Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 4

SKU: CF.SPS80F

Composed by Brant Karrick. Symphonic Band (SPS). Full score. With Standard notation. 36 pages. Carl Fischer Music #SPS80F. Published by Carl Fischer Music (CF.SPS80F).

ISBN 9781491153253. UPC: 680160910755.

With Wind and Water is a musical portrayal of an adventure on the high seas during the sailing age. It was during the 16th to the mid-19th century where large sailing vessels dominated global exploration, international trade, and naval warfare. The piece's compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather, and other constant dangers that sailors must endure. Finally, the ending sweeping melody and climax reflects the joy and triumph at arriving on a new land at the apex of a long and intense voyage.
With evidence of watercraft dating back to 8000 BC, travel by water has remained an important aspect of life to many civilizations. From paddling down a river or crossing a large lake, to steaming across an entire ocean, generations of humans have traveled on water to explore foreign lands, to seek food and precious materials, to move and trade cargo, and to attack and fend off enemies.With Wind and Water is a musical portrayal of an adventure on the high seas during the age of sail. It was during the sixteenth to the mid-nineteenth century when large sailing vessels dominated global exploration, international trade, and naval warfare.  Our ship sets sail!The compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather and other constant dangers that sailors must endure. The final sweeping melody and climax reflect the joy and triumph at arriving on a new land at the apex of a long and intense voyage. With Wind and Water was commissioned by the Florida Bandmasters Association for the 2016 Nine Star Honor Band.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3.5

SKU: CF.CAS132F

Composed by Nicolás Humberto Repetto. Sws. Cas. Full score. 8 pages. Carl Fischer Music #CAS132F. Published by Carl Fischer Music (CF.CAS132F).

ISBN 9781491157503. UPC: 680160916085. 9 x 12 inches.

Chicharra was born out of a love for syncopated music that makes one move and dance. A rhythmic motive initiated by the viola and cello sections starts the diabolical journey of dance and lyricism. The syncopated, driving rhythms initiated by the low strings are contrasted by lyrical lines played in the violin and viola sections. A contrasting, lyrical B section, in 6/8, almost waltz-like, shows a softer side of this dance journey. Various tango elements are also found in this piece such as special effects like the glissandi in the cello section, and the chicharra played by the violins. The chicharra should be played behind the bridge on the D string with extra finger weight, very close to the tailpiece - this sound imitates the chicharra or cricket!.
Chicharra was born out of a love for syncopated music that makes one move and dance. A rhythmic motive initiated by the viola and cello sections starts the diabolical journey of dance and lyricism. The syncopated, driving rhythms initiated by the low strings are contrasted by lyrical lines played in the violin and viola sections. A contrasting, lyrical B section, in 6/8, almost waltz-like, shows a softer side of this dance journey.Various tango elements are also found in this piece such as special effects like the glissandi in the cello section, and the chicharra played by the violins. The chicharra should be played behind the bridge on the D string with extra finger weight, very close to the tailpiece - this sound imitates the chicharra or cricket!

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Score Only Concert Band (Score) - Grade 3

SKU: HL.4006660

Composed by John Wasson. MusicWorks Grade 3. Contest, Festival. Softcover. 20 pages. Duration 850 seconds. Published by Hal Leonard (HL.4006660).

UPC: 840126927078. 9.0x12.0x0.061 inches.

This exciting work was conceived as a musical portrait from the viewpoint of a lone ancient warrior, determined and focused on achieving victory in battle. Providing a foundation throughout is a relentless rhythmic pulse and driving ostinato. The meter of 7/8 provides a dramatic sense of urgency as various textures and moods are developed similar to the ebb and flow of battle. The piece concludes with a victorious major chord with the rhythmic ostinato driving to the very end.

Pre 1

SKU: CL.RWS-1904-00

Composed by Hoefle. Young Concert Band. Score and set of parts. Composed 2019. RWS Music Company #RWS-1904-00. Published by RWS Music Company (CL.RWS-1904-00).

A fun and energetic work for the beginning band that your students will love! The infectious groove, hand clapping, and driving drum break keep this spirited piece driving all the way to the end. Using only the first six notes introduced in most band methods, this piece from composer and master teacher Heather Hoefle is an excellent choice for a school assembly, parent meeting, pep rally or concert closer!

Go, Tell It on the Mountain arranged by Susan Geschke. For handbell choir (2-3 octaves). Handbell music. Christmas, Sacred. Grade 2. Handbell score. 6 pages. Published by Hope Publishing Company

Composed by Greg Gilpin. General, Christmas, Holiday, Winter. Sing! Octavo. Chorister's Guild #CGE525. Published by Chorister's Guild

Grade 3

SKU: CL.012-3786-75

Composed by Neeck. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR364). Oversized, spiral-bound score. Composed 2009. Duration 4 minutes, 4 seconds. Opus III Wind Orchestra Publications #012-3786-75. Published by Opus III Wind Orchestra Publications (CL.012-3786-75).

