By Dr. Shinichi Suzuki. For Violin. String - Violin (Suzuki). The Suzuki Method Core Materials. Book. 32 pages. Published by Alfred Publishing.

Unaccompanied Flute

SKU: HL.48022888

Flute Solo. Composed by Kalevi Aho. Boosey & Hawkes Chamber Music. Classical. Softcover. 6 pages. Fennica Gehrman #M550096714. Published by Fennica Gehrman (HL.48022888).

UPC: 888680893514. 8.25x11.75x0.06 inches.

By Various. Edited by Ritzkowsky, Spach. For Horn (Wagner Tuba). Published by C.F. Peters.

Coro SATB - Level 3

SKU: CA.411136

Composed by Dimitri Stepanowitsch Bortniansky. Edited by Marika Kuzma. Carus digital: Extra digital products. Full Score. 8 pages. Duration 5 minutes. Published by Carus Verlag (CA.411136).

ISBN 9790007253608. Key: G major. Church Slavonic/German.

Di mitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister to the court ensemble in St. Petersburg. Heidi Kirmsse has added a German singing text to the five most popular pieces from the complete volume (CV 4.111). The festive Concerto no. 6 Ehre sei Gott in der Hohe is for Christmas, and no. 9 Heut ist der Tag, den Gott, der Herr, gemacht for Easter. No. 15 Lasst uns singen, kommt herbei is in the major key and is a very effective piece. Tchaikovsky edited Bortniansky's sacred works and is said to have particularly admired no. 32 O lass mich, Herr, mein Gott, erkennen mein Ziel. Bortniansky himself probably best liked no. 33 Sag, meine Seele, warum verzagest du? The work was sung at his funeral.

*addition to the choral repertoire with works from the Orthodox liturgy/ Eastern Europe
*includes the original Church Slavonic text underlaid (in transliteration).
*eff ective solo/tutti alternations

Score available separately - see item CA.411100.

Recorded by Frank Almond, Concertmaster of the Milwaukee Symphony. By Frank Almond. By Various. String Solo. Classical. Softcover Audio Online. 48 pages. Published by G. Schirmer

By Various. Edited by Hepp, Rohde. For clarinet (e|clarinet, bass clarinet). Published by C.F. Peters.

Trumpet and orchestra (solos: trp - 1.2.2.2 - 2.0.0.0 - timp - str)

SKU: BR.PB-15158-07

Urtext. Composed by Johann Nepomuk Hummel. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

He re you will find the E flat major version of this concerto.

Solo concerto; Classical. Study Score. 100 pages. Breitkopf and Haertel #PB 15158-07. Published by Breitkopf and Haertel (BR.PB-15158-07).

ISBN 9790004215630. 6.5 x 9 inches.

Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trumpet that could produce the chromatic tones of an entire scale a unique achievement at that time. The work features unmistakable allusions to Mozart and even has a literal quote from a Cherubini opera in the final movement. Today, Hummel's concerto, next to the Haydn piece, is considered as THE classical trumpet concerto. It is no doubt thanks to this unique status that the work has been available in a transposition to E flat major since 1957, a version that better suits the B flat trumpet widely used today. The Urtext edition respects this performance-practical aspect: The piano reduction as well as the study score contain both versions. The score and orchestral parts can be obtained in two different editions.While this being one of the few urtext, it may be the only edition published in both the original tonality of E major and the often-preferred key of E-flat major. Additionally, the edition contains some interesting insights on the concerto and keyed trumpet. (Luis C. Engelke, Music Reviews Editor).

By Various. Edited by Miller, Liebermann. For oboe/english horn/oboe d'A. Published by C.F. Peters.

(Grades 6-8). Composed by Johann Sebastian Bach (1685-1750). Edited by Anne Marsden Thomas. For organ. Oxford Bach Books for Organ. Pieces and Studies. Level C-D (moderately difficult - difficult). 56 pages. Published by Oxford University Press

(20 Pieces Arranged for 5-String Banjo). By Johann Sebastian Bach (1685-1750). Arranged by Mark Phillips. For Banjo. Banjo. Softcover. Published by Hal Leonard

Double Bass, Orchestra (solo: db - 2.0.0.0 - 2.0.0.0 - str)

SKU: BR.PB-15157-07

Urtext. Composed by Karl Ditters von Dittersdorf. Edited by Tobias Glockler. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Study Score. 56 pages. Duration 12'. Breitkopf and Haertel #PB 15157-07. Published by Breitkopf and Haertel (BR.PB-15157-07).

ISBN 9790004215623. 6.5 x 9 inches.

