| Distraught Nightingale - Vol. 2 (piano) Piano seul [Partition + CD] Leduc, Alphonse
Composed by Reynaldo Hahn (1874-1947). Leduc. Classical. CD. 80 pages. Alphon...(+)
Composed by Reynaldo Hahn
(1874-1947). Leduc.
Classical. CD. 80 pages.
Alphonse Leduc #HE33880.
Published by Alphonse
Leduc
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Suzuki Violin School, Volume 3 Violon [Partition + CD] Alfred Publishing
Violin Part. Composed by accomp. perf. Natalie Zhu, violin perf. Hilary Hahn, ...(+)
Violin Part. Composed by
accomp. perf. Natalie
Zhu,
violin perf. Hilary Hahn,
and
Dr. Shinichi Suzuki.
Method/Instruction;
SmartMusic; String -
Violin
(Suzuki); Suzuki. Suzuki
Violin School. Book and
CD.
28 pages. Alfred Music
#00-
48728. Published by
Alfred
Music
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Le Rossignol Eperdu Vol.2 (Poemes) Piano seul Heugel
Piano SKU: BT.ALHE33880 Orient- Carnet de Voyage-Versailles. Compo...(+)
Piano SKU:
BT.ALHE33880
Orient- Carnet de
Voyage-Versailles.
Composed by Reynaldo
Hahn. Classical. Book
Only. 80 pages. Heugel &
Cie #ALHE33880. Published
by Heugel & Cie
(BT.ALHE33880).
French. Distraug
ht Nightingale _x001A_
Vol. 2 is the second
volume of a set of two by
Reynaldo Hahn. It
features three main parts
for advanced pianists.
This volume 2 includes:
II. Orient 31. En ca que
32. Narghilé 33. Les
Chiens deGalata (Effet de
nuit sur la Corne
d_x001A_Or) 34.
Rêverie nocturne sur
le Bosphore 35. La Rose
de Blida 36.
L_x001A_Oasis (Biskra)
III. Carnet de Voyage 37.
L_x001A_Ange Verrier
(Cathédrale de
Bourges) 38. Le Jardin de
Pétrarque 39.
LaNativité (Crèche
de Nuremberg) 40.
Faunesse dansante (Le
Rosso _x001A_ Palais de
Fontainebleau) 41. Les
Noces du Duc de Joyeuse
(Musée de Versailles)
42. Le Petit Mail
(Rêveries de Calvin
adolescent) 43. Les Pages
d_x001A_Élizabeth(Tem
ple Gardens) 44. La
Jeunesse et
l_x001A_Été
ornaent de fleurs le
tombeau de Pergolène
45. Vieux bahuts
(Musée
d_x001A_Orléans) IV.
Versailles 46. Hommage
Martius 47. La Reine au
jardin 48. Le Réveil
de Flore 49. Le Banc
songeur 50. La Fête de
Terpsichore 51. Adieux au
soir tombant 52.
Hivernale 53. Le
Pèlerinage inutile
Reynaldo Hahn was a
naturalised French
composer, conductor,
theatre director and
singer. Best known as a
composer of songs, healso
wrote many pieces and
melodies for different
instruments. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Suzuki Violin School, Volume 3 Violon SATB, Orchestre Alfred Publishing
Violin SKU: AP.48729 International Edition. By Hilary Hahn and Nat...(+)
Violin SKU:
AP.48729
International
Edition. By Hilary
Hahn and Natalie Zhu.
This edition:
Performance/Accompaniment
CD; International.
MakeMusic Cloud;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. CD. Alfred Music
#00-48729. Published by
Alfred Music (AP.48729).
ISBN 9781470644185.
UPC: 038081560397.
English. Teach
violin with the popular
Suzuki Violin School! The
Suzuki Method of Talent
Education is based on
Shinichi Suzuki's view
that every child is born
with ability, and that
people are the product of
their environment.
According to Shinichi
Suzuki, a world-renowned
violinist and teacher,
the greatest joy an adult
can know comes from
developing a child's
potential so he/she can
express all that is
harmonious and best in
human beings. Students
are taught using the
mother-tongue approach.
Each series of books for
a particular instrument
in the Suzuki Method is
considered a Suzuki music
school, such as the
Suzuki Violin School.
Suzuki lessons are
generally given in a
private studio setting
with additional group
lessons. The student
listens to the recordings
and work with their
Suzuki violin teacher to
develop their potential
as a musician and as a
person.
This CD
of the Suzuki violin
method, Volume 3 features
recordings by Hilary Hahn
in collaboration with
pianist Natalie Zhu, as
well as piano
accompaniment only tracks
for play-along purposes.
