By Johannes Brahms. Band/Orchestra. Size 9 x 12. 344 pages. Published by Dover Publications

Orchestra Bass, Cello, Chimes (optional ), Piano, Viola, Violin I, Violin II, Violin III (Viola T.C.) - Grade 3

SKU: CF.CAS68F

Composed by Jean-Féry Rebel. Arranged by Doris Gazda. SWS. Carl Fischer Concert String Orchestra Series. Full score. With Standard notation. 8 pages. Duration 3 minutes, 39 seconds. Carl Fischer Music #CAS68F. Published by Carl Fischer Music (CF.CAS68F).

ISBN 9780825891793. UPC: 798408091798. 9 x 12 inches. Key: D major.

(For Four-Part A Cappella Chorus of Mixed Voices). By John Stainer (1840-1901). Edited by N. Clifford Page. SATB chorus. For SATB, Keyboard Rehearsal. Carl Fischer Choral Repertoire. Choral. Piano reduction/vocal score. Standard notation. 6 pages. Publish piano reduction/vocal score choral

By Claude Debussy. Edited by Willard A. Palmer. For Piano. Piano Solo. Masterwork. Level: Early Advanced (grade 6 ). 8 pages. Published by Alfred Publishing.

By Adolphe-Charles Adam (1803-1856). Arranged by Mack Wilberg. For SATB choir and keyboard/orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon, 4 horn, harp, organ (optional), strings). Mixed Voices. Christmas Choral Leaflet. Vocal score. 16 pages. Duration 4'

Composed by Ben Bolt. Squareback saddle stitch. Book and online audio. Published by Mel Bay Publications, Inc (MB.95689M).

By Mel Bay. For Guitar (All). Methods. Modern Guitar Method. All Styles. Level: Intermediate. Book/CD Set. Size 8.75x11.75. 96 pages. Published by Mel Bay Publications, Inc.

Composed by William Bay and Mike Christiansen. Spiral-bound. Instructional method. Book and online audio. 168 pages. Published by Mel Bay Publications, Inc (MB.99618M).

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS12F

Composed by Carl Strommen. Carl Fischer First Plus String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #FAS12F. Published by Carl Fischer Music (CF.FAS12F).

ISBN 9780825845079. UPC: 798408045074. 8.5 X 11 inches. Key: D major.

Composed by Various. Arranged by Carol Klose, Christopher Norton, and Hywel Davies. BH Piano. Ballet, Classical. Softcover. 96 pages. Boosey and Hawkes #M060123917. Published by Boosey and Hawkes

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

Selected and Arranged in Sets for Mandolin. Composed by Kevin Allison. Squareback saddle-stitched. Book. 108 pages. Published by Mel Bay Publications, Inc

Educational Piano Library. Level 2. Softcover Audio Online. 80 pages. Published by Hal Leonard

Orchestra String Orchestra - Grade 1

SKU: CF.BAS16

Composed by Douglas Townsend. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #BAS16. Published by Carl Fischer Music (CF.BAS16).

ISBN 9780825851735. UPC: 798408051730. 8.5 X 11 inches. Key: D major.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

Choral TBB chorus

SKU: CF.CM9204

Composed by Traditional. Arranged by Gary E. Parks. Performance Score. With Standard notation. 8 pages. Duration 1 minute, 50 seconds. Carl Fischer Music #CM9204. Published by Carl Fischer Music (CF.CM9204).

ISBN 9780825883224. UPC: 798408083229. 6.875 x 10.5 inches. Key: D minor. Text: Catherine E. Parks. Cathryne E. Parks.

Gary and Cathryne Parks work together to bring us a rollicking sea chantey to life for TBB voices. The descriptive text of the elements of a sailor's life paints a full picture of not just the challenges and joys, but of the loneliness as well. A great choice for your concert program. Duration: 1:50.

Choral Cello, Piano, alto voice, bass voice, soprano voice

SKU: CF.CM9404

Composed by Shelley Smith David (D) Smith. Fold. Performance Score. With Standard notation. 8 pages. Duration 2 minutes, 28 seconds. Carl Fischer Music #CM9404. Published by Carl Fischer Music (CF.CM9404).

ISBN 9780825898020. UPC: 798408098025. 6.875 x 10.5 inches. Text: Percy Bysshe Shelley. Percy Shelley.

Classical guitar - Intermediate

SKU: MB.99904M

Composed by Giovanni De Chiaro. Squareback saddle stitch, Wedding. Style. Book and online audio. 112 pages. Mel Bay Publications, Inc #99904M. Published by Mel Bay Publications, Inc (MB.99904M).

ISBN 9780786697045. 8.75 x 11.75 inches.

This collection provides fresh repertoire for wedding ceremonies offering a wonderful alternative to the church organ. Selections include Canon in D Pachelbel ; Jesu, Joy of Mans Desiring Bach ; Wedding March Mendelssohn ; and other popular and enjoyable pieces suitable for the occasion. Written in standard notation only with suggested fingerings. Includes access to online audio recording.