| Concerto in C Major for 2 Oboes 2 Clarinets Strings and Basso Continuo RV560 Orchestre [Conducteur] Ricordi
| | |
| Concerto in C Major for 2 Oboes 2 Clarinets Strings and Basso Continuo RV559 Orchestre Ricordi
SKU: HL.50031360 Score. Composed by Antonio Vivaldi. Edited by Ang...(+)
SKU: HL.50031360
Score. Composed by
Antonio Vivaldi. Edited
by Angelo Ephrikian.
Orchestra. 36 pages.
Ricordi #PR246. Published
by Ricordi (HL.50031360).
UPC: 073999681598.
7.75x10.5x0.144
inches. $17.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Concerto in C Major for 2 Oboes 2 Clarinets Strings and Basso Continuo RV559 Orchestre Ricordi
Orchestra SKU: HL.50480813 Parts. Composed by Antonio Vivaldi. Edi...(+)
Orchestra SKU:
HL.50480813
Parts. Composed by
Antonio Vivaldi. Edited
by Angelo Ephrikian.
String. Classical. Set of
Parts. Composed 1989.
Ricordi #NR134910.
Published by Ricordi
(HL.50480813). UPC:
073999808131.
7.75x10.5x0.19
inches. $41.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tone Poem [Conducteur] Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flu...(+)
Orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Flute 1, Flute 2, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Viola, Violin
1, Violin 2, Violoncello
SKU: PR.416414390
For Chamber
Orchestra. Composed
by Chen Yi. Premiered by
the Idyllwild Arts
Orchestra, Peter Askim,
conductor. Contemporary.
Full score. With Standard
notation. Composed 2012.
30 pages. Duration 8
minutes. Theodore Presser
Company #416-41439.
Published by Theodore
Presser Company
(PR.416414390). UPC:
680160606917. 8.5 x 11
inches. 2 Flutes, 2
Oboes, 2 Clarinets in Bb,
2 Bassoons, 2 Horns in F,
Percussion,
Strings. The work Tone
Poem is composed for
chamber orchestra, 2
flutes, 2 oboes, 2 B-flat
clarinets, 2 bassoons, 2
French horns, 1
percussion and strings.
The length is about 8
minutes. It is inspired
by two poems by Su
Dong-po (1036-1101) about
southern Chinese
landscape paintings. The
imagination of the two
beautiful ancient Chinese
poems became the sonic
landscape pictures, to
share with my musicians
and audience. The
brimming waves, the sunny
day, The dimming hills,
the rainy haze. The West
Lake as the Beauty Xizi,
Whether she is adorned
richly or plainly. Like
spilt ink dark clouds
spread o'er the hills as
a pall; Like bouncing
pearls the raindrops in
the boat run riot. A
sudden rolling gale comes
and dispels them all,
Below Lake View Pavilion
sky-mirrored water's
quiet. The work Tone
Poem is composed for
chamber orchestra, 2
flutes, 2oboes, 2 B-flat
clarinets, 2 bassoons, 2
French horns, 1
percussion andstrings.
The length is about 8
minutes. It is inspired
by two poems by SuDong-po
(1036-1101) about
southern Chinese
landscape paintings.The
imagination of the two
beautiful ancient Chinese
poems became thesonic
landscape pictures, to
share with my musicians
and audience.The brimming
waves, the sunny day,The
dimming hills, the rainy
haze.The West Lake as the
Beauty Xizi,Whether she
is adorned richly or
plainly.Like spilt ink
dark clouds spread o'er
the hills as a pall;Like
bouncing pearls the
raindrops in the boat run
riot.A sudden rolling
gale comes and dispels
them all,Below Lake View
Pavilion sky-mirrored
water's quiet. $28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Clarinet Solos, Duets, Ensembles, Methods & Studies for: The Ultimate Collection Clarinette CD Sheet Music
SKU: SU.00220629 Woodwinds, Clarinet. USB (PDF Scores). CD Sheet Music #0...(+)
SKU: SU.00220629
Woodwinds, Clarinet. USB
(PDF Scores). CD Sheet
Music #00220629.
Published by CD Sheet
Music (SU.00220629).