The Urtext edition of what is arguably the most often played double-bass work of all was long overdue. The work was previously available only in an abridged and arranged form. The edition departs from the sole extant source, a set of parts from the estate of the composer and double-bass virtuoso Johannes Sperger. The score and orchestral parts as well as the piano reduction are printed in E major as well as D major so as to make the work playable both in orchestral or Viennese tuning as well as in solo tuning. The piano reduction contains additional cadenzas by the editor.I hope players will convert to this edition.(Clifford Bartlett, in: Early Music Review, No. 142, June 2011)An exciting addition to the bassist's library. This definitive score will assist teachers and performers alike.(Marian Heckenburg, AUSTA Stringendo).

SATB choir

SKU: CA.411290

Composed by Dimitri Stepanowitsch Bortniansky. Separate edition with choral collection. Sacred concertos, Sacred vocal music, Psalms. Full score. 12 pages. Duration 6 minutes. Carus Verlag #CV 04.112/90. Published by Carus Verlag (CA.411290).

ISBN 9790007171209. Key: G major. Text language: Church Slavonic.

SATB choir

SKU: CA.411210

Composed by Dimitri Stepanowitsch Bortniansky. Separate edition with choral collection. Sacred concertos, Sacred vocal music, Psalms. Full score. 8 pages. Duration 6 minutes. Carus Verlag #CV 04.112/10. Published by Carus Verlag (CA.411210).

ISBN 9790007171032. Key: G major. Text language: Church Slavonic.

Violin solo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15137-07

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Study Score. 36 pages. Breitkopf and Haertel #PB 15137-07. Published by Breitkopf and Haertel (BR.PB-15137-07).

ISBN 9790004214732. 6.5 x 9 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Brass Band - Grade 6

SKU: BT.DHP-0920462-030

Composed by Jan Van der Roost. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score & Parts). Composed 1992. De Haske Publications #DHP 0920462-030. Published by De Haske Publications (BT.DHP-0920462-030).

This piece attempts to portray atmospheric pictures through music. The opening section evokes the somewhat misty and hazy early morning atmosphere surrounding the ancient monument. When the band reaches its first dynamic climax it is as if the massive boulders are audible, even touchable through the use of minor 3rd chords. The main theme - constructed on the notes CAFBG symbolises the arrangement of the central boulders in the shape of a horseshoe, which forms the focal point of this huge collection of stones. Towards the end of the work you will experience a fantastic effect when five soloists play a five part hymn whilst other members of the band create a specialatmosphere by imitating a choir of monks and druids. A fantastic major new concert work for advanced bands.

Een enorme cirkel van gigantische rechtopstaande stenen staat al zo’n 3500 jaar lang in het zuidwesten van Engeland. In dit werk zijn sfeerbeelden omgezet in muziek. Hoewel er geen concreet verhaal aan ten grondslag ligt en er geenduidelijk scenario is gebruikt, verklankt deze compositie het mysterie en de grootsheid van het eeuwenoude geheimzinnige monument Stonehenge op voortreffelijke wijze.

Dans le sud-ouest de l’Angleterre, se dresse, depuis plus de 3 500 ans, un impressionnant cercle de blocs de grès. En dépit de multiples recherches et calculs scientifiques, on ne connaît toujours pas la signification exacte de ce site. Au fil des siècles, de nombreuses suppositions et spéculations ont été avancées quant la fonction de Stonehenge, lieu de cérémonies religieuses, lieu de rituels et d’adoration, mais aucune de ces hypothèses n’a pu être démontrée de façon probante ce jour. Actuellement, on s’accorde penser que Stonehenge est un calendrier géant. La disposition particulière des blocs permet d’observer le lever du soleil ou le coucher de la lune, de prédire lessolstices d’été et d’hiver, de déterminer les positions de la lune travers les diagonales, etc. En résumé, ce mystérieux monument de pierre permet d’observer les changements de saison.Stonehenge est une mise en musique d’images et d’impressions atmosphériques ; un paysage sonore dont la trame ne suit aucun scénario précis, mais dont les images sont réelles.

Concert Band - Grade 6

SKU: BT.DHP-1053805-040

Composed by Jan Van der Roost. Arranged by Tohru Takahashi. Sovereign Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053805-040. Published by De Haske Publications (BT.DHP-1053805-040).

9x12 inches. English-German-French-Dut ch.