Titles: Study
Points * Tonalization *
Vibrato Exercises *
Gavotte (Martini) *
Minuet (Bach) * Gavotte
in G Minor (Bach) *
Humoresque (Dvorák) *
Gavotte (Becker) *
Gavotte in D Major (Bach)
* Bourrée (Bach). This
title is available in
MakeMusic Cloud.
About Suzuki
Method The
Suzuki Method is based on
the principle that all
children possess ability
and that this ability can
be developed and enhanced
through a nurturing
environment. All children
learn to speak their own
language with relative
ease and if the same
natural learning process
is applied in teaching
other skills, these can
be acquired as
successfully. Suzuki
referred to the process
as the Mother Tongue
Method and to the whole
system of pedagogy as
Talent Education. The
important elements of the
Suzuki approach to
instrumental teaching
include the following:an
early start (aged 3-4 is
normal in most
countries); the
importance of listening
to music; learning to
play before learning to
read; -the involvement of
the parent; a nurturing
and positive learning
environment; a high
standard of teaching by
trained teachers; the
importance of producing a
good sound in a balanced
and natural way; core
repertoire, used by
Suzuki students across
the world; social
interaction with other
children. Suzuki students
from all over the world
can communicate through
the language of
music. $15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| COMPLETE MANDOLINIST, VOLUME 2: MUSIC IN CONTEXT Mandoline - Intermédiaire/avancé Mel Bay
Perfect binding. Exercises. Book. Mel Bay Publications, Inc #30782. Publishe...(+)
Perfect binding.
Exercises.
Book. Mel Bay
Publications,
Inc #30782. Published by
Mel
Bay Publications, Inc
$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Great Gate of Kiev Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1064131-010 From 'Pictures...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1064131-010
From 'Pictures at an
Exhibition'. Composed
by Modest Petrovich
Mussorgsky. Arranged by
Tohru Takahashi. The
Great Classics.
Transcription. Set (Score
& Parts). Composed 2006.
De Haske Publications
#DHP 1064131-010.
Published by De Haske
Publications
(BT.DHP-1064131-010).
9x12 inches.
English-German-French-Dut
ch. The Russian
composer Modest
Mussorgsky (1839-1881)
was self-educated to a
large extent but went on
to become one of the
?Mighty Five? which also
included Balakirev, Cui,
Borodin and
Rimsky-Korsakov. Today he
is considered the
innovator of Russian
music par excellence. He
composed Pictures at an
Exhibition in 1874,
inspired by ten pictures
produced by his then
recently deceased friend,
the Russian architect and
artist Victor Hartmann.
The French composer
Maurice Ravel made an
orchestration of
Mussorgsky?s composition
in 1922 which is now more
well-known and more
performed than the
original piano suite. For
his transcription of
Pictures at an
Exhibition, Tohru
Takahashimade use of the
original piano
composition by
Mussorgsky. The Great
Gate of Kiev, issued here
separately, is probably
the best known melody
from this classical
masterpiece.
De
Russische componist
Moessorgsky (1839-1881)
componeerde Pictures
at an Exhibition
(Schilderijententoonstell
ing) in 1874. Zijn
inspiratiebron vormden
tien schilderijen van de
hand van zijn overleden
vriend Victor
Hartmann,een Russisch
architect en kunstenaar.
De Franse componist
Maurice Ravel maakte in
1922 een orkestratie van
Moessorgsky’s
compositie - deze is
bekender en wordt meer
uitgevoerd dan de
oorspronkelijke
pianosuite. Voor zijn
¬transcriptievan
Pictures at an
Exhibition gebruikte
Tohru Takahahsi echter de
originele compositie van
Moessorgski. Dit
afzonderlijk uitgegeven
deel, The Great Gate
at Kiev, is
waarschijnlijk het
bekendst.
Obwohl
der russische Komponist
Modest Petrowitsch
Mussorgski
hauptsächlich als
Komponist von Opern und
Liedern bekannt ist,
schrieb er auch eine
Anzahl von bedeutenden
Klavierwerken, wie zum
Beispiel die
weltberühmte Suite
Bilder einer
Ausstellung, die
vielen besser in der
Orchestrierung von
Maurice Ravel bekannt
ist. Für seine
Transkription von
Bilder einer
Ausstellung griff
Tohru Takahashi jedoch
auf die ursprüngliche
Komposition von
Mussorgski zurück. Der
separat
veröffentlichte Satz
Das große Tor von
Kiew ist daraus der
wohl bekannteste Teil,
der immer wieder gerne
gespielt und gehört
wird.
Modest
Moussorgski (1839-1881)
est considéré comme
le grand innovateur de la
musique russe. Il a
réalisé ses plus
grandes créations dans
le domaine lyrique, mais
n’a jamais
manqué de composer des
oeuvres pour piano dont
le célèbre cycle
Tableaux d’une
Exposition.
Dixième et dernier
tableau de la suite,
La grande porte de
Kiev est certainement
le mouvement le plus
connu du public.
