(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Ukulele SKU: HL.263232 For Ukulele. Composed by Various. Ukulele. ...(+)
Ukulele
SKU:
HL.263232
For
Ukulele. Composed by
Various. Ukulele.
Standards. Softcover. 232
pages. Published by Hal
Leonard (HL.263232).
ISBN 9781540021038.
UPC: 888680729318.
9.0x12.0x0.586
inches.
Romance,
heartbreak, optimism,
melancholy, or just a
lovely autumn day - it's
all been captured by
American songwriters. A
generation of the
country's finest
songwriters captured
universal feelings and
experiences in such an
infectious combination of
words and music that
their songs still inspire
today. This collection
features 100 classics by
treasured composers
arranged for ukulele: All
the Things You Are
(Jerome Kern) * Blue
Skies (Irving Berlin) *
Come Fly with Me (Sammy
Cahn) * Georgia on My
Mind (Hoagy Carmichael) *
Mood Indigo (Duke
Ellington) * On the
Street Where You Live
(Lerner & Loewe) *
People Will Say We're in
Love (Rodgers &
Hammerstein) * Somebody
Loves Me (George
Gershwin) * You'd Be So
Nice to Come Home To
(Cole Porter) * and
more.
For violin. Format: violin solo book (excerpts only). Baroque, Classical Period ...(+)
For violin. Format:
violin solo book
(excerpts only). Baroque,
Classical Period and
Romantic Period. 64
pages. 9x12 inches.
Published by Music Sales.
(MS.AM84153)
A selection of all the
best-known tunes and
themes in the classical
repertoire, carefully
edited for violin solo.
Includes works by Mozart,
Bach, Beethoven, Chopin
and many more great
composers.
String Quartet SKU: HL.14030980 Parts. Composed by Bent Sorensen. ...(+)
String Quartet
SKU:
HL.14030980
Parts. Composed by
Bent Sorensen. Music
Sales America. Classical.
Set of Parts. Edition
Wilhelm Hansen #KP00249.
Published by Edition
Wilhelm Hansen
(HL.14030980).
ISBN
9788759871973.
12.0x16.0x0.285
inches.
Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angel's Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on
Angel's Music was started
in Rome, where I spent
the autumn of 1987
staying at The Danish
Academy. Whether this
stay has influenced the
quartet or not is
impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part of the
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of
Angel's Music is divided
into three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the general
pattern almost
fractionally into the
smallest cells of the
music, or more correctly;
crawl from the small
cells into the general
pattern.'.
Composed by Various. Arranged by Peter Lavender. Music Sales America. Baroque an...(+)
Composed by Various.
Arranged by Peter
Lavender. Music Sales
America. Baroque and
Classical Period. Fake
book (softcover). With
melody line (no
accompaniment included)
and chord names. 128
pages. Music Sales
#AM92350. Published by
Music Sales
Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered ...(+)
Parts for String Quartet
No.3 'Angel's Music' by
Bent Sorensen (1988)
Premiered by the Arditti
String Quartet at the
Danish Radio Concert Hall
16 November 1988. Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angels Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on Angels
Music was started in
Rome, where I spent the
autumn of 1987 staying at
The Danish Academy.
Whether this stay has
influenced the quartet or
not is impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part ofthe
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of Angels
Music is divided into
three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the small
cells into the general
pattern.'
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for easy solo piano.
Over 200 great
masterpieces from the
baroque, classical,
romantic and modern eras.
Series: Piano Treasury
Series. 399 pages.
Published by Music Sales.
Full Score Jazz Ensemble (Score) - Grade 4 SKU: HL.7012008 (Alto Sax F...(+)
Full Score Jazz Ensemble
(Score) - Grade 4
SKU:
HL.7012008
(Alto
Sax Feature).
Composed by Alessandro
Cicognini, Paul Weston,
and Sammy Cahn. Arranged
by Michael Philip
Mossman. Jazz Ensemble
Library. Standards. 12
pages. Published by Hal
Leonard (HL.7012008).
