Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH387-FSP).

(BWV 1021, BWV 1023, BWV 1026) Composed by Johann Sebastian Bach (1685-1750), arranged by Meniker Zvi, edited by Andrew Manze, Peter Wollny. Score; Set of Parts; Urtext Edition for violin and basso continuo. Published by Baerenreiter-Ausgaben (German import).

By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major). German title: Violinsonate in D. Part: basso continuo. Language: all languages. 8 pages. Duration 12 minutes. Published by Carus Verlag

By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major). German title: Violinsonate in D. Part: violin. Language: all languages. 12 pages. Duration 12 minutes. Published by Carus Verlag

By Antonio Vivaldi (1678-1741). Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. Viva Vivaldi. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH338-FSP).

By Antonio Montanari. Edited by Michael Talbot. For Violin and basso continuo. Full score and parts. 55 pages. Duration 20 minutes

By Johann Paul Westhoff. Edited by Alessandro Bares. For violin and basso continuo. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH339-FSP).

Critical Edition Score. Composed by Antonio Vivaldi (1678-1741). String. Softcover. 40 pages. Ricordi #PR1440. Published by Ricordi

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH337-FSP).

(With Marked and Unmarked String Parts). Composed by Johann Baptist Georg Neruda. Edited by Sonja Gerlach and Zdenka Pilková. For Piano, Violin, Basso Continuo. Henle Music Folios. Softcover. G. Henle #HN1049. Published by G. Henle

By Antonio Vivaldi (1678-1741). Edited by Bernhard Moosbauer. For Violin, Harpsichord (Or Piano), Cello. Score and parts. Op.2. 78 pages. Published by Wiener Urtext/Vienna Urtext

By Andrea Falconiero. Edited by Alessandro Bares. For strings and basso continuo. This edition: Paperback. Concerto de' varii stromenti. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot/ Andrew Woolley. Duration 8 minutes. Published by Edition HH Music Publishers (HH.HH416-FSP).

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Duration 9 minutes. Published by Edition HH Music Publishers (HH.HH415-FSP).

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Duration c. 9 minutes. Published by Edition HH Music Publishers (HH.HH417-FSP).

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Duration c. 8 minutes. Published by Edition HH Music Publishers (HH.HH418-FSP).

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Published by Edition HH Music Publishers (HH.HH427-FSP).

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Duration c. 12 minutes. Published by Edition HH Music Publishers (HH.HH419-FSP).

Critical Edition, Paperback Basso Continuo; Violin (Violin)

SKU: HL.50606939

Critical Edition $19.99 Subscriber price. Composed by Antonio Vivaldi. Arranged by ñ, Fabrizio Ammetto, Javier Lupiá, and ez. CRITICAL EDITIONS. Classical. Softcover. 56 pages. Ricordi #PR1457. Published by Ricordi (HL.50606939).

ISBN 9788881921225. UPC: 196288207344. 8.0x10.75x0.159 inches.

In a miscellaneous manuscript in the Este Music Collection belonging to the Österreichische Nationalbibliothek in Vienna, a new sonata for violin and basso continuo by Antonio Vivaldi has recently been identified. Although it has until now been attributed by default to the Bolognese Giuseppe Aldrovandini, by virtue of a heading written (but subsequently rubbed out) by the copyist of the manuscript on one of the pages of the violin part, this sonata has been recognized as an authentic composition by the Red Priest. This work - which can be placed chronologically no later than the middle of the 1710s - represents the most clear-cut example in Vivaldi's music of a “Sonate auf Concertenart”: more specifically, a kind of solo sonata for violin that the Red Priest could perform in order to show off his prowess on that instrument, as signalled by the presence of many passages featuring double stoppingor the use of the ultra-high register.