This CD Sheet
Music collection on USB
Flash Drive contains 2
complete CDSM titles: The
Clarinet Solos & Duos
collection makes
available a wealth of
music for solo clarinet
including sonatas,
concertos, and solo works
by 28 composers from the
18th, 19th and early 20th
centuries. Also included
are two complete volumes
of collected works: Easy
Duets and Album of Short
Solos by Various
Composers. Works include:
Baermann, C. (Duo
Concertante); Baermann,
H. (Adagio);
Beethoven (3 Duos for
Clarinet and Bassoon);
Berg (4 Pieces for
Clarinet & Piano);
Brahms (Sonata Nos. 1
& 2); Busoni (Elegie
for Clarinet & Piano);
Cavallini (30
Caprices for Clarinet);
Debussy (Première
Rhapsodie); Fauré
(Berceuse); Gade (4
Fantasy Pieces);
Glazunov (Saxophone
Concerto [for clarinet &
piano]); Jeanjean
(Variations on Au Clair
de la Lune); Klosé
)Souvenir); Mason
(Sonata for Clarinet &
Piano); Mendelssohn
(Concert Piece for 2
Clarinets & Piano);
Mozart, L. (Concerto
in Bb major); Mozart,
W.A. (3 Duets for 2
Clarinets); Paganini
(14 Caprices);
Pierné (Pièce
in G minor);
Prokofiev (Visions
Fugitives); Reger
(Sonata Nos. 1 & 2);
Reinecke (Sonata,
Undine);
Saint-Saëns
(Sonata in Eb major);
Schumann (Fantasy
Pieces, 3 Romances);
Spohr (Concerto Nos.
1-4); Stravinsky (3
Pieces for Clarinet
Solo); Wagner (Adagio
for Clarinet & Strings);
Weber (Fantasia &
Rondo, Grand Duo
Concertante) Easy
Duets Book 1: works
by Fodor, Pleyel,
Volckmar, Wanhal; Book 2:
works by Mazas, Bruni,
Campagnoli, Gebauer,
Geminiani, Haydn, Pleyal,
Viotti Album of Short
Solos by Various
Composers: 30
familiar works arranged
for clarinet, including
Brahms (Cradle Song),
Dvorák
(Humoreske), Fibich
(Poéme), Handel
(Largo), Giordani
(Caro mio bien),
Richter
(Seppl-Polka),
Schubert (Ave Maria),
Schumann
(Träumerei), Weber
(Bauernwalzer), and more
Also includes composer
biographies and relevant
articles from the 1911
edition of Grove's
Dictionary of Music and
Musicians 1200+ pages The
Clarinet Methods, Studies
& Ensembles
collection makes
available eight essential
clarinet methods, studies
and exercises, as well as
over 30 works for
clarinet with instruments
including duos, trios and
quartets by 20 familiar
and lesser-known
composers from the 18th,
19th and early 20th
centuries. Scores and
parts are included for
many ensemble works.
Methods, Studies &
Exercises include:
Baermann (Complete
Method for Clarinet, Op.
63); Klosé
(Conservatory Method, 25
Daily Exercises, 30
Studies after Aument);
Langenus (Complete
Method for Clarinet);
Rose (32 Etudes for
Clarinet) Ensembles
include: Amberg
(Fantasiestücke, Suite
for Flute, Oboe, Clarinet
& Piano); Beethoven
(Quintet for Piano and
Winds); Brahms
(Quintet for Clarinet &
Strings, Trio for
Clarinet, Cello & Piano);
Bruch (8 Piece for
Clarinet, Cello & Piano);
Cavallini (Rêverie
Russe for Flute,
Clarinet, and Piano);
d'Indy (Trio for
Piano, Clarinet, and
Cello); Fibich
(Quintet for Clarinet,
Violin, Cello, Horn, &
Piano); Glinka (Trio
Pathétique, for
Clarinet, Cello, &
Piano); Hummel
(Serenade No. 1 for
Flute, Clarinet, Viola, &
Cello); Liadov (8
Russian Folk Dances);
Mozart (Twelve
Minuets for 2 Clarinets
or Basset Horns, Five
Divertimenti for 2
Clarinets & Bassoon),
Quintet for Clarinet &
Strings, Quintet for
Piano & Winds, Trio for
Clarinet, Viola & Piano);
Ravel (Intruduction &
Allegro); Reger
(Quintet for Clarinet &
Strings);
Rimsky-Korsakov
(Quintet for Piano &
Winds);
Saint-Saëns
(Tarantella for Flute,
Clarinet & Piano);
Schubert (Der Hirt
auf dem Felsen);
Schumann
(Märchenerzählu
ngen, for Clarinet, Viola
& Piano); Spohr
(Fantasy & Variations);
Titl (Serenade for
Violin, Clarinet &
Piano); Zemlinsky
(Trio for Clarinet,
Violin & Cello) Also
includes composer
biographies and relevant
articles from the 1911
edition of Grove's
Dictionary of Music and
Musicians 2100+ pages
Published by: CD Sheet
Music. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sinfonie in g Nr. 40 - Symphony in G minor No. 40 Orchestre Symphonique [Conducteur] Barenreiter
Zweite Fassung mit Klarinetten - Second Version with clarinets. By Wolfgang Amad...(+)
Zweite Fassung mit
Klarinetten - Second
Version with clarinets.
