SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3113003

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Herr Gott, dich loben alle wir. Sacred vocal music, Cantatas. Vocal score. Composed 1724. BWV 130. 24 pages. Duration 14 minutes. Carus Verlag #CV 31.130/03. Published by Carus Verlag (CA.3113003).

ISBN 9790007061296. Language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score available separately - see item CA.3113000.

SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3113013

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1724. BWV 130. 4 pages. Duration 14 minutes. Carus Verlag #CV 31.130/13. Published by Carus Verlag (CA.3113013).

ISBN 9790007207854. Text language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and part available separately - see item CA.3113000.

SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3113049

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas. Single Part, Organ. Composed 1724. BWV 130. 16 pages. Duration 14 minutes. Carus Verlag #CV 31.130/49. Published by Carus Verlag (CA.3113049).

ISBN 9790007207885. Language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and part available separately - see item CA.3113000.

SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3113011

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1724. BWV 130. 4 pages. Duration 14 minutes. Carus Verlag #CV 31.130/11. Published by Carus Verlag (CA.3113011).

ISBN 9790007207830. Text language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and part available separately - see item CA.3113000.

SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, organ

SKU: CA.5040515

Chorale cantata. Composed by Max Reger. Edited by Gunther Massenkeil. German title: O wie selig seid ihr doch. Sacred vocal music, Mourning, death. Single Part, Double Bass. Composed 1903. Op. WoO V/4 Nr. 2. 2 pages. Duration 15 minutes. Carus Verlag #CV 50.405/15. Published by Carus Verlag (CA.5040515).

ISBN 9790007081751. Key: D minor. Language: German/English.

The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of O wie selig, or indeed of any performance of it during the composer's lifetime. Score and part available separately - see item CA.5040500.

(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Christiane Hausmann. Arranged by Paul Horn. For SATB vocal soli, 3 recorders, 2 oboes, english horn, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Das neugeborne Kindelein. Cantatas, Christmas. Vocal score. Language: German/English. Composed 1724. BWV 122. 20 pages. Duration 16 minutes. Published by Carus Verlag

Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3

SKU: CA.5527919

O be joyful. Composed by George Frideric Handel. Edited by Uwe Wolf. Set of Orchestra Parts. Composed 1713. HWV 279. Duration 17 minutes. Carus Verlag #5527900. Published by Carus Verlag (CA.5527919).

ISBN 9790007293062. German/English.

Han del's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.
The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition.
The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.
Score and parts available separately - see item CA.5527900.

(1.1.2.0/0.2.1.0,perc,3sa x,banjo,str)

SKU: TM.10230SET

Composed by Ferde Grofé. Set Type: D. Set of parts. Published by Lucks Music Library (TM.10230SET).

P/C in set.

(1.1.2.1/2.2.1.1,perc,3 sax,banjo,str)

SKU: TM.08958SET

Composed by Ferde Grofé. Set Type: D. Set of parts. Published by Lucks Music Library (TM.08958SET).

P/C in set.

(1.1.2.1/2.2.1.0,perc,3 sax,banjo,str)

SKU: TM.10438SET

Composed by Ferde Grofé. Set Type: D. Set of parts. Published by Lucks Music Library (TM.10438SET).

P/C in set.

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0108

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 19 seconds. MorningStar Music Publishers #56-0108. Published by MorningStar Music Publishers (MN.56-0108).

UPC: 688670221255. English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Żegota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…”) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.