SATB vocal soli, SATB choir, cello/contrabass, organ SKU: CA.2100305 Comp...(+)
SATB vocal soli, SATB
choir, cello/contrabass,
organ
SKU:
CA.2100305
Composed
by Marc-Antoine
Charpentier. Edited by
Annick Fiaschi. Arranged
by Paul Horn. French
Sacred Music. German
title: Magnificat. Sacred
vocal music, Magnificats,
Motets, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Choral Score. H. Duration
9 minutes. Carus Verlag
#CV 21.003/05. Published
by Carus Verlag
(CA.2100305).
ISBN
9790007100797. Language:
Latin.
Marc-Antoine
Charpentier's Magnificat
H 78 was composed around
1690 for the Jesuits in
Paris. No less than ten
works by the composer, in
differing vocal and
instrumental scoring and
form comprise this genre.
In the present Magnificat
H 78 for five voices (in
which alto and bass also
have solo roles), two
flutes, strings and basso
continuo, each of the
individual movements
contains its own
expressive profile in
sound. Score available
separately - see item
CA.2100300.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Set of
Orchestra Parts. Composed
1736/1800/1843. Duration
35 minutes. Carus Verlag
#CV 97.003/19. Published
by Carus Verlag
(CA.9700319).
ISBN
9790007133757. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
parts available
separately - see item
CA.9700300.
Orchestra SKU: LO.30-2743L Following the Path of Salvation Through Hym...(+)
Orchestra
SKU:
LO.30-2743L
Following the Path of
Salvation Through
Hymns. Composed by
Mary McDonald. Arranged
by Jean Anne Shafferman.
Choral, cantatas. Holy
Week, Eastertide, Sacred.
Instrumental parts.
Lorenz Publishing Company
#30/2743L. Published by
Lorenz Publishing Company
(LO.30-2743L).
UPC:
000308130188.
This
product is the set of
printed parts only for
The Way of the Cross
Leads Home, and it
includes parts for 2
Flutes, 2 Clarinets,
Horn, 2 Trumpets,
Trombone, Tuba, 2
Percussion, Piano, 2
Violins, Viola, Cello,
Bass, and Digital String
Reduction.
Orchestra SKU: LO.30-2803L Following the Path of Salvation Through Hym...(+)
Orchestra
SKU:
LO.30-2803L
Following the Path of
Salvation Through
Hymns. Composed by
Mary McDonald. Arranged
by Jean Anne Shafferman.
Choral, cantatas. Holy
Week, Eastertide, Sacred.
CD with printable parts.
Lorenz Publishing Company
#30/2803L. Published by
Lorenz Publishing Company
(LO.30-2803L).
UPC:
000308130935.
This
product is the set of
digital parts only
(delivered on a CD) for
The Way of the Cross
Leads Home, and it
includes parts for 2
Flutes, 2 Clarinets,
Horn, 2 Trumpets,
Trombone, Tuba, 2
Percussion, Piano, 2
Violins, Viola, Cello,
Bass, and Digital String
Reduction.
Orchestra SKU: LO.30-2804L Following the Path of Salvation Through Hym...(+)
Orchestra
SKU:
LO.30-2804L
Following the Path of
Salvation Through
Hymns. Composed by
Mary McDonald. Arranged
by Jean Anne Shafferman.
Choral, cantatas. Holy
Week, Eastertide, Sacred.
Score and parts, plus CD
with printable parts.
Lorenz Publishing Company
#30/2804L. Published by
Lorenz Publishing Company
(LO.30-2804L).
UPC:
000308130942.
This
product includes the full
orchestral score, printed
parts, and digital parts
(delivered on a CD) for
The Way of the Cross
Leads Home. The parts
include 2 Flutes, 2
Clarinets, Horn, 2
Trumpets, Trombone, Tuba,
2 Percussion, Piano, 2
Violins, Viola, Cello,
Bass, and Digital String
Reduction.
Composed by Franz
Schubert. Edited by
Salome Reiser. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Violin 1.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Violin 1.
Composed 1815. D 486. 8
pages. Duration 9
minutes. Carus Verlag #CV
70.053/11. Published by
Carus Verlag
(CA.7005311).
ISBN
9790007228286. Key: D
major. Language:
Latin.
With a
duration of about 10
minutes, Schubert's
Magnificat D 486 in C
major is one of the more
concise settings of the
well-known Marian
canticles, originally for
the service of Vespers.