UPC: 884088871895.
9.0x12.0x0.021
inches.
Haunting
yet beautiful describes
Michael's unique setting
of this marvelous
standard. Written in a
moderately slow
“boleroâ€
style, this outstanding
change of pace number
features an alto sax
soloist and a few
ensemble surprises along
the way. Click to view
score with recording.
The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo....(+)
The Piano Bench of Easy
Classical Music arranged
by Amy Appleby. For Piano
Solo. Music Sales
America. Classical.
Softcover. 400 pages.
Music Sales #AM967549.
Published by Music Sales
133 Selections by 43 Composers. Piano Solo Mixed Folio (Intermediate to advanced...(+)
133 Selections by 43
Composers. Piano Solo
Mixed Folio (Intermediate
to advanced piano
arrangements with no
lyrics). Size 9x12
inches. 480 pages.
Published by Hal Leonard.
For clarinet. Format: clarinet solo book (excerpts only). Baroque, Classical Per...(+)
For clarinet. Format:
clarinet solo book
(excerpts only). Baroque,
Classical Period and
Romantic Period. 64
pages. 9x12 inches.
Published by Music Sales.
(MS.AM84161)
A selection of all the
best known tunes and
themes in the classical
repertoire, carefully
edited for clarinet solo.
Includes works by Mozart,
Bach, Beethoven, Chopin,
and many more great
composers.
For flute. Format: flute solo book (excerpts only). Baroque, Classical Period an...(+)
For flute. Format: flute
solo book (excerpts
only). Baroque, Classical
Period and Romantic
Period. 64 pages. 9x12
inches. Published by
Music Sales. (MS.AM84179)
A selection of all the
best-known tunes and
themes in the classical
repertoire, carefully
edited for flute solo.
Includes works by Mozart,
Bach, Beethoven, Chopin,
and many more great
composers.
Autumn in Rome Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
((Alto Sax Feature)). By Alessandro Cicognini, Paul Weston, and Sammy Cahn. Arra...(+)
((Alto Sax Feature)). By
Alessandro Cicognini,
Paul Weston, and Sammy
Cahn. Arranged by Michael
Philip Mossman. For Jazz
Ensemble (Score and
Parts). Jazz Ensemble
Library. Grade 4.
Published by Hal Leonard
Nocturnal - Partitur Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Music Sales
Trombone, String Quartet SKU: HL.14023162 Composed by Bent Sorensen. Musi...(+)
Trombone, String Quartet
SKU: HL.14023162
Composed by Bent
Sorensen. Music Sales
America. Classical.
Score. 28 pages. Music
Sales #KP01123. Published
by Music Sales
(HL.14023162).
ISBN
9788759860960.
Danish.
Nocturnal
(1998-2001) for Trombone
and String Quartet was
composed by Bent Sorensen
. Progamme note: The two
movements of Nocturnal
were written with a gab
of three years. The last
movement, which bears the
title The Wings of Night,
was commisioned by Warsaw
Autumn in 1998, while the
first movement -
Mondnacht - was
commisioned for Ultima
Festival in Oslo in 2001.
Despite the three years
gab, these are not two
separate pieces which
have been linked
together. The sketches
for the first movement
were begun immediately
after the first
performance of the second
movement in Warsaw 1998.
As the title suggests,
there is a nocturnal
atmosphere in the work.
In the first movement
weare perhaps in a park
and notice the shadows of
the clouds passing the
bright moon. In the short
second movement we are
perhaps with
Shakespeare's Juliet,
calling for love, calling
for the night: Come
night, come Romeo, come,
thou day in night, For
thou wilt lie upon the
wings of night Whither
than snow upon a raven's
back. ...perhaps we are
elsewhere - at night!
Nocturnal was written for
Christian Lindberg and
the Arditti Quartet and
premiered in Oslo in
2001.