Viola Position 1 Alto seul [Partition + CD] - Facile De Haske Publications
Viola - easy SKU: BT.DHP-1145555-400 Fingerings, scales and triads...(+)
Viola - easy
SKU:
BT.DHP-1145555-400
Fingerings, scales and
triads. Composed by
Nico Dezaire. Tuition.
Book with CD. Composed
2014. 92 pages. De Haske
Publications #DHP
1145555-400. Published by
De Haske Publications
(BT.DHP-1145555-400).
ISBN 9789043135979.
English-German-French-Dut
ch.
Position
1 covers the four
fingerings of the first
position. The connection
between these fingerings
and the different keys -
up to three sharps or
flats - is also dealt
with. The book features
38 exercises for the
various fingerings,
sevenscale and triad
exercises, and 68
attractive performance
pieces in a range of
musical styles. The
performance pieces can be
played with CD
accompaniment (demo and
play-along tracks are
featured on CDs 1 and 2)
or with piano
accompaniment. The
pianoaccompaniments can
be found on CD 2 in PDF
form.
In
Position 1 worden
alle vingerstellingen
binnen de 1e positie
geleerd aan de hand van
grepenschema?s,
oefeningen en
speelstukken. Verder
wordt het verband gelegd
tussen de verschillende
vingerstellingen in
toonladders en
drieklanken inde 1e
positie over 2 oktaven.
De 68 speelstukken kunnen
met cd-begeleiding worden
gespeeld, of met
live-pianobegeleidingen.
Deze worden als pdf
geleverd op de 2
bijbehorende cd?s. De
vertrouwde afwisseling
van nieuwe stukken,
arrangementen
vanklassieke thema?s en
volksliedjes ontbreekt
uiteraard niet!
In
Position 1 geht es
um die vier Griffarten
der ersten Lage. Diese
Griffarten werden auch
mit den verschiedenen
Tonarten - mit bis zu
drei Kreuzen oder Bs -
verknüpft. Das Buch
umfasst 38 Ã?bungen
für die verschiedenen
Griffarten,
siebenTonleiter- und
Dreiklangsübungen
sowie 68 reizvolle
Vortragsstücke in
einer ganzen Palette an
Musikstilen. Die
Vortragsstücke
können zu den
Begleitungen auf den
beiden CDs (die Demo- und
Mitspielversionen
enthalten), aber auch mit
einem Pianistengespielt
werden. Die
Klavierstimmen sind im
PDF-Format zum Ausdrucken
auf der CD 2
enthalten.
Position
1 affronta le quattro
diteggiature della prima
posizione. La
pubblicazione contiene 38
esercizi per le varie
posizioni, sette scale e
terze, come anche 68
accattivanti brani in
vari stili musicali da
suonare in pubblico.
Questipossono essere
eseguiti sia con lausilio
dei 2 CD inclusi (traccia
demo e traccia
play-along), sia con
l´accompagnamento di
un pianista. Le parti del
piano, contenute sul
secondo CD, sono
scaricabili in formato
PDF.
String Quartet Violin SKU: PE.EP71899 Composed by James Dillon. String Qu...(+)
String Quartet Violin
SKU: PE.EP71899
Composed by James Dillon.
String Quartets. Peters
Contemporary Library.
Book. 36 pages. Edition
Peters #98-EP71899.
Published by Edition
Peters (PE.EP71899).
ISBN 9790577004402.
English.
About Peters
Contemporary
Library
Ma
rk Andre Milton
Babbitt Daniel
Bjarnason Earle
Brown John
Cage Henry
Cowell James
Dillon Jonathan
Dove Brian
Ferneyhough Roxanna
Panufnik Rebecca
Saunders Erkki-Sven
Tuur Charles
Wuorinen
These
are just a few of the
composers whose most
adventurous scores are
now available to purchase
through the Peters
Contemporary Library. A
new global initiative of
the Edition Peters Group,
the Peters Contemporary
Library is a project
designed to put these
bold 20th- and
21st-century works, once
available only for
rental, into the
collections of libraries,
performers, scholars, and
conductors alike.
Kicked off in 2016,
the Peters Contemporary
Library already contains
many cutting-edge works
and is constantly
expanding. We are proud
to offer these bold new
scores for sale, for the
first time ever, to
modern musicians and
students of music all
around the world.
Seven
Little Pieces.
Composed by William Grant
Still. Large Score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89L. Published
by Carl Fischer Music
(CF.SC89L).
William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following
ways:Â William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways:
Li’l Scamp If one
were to base his judgment
on the volume of sound,
he would think this
little fellow, who
delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
GirlA tone picture of a
lovely girl. Mah Bones Is
Creakin’An old
man, afflicted with
rheumatism, complains
loudly. BlueThe lament of
a weary soul. Clap
Yo’
Han’sThe
participants in a game
for children form a
circle and clap their
hands at intervals.