Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 6 pages. Baerenreiter
Verlag #BA05897_74.
Published by Baerenreiter
Verlag (BA.BA05897-74).
ISBN 9790006563043.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 7 pages. Baerenreiter
Verlag #BA05897_75.
Published by Baerenreiter
Verlag (BA.BA05897-75).
ISBN 9790006563067.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA07896-74 Composed by Camille Saint-Sae...(+)
First violin (1. Violin)
SKU: BA.BA07896-74
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 23 pages.
Baerenreiter Verlag
#BA07896_74. Published by
Baerenreiter Verlag
(BA.BA07896-74).
ISBN
9790006563357. 32.5 x
25.5 cm inches. Key: C
minor.
In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07896-75 Composed by Camille Saint-Sa...(+)
Second violin (2. Violin)
SKU: BA.BA07896-75
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 27 pages.
Baerenreiter Verlag
#BA07896_75. Published by
Baerenreiter Verlag
(BA.BA07896-75).
ISBN
9790006563364. 32.5 x
25.5 cm inches. Key: C
minor.
In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Messa da Requiem Violon (partie séparée) - Intermédiaire/avancé Barenreiter
First violin (1. Violin) - Level 4 SKU: BA.BA07590-74 Composed by Giusepp...(+)
First violin (1. Violin)
- Level 4
SKU:
BA.BA07590-74
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 30 pages.
Baerenreiter Verlag
#BA07590_74. Published by
Baerenreiter Verlag
(BA.BA07590-74).
ISBN
9790006541614. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta.
For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Messa da Requiem Violon (partie séparée) - Intermédiaire/avancé Barenreiter
Second violin (2. Violin) - Level 4 SKU: BA.BA07590-75 Composed by Giusep...(+)
Second violin (2. Violin)
- Level 4
SKU:
BA.BA07590-75
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 27 pages.
Baerenreiter Verlag
#BA07590_75. Published by
Baerenreiter Verlag
(BA.BA07590-75).
ISBN
9790006541621. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta.
For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin 1 Part Violin 1 (Violin) SKU: HL.51483303 For String Orchestra ...(+)
Violin 1 Part Violin 1
(Violin)
SKU:
HL.51483303
For
String Orchestra Violin 1
Part. Composed by
Antonin Dvorá, Antonin
Dvorak, and k. Edited by
Peter Jost. Henle Music
Folios. Classical.
Softcover. 15 pages. G.
Henle #HN3303. Published
by G. Henle
(HL.51483303).
UPC:
196288207146.
9.25x12.0x0.072
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Violin 2 Part Violin 2 (Violin) SKU: HL.51483304 For String Orchestra ...(+)
Violin 2 Part Violin 2
(Violin)
SKU:
HL.51483304
For
String Orchestra Violin 2
Part. Composed by
Antonin Dvorá, Antonin
Dvorak, and k. Edited by
Peter Jost. Henle Music
Folios. Classical.
Softcover. 15 pages. G.
Henle #HN3304. Published
by G. Henle
(HL.51483304).
UPC:
196288207153.
9.25x12.0x0.072
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Violin 1 (Violin 1) SKU: HL.51480733 Violin I. Composed by Franz J...(+)
Violin 1 (Violin 1)
SKU: HL.51480733
Violin I. Composed
by Franz Joseph Haydn.
Edited by Horst Walter.
Sheet Music. Paperbound.
Henle Music Folios.
Pages: Vl I Part = 7.
Classical. Individual
instrument part. 8 pages.
G. Henle #HN733.
Published by G. Henle
(HL.51480733).
ISBN
9790201807331. UPC:
884088178475.
9.25x12.25x0.027
inches.
This volume
completes Henle's urtext
series of Joseph Haydn's
three piano concertos.
Written in or around
1765, the delightful
first concerto is ideally
suited for playing at
home, for the relatively
undemanding part for
piano (or harpsichord) is
accompanied merely by a
string quartet. This
edition draws on the
musical text in our
complete edition of
Haydn's works,
guaranteeing an urtext of
the finest quality.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
First violin (1. Violin) SKU: BA.BA07895-74 Suite for Orchestra. C...(+)
First violin (1. Violin)
SKU: BA.BA07895-74
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
80. 8 pages. Baerenreiter
Verlag #BA07895_74.
Published by Baerenreiter
Verlag (BA.BA07895-74).
ISBN 9790006564255.
32.5 x 25.5 cm
inches.
Incidental
music with the famous
Sicilienne
Faure
wrote Pelleas et
Melisande in 1898
originally as incidental
music to Maurice
Maeterlinck's like-named
play. After the premiere
and subsequent
performances, he set
about reworking the
musical material into an
orchestral suite. The
premiere of the
originally three-movement
suite took place in
February 1901 under the
baton of Camille
Chevillard.
In
December 1912, the
four-movement version of
Pelleas et Melisande was
finally premiered. The
additional movement, the
Sicilienne, was taken
from the third interlude
of the incidental music.
This delightful piece
would later become one of
Faure's most popular
compositions and now
exists in countless
arrangements.