By Wolfgang Amadeus
Mozart. Edited by Robbins
Landon, H.C. For Flute,
Oboe (2), Clarinet (b
flat) (2), Bassoon (2),
Horn (2), Strings. Score;
Urtext Edition. KV 550.
Duration 40. Published by
Baerenreiter-Ausgaben
(German import).
$45.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spring in Dresden [Conducteur] Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963S Composed
by Chen Yi. Full score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963S.
Published by Theodore
Presser Company
(PR.11641963S). UPC:
680160684472. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963SP
Composed by Chen Yi.
Part. 11 pages. Duration
20 minutes. Theodore
Presser Company
#116-41963SP. Published
by Theodore Presser
Company (PR.11641963SP).
UPC:
680160684496. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963L Composed
by Chen Yi. Large Score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963L.
Published by Theodore
Presser Company
(PR.11641963L). UPC:
680160684489. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Double Concerto Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 2 Trump...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 2 Trumpets in
Bb, 3 Percussion, 4 Horns
in F, Harp, Piccolo, Solo
Trombone, Solo Trumpet in
C, Strings, Timpani, Tuba
SKU: PR.41641509L
For Trumpet, Trombone,
And Orchestra.
Composed by Eric Ewazen.
Contemporary. Large
Score. With Standard
notation. Duration 21
minutes. Theodore Presser
Company #416-41509L.
Published by Theodore
Presser Company
(PR.41641509L). UPC:
680160620906. Picco
lo, 2 Flutes, 2 Oboes, 2
Clarinets in Bb, 2
Bassoons, 4 Horns in F, 2
Trumpets in Bb, 2
Trombones, Tuba, Timpani,
3 Percussion, Harp, Solo
Trumpet in C, Solo
Trombone, Strings. $160.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Double Concerto [Conducteur] Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 2 Trump...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 2 Trumpets in
Bb, 3 Percussion, 4 Horns
in F, Harp, Piccolo, Solo
Trombone, Solo Trumpet in
C, Strings, Timpani, Tuba
SKU: PR.416415090
For Trumpet, Trombone,
And Orchestra.
Composed by Eric Ewazen.
Contemporary. Full score.
With Standard notation.
Duration 21 minutes.
Theodore Presser Company
#416-41509. Published by
Theodore Presser Company
(PR.416415090). UPC:
680160620890. Picco
lo, 2 Flutes, 2 Oboes, 2
Clarinets in Bb, 2
Bassoons, 4 Horns in F, 2
Trumpets in Bb, 2
Trombones, Tuba, Timpani,
3 Percussion, Harp, Solo
Trumpet in C, Solo
Trombone, Strings. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Grande messe des morts, Op. 5 Hol. 75 [Conducteur] Barenreiter
(Requiem). By Hector Berlioz (1803-1869). Edited by Jurgen Kindermann. For tenor...(+)
(Requiem). By Hector
Berlioz (1803-1869).