This piece attempts to portray atmospheric pictures through music. The opening section evokes the somewhat misty and hazy early morning atmosphere surrounding the ancient monument. When the band reaches its first dynamic climax it is as if the massive boulders are audible, even touchable through the use of minor 3rd chords. The main theme - constructed on the notes CAFBG symbolises the arrangement of the central boulders in the shape of a horseshoe, which forms the focal point of this huge collection of stones. Towards the end of the work you will experience a fantastic effect when five soloists play a five part hymn whilst other members of the band create a specialatmosphere by imitating a choir of monks and druids. A fantastic major new concert work for advanced bands.

Een enorme cirkel van gigantische rechtopstaande stenen staat al zo’n 3500 jaar lang in het zuidwesten van Engeland. In dit werk zijn sfeerbeelden omgezet in muziek. Hoewel er geen concreet verhaal aan ten grondslag ligt en er geenduidelijk scenario is gebruikt, verklankt deze compositie het mysterie en de grootsheid van het eeuwenoude geheimzinnige monument Stonehenge op voortreffelijke wijze.

Im Südwesten Englands steht seit fast 3500 Jahren ein Ring riesiger Steine: Stonehenge. Das gleichnamige Werk von Jan Van der Roost bringt mystische Stimmungen und Bilder rund um die alte Stätte auf musikalische Weise zum Klingen. Das Hauptmotiv aus fünf Tönen zieht sich durch das gesamte Werk und symbolisiert den hufeisenförmigen inneren Ring des riesigen Steinkreises. Später gemahnen fünf Vokalsolisten sowie ein gesungener Druiden- und Mönchs-Chor an Stimmen aus einer fremden Welt. Stonehenges ungelüftetes Geheimnis schlug den Komponisten in seinen Bann und inspirierte ihn zu diesem ebenso unwiderstehlichen Werk, das Tohru Takahashi nun für Blasorchester transkribierte.

Da ns le sud-ouest de l’Angleterre, se dresse, depuis plus de 3 500 ans, un impressionnant cercle de blocs de grès. En dépit de multiples recherches et calculs scientifiques, on ne connaît toujours pas la signification exacte de ce site. Au fil des siècles, de nombreuses suppositions et spéculations ont été avancées quant la fonction de Stonehenge, lieu de cérémonies religieuses, lieu de rituels et d’adoration, mais aucune de ces hypothèses n’a pu être démontrée de façon probante ce jour. Actuellement, on s’accorde penser que Stonehenge est un calendrier géant. La disposition particulière des blocs permet d’observer le lever du soleil ou le coucher de la lune, de prédire lessolstices d’été et d’hiver, de déterminer les positions de la lune travers les diagonales, etc. En résumé, ce mystérieux monument de pierre permet d’observer les changements de saison.Stonehenge est une mise en musique d’images et d’impressions atmosphériques ; un paysage sonore dont la trame ne suit aucun scénario précis, mais dont les images sont réelles.

Concert Band/Harmonie - Grade 6

SKU: BT.DHP-1053805-140

Composed by Jan Van der Roost. Arranged by Tohru Takahashi. Sovereign Series. Concert Piece. Score Only. Composed 2005. 86 pages. De Haske Publications #DHP 1053805-140. Published by De Haske Publications (BT.DHP-1053805-140).

340 X 250 inches. English-German-French-Dut ch.

This piece attempts to portray atmospheric pictures through music. The opening section evokes the somewhat misty and hazy early morning atmosphere surrounding the ancient monument. When the band reaches its first dynamic climax itis as if the massive boulders are audible, even touchable through the use of minor 3rd chords. The main theme, constructed on the notes CAFBG, symbolises the arrangement of the central boulders in the shape of a horseshoe, whichforms the focal point of this huge collection of stones. Towards the end of the work you will experience a fantastic effect when five soloists play a five part hymn whilst other members of the band create a special atmosphere byimitating a choir of monks and druids. A fantastic major new concert work for advanced bands.

Een enorme cirkel van gigantische rechtopstaande stenen staat al zo’n 3500 jaar lang in het zuidwesten van Engeland. In dit werk zijn sfeerbeelden omgezet in muziek. Hoewel er geen concreet verhaal aan ten grondslag ligt en er geenduidelijk scenario is gebruikt, verklankt deze compositie het mysterie en de grootsheid van het eeuwenoude geheimzinnige monument Stonehenge op voortreffelijke wijze.

Im Südwesten Englands steht seit fast 3500 Jahren ein Ring riesiger Steine: Stonehenge. Das gleichnamige Werk von Jan Van der Roost bringt mystische Stimmungen und Bilder rund um die alte Stätte auf musikalische Weise zum Klingen. Das Hauptmotiv aus fünf Tönen zieht sich durch das gesamte Werk und symbolisiert den hufeisenförmigen inneren Ring des riesigen Steinkreises. Später gemahnen fünf Vokalsolisten sowie ein gesungener Druiden- und Mönchs-Chor an Stimmen aus einer fremden Welt. Stonehenges ungelüftetes Geheimnis schlug den Komponisten in seinen Bann und inspirierte ihn zu diesem ebenso unwiderstehlichen Werk, das Tohru Takahashi nun für Blasorchester transkribierte.