An inferno of excitement, Torrents of Fire will light-up your next concert program. Driving rhythms and aggressive percussion, balanced with bold, lyrical themes, provide a stunning variety of color and intensity. The contrasting middle section, with its optional flute solo and mallet percussion background, provides a hypnotic and sonorous contrast to the hard-driving nature of the rest of the piece. Perfect for concert or contest, Torrents of Fire will showcase your entire band with intensity and enthusiasm.

Band Concert Band - Grade 3

SKU: CF.CPS255

Composed by Mark Lortz. Set of Score and Parts. 17+4+4+2+4+4+4+2+2+2+2+2+ 2+4+4+4+2+2+3+3+3+2+4+1+2 +1+4+6 pages. Duration 2:10. Carl Fischer Music #CPS255. Published by Carl Fischer Music (CF.CPS255).

ISBN 9781491159835. UPC: 680160918423.

Ameri can Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4-12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble's texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition.
American Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4–12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble’s texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition. .

Grade 2

SKU: CL.011-4734-00

Composed by J. Bell. Young Concert Band. Score and set of parts. C.L. Barnhouse #011-4734-00. Published by C.L. Barnhouse (CL.011-4734-00).

Flowers bloom and the world stirs with life renewed in Spring’s Awakening! The music begins with a driving ostinato in the clarinets, and staggered entrances that portray flowers opening for the first time. After the entire ensemble enters, two different melodic themes are passed throughout the ensemble, layered over driving 8th-note rhythms that propel the music forward. Spring’s Awakening is an engaging and beautiful work that makes a perfect fit for any spring or end of the year concert.

Grade 2

SKU: CL.011-3693-01

Composed by Neeck. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR359). Extra full score. Composed 2008. Duration 2 minutes, 41 seconds. C.L. Barnhouse #011-3693-01. Published by C.L. Barnhouse (CL.011-3693-01).

Velocity is an exciting mixed-meter piece from the pen of Larry Neeck. Striking sonorities and driving rhythms characterize this fast-paced romp. Splashes of percussion color and alternating sonorous and jagged melodies and harmonies in the winds sustain interest and intensity throughout the work. With a driving intensity from start to finish, Velocity is the perfect opener, closer, or change-of-pace for your next concert.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with opt. flute, clarinet, F horn, tuba and vibes (standard jazz ensemble (Kendor Konvertible for 9-17 players) with opt. flute, clarinet, F horn, tuba and vibes) - Grade 2

SKU: KN.KEN60045

Composed by Mike Dana. Jazz Gateway. Driving Shuffle. Kendor Music Inc #KEN60045. Published by Kendor Music Inc (KN.KEN60045).

UPC: 822795600452.

This driving shuffle with cool lines, surprising harmonies, great rhythm section hooks, and much more makes for a great opener for developing groups. The open solo section (written or ad lib) features any soloist, with solo sheets provided for all. Duration 3:45.

Band Concert Band - Grade 3

SKU: CF.CPS255F

Composed by Mark Lortz. Full score. 17 pages. Carl Fischer Music #CPS255F. Published by Carl Fischer Music (CF.CPS255F).

ISBN 9781491159842. UPC: 680160918430.

Ameri can Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4-12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble's texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition.
American Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4–12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble’s texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition. .

Band jazz ensemble - Grade 2

SKU: KJ.ZB332

Composed by Dean Sorenson. Standard of Excellence Jazz Ensemble Method. Jazz. Score and parts. Neil A. Kjos Music Company #ZB332. Published by Neil A. Kjos Music Company (KJ.ZB332).

UPC: 8402700002.

A driving rock style with excellent horn writing and imaginative rhythm breaks. The Carpetbaggers is a straight-ahead rock chart featuring excellent horn writing as well as imaginative rhythm breaks. A terrific introduction to the driving rock style, students will love this chart.

About Standard of Excellence Jazz Ensemble Method

The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening!

By Jim Casella. Percussion Ensemble. For glockenspiel, xylophone, vibraphone, marimba (4 octave), marimba (4.3 octave), 4 timpani, chimes, 4 cowbells, log drum, 2 china cymbals, 5 suspended cymbals, 2 brake drums, 3 woodblocks, 2 triangles, splash cymbal, hi hat, 4 toms, chinese opera gong, kick drum, tambourine, low conga, bongos. (9 players). Level: Advanced. Full score and CD-Rom (containing printable parts). Duration 5:00. Published by Tapspace Publications.