BA
$?renreiter's new
scholarly-critical
edition of the
four-movement orchestral
suite Pelleas et
Melisande op. 80 is based
on Gabriel Faure The
Complete Works, Volume
IV/2 which appeared in
2016.
* First
Urtext edition *
Based on Gabriel Faure
The Complete Works *
Score and orchestral
parts in a large format
(25.5 x 32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA07895-75 Suite for Orchestra. ...(+)
Second violin (2. Violin)
SKU: BA.BA07895-75
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
80. 7 pages. Baerenreiter
Verlag #BA07895_75.
Published by Baerenreiter
Verlag (BA.BA07895-75).
ISBN 9790006564262.
32.5 x 25.5 cm
inches.
Incidental
music with the famous
Sicilienne
Faure
wrote Pelleas et
Melisande in 1898
originally as incidental
music to Maurice
Maeterlinck's like-named
play. After the premiere
and subsequent
performances, he set
about reworking the
musical material into an
orchestral suite. The
premiere of the
originally three-movement
suite took place in
February 1901 under the
baton of Camille
Chevillard.
In
December 1912, the
four-movement version of
Pelleas et Melisande was
finally premiered. The
additional movement, the
Sicilienne, was taken
from the third interlude
of the incidental music.
This delightful piece
would later become one of
Faure's most popular
compositions and now
exists in countless
arrangements.
BA
$?renreiter's new
scholarly-critical
edition of the
four-movement orchestral
suite Pelleas et
Melisande op. 80 is based
on Gabriel Faure The
Complete Works, Volume
IV/2 which appeared in
2016.
* First
Urtext edition *
Based on Gabriel Faure
The Complete Works *
Score and orchestral
parts in a large format
(25.5 x 32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin (1. Violin) SKU: BA.BA10175-74 Cantata for Whit Tuesday(+)
First violin (1. Violin)
SKU: BA.BA10175-74
Cantata for Whit
Tuesday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. BWV 175.
Baerenreiter Verlag
#BA10175_74. Published by
Baerenreiter Verlag
(BA.BA10175-74).
ISBN
9790006491544. 32.5 x
25.5 cm
inches.
Study score
= TP 1175.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin (2. Violin) SKU: BA.BA10175-75 Cantata for Whit Tuesday<...(+)
Second violin (2. Violin)
SKU: BA.BA10175-75
Cantata for Whit
Tuesday. Composed by
Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. BWV 175.
Baerenreiter Verlag
#BA10175_75. Published by
Baerenreiter Verlag
(BA.BA10175-75).
ISBN
9790006491551. 32.5 x
25.5 cm
inches.
Study score
= TP 1175.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin 1 Part Violin 1 (Parts) SKU: HL.51481551 For String Orchestra V...(+)
Violin 1 Part Violin 1
(Parts)
SKU:
HL.51481551
For
String Orchestra Violin 1
Part. Composed by
Peter Ilich Tchaikovsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Classical. Softcover. 17
pages. G. Henle #HN1551.
Published by G. Henle
(HL.51481551).
UPC:
196288207160.
9.25x12.0x0.082
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sister's country estate
in Kam'ianka, Ukraine,
where he sought peace and
relaxation. But after a
short time the desire to
work took hold of him
again. “I'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,†he
wrote to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods – be
it the Mozartian first
movement “in the
form of a
sonatinaâ€, the
elegant Waltz, the
melancholy
“Elegia†or
the rousing Finale. For
this new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Violin 2 Part Violin 2 (Parts) SKU: HL.51481552 For String Orchestra V...(+)
Violin 2 Part Violin 2
(Parts)
SKU:
HL.51481552
For
String Orchestra Violin 2
Part. Composed by
Peter Ilich Tchaikovsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Classical. Softcover. 14
pages. G. Henle #HN1552.
Published by G. Henle
(HL.51481552).
UPC:
196288207177.
9.25x12.0x0.073
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sister's country estate
in Kam'ianka, Ukraine,
where he sought peace and
relaxation. But after a
short time the desire to
work took hold of him
again. “I'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,†he
wrote to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods – be
it the Mozartian first
movement “in the
form of a
sonatinaâ€, the
elegant Waltz, the
melancholy
“Elegia†or
the rousing Finale. For
this new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Violin SKU: AP.48722 Violin Part. Composed by Dr. Shinichi Suzuki....(+)
Violin
SKU:
AP.48722
Violin
Part. Composed by Dr.
Shinichi Suzuki. This
edition: International.
MakeMusic Cloud;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. Book and CD. 48
pages. Alfred Music
#00-48722. Published by
Alfred Music (AP.48722).
ISBN 9781470644130.
UPC: 038081560342.
English.
Teach
violin with the popular
Suzuki Violin School! The
Suzuki Method of Talent
Education is based on
Shinichi Suzuki's view
that every child is born
with ability, and that
people are the product of
their environment.
According to Shinichi
Suzuki, a world-renowned
violinist and teacher,
the greatest joy an adult
can know comes from
developing a child's
potential so he/she can
express all that is
harmonious and best in
human beings. Students
are taught using the
mother-tongue approach.