Modest
Moussorgski (1839-1881)
è considerato il
più grande innovatore
della musica russa. Ha
realizzato le sue più
grandi creazioni nel
campo della musica
lirica, ma ha anche
composto opere per
pianoforte tra le quali
il celebre ciclo Quadri
di un’esposizione.
Decimo ed ultimo quadro
della suite, La grande
porta di Kiev è
certamente il movimento
più conosciuto dal
pubblico. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tanzsuite mit Deutschlandlied Breitkopf & Härtel
(solos: 2vl.va.vc - 4(4picc.A-fl).3.3.B-clar. 3.dble bsn - 4.3.3.1 - perc(4) - h...(+)
(solos: 2vl.va.vc -
4(4picc.A-fl).3.3.B-clar.
3.dble bsn - 4.3.3.1 -
perc(4) - hp - pno - str:
10.10.8.8.6) SKU:
BR.PB-5714 Music
for Orchestra with String
Quartet. Composed by
Helmut Lachenmann.
Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Dances/marches;
Music post-1945. Sheet
Music. Composed 1979/80.
176 pages. Duration 36'.
Breitkopf and Haertel #PB
5714. Published by
Breitkopf and Haertel
(BR.PB-5714). ISBN
9790004216514. 10.5 x 14
inches. More than
my earlier works, this
one is interspersed with
metrically bound rhythms
and musicianly characters
that constantly
recrystallize and drift
towards or away from
familiar situations.The
familiar: These are
dance-like figures and
music-making formulas,
but also songs and, in
two cases fragments of
Bach's music - playfully
collected memories of
impressions in which -
consciously and
unconsciously - I am
embodied with that
collective comfort in
whose protection
bourgeois thinking and
feeling, magically
protected, grow up and
emerge apart.(It is well
known that such security
has its fetishes from the
childlike to the adult
stage: Home, religious
bond, holidays,
tradition, longing for
childhood - the
superficiality may have
little idea of the depth
that opens up underneath.
There is also no question
that we are still marked
by such security even
when the contradictions
and alienation of
existence force us to
step out of their
protection, to recognize
and act upon reality, and
to oppose the domination
of such inner bonds where
their original truth has
become the fatal untruth
of comfortable illusion,
stubbornly and fearfully
conjured idyll and
reactionary
narrow-mindedness.My
music feeds on figures in
which such memories are
encapsulated. It deals
with them not much
differently than in other
pieces with the elements
of the traditional
musical concept of
material, having already
always reflected
compositionally as a
product of sociality and
anticipation of musical
expression, i.e. it moved
into a structurally
expanded context and
expressively redefined
from there.Such an
approach aims at
overcoming lack of
freedom: grasping as part
of conceiving, i.e. not
philosophical reflection,
but rather an
artistically gripping
reflex by intervening in
the physical immediacy of
such predetermined
elements. These penetrate
and infect the structural
events, inducing a
musicianship that cannot
be relied upon; the music
jumps onto rhythms like
onto moving vehicles,
allows for being carried
by them until they deform
or disintegrate. This
creates an incline of
rhythmically shaped
situations: sequence and
interweaving of dances
and structures.The role
of the solo string
quartet is versatile,
obbligato and
concertante, leading and
accompanying in a
changing sense. Set as a
chamber music apparatus
in an orchestral
landscape, it repeatedly
forces its own sound
dimensions onto the
orchestra, it must accept
being drowned out at
times, it nests in the
holes of tutti fields, it
acts as a louse in the
fur, forcing one to
listen in and out.The
Tanzsuite with
Deutschlandlied is
structured as follows:I.
Section. 1. Introduction
- 2. Waltz - 3. March -
4. Bridge -II. Section.
5. Siciliano - 6.
Capriccio - 7. Valse
lente -III. Section. 8.
Bridge - 9. Gigue - 10.
Tarantelle - 11. Bridge
-IV. Section. 12 Aria I -
13 Polka - 14 Aria IIV.
Section. 15. Introduction
- 16 Gallop - 17 Coda
(Aria III)All 17 parts
merge into one
another.(Helmut
Lachenmann,
1980)CDs/LP/DVD:Arditti-Q
uartett, Deutsches
Symphonie-Orchester
Berlin, cond. Olaf
HenzoldCD Montaigne
Auvidis MO 782019Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
Cambreling (Excerpt)CD
BMG/RCA 74321 73510 2
(Musik in Deutschland
1950-2000)Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
CambrelingLP DMR
1028-30Arditti Quartet,
SWR Sinfonieorchester
Baden-Baden und Freiburg,
cond. Hans Zender Excerpt
on CD ,,Auswahl von zehn
Urauffuhrungen aus 70
Jahren, SWR
Sinfonieorchester
Baden-Baden und Freiburg
Arditti Quartet,
Staatsorchester
Stuttgart, cond. Sylvain
Cambreling DVD
,,Lachenmann-Perspektiven
6 (Breitkopf & Hartel,
BHM 7816)
Bibliography:Cavalotti,
Pietro: Differenzen.