Two Performance Scores viola and double bass - advanced

SKU: HL.49046217

For Viola and Double Bass Two Performance Scores. Composed by Pierre Jalbert. Sheet music. String Ensemble. Softcover. Composed 2018. 12 pages. Duration 14'. Schott Music #ED30190. Published by Schott Music (HL.49046217).

ISBN 9781540056368. UPC: 888680948054. 9.0x12.0x0.075 inches.

Duo Concertante contains five brief movements of contrasting character. The first movement functions as a short prelude, with the viola and bass combining to form alternating high and low harmonies and trading off solo lines. The second movement is a playful scherzo, played pizzicato by both instruments, while the third movement is the central, lyrical movement of the work, with undulating natural harmonic tremolos and a rhythmically driving interruptive middle section. The fourth movement consists almost entirely of quickly bowed natural harmonics with fleeting rhythmic tremolos on both instruments. The final movement contains rapidly driving music in constant motion, interrupted twice by cadenza-like free sections which are non-synchronized. The two instruments then come together for the final push to the end.Duo Concertante was written for James and Deborah Dunham on the occasion of their 35th anniversary, with support from the Shepherd School of Music, Rice University. Pierre Jalbert.

Score Only Concert Band (Score) - Grade 3

SKU: HL.4003761

Composed by Robert Buckley. MusicWorks Grade 3. Concert. Duration 180 seconds. Published by Hal Leonard (HL.4003761).

UPC: 884088964283. 9.0x12.0x0.072 inches.

Propulsion is the action of driving or pushing forwards. It is the force that thrusts a rocket into space, that propels a runner across the finish line, and that fuels the momentum of a dolphin through the waves. With driving percussion, high-energy rhythms, dynamic melodies and an overall sense of excitement, Propulsion by Robert Buckley moves through different musical moods without ever losing its relentless pulse. A tour-de-force for all members of the band and an exhilarating concert opener! Dur: 3:00.

Orchestra - Grade 1.5

SKU: AP.45823

Composed by Michael Kamuf. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Score and Part(s). 72 pages. Duration 2:00. Belwin Music #00-45823. Published by Belwin Music (AP.45823).

UPC: 038081529189. English.

Perfect for concerts and festivals, Dayspring is an ideal piece for reinforcing both dotted-quarter/eighth note and syncopation rhythms with your beginning string orchestra. In this driving new work by Michael Kamuf, the lyrical melodies and driving motifs are passed around the entire ensemble, supported by rich harmonies. (2:00).

Pre 1

SKU: CL.RWS-1904-01

Composed by Hoefle. Young Concert Band. Extra full score. Composed 2019. RWS Music Company #RWS-1904-01. Published by RWS Music Company (CL.RWS-1904-01).

A fun and energetic work for the beginning band that your students will love! The infectious groove, hand clapping, and driving drum break keep this spirited piece driving all the way to the end. Using only the first six notes introduced in most band methods, this piece from composer and master teacher Heather Hoefle is an excellent choice for a school assembly, parent meeting, pep rally or concert closer!

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Handbell - Grade 2

SKU: BP.HB602

Composed by Patricia Hurlbutt. Arranged by Patricia Hurlbutt. Handbell choir music. Octavo. Beckenhorst Press #HB602. Published by Beckenhorst Press (BP.HB602).

Arranged for 2-3 octave handbell choir. Level 2+. This joyous and approachable arrangement of the well-known hymn is perfect for the smaller choir looking for a triumphant piece to play on Easter or throughout Eastertide. A driving malleted figure propels the piece forward while the melody soars above. Occasional sections in minor are interspersed, providing musical depth and harmonic interest. A final, stately iteration of the theme gives way to the initial driving rhythm once more before concluding in grand fashion.

By Douglas Akey. Concert Band. Concert Band. Alfred Concert Band. Form: Fantasia. Contemporary. Grade 4. Conductor Score and Parts. 296 pages

Jazz Ensemble standard jazz ensemble - Grade 3

SKU: KN.43493

Jazz Ensemble Series. Driving Shuffle. Score and set of parts. Duration ca. 5 minutes, 35 seconds. Kendor Music Inc #43493. Published by Kendor Music Inc (KN.43493).

UPC: 822795434934.

A driving shuffle always lights up a program, and this one will definitely deliver the goods! Commissioned by the Inaugural Mountain Ridge Jazz Orchestra, it is similar in groove to the David Letterman Show theme. From the opening bar to the final chord, it never lets up. Chord sheets in all transpositions are provided for the open solo section, and rhythm section parts are notated with chords cued. Duration ca. 5:35. Available in SmartMusic.