music Library (TM.13985SET).

P/C in set. No. 1 Introduction - Entree des clans, No. 2 Idylle ecossaise, No. 3 La fete du Houblon, No. 4 Danse de la gypsy, No. 5 Scherzetto, No. 6 Gigue et finale.

Cantata for a wedding. Composed by Johann Sebastian Bach (1685-1750). Edited by Solvej Donadel. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas; Wedding. Full score. Composed 1708. 36 pages. Duration 14 minutes. Carus Verlag #CV 31.196/00. Published by Carus Verlag (CA.3119600).

(2+1.2+1.2.2/4.2+2.3.1,ti mp,perc,str)

SKU: TM.10237SC

Composed by Peter Illich Tschaikowsky. Score. Lucks Music Library #A4190. Published by Lucks Music Library (TM.10237SC).

Act III #28. Includes all of #28: 28a Entree, 28b Adagio, 28-1 Desire, 28-2 Aurora, Coda.

(2+1.2.2.2/4.2.3.0,timp,p erc,str,chorus)

SKU: TM.14413SC

Composed by Gioachino Rossini. Score. Lucks Music Library #A4961. Published by Lucks Music Library (TM.14413SC).

Act III #28. Includes all of #28: 28a Entree, 28b Adagio, 28-1 Desire, 28-2 Aurora, Coda.

(2+1.2+1.2.2/4.2+2.3.1,ti mp,perc,str)

SKU: TM.10237SET

Composed by Peter Illich Tschaikowsky. Set Type: D. Set of parts. Lucks Music Library #A4190. Published by Lucks Music Library (TM.10237SET).

Act III #28. Includes all of #28: 28a Entree, 28b Adagio, 28-1 Desire, 28-2 Aurora, Coda.

(2+1.2.2.2/4.2.3.0,timp,p erc,str,chorus)

SKU: TM.14413SET

Composed by Gioachino Rossini. Set Type: D. Set of parts. Lucks Music Library #A4961. Published by Lucks Music Library (TM.14413SET).

Act III #28. Includes all of #28: 28a Entree, 28b Adagio, 28-1 Desire, 28-2 Aurora, Coda.

SATB vocal soli, SATB choir, bassoon, 2 violins, basso continuo

SKU: CA.3115019

Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Nach dir, Herr, verlanget mich. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed circa 1706. BWV 150. Duration 17 minutes. Carus Verlag #CV 31.150/19. Published by Carus Verlag (CA.3115019).

ISBN 9790007136819. Key: B minor. Language: German/English.

The cantata Nach dir, Herr, verlanget mich (O my Lord, I long for thee) BWV 150 is one of the earliest cantatas from Bach's Muhlhausen period. Its authenticity was long disputed, partly because of the stylistic characteristics of this early work, but also because the cantata only survives in sources dating from the period after Bach's death. However, in recent years a hidden dedication to Conrad Meckbach, a member of the Muhlhausen town council and patron of Bach, has been deciphered: the initial letters of the free poetry reveal the acrostic Doctor Conrad Meckbach (in the 18th century spelling), revealing a link to the city of Muhlhausen and almost certainly confirming Bach's authorship of the cantata. The occasion of the composition of the work is still unknown. The small instrumental scoring for just two violins, bassoon, and continuo, plus the fact that only the soprano is given a solo movement, suggest a performance with modest resources. Score and parts available separately - see item CA.3115000.

Composed by Michael Haydn (1737-1806). Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. German title: Missa Sti Aloysii in B. SSA MH 257. Latin Masses. Full score. Composed 1777. MH 257. 56 pages. Duration 30 minutes. Published by Carus Verlag (CA.5425700).

Composed by Michael Haydn (1737-1806). Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. German title: Missa Sti Aloysii in B. SSA MH 257. Latin Masses. Complete orchestral parts. Composed 1777. MH 257. Duration 30 minutes. Published by Carus Verlag (CA.5425719).

SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3113005

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Choral Score. Composed 1724. BWV 130. 4 pages. Duration 14 minutes. Carus Verlag #CV 31.130/05. Published by Carus Verlag (CA.3113005).

ISBN 9790007170554. Language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score available separately - see item CA.3113000.

SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3113014

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas. Single Part, basso continuo. Composed 1724. BWV 130. 12 pages. Duration 14 minutes. Carus Verlag #CV 31.130/14. Published by Carus Verlag (CA.3113014).

ISBN 9790007207861. Text language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and part available separately - see item CA.3113000.

SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3113019

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 130. Duration 14 minutes. Carus Verlag #CV 31.130/19. Published by Carus Verlag (CA.3113019).

ISBN 9790007207878. Language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and parts available separately - see item CA.3113000.

SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3113012

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1724. BWV 130. 4 pages. Duration 14 minutes. Carus Verlag #CV 31.130/12. Published by Carus Verlag (CA.3113012).

ISBN 9790007207847. Text language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and part available separately - see item CA.3113000.