Edited by Jurgen
Kindermann. For tenor
voice solo, SSTTBB choir,
4 flutes, 2 oboes, 2
english horns, 4
clarinets, 8 bassoons, 12
horns, 10 timpani,
percussion, strings,
orchestra 1: 4 cornets, 4
trombones, 2 tubas;
orchestra 2: 4 trumpets,
4 trombones; orchestra 3:
4 trumpets, 4 trombone
(Solo Tenor/Mixed Choir:
SSTTBB/4 Flutes/2 Oboes/2
English Horns/4
Clarinets/8 Bassoons/12
Horns/10
Timpani/Percussion/String
s/first Orchestra: 4
Cornets a piston/4
Trombones/2 Tubas/second
Orchestra: 4 Trumpets/4
Trombones/third
Orchestra: 4 Trumpets/4
Tr). This edition:
Clothbound, Complete
edition, Urtext edition.
Clothbound. New Berlioz
Edition, Vol. 9. Requiem
(lateinisch). Urtext der
New Berlio Edition. Level
4. Score. Language:
Latin. Opus 5, Hol. 75.
177 pages. Published by
Baerenreiter Verlag
$266.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| John Rutter Carols
Chorale [Partition] Oxford University Press
John Rutter Carols. (10 carols for mixed voices). By John Rutter (1945-). For Mi...(+)
John Rutter Carols. (10
carols for mixed voices).
By John Rutter (1945-).
For Mixed choir (Angels'
Carol: 2 flutes, oboe, 2
clarinets, bassoon, 2
horns, harp, strings,
Candlelight Carol: flute,
oboe, harp, strings,
Dormi, Jesu: strings,
Love came down at
Christmas: strings,
Mary's Lullaby: flute,
oboe, harp, strings,
Nativity Carol: string).
Mixed Voices. Composer
Carol Collections.
Sacred, Christmas. Choral
collection. 64 pages.
Published by Oxford
University Press
(5)$18.50 - Voir plus => Acheter | | |
| O come, all ye faithful Chorale SATB SATB, Orgue [Octavo] Oxford University Press
By David Willcocks. For SATB choir and organ/strings/orchestra/b rass and percus...(+)
By David Willcocks. For
SATB choir and
organ/strings/orchestra/b
rass and percussion (Full
orchestra: 2 flutes, 2
oboes, 2 clarinets, 2
bassoon, 2 horn, 3
trumpet (III optional), 3
trombone (optional), tuba
(optional), timpani,
strings; OR strings only
Brass and percussion: 2
trumpet, horn, trombone,
tuba, timpani, percussion
(Snare Drum, ). Mixed
Voices. Christmas, Choral
Leaflet. Vocal score. 8
pages. Duration 4.5'.
Published by Oxford
University Press
$3.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tri-Sattawat Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes (2nd double Piccolo), 2 Oboes,...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2 Flutes
(2nd double Piccolo), 2
Oboes, 2 Percussion:, 2
Trombones, 2 Trumpets in
Bb, 4 Horns in F, Bell
Tree, Chimes, Crotales,
I: Glockenspiel, Large
Thai Gong, S, Tam-tam,
Timpani, Tuba, Tuned
Gongs, Vibraphone,
Xylophone SKU:
PR.41641486L For
Orchestra. Composed
by Narong Prangcharoen.
Contemporary. Large
Score. With Standard
notation. Composed 2007.
42 pages. Duration 7
minutes. Theodore Presser
Company #416-41486L.
Published by Theodore
Presser Company
(PR.41641486L). UPC:
680160616268. 2
Flutes (2nd double
Piccolo), 2 Oboes, 2
Clarinets in Bb, 2
Bassoons, 4 Horns in F, 2
Trumpets in Bb, 2
Trombones, Tuba, Timpani,
2 Percussion:, I:
Glockenspiel, Crotales,
Vibraphone, Chimes, Tuned
Gongs, Large Thai Gong,
Xylophone, Bell Tree,
Tam-tam, Spring Coil, II:
Crotales, Three
Triangles, Metal Plate,
Flexatone, Tam-tam, Bass
Drum, Sus. Cymbal,
Chinese Cymbal,
Strings. $65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Dawn of Darkness Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets, 2 Flutes, 2 Oboes, 2 Trombones, 3 Percussion:...(+)
Orchestra 2 Bassoons, 2
Clarinets, 2 Flutes, 2
Oboes, 2 Trombones, 3
Percussion:, 3 Trumpets
in Bb, 4 Horns in F, Bass
Clarinet, Bass Trombone,
Contrabassoon, English
Horn, Glockenspiel, I:
Vibraphone, II: Oc,
Piccolo, Solo Tenor
Saxophone, Timpani, Tuba,
Xylophone SKU:
PR.41641487L For
Tenor Saxophone and
Orchestra. Composed
by Narong Prangcharoen.
