Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
By Sandy Feldstein And John Oreilly. For Conductors Score. Band Method. Yamaha B...(+)
By Sandy Feldstein And
John Oreilly. For
Conductors Score. Band
Method. Yamaha Band
Method. Conductor Score.
176 pages. Published by
Alfred Publishing.
Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with ...(+)
Jazz Ensemble standard
Jazz ensemble (Kendor
Konvertible for 9-17
players) with opt. flute,
clarinet, F horn, tuba
and vibes - Grade 1
SKU: KN.63325
(based on the chord
changes to 'Lullaby Of
Birdland' by George
Shearing). Composed
by Carl Strommen. Bright
Swing. Jazz Quest.
(Kendor Konvertible for
9-17 players) with opt.
flute, clarinet, F horn,
tuba and vibes. Bright
Swing. Score and parts.
Kendor Music Inc #63325.
Published by Kendor Music
Inc (KN.63325).
UPC:
822795633252.
This
bright swing chart is
based on the chord
changes to Lullaby Of
Birdland by George
Shearing. The solo
section is written out
with solo sheets provided
in all keys along with
scales to assist students
in improvisation.
Features Kendor
Konvertible scoring for
9-17 players and includes
optional parts for flute,
clarinet, horn in F, tuba
and vibes.
Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with ...(+)
Jazz Ensemble standard
Jazz ensemble (Kendor
Konvertible for 9-17
players) with opt. flute,
clarinet, F horn, tuba
and vibes - Grade 1
SKU: KN.63325S
(based on the chord
changes to 'Lullaby Of
Birdland' by George
Shearing). Composed
by Carl Strommen. Jazz
Quest. Kendor Music Inc
#63325S. Published by
Kendor Music Inc
(KN.63325S).
UPC:
822795633252.
This
bright swing for
beginning groups is based
on the chord changes to
Lullaby Of Birdland by
George Shearing. The open
solo section (written or
ad lib) features any
soloist, with solo sheets
provided in all keys
along with scales to
assist students in
improvisation. Duration
2:10.
SKU: BA.BVK02429 A study on the conceptual design of the romantic oper...(+)
SKU: BA.BVK02429
A study on the
conceptual design of the
romantic opera.
Composed by Merle Tjadina
Fahrholz. Paperback.
Schweizer Beitrage zur
Musikforschung 25. Book.
290 pages. Baerenreiter
Verlag #BVK02429_00.
Published by Baerenreiter
Verlag (BA.BVK02429).
ISBN 9783761824290. 24
x 17 cm inches. Language:
German. Preface:
Fahrholz, Merle
Tjadina.
Urtext
edition with articulation
markings - Linen-bound
performing
edition
When you
think cello, you think of
Bach's immortal cello
suites.
The suites
take centre stage in the
cello literature. They
are timeless and
beautiful and accompany
cellists from their
student years up through
their professional career
at the highest level.
Appropriately and
not surprisingly there
are countless editions of
the suites. But the
composer's autograph has
not come down to us. It
is lost and this
circumstance has always
been a major challenge
for editors. The four
surviving handwritten
sources and the original
first edition of 1824
differ in many details,
the articulation and
phrasing being
particularly
ambiguous.
At
Barenreiter, having
published the New Bach
Edition and presently
publishing the New Bach
Edition-Revised, we feel
particularly committed to
the cello suites. We have
approached the editorial
problems from several
angles and have published
editions that meet the
needs of students and
professional performers
alike.
This new
edition, based on volume
4 of the New Bach Edition
- Revised (NBArev), now
completes Barenreiter's
collection of the cello
suite editions. Andrew
Talle has fundamentally
reassessed the relations
between the surviving
sources and has drawn
conclusions regarding
their evaluation and
consequently the genesis
of the suites. His
evaluations are augmented
with thorough discussions
of the instrument for
which the suites were
conceived and the
interpretative practices
in Bach's day.
The
musical text of the
edition is based on these
findings. It approaches
the composer's original
intentions as far as the
sources will permit.
Details regarding
articulation were deemed
as being viable and were
added to the musical text
if they appeared in the
majority of the
sources.This edition does
not present a perfect
reconstruction of the
lost autograph; no editor
could claim to do so.
Instead, I have attempted
to provide musicians and
scholars with a reliable
version of the surviving
musical text of the six
cello suites and to shed
light on the options
which the Bach sources
offer.
This flyer
takes you through
our various editions of
Bach's Cello
Suites.