Da ns le sud-ouest de l’Angleterre, se dresse, depuis plus de 3 500 ans, un impressionnant cercle de blocs de grès. En dépit de multiples recherches et calculs scientifiques, on ne connaît toujours pas la signification exacte de ce site. Au fil des siècles, de nombreuses suppositions et spéculations ont été avancées quant la fonction de Stonehenge, lieu de cérémonies religieuses, lieu de rituels et d’adoration, mais aucune de ces hypothèses n’a pu être démontrée de façon probante ce jour. Actuellement, on s’accorde penser que Stonehenge est un calendrier géant. La disposition particulière des blocs permet d’observer le lever du soleil ou le coucher de la lune, de prédire lessolstices d’été et d’hiver, de déterminer les positions de la lune travers les diagonales, etc. En résumé, ce mystérieux monument de pierre permet d’observer les changements de saison.Stonehenge est une mise en musique d’images et d’impressions atmosphériques ; un paysage sonore dont la trame ne suit aucun scénario précis, mais dont les images sont réelles.

Concert Band/Harmonie - Grade 6

SKU: BT.DHP-1053805-010

Composed by Jan Van der Roost. Arranged by Tohru Takahashi. Sovereign Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053805-010. Published by De Haske Publications (BT.DHP-1053805-010).

9x12 inches. English-German-French-Dut ch.

This piece attempts to portray atmospheric pictures through music. The opening section evokes the somewhat misty and hazy early morning atmosphere surrounding the ancient monument. When the band reaches its first dynamic climax it is as if the massive boulders are audible, even touchable through the use of minor 3rd chords. The main theme - constructed on the notes CAFBG symbolises the arrangement of the central boulders in the shape of a horseshoe, which forms the focal point of this huge collection of stones. Towards the end of the work you will experience a fantastic effect when five soloists play a five part hymn whilst other members of the band create a specialatmosphere by imitating a choir of monks and druids. A fantastic major new concert work for advanced bands.

Een enorme cirkel van gigantische rechtopstaande stenen staat al zo’n 3500 jaar lang in het zuidwesten van Engeland. In dit werk zijn sfeerbeelden omgezet in muziek. Hoewel er geen concreet verhaal aan ten grondslag ligt en er geenduidelijk scenario is gebruikt, verklankt deze compositie het mysterie en de grootsheid van het eeuwenoude geheimzinnige monument Stonehenge op voortreffelijke wijze.

Im Südwesten Englands steht seit fast 3500 Jahren ein Ring riesiger Steine: Stonehenge. Das gleichnamige Werk von Jan Van der Roost bringt mystische Stimmungen und Bilder rund um die alte Stätte auf musikalische Weise zum Klingen. Das Hauptmotiv aus fünf Tönen zieht sich durch das gesamte Werk und symbolisiert den hufeisenförmigen inneren Ring des riesigen Steinkreises. Später gemahnen fünf Vokalsolisten sowie ein gesungener Druiden- und Mönchs-Chor an Stimmen aus einer fremden Welt. Stonehenges ungelüftetes Geheimnis schlug den Komponisten in seinen Bann und inspirierte ihn zu diesem ebenso unwiderstehlichen Werk, das Tohru Takahashi nun für Blasorchester transkribierte.

Da ns le sud-ouest de l’Angleterre, se dresse, depuis plus de 3 500 ans, un impressionnant cercle de blocs de grès. En dépit de multiples recherches et calculs scientifiques, on ne connaît toujours pas la signification exacte de ce site. Au fil des siècles, de nombreuses suppositions et spéculations ont été avancées quant la fonction de Stonehenge, lieu de cérémonies religieuses, lieu de rituels et d’adoration, mais aucune de ces hypothèses n’a pu être démontrée de façon probante ce jour. Actuellement, on s’accorde penser que Stonehenge est un calendrier géant. La disposition particulière des blocs permet d’observer le lever du soleil ou le coucher de la lune, de prédire lessolstices d’été et d’hiver, de déterminer les positions de la lune travers les diagonales, etc. En résumé, ce mystérieux monument de pierre permet d’observer les changements de saison.Stonehenge est une mise en musique d’images et d’impressions atmosphériques ; un paysage sonore dont la trame ne suit aucun scénario précis, mais dont les images sont réelles.