Composed by Georg Philipp Telemann (1681-1767). Henle Music Folios. Softcover. 194 pages. G. Henle #HN1266. Published by G. Henle (HL.51481266).

(Rome, 1700). By Arcangelo Corelli (1653-1713). Edited by Nicolas Fromageot. Violon et basse continue. For Violin. Facsimiles. Collection Dominantes. Grade 0. 228 pages

By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman, Philippe Lescat. Violin and continuo / Flute and continuo / Trios. For Violin, Flute, Viol. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 104 pages. Published by Anne Fuzeau Productions - France

By Antonio Vivaldi (1678-1741). Edited by Bernhard Moosbauer. For Violin, Harpsichord (Or Piano), Cello. Score and parts. Op.2. 78 pages. Published by Wiener Urtext/Vienna Urtext

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH337-FSP).

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Duration 9 minutes. Published by Edition HH Music Publishers (HH.HH415-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH344-FSP).

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot/ Andrew Woolley. Duration 8 minutes. Published by Edition HH Music Publishers (HH.HH416-FSP).

Composed by Martino Bitti. Edited by Alessandro Borin / Michael Talbot. Full score and parts. Published by Edition HH Music Publishers (HH.HH334-FSP).

Composed by Giovanni Stefano Carbonelli. Edited by Michael Talbot. For Violin and basso continuo. Full score and parts. 85 40 28(xix) pages. Published by Edition HH Music Publishers

By Giovanni Stefano Carbonelli. Edited by Michael Talbot. For violin and basso continuo. Full score and parts. 74 32 24(xxi) pages. Published by Edition HH Music Publishers

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH339-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH342-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH343-FSP).

Critical Edition, Paperback Basso Continuo; Violin (Violin)

SKU: HL.50606939

Critical Edition $19.99 Subscriber price. Composed by Antonio Vivaldi. Arranged by ñ, Fabrizio Ammetto, Javier Lupiá, and ez. CRITICAL EDITIONS. Classical. Softcover. 56 pages. Ricordi #PR1457. Published by Ricordi (HL.50606939).

ISBN 9788881921225. UPC: 196288207344. 8.0x10.75x0.159 inches.

In a miscellaneous manuscript in the Este Music Collection belonging to the Österreichische Nationalbibliothek in Vienna, a new sonata for violin and basso continuo by Antonio Vivaldi has recently been identified. Although it has until now been attributed by default to the Bolognese Giuseppe Aldrovandini, by virtue of a heading written (but subsequently rubbed out) by the copyist of the manuscript on one of the pages of the violin part, this sonata has been recognized as an authentic composition by the Red Priest. This work - which can be placed chronologically no later than the middle of the 1710s - represents the most clear-cut example in Vivaldi's music of a “Sonate auf Concertenart”: more specifically, a kind of solo sonata for violin that the Red Priest could perform in order to show off his prowess on that instrument, as signalled by the presence of many passages featuring double stoppingor the use of the ultra-high register.

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH349-FSP).

Sonata in A minor TWV 41:a2; Sonata in G major TWV 41:G4. By Georg Philipp Telemann. Edited by Max Seiffert. For Violin/Flute, Basso Continuo. Playing Score; Set of Parts; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import).

(Heft 1: Nr. 1, 2). Composed by Giovanni Battista Fontana. Edited by Friedrich Cerha. For violin (soprano recorder) and basso continuo. String music. Diletto Musicale. Level 1-2. 16 9 pages. Published by Doblinger Music Publishers

Violin-solo,strings,basso continuo (Violin solo, Strings, Basso continuo)

SKU: BA.BA07566

Twelve Concertos for Violin, Strings and Basso continuo. Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume I: Concertos I-VI. Score, anthology. Opus 4. Baerenreiter Verlag #BA07566_00. Published by Baerenreiter Verlag (BA.BA07566).

ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.

Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).

The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.

This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).

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- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

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Figured Bass Realization by S. Gerlach. By Franz Benda. Edited by S. Gerlach. Violin. Pages: Score = XV and 61 * Vl Part = 32 * Basso Part = 24. Urtext edition-paper bound. Published by G. Henle.

For Violin and Continuo. Composed by Various. Edited by Cesare Fertonani. String. Softcover. 168 pages. Ricordi #NR141565. Published by Ricordi