Contemporary. Large
Score. With Standard
notation. Composed 2011.
35 pages. Duration 15
minutes. Theodore Presser
Company #416-41487L.
Published by Theodore
Presser Company
(PR.41641487L). UPC:
680160616282. Solo
Tenor Saxophone, 2
Flutes, Piccolo, 2 Oboes,
English Horn, 2
Clarinets, Bass Clarinet,
2 Bassoons,
Contrabassoon, 4 Horns in
F, 3 Trumpets in Bb, 2
Trombones, Bass Trombone,
Tuba, Timpani, 3
Percussion:, I:
Vibraphone, Xylophone,
Glockenspiel, II: Ocean
Drum, Triangle, Bass
Drum, Cowbells, Anvil,
Tambourine, Sus. Cymbal,
III: Large Gong, Small
Temple Block, Tam-tam,
Snare Drum, Piano,
Strings. $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto For Piano And Orchestra [Conducteur] Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Trump...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 3 Trumpets in
C, 4 Horns in F, 4
Percussion: Glockenspiel,
Bass Clarinet, Bass Drum,
Bass Trombone, Cabasa,
Cymbals, Daf, English
Horn, Guiro, Piccolo, Sl,
Timpani, Tuba,
Vibraphone, Xylophone
SKU: PR.416415010
Composed by Behzad
Ranjbaran. Premiered by
Jean-Yves Thibaudet,
Piano, and the Atlanta
Symphony Orchestra,
Robert Spano, Conductor,
at Symphony Hall,
Atlanta, Georgia.
Contemporary. Full score.
With Standard notation.
Composed 2008. 165 pages.
Duration 30 minutes.
Theodore Presser Company
#416-41501. Published by
Theodore Presser Company
(PR.416415010). UPC:
680160619306. 9 x 12
inches. Piccolo, 2
Flutes, 2 Oboes, English
Horn, 2 Clarinets in Bb,
Bass Clarinet, 2
Bassoons, 4 Horns in F, 3
Trumpets in C, 2
Trombones, Bass Trombone,
Tuba, Timpani, 4
Percussion: Glockenspiel,
Vibraphone, Xylophone,
Bass Drum, Cabasa,
Cymbals, Daf, Guiro,
Sleigh Bells, Snare Drum,
Tambourine, Tam-Tam,
Triangle, Wood Blocks,
Celesta, Harp, Solo
Piano, Strings. $100.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mithra Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Percu...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 3 Percussion:
Glockenspiel, 3 Trumpets
in C, 4 Horns in F, Bass
Clarinet in Bb, Bass
Drum, Bass Trombone,
Contrabassoon, Cymbals,
English Horn, Piccolo, S,
Timpani, Tuba,
Vibraphone, Xylophone
SKU: PR.41641502L
Composed by Behzad
Ranjbaran. Premiered by
the Santa Rosa Symphony,
conducted by Bruno
Ferrandis, Wells Fargo
Center for the Arts,
Santa Rosa, CA.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 16 minutes.
Theodore Presser Company
#416-41502L. Published by
Theodore Presser Company
(PR.41641502L). UPC:
680160619382. 11 x 17
inches. Piccolo, 2
Flutes, 2 Oboes, English
Horn, 2 Clarinets in Bb,
Bass Clarinet in Bb, 2
Bassoons, Contrabassoon,
4 Horns in F, 3 Trumpets
in C, 2 Trombones, Bass
Trombone, Tuba, Timpani,
3 Percussion:
Glockenspiel, Vibraphone,
Xylophone, Bass Drum,
Cymbals, Snare Drum,
Tam-Tam, Triangle,
Tubular Bells, Metal wind
Chimes, Celesta, Harp,
Strings. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto For Piano And Orchestra Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Trump...(+)
Orchestra 2 Bassoons, 2
Clarinets in Bb, 2
Flutes, 2 Oboes, 2
Trombones, 3 Trumpets in
C, 4 Horns in F, 4
Percussion: Glockenspiel,
Bass Clarinet, Bass Drum,
Bass Trombone, Cabasa,
Cymbals, Daf, English
Horn, Guiro, Piccolo, Sl,
Timpani, Tuba,
Vibraphone, Xylophone
SKU: PR.41641501L
Composed by Behzad
Ranjbaran. Premiered by
Jean-Yves Thibaudet,
Piano, and the Atlanta
Symphony Orchestra,
Robert Spano, Conductor,
at Symphony Hall,
Atlanta, Georgia.