It was composed in late
summer 1815, and is
therefore probably one of
a series of church music
works Schubert wrote in
his youth for Lichtenthal
Parish Church. The work
requires a large-scale
orchestra with strings,
woodwind, and brass. The
four-part choir contrasts
with four soloists; this
quartet sings the
peaceful middle section
of the three-section
work. For the Carus
edition Schubert's own
autograph manuscript of
his Magnificat was
consulted again for the
first time since 1888.
Until 1989 this had been
thought to be lost. This
work is now available in
carus music, the choir
app! Score and part
available separately -
see item CA.7005300.
Composed by Franz
Schubert. Edited by
Salome Reiser. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Violin 2.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Violin 2.
Composed 1815. D 486. 8
pages. Duration 9
minutes. Carus Verlag #CV
70.053/12. Published by
Carus Verlag
(CA.7005312).
ISBN
9790007228293. Key: D
major. Language:
Latin.
With a
duration of about 10
minutes, Schubert's
Magnificat D 486 in C
major is one of the more
concise settings of the
well-known Marian
canticles, originally for
the service of Vespers.
It was composed in late
summer 1815, and is
therefore probably one of
a series of church music
works Schubert wrote in
his youth for Lichtenthal
Parish Church. The work
requires a large-scale
orchestra with strings,
woodwind, and brass. The
four-part choir contrasts
with four soloists; this
quartet sings the
peaceful middle section
of the three-section
work. For the Carus
edition Schubert's own
autograph manuscript of
his Magnificat was
consulted again for the
first time since 1888.
Until 1989 this had been
thought to be lost. This
work is now available in
carus music, the choir
app! Score and part
available separately -
see item CA.7005300.
Composed by Franz
Schubert. Edited by
Salome Reiser. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Viola.
Innovative practice aids,
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Viola.
Composed 1815. D 486. 4
pages. Duration 9
minutes. Carus Verlag #CV
70.053/13. Published by
Carus Verlag
(CA.7005313).
ISBN
9790007228309. Key: D
major. Language:
Latin.
With a
duration of about 10
minutes, Schubert's
Magnificat D 486 in C
major is one of the more
concise settings of the
well-known Marian
canticles, originally for
the service of Vespers.
It was composed in late
summer 1815, and is
therefore probably one of
a series of church music
works Schubert wrote in
his youth for Lichtenthal
Parish Church. The work
requires a large-scale
orchestra with strings,
woodwind, and brass. The
four-part choir contrasts
with four soloists; this
quartet sings the
peaceful middle section
of the three-section
work. For the Carus
edition Schubert's own
autograph manuscript of
his Magnificat was
consulted again for the
first time since 1888.
Until 1989 this had been
thought to be lost. This
work is now available in
carus music, the choir
app! Score and part
available separately -
see item CA.7005300.
Composed
by Dale Jergenson. 21st
Century,
Praise/Thanksgiving.
Choral score. Laurendale
Associates #CH-1204A.
Published by Laurendale
Associates (MN.CH-1204A).
Scripture:
Psalms.
The Te Deum
is a hymn of
thanksgiving, and in the
Liber Usualis it is the
first such hymn listed.
The text is a composite,
with some original words
and some quoted directly
from the psalms. One of
the most obvious
stylistic factors of the
prayer is that each line
begins, almost without
exception in the
invocation part of the
prayer, with some form of
second-person address.
This piece is designed to
be performed by small or
large forces. It may be
performed with as few as
12 to 16 singers, 1 each
of the Double Reeds and
Strings, 1 Organist and 1
Percussionist. If large
forces are employed, the
number of
instrumentalists should
be increased to maintain
a proportionate balance,
i.e., the orchestra
should never overshadow
the chorus. The dynamics
used by the Organist and
Percussionist(s) must
always be relative to the
size of the ensemble as
well. In this connection,
for a large ensemble, use
plate cymbals instead of
suspended cymbal (2
percussionists will be
required). At the
discretion of the
conductor, plate cymbals
may be employed where
appropriate for the
somewhat smaller
ensembles.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Violin 2. Composed
1736/1800/1843. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/12. Published by
Carus Verlag
(CA.9700312).
ISBN
9790007238766. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Viola. Composed
1736/1800/1843. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/13. Published by
Carus Verlag
(CA.9700313).
ISBN
9790007238773. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Organ. Composed
1736/1800/1843. 28 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/49. Published by
Carus Verlag
(CA.9700349).
