Urtext. Composed by Eduard Franck. Breitkopf and Haertel #EB-32071. Published by Breitkopf and Haertel

Piano Accompaniment; Soprano (Vocal Score) - intermediate to advanced

SKU: HL.49045623

Vocal Piano Score. Composed by Fazil Say. This edition: Saddle stitching. Sheet music. Vocal Score. Classical. Softcover. Composed 2012. Op. 44. 38 pages. Duration 20'. Schott Music #ED22589. Published by Schott Music (HL.49045623).

ISBN 9790001161275. UPC: 841886029170. 9.0x12.0x0.166 inches. German.

In his set of five lieder with finale, Fazil Say sets a selection of contrasting poems from Goethe's cycle West-Eastern Divan in which the poet skillfully intertwines the intellectual Western world with oriental mysticism. Say creates passages of aria and recitative, the latter being characterised by the conventional accompaniment almost devoid of rhythm beneath quasi-improvisational vocal style, where the aria sections are passionate and dramatic. Arabic rhythms and melodies dominate the metrically varied structures of bars in multiples of nine which typify Say's music. In his settings of the texts Say attaches great importance to comprehensibility, writing vocal lines that consist primarily of syllabic steps and intervalic leaps, with extended melismatic sections written as vocalises. Contents: - I Offenbar Geheimnis - II Fetwa - III Zu besserem Verstandnis - IV Tefkir Nameh - V Betrogener, betruge! - VI Finale.

By Douglas E. Wagner. For handbells (3-5 octaves) / handchimes (3-5 octaves). Christmas. Level 2. Sheet Music. Published by Lorenz Publishing Company

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH337-FSP).

Orchestra String Orchestra - Grade 0.5

SKU: FJ.ST6487S

Score Only. Composed by Brian Balmages. Series; String Orchestra. FJH Beginning Strings. Score. Duration 1:45. The FJH Music Company Inc #98-ST6487S. Published by The FJH Music Company Inc (FJ.ST6487S).

English.

This aggressive work for true beginners portrays those inherent, and sometimes raw behaviors that help a species survive. All string parts move almost entirely by stepwise motion and use just half and whole notes. Violin 1 uses a full D Major scale and all other instruments use D through B. An optional percussion part adds considerable interest to the piece (and an optional background track is available if you do not have percussionists). Powerful!

About FJH Beginning Strings

Ap propriate for first year string students. All instruments stay in first position, and optional third violin (viola) parts and piano are included to aid in rehearsal and performance situations. Grade 1 - 1.5

Composed by Giuseppe Cambini (1746-1825). Edited by Michael Elphinstone. For Flute, Oboe, Bassoon. Full score and parts. 34 3x16(xiii) pages. Published by Edition HH Music Publishers

(Piano Solo). By Howard Shore. For Piano. This edition: Piano Solo. Piano Solo - Popular Sheet; Sheet; Solo. Original Sheet Music Edition. Movie. Advanced. 4 pages. Published by Alfred Music Publishing

Rock Group and Band. By Ted Huggens. For Concert Band. Original Pieces / Original Works Light Music Repertoire / Various Solo. Solo and Band Series. Level: Grade 3. Score. Duration 6 minutes, 30 seconds. Published by Molenaar Edition (Dutch import).

Concert Band/Harmonie - Grade 2

SKU: BT.GOB-000269-010

Composed by Timothy Travis. Set (Score & Parts). 57 pages. Gobelin Music Publications #GOB 000269-010. Published by Gobelin Music Publications (BT.GOB-000269-010).

Undoubtedly, a smile will come to your face whenever you listen to 'Smile', for this little piece is guaranteed to bring mirth and good cheer to each and everyone. What is more, your bandsmen will almost literally lick their lips over this sure-fire favourite to be, containing swinging solos for trumpet and alto saxophone.

Ongetwijfeld zal er een glimlach op je gezicht komen wanneer je luistert naar 'Smile'. Van dit werkje krijgt een ieder een goed humeur.
Voor de orkestleden zal dit een favoriet worden, met swingende solo's voor trompet en altsax.

By Andy Beck. For Choir. (SAB). Choral Octavo. Choral Designs. Choral Octavo. 12 pages. Published by Alfred Publishing.

Band concert band - Grade 0.5

SKU: CF.PPS33F

Composed by Peter Terry. Full score. With Standard notation. 12 pages. Duration 1 minute, 57 seconds. Carl Fischer Music #PPS33F. Published by Carl Fischer Music (CF.PPS33F).

ISBN 9781491143353. UPC: 680160900855.

Myste rious stone circles known as henges are located throughout the world with some dating back almost five thousand years. One of the most famous structures, Stonehenge, resides in Great Britain. Composer Peter Terry works to depict the strength of these stone monuments in this bold composition for the youngest of band musicians. Teachers can expect limited technical demands bearing solid, sophisticated music for very beginning students.

Band Concert Band

SKU: PR.465000130

For Large Wind Ensemble. Composed by Dan Welcher. Sws. Contemporary. Full score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013. Published by Theodore Presser Company (PR.465000130).

ISBN 9781598064070. UPC: 680160600144. 9x12 inches.

Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’.
In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,” for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,” and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Spring”) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

Fanfare Band - Grade 5

SKU: BT.GOB-000389-120

Composed by Rob Goorhuis. Score Only. 20 pages. Gobelin Music Publications #GOB 000389-120. Published by Gobelin Music Publications (BT.GOB-000389-120).

‘Rhapsody for Tienhoven’ is a short concert for saxophone and fanfare band.
The solo part in its instrumentation distinguishes itself from the other saxophone solos.
The soloist should be able to play both the alto and soprano saxophone.

The piece consists of four parts, which almost blend into one another.
A four-tone motif (which is played a number of times by the soloist at the beginning) has been taken as the point of departure for this composition.
This motif has been worked out in different ways and can be heard in a swing rhythm in the final part.
This piece exacts a high standard of the soloist’s technical skills.

The ‘Rhapsody forTienhoven’ was originally written for the fanfare band ‘Soli Deo Gloria’ from Tienhoven. ‘Rhapsody for Tienhoven’ is een klein concert voor saxofoon en fanfare-orkest.
De solopartij onderscheidt zich qua instrumentatie van andere saxofoon-solo’s. De solist(e) moet zowel altsaxofoon als sopraansaxofoon spelen.

Het stuk bestaat uit vier deeltjes, die vrijwel in elkaar overlopen.
Een vier-tonig motief (wordt in het begin een aantal malen door de solist gespeeld) is het uitgangspunt van deze compositie. Dit motief wordt op verschillende manieren uitgewerkt en wordt in het slot gedeelte ten tonele gevoerd in een swingritme.
Dit werk stelt hoge eisen aan de technische vaardigheden van de solist.

De ‘Rhapsody’ werd geschreven voor de fanfare ‘Soli Deo Gloria’ uit Tienhoven.

Gobelin Music Publications.

Composed by Francois Couperin (1668-1733). Score and parts. Published by Alea Publishing (A7.ALEA1113).

Over The Rainbow by Judy Garland. For voice and piano. This edition: Piano/Vocal/Chords. Piano/Vocal/Chords; Sheet; Solo. Movies and Vocal Standards. Difficulty: medium. Single. Vocal melody, piano accompaniment, lyrics and chord names. 5 pages. Published by Alfred Music Publishing

(A Comprehensive Curriculum for Use During Fundamentals Time). Composed by Scott Rush. For viola. Habits of a Successful Musician. Music Education - Method. Method book. 72 pages. Published by GIA Publications

Wind band, timpani, percussion, marimba & bass guitar

SKU: HH.HH250-CON

Composed by Stephen Pratt. Wind Band, Timpani, Percussion, Marimba & Bass Guitar. Conducting score. Edition HH Music Publishers #HH250-CON. Published by Edition HH Music Publishers (HH.HH250-CON).

ISBN 9790708059998.

Writ ten for the Wirral Schools' Concert Band in 1987, Strong Winds, Gentle Airs is built, as the title suggests, from two types of material – one forceful and rhythmic, the other more relaxed, with slow moving, almost static harmonies. In revising the piece for publication, the composer has endeavoured to retain as much of the original character as possible.

Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Matthauspassion. Passions, Lent and Passiontide. Complete orchestral parts. BWV 244. Duration 175 minutes. Published by Carus Verlag (CA.3124419).

By Taylor Swift. For Guitar. Guitar Recorded Version. Softcover. Guitar tablature. 184 pages. Published by Hal Leonard

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116949

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Whitsun. Single Part, Organ. Composed 1726. BWV 169. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.169/49. Published by Carus Verlag (CA.3116949).

ISBN 9790007209377. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

By Mary Lynn Lightfoot. For SAB/SATB choir and piano. Sacred. Octavo. Published by Laurel Press.

Deluxe Annual Edition. Arranged by Dan Coates. This edition: Easy Piano; Deluxe Annual. Piano - Easy Piano Collection; Piano Supplemental; Sing-Along. Greatest Pop and Movie Hits. Movie; Pop/Rock. Book. 88 pages. Alfred Music #00- 47167. Published by Alfred Music

Composed by Marten Jansson (1965-). In a folder. Set of parts. 11/11/11/11/8 pages pages. Published by Baerenreiter Verlag (BA.BA7420-22).

Cello and piano

SKU: BO.B.3724

Composed by J. Cassado/M. Mestre. Published by Editorial de Musica Boileau (BO.B.3724).

Cassado could be considered are the first great Catalan symphonist of the 19th Century and one of the first pre-coursers of Nationalism in our country. His is a Nationalism that is solidly based on central European traditions, mainly Germanic in its.

Plus Ultra is a special case in which the desire to exhibit his deepest Nationalist sentiments took a second place to a more global style into which he incorporated harmonies and melodic turns that recall Rachmaninoff more than Albeniz. Plus Ultra can be considered as a musical thought which, in spite of references or paraphrases of some typical aspects of Spanish music of the era, is an authentic lied in which the cello sings out, using maximum of its expressive possibilities, with a piano accompaniment of the first order.

In this work Cassado makes more extensive use of pianissimo, which is more typical of the French school, than in any other of his works. Through the use of gestures which are almost Impressionist, as well as refined and tasteful harmonies, the composer divides the musical discourse between the two instruments creating a fantastic work which his son Gaspar performed in concerts.