Contemporary. Large
Score. With Standard
notation. Composed 2008.
165 pages. Duration 30
minutes. Theodore Presser
Company #416-41501L.
Published by Theodore
Presser Company
(PR.41641501L). UPC:
680160619313. 11 x 17
inches. Piccolo, 2
Flutes, 2 Oboes, English
Horn, 2 Clarinets in Bb,
Bass Clarinet, 2
Bassoons, 4 Horns in F, 3
Trumpets in C, 2
Trombones, Bass Trombone,
Tuba, Timpani, 4
Percussion: Glockenspiel,
Vibraphone, Xylophone,
Bass Drum, Cabasa,
Cymbals, Daf, Guiro,
Sleigh Bells, Snare Drum,
Tambourine, Tam-Tam,
Triangle, Wood Blocks,
Celesta, Harp, Solo
Piano, Strings. $225.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Festive Violet Pulse Orchestre Subito Music
Orchestra (3 flutes (piccolo), 2 oboes, 2 clarinets, 2 bassoons; 4horn, 3 trumpe...(+)
Orchestra (3 flutes
(piccolo), 2 oboes, 2
clarinets, 2 bassoons;
4horn, 3 trumpets, 2
trombones (bass), tuba;
timpani, 4 percussion,
harp, piano; strings)
SKU: SU.90810040
For Orchestra.
Composed by Nancy
Galbraith. Orchestra.
Study Score. Composed
1997. Duration 3'. Subito
Music Corporation
#90810040. Published by
Subito Music Corporation
(SU.90810040).
Instrumentation
: 3fl(picc), 2ob, 2cl,
2bn; 4hn, 3tpt, 2tbn(bs),
tba; timp, 4 perc, hrp,
pno; strings Duratiion:
3' Full Score & Parts:
available on rental
Composed: 1997 Published
by: Subito Music
Publishing Composer's
Note: A Festive Violet
Pulse opens with lively
textures in the woodwinds
which are used as
accompaniment for a
melodic statement in the
violins. This melody is
answered contrapuntally
by the celli, and
develops into a web of
repeated melodic phrases.
The middle section is
very rhythmic,
highlighting the
percussion section and
making use of many
polyrhtyhms. A soft
tremolo begins to emerge
in the strings and
gradually evolves into
the foreground material.
A repeated note theme
enters in the celli and
is answered sequentially
by each string section. A
strong statement of the
original theme in the
trumpets and violins
climaxes the movement.
--N.G. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Orgue Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra
soprano/baritone vocal
soli, SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, violin, 2
violas, 2 cellos,
contrabass, harp, organ
SKU: CA.2731115
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Cello 2. Composed 1901.
12 pages. Duration 35
minutes. Carus Verlag #CV
27.311/15. Published by
Carus Verlag
(CA.2731115). ISBN
9790007201579. Language:
Latin. The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Orgue Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra
soprano/baritone vocal
soli, SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, violin, 2
violas, 2 cellos,
contrabass, harp, organ
SKU: CA.2731113
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 2. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/13. Published by
Carus Verlag
(CA.2731113). ISBN
9790007201555. Language:
Latin. The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Orgue Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra
soprano/baritone vocal
soli, SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, violin, 2
violas, 2 cellos,
contrabass, harp, organ
SKU: CA.2731114
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Cello 1. Composed 1901.
12 pages. Duration 35
minutes. Carus Verlag #CV
27.311/14. Published by
Carus Verlag
(CA.2731114). ISBN
9790007201562. Language:
Latin. The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem - church version (Requiem. Fassung mit kleinem Orchester) Orgue Carus Verlag
Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bass...(+)
Orchestra
soprano/baritone vocal
soli, SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, violin, 2
violas, 2 cellos,
contrabass, harp, organ
SKU: CA.2731112
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 1. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/12. Published by
Carus Verlag
(CA.2731112). ISBN
9790007201548. Language:
Latin. The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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