ISBN
9790007238797. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Choral
Score. Composed
1736/1800/1843. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/05. Published by
Carus Verlag
(CA.9700305).
ISBN
9790007131777. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score
available separately -
see item CA.9700300.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Cello/Double Bass.
Composed 1736/1800/1843.
12 pages. Duration 35
minutes. Carus Verlag #CV
97.003/14. Published by
Carus Verlag
(CA.9700314).
ISBN
9790007238780. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
This edition: Paperbound.
German title: Stabat
Mater (Satb Arr.Salieri)
Spira. Sacred vocal
music, Lent and
Passiontide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
Composed 1736/1800/1843.
128 pages. Duration 35
minutes. Carus Verlag #CV
97.003/00. Published by
Carus Verlag
(CA.9700300).
ISBN
9790007113124. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Violin 1. Composed
1736/1800/1843. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/11. Published by
Carus Verlag
(CA.9700311).
ISBN
9790007238759. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300.
Missa Beatissimae Virginis Mariae Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
By Michael Haydn. Edited by Sherman, Charles H. For Soli SATB, SATB Choir, Basso...(+)
By Michael Haydn. Edited
by Sherman, Charles H.
For Soli SATB, SATB
Choir, Bassoon, 2
Trumpets, 2 Trombones,
Timpani, 2 Violins, Basso
continuo. MH 15. Full
score available
separately - see item
CA.5030500. Masses,
Latin; Sacred Music from
Salzburg; Occasions:
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of instrumental
parts (except strings).
Language: Latin. Composed
1758-1760 (?). 28 pages.
Duration 30 min.
Published by Carus Verlag
(German import).
By Christoph Graupner (1683-1760). For Soli SATB, SATB Choir, 2 Oboes, 2 Trumpet...(+)
By Christoph Graupner
(1683-1760). For Soli
SATB, SATB Choir, 2
Oboes, 2 Trumpets,
Timpani, 2 Violins,
Viola, Basso continuo.
Full score available
separately - see item
CA.1035100. Genres:
Magnificat; Use /
Occasion: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary; Use during
church year: Advent,
Christmas. Set of
instrumental parts
(except strings).
Language: Latin. Composed
1722. 16 pages. Duration
14 min. Published by
Carus Verlag
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part,
Violin 1. Composed 1865.
Op. 11. 4 pages. Duration
6 minutes. Carus Verlag
#CV 70.303/11. Published
by Carus Verlag
(CA.7030311).
ISBN
9790007228910. Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part,
Violin 2. Composed 1865.
Op. 11. 4 pages. Duration
6 minutes. Carus Verlag
#CV 70.303/12. Published
by Carus Verlag
(CA.7030312).
ISBN
9790007228927. Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part,
Cello. Composed 1865. Op.
11. 4 pages. Duration 6
minutes. Carus Verlag #CV
70.303/14. Published by
Carus Verlag
(CA.7030314).
ISBN
9790007228941. Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, 2
Horns. Composed 1865. Op.
11. 4 pages. Duration 6
minutes. Carus Verlag #CV
70.303/31. Published by
Carus Verlag
(CA.7030331).
Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part,
Viola. Composed 1865. Op.
11. 4 pages. Duration 6
minutes. Carus Verlag #CV
70.303/13. Published by
Carus Verlag
(CA.7030313).
ISBN
9790007228934. Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, 2
Bassoon. Composed 1865.
Op. 11. 4 pages. Duration
6 minutes. Carus Verlag
#CV 70.303/24. Published
by Carus Verlag
(CA.7030324).
Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, Harp.
Composed 1865. Op. 11. 4
pages. Duration 6
minutes. Carus Verlag #CV
70.303/48. Published by
Carus Verlag
(CA.7030348).
ISBN
9790007228972. Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, 2
Clarinets. Composed 1865.
Op. 11. 4 pages. Duration
6 minutes. Carus Verlag
#CV 70.303/23. Published
by Carus Verlag
(CA.7030323).
Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part,
Double Bass. Composed
1865. Op. 11. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 70.303/15.
Published by Carus Verlag
(CA.7030315).
ISBN
9790007228958. Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, 2
Oboes. Composed 1865. Op.
11. 4 pages. Duration 6
minutes. Carus Verlag #CV
70.303/22. Published by
Carus Verlag
(CA.7030322).
Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, 2
Flutes. Composed 1865.
Op. 11. 4 pages. Duration
6 minutes. Carus Verlag
#CV 70.303/21. Published
by Carus Verlag
(CA.7030321).
Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.