By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, SATB Choir, Piano Accompaniment. Baroque. Sheet Music. 168 pages. Published by Novello and Co Ltd.

(Te Deum For The Victory Of Dettingen) Composed by George Frideric Handel (1685-1759), edited by Carl Eberhardt. HWV 283. For ATB solos, SSATB choir and piano accompaniment. Format: vocal score. With choral notation, piano reduction and introductory text. Baroque. Text language German/English. 99 pages. 7.5x10.5 inches. Published by C.F. Peters.

(1.1.2.1/2.2.1.0,timp,per c,AAT sax,T banjo,str,pf solo)

SKU: TM.12652SC

Composed by George Gershwin. Edited by Grofe. Score. Published by Lucks Music Library (TM.12652SC).

Orchestrated for Piano and (smaller) Theatre Orchestra by Grofe; sol/pf (2 piano 4 hand edition, pianos together in score form - 2 copies required if performing as 2 pianos). See #05589 for 1942 Symphonic Orchestra version; solo is the same for both editions.

(1.1.2.1/2.2.1.0,timp,per c,AAT sax,T banjo,str,pf solo)

SKU: TM.12652SET

Composed by George Gershwin. Edited by Grofe. Set Type: D. Set of parts. Published by Lucks Music Library (TM.12652SET).

Orchestrated for Piano and (smaller) Theatre Orchestra by Grofe; sol/pf (2 piano 4 hand edition, pianos together in score form - 2 copies required if performing as 2 pianos). See #05589 for 1942 Symphonic Orchestra version; solo is the same for both editions.

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by F. Brissler. K.626. For SATB solos, SATB choir and piano accompaniment. Format: vocal score. With choral notation and piano reduction. Classical period. D Minor. Text language Latin. 80 pages. 7.5x10.5 inches. Published by C.F. Peters

Solo voices, choir, 2 pianos, timpani With timpani part. Composed by Johannes Brahms (1833- 1897). Edited by Heinrich Poos. Arranged by Heinrich Poos. Score. Breitkopf and Haertel #PB 5697. Published by Breitkopf and Haertel

(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. Arranged by Zsigmond Szathmary. For SATB vocal soli, SATB choir, organ. This edition: Paperbound. C-Dur (C major). Choir and Organ. German title: Requiem. End of the church year, Mourning, death. Full score. Language: Latin. Posth.. 48 pages. Duration 35 minutes. Published by Carus Verlag

By George Frideric Handel. For SMATB Soli, SATB Choir, Piano Accompaniment. Baroque, Choral. Sheet Music. 244 pages. Published by Novello and Co Ltd.

SATB divisi with STB Soli (Orch.) (German, English Language Edition). Composed by Franz Schubert (1797-1828). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Classical; Masterwork; Romantic; Sacred. Book. 76 pages. Kalmus Classic Edition #00-K06424. Published by Kalmus Classic Edition

By Claudio Monteverdi. For SATB soli, SATB Choir, Organ. Sacred, Renaissance, Choral. Sheet Music. 224 pages. Published by Novello and Co Ltd.

By Alessandro Scarlatti. For SSATB Soli, SATB Choir, Organ. Baroque. Sheet Music. 120 pages. Published by Novello and Co Ltd.

Arranged by Stephen Chatman. Text: Jesse Edgar Middleton. For SB soli, SATB Choir, optional keyboard. (Mixed Voices). Christmas. Choral. Published by E.C. Schirmer Publishing.

By Charles Francois Gounod. For Orch. (SATB divisi with STB Soli). Choral Extended Work. Masterwork. 72 pages. Published by Alfred Publishing.

In terra pax, Op. 39. (Christmas Scene). By Gerald Finzi (1901-1956). For Choral, Chorus, Orchestra, Piano (Vocal Score). BH Large Choral. Book only. 23 pages. Boosey and Hawkes #M060030307. Published by Boosey and Hawkes

By Franz Joseph Haydn (1732-1809). Edited by Feldigl. For SATB Vocal Soli, SATB Chorus, [0.2.0.2-2.2.0.0], Timpani, Organ, Strings. This edition: Urtext. Choral. Vocal score. Duration circa 75 minutes. Published by Edition Peters

By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2 Violin, 2 Trumpet, [Timpani], Basso Continuo. Full score available separately - see item CA.9100900. Church music of the Viennese Classical. Choral score. Language: Latin. Composed 1760/1768. 16 pages

By Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SATB, SATB Choir, 2 Pianos, Armo. This edition: paperbound. Score available separately - see item CA.4065000. Latin Masses. Level 3. Study score. Language: Latin. Composed 1863. 184 pages. Duration 90 min. Published by Carus Verlag

By Georg Friedrich Handel. Edited by Eberhard Wenzel. For Soprano solo (2), Alto solo, Tenor solo, Bass solo, gemCh-SSATB, Strings, Basso continuo. Score; Urtext Edition. HWV 232. Duration 40'. Published by Baerenreiter-Ausgaben (German import). ISBN M006498574.

By Stephen Chatman. For Soprano Voice Solo, SATB choir, string Orchestra. Choral, advent, christmas. Piano/vocal score. Published by E.C. Schirmer Publishing

Psalmfest by John Rutter (1945-). For Mixed Choir (Orchestra: [2, 2, 2, 2-4, 3, 3, 1], timpani, percussion, harp, strings / Chamber ensemble: flute, oboe, clarinet, organ, optional timpani and percussion, and harp (or synthesizer)). Choral. Longer Choral Work. Contemporary, Choral Works. Vocal Score. 96 pages. Duration 45'. Published by Oxford University Press

Composed by Bob Chilcott. Vocal score. 28 pages. Duration 15'. Oxford University Press #9780193519763. Published by Oxford University Press (OU.9780193519763).

Composed by Ralph Vaughan Williams (1872-1958). 20th Century and British. Vocal score. 40 pages. Galaxy Music Corporation #1.5038. Published by Galaxy Music Corporation

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

Duets for Holiday and Life Cycle Celebrations. Performed by Michael Isaacson. Transcontinental Music Folios. Size 8.5x11 inches. 36 pages. Published by Transcontinental Music Publications.

By Antonio Vivaldi, Linda Spevacek. For 3-part mixed and SATB choir divisi. Concert. Octavo. Published by Heritage Music Press. (15/2299H)