Each series of books for
a particular instrument
in the Suzuki Method is
considered a Suzuki music
school, such as the
Suzuki Violin School.
Suzuki lessons are
generally given in a
private studio setting
with additional group
lessons. The student
listens to the recordings
and works with their
Suzuki violin teacher to
develop their potential
as a musician and as a
person.
This
Suzuki Book and CD is
integral for Suzuki
violin lessons. This
International Edition of
the Suzuki Violin School,
Volume 1 features: *
Engravings in a 9 x 12
format * New editing
of pieces, including
bowings and fingerings
* 16 additional pages
* Additional
exercises, some from
Shinichi Suzuki, plus
additional insight and
suggestions for teachers
* Glossary of terms
in English, French,
German, and Spanish *
Musical notation guide
* Fingerboard
position * CD
features new recordings
by Hilary Hahn in
collaboration with
pianist Natalie Zhu, as
well as piano
accompaniment only tracks
for play-along purposes.
Titles:
Principles of Study and
Guidance * Twinkle,
Twinkle, Little Star
Variations (Suzuki) *
Lightly Row (Folk Song) *
Song of the Wind (Folk
Song) * Go Tell Aunt
Rhody (Folk Song) * O
Come, Little Children
(Folk Song) * May Song
(Folk Song) * Long, Long
Ago (Bayly) * Allegro
(Suzuki) * Perpetual
Motion (Suzuki) *
Allegretto (Suzuki) *
Andantino (Suzuki) *
Etude (Suzuki) * Minuet
1, Minuett III from Suite
in G Minor for Klavier,
BWV 822 (Bach) * M.
About Suzuki
Method
The
Suzuki Method is based on
the principle that all
children possess ability
and that this ability can
be developed and enhanced
through a nurturing
environment. All children
learn to speak their own
language with relative
ease and if the same
natural learning process
is applied in teaching
other skills, these can
be acquired as
successfully. Suzuki
referred to the process
as the Mother Tongue
Method and to the whole
system of pedagogy as
Talent Education. The
important elements of the
Suzuki approach to
instrumental teaching
include the following:an
early start (aged 3-4 is
normal in most
countries); the
importance of listening
to music; learning to
play before learning to
read; -the involvement of
the parent; a nurturing
and positive learning
environment; a high
standard of teaching by
trained teachers; the
importance of producing a
good sound in a balanced
and natural way; core
repertoire, used by
Suzuki students across
the world; social
interaction with other
children. Suzuki students
from all over the world
can communicate through
the language of
music.
Second violin (2. Violin) SKU: BA.BA03518-75 Lobgesang der Maria. ...(+)
Second violin (2. Violin)
SKU: BA.BA03518-75
Lobgesang der
Maria. Composed by
Antonio Caldara. Edited
by Christoph Wolff.
Folded. Single part.
Baerenreiter Verlag
#BA03518_75. Published by
Baerenreiter Verlag
(BA.BA03518-75).
ISBN
9790006436279. 27 x 19 cm
inches. Key: C
major.
Second violin (2. Violin) SKU: BA.BA03517-75 Sequenz-Komposition fü...(+)
Second violin (2. Violin)
SKU: BA.BA03517-75
Sequenz-Komposition
für Solostimmen, Chor
und Orchester.
Composed by Antonio
Caldara. Edited by
István Homolya.
Stapled. Single part.
Baerenreiter Verlag
#BA03517_75. Published by
Baerenreiter Verlag
(BA.BA03517-75).
First violin (1. Violin) SKU: BA.BA03517-74 Sequenz-Komposition für...(+)
First violin (1. Violin)
SKU: BA.BA03517-74
Sequenz-Komposition
für Solostimmen, Chor
und Orchester.
Composed by Antonio
Caldara. Edited by
István Homolya.
Stapled. Single part.
Baerenreiter Verlag
#BA03517_74. Published by
Baerenreiter Verlag
(BA.BA03517-74).
First violin (1. Violin) SKU: BA.BA03518-74 Lobgesang der Maria. C...(+)
First violin (1. Violin)
SKU: BA.BA03518-74
Lobgesang der
Maria. Composed by
Antonio Caldara. Edited
by Christoph Wolff.
Folded. Single part.
Baerenreiter Verlag
#BA03518_74. Published by
Baerenreiter Verlag
(BA.BA03518-74).
ISBN
9790006436262. 27 x 19 cm
inches. Key: C
major.
Violin Part SKU: HL.348551 SSSAA Choir and Violin Violin Part. Com...(+)
Violin Part
SKU:
HL.348551
SSSAA
Choir and Violin Violin
Part. Composed by
Britta Byströ and m.
Choral. Softcover.
Edition Wilhelm Hansen
#WH33283A. Published by
Edition Wilhelm Hansen
(HL.348551).
UPC:
840126931112.
Dedic
ated to Janine Jansen and
the Nationaal Vrouwen
Jeugdkoor (Netherlands
Female Youth Choir) and
premiered at the
International Kamermuziek
Festival Utrecht in
December 2019. For SSSAA
choir and violin setting
text from Ecclesiastes 3.
Vocal score available:
WH33283.