Poststrukturalistische
Aspekte in der Musik der
1980er Jahre am Beispiel
von Helmut Lachenmann,
Brian Ferneyhough und
Gerard Grisey (= Sonus.
Schriften zur Musik,
hrsg. von Andreas
Ballsteadt, Band 8),
Schliengen: Argus 2006,
pp. 79-128.Das sind doch
alles Deutschlandlieder!
Helmut Lachenmann im
Gesprach mit Michael
Rebhahn, in: Der
Taktgeber. Das Magazin
der Jungen Deutschen
Philharmonie, Heft 40
(Sommer 2019), S.
6f.Stawowy, Milena:
Fluchtversuche in die
Hohle des Lowen. Helmut
Lachenmanns Tanzsuite mit
Deutschlandlied, in:
MusikTexte 67/68 (1997),
pp. 77-90.Toop, Richard:
Concept and Context: A
Historiographic
Consideration of
Lachenmanns Orchestral
Works, in: Helmut
Lachenmann Inward Beauty,
hrsg. von Dan Albertson,
Contemporary Music Review
23 (2004), Heft 3/4, pp.
125-144.
World
premiere: Donaueschingen
(Donaueschinger
Musiktage), October 18,
1980. $160.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Suzuki Violin School (Asian Edition) Violon SATB, Orchestre Alfred Publishing
Violin SKU: AP.49294 Volume 3. Violin Part. Composed by Dr....(+)
Violin SKU:
AP.49294 Volume
3. Violin
Part. Composed by Dr.
Shinichi Suzuki. This
edition:
International/Asian.
MakeMusic Cloud;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. Book and CD. 28
pages. Alfred Music
#00-49294. Published by
Alfred Music (AP.49294).
ISBN 9781470644680.
UPC: 038081563381.
English. Authorized
Asian Edition - Available
ONLY in Asia.
Teach violin with
the popular Suzuki Violin
School! The Suzuki Method
of Talent Education is
based on Shinichi
Suzuki's view that every
child is born with
ability, and that people
are the product of their
environment. According to
Shinichi Suzuki, a
world-renowned violinist
and teacher, the greatest
joy an adult can know
comes from developing a
child's potential so
he/she can express all
that is harmonious and
best in human beings.
Students are taught using
the mother-tongue
approach. Each series of
books for a particular
instrument in the Suzuki
Method is considered a
Suzuki music school, such
as the Suzuki Violin
School. Suzuki lessons
are generally given in a
private studio setting
with additional group
lessons. The student
listens to the recordings
and work with their
Suzuki violin teacher to
develop their potential
as a musician and as a
person.
This
Suzuki Book & CD (Asian
Edition) is integral for
Suzuki violin lessons.
This revised edition of
the Suzuki Violin School,
Volume 3 features: *
Engravings in a 9 x 12
format * Revised
editing of pieces,
including bowings and
fingerings * 16
additional pages *
Additional exercises,
some from Shinichi
Suzuki, plus additional
insight and suggestions
for teachers *
Glossary of terms in
English, French, German,
and Spanish * Musical
notation guide *
Fingerboard position
* CD features new
recordings by Hilary Hahn
in collaboration with
pianist Natalie Zhu, as
well as piano
accompaniment only tracks
for play-along purposes.
Titles: Study
Points * Tonalization *
Vibrato Exercises *
Gavotte (Martini) *
Minuet (Bach) * Gavotte
in G Minor (Bach) *
Humoresque (Dvorák) *
Gavotte (Becker) *
Gavotte in D Major (Bach)
* Bourrée (Bach).
This title is
available in MakeMusic
Cloud.
About Suzuki
Method The
Suzuki Method is based on
the principle that all
children possess ability
and that this ability can
be developed and enhanced
through a nurturing
environment. All children
learn to speak their own
language with relative
ease and if the same
natural learning process
is applied in teaching
other skills, these can
be acquired as
successfully. Suzuki
referred to the process
as the Mother Tongue
Method and to the whole
system of pedagogy as
Talent Education. The
important elements of the
Suzuki approach to
instrumental teaching
include the following:an
early start (aged 3-4 is
normal in most
countries); the
importance of listening
to music; learning to
play before learning to
read; -the involvement of
the parent; a nurturing
and positive learning
environment; a high
standard of teaching by
trained teachers; the
importance of producing a
good sound in a balanced
and natural way; core
repertoire, used by
Suzuki students across
the world; social
interaction with other
children. Suzuki students
from all over the world
can communicate through
the language of
music. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |