Flute Solo

SKU: IS.F6035EM

Composed by Charles Camilleri. Woodwinds - Flute. Metropolis Music Publishers #F6035EM. Published by Metropolis Music Publishers (IS.F6035EM).

ISBN 9790365060351.

Char les Camilleri (1931 - 2009) was a Maltese composer. As a teenager, he composed a number of works based on folk music and legends of his native Malta. He moved from his early influences by Maltese folk music to a musical form in which nothing is fixed and his compositions evolve from themselves with a sense of fluency and inevitability. He composed over 100 works for orchestra, chamber ensemble, voice and solo instruments. Camilleri's work has been performed throughout the world and his research of folk music and improvisation, the influences of the sounds of Africa and Asia, together with the academic study of European music, helped him create a universal style. Camilleri is recognized in Malta as one of the major composers of his generation. He died on 3 January 2009 at the age of 77. His funeral took place two days later at Naxxar, his long-time town of residence. Flags across Malta were flown at half-mast in tribute to him.

Violin and Piano

SKU: IS.VLP6539EM

Composed by Charles Camilleri. Strings - Violin. Metropolis Music Publishers #VLP6539EM. Published by Metropolis Music Publishers (IS.VLP6539EM).

ISBN 9790365065394.

Char les Camilleri (1931 - 2009) was a Maltese composer. As a teenager, he composed a number of works based on folk music and legends of his native Malta. He moved from his early influences by Maltese folk music to a musical form in which nothing is fixed and his compositions evolve from themselves with a sense of fluency and inevitability. He composed over 100 works for orchestra, chamber ensemble, voice and solo instruments. Camilleri's work has been performed throughout the world and his research of folk music and improvisation, the influences of the sounds of Africa and Asia, together with the academic study of European music, helped him create a universal style. Camilleri is recognized in Malta as one of the major composers of his generation. He died on 3 January 2009 at the age of 77. His funeral took place two days later at Naxxar, his long-time town of residence. Flags across Malta were flown at half-mast in tribute to him. Just like Bach's 6 suites for cello solo, these 6 arabesques are composed of a number of distinct movements which follow the suite principle. The melodies in these 6 arabesques are influenced by Mediterranean folk music.

Violin and Piano

SKU: IS.VLP6034EM

Composed by Charles Camilleri. Strings - Violin. Metropolis Music Publishers #VLP6034EM. Published by Metropolis Music Publishers (IS.VLP6034EM).

ISBN 9790365060344.

Char les Camilleri (1931 - 2009) was a Maltese composer. As a teenager, he composed a number of works based on folk music and legends of his native Malta. He moved from his early influences by Maltese folk music to a musical form in which nothing is fixed and his compositions evolve from themselves with a sense of fluency and inevitability. He composed over 100 works for orchestra, chamber ensemble, voice and solo instruments. Camilleri's work has been performed throughout the world and his research of folk music and improvisation, the influences of the sounds of Africa and Asia, together with the academic study of European music, helped him create a universal style. Camilleri is recognized in Malta as one of the major composers of his generation. He died on 3 January 2009 at the age of 77. His funeral took place two days later at Naxxar, his long-time town of residence. Flags across Malta were flown at half-mast in tribute to him. Just like Bach's 6 suites for cello solo, these 6 arabesques are composed of a number of distinct movements which follow the suite principle. The melodies in these 6 arabesques are influenced by Mediterranean folk music.

Orchestra

SKU: PO.PEP05S

Works for String Orchestra. Composed by Larry Pruden. Perfect. Collection - Full Score. Promethean Editions #PEP05S. Published by Promethean Editions (PO.PEP05S).

ISBN 9781877218057.

Pref ace to the Collected EditionOver the span of his composing career, Larry Carrol Pruden (1925-82) completed some 60 works, including music for piano, chamber ensemble, orchestra, stage and film. The scope of the ten-volume Collected Edition incorporates every work that the composer is known to have considered complete, and a very few incomplete works which the editors felt warranted inclusion. The works in the latter category are either virtually complete or have been deemed worthy of inclusion due to the significance that the composer is known to have attached to them.Throughout Pruden's output, whether the music is modest in scale and purely functional (civic fanfares and radio advertising jingles, for example) or more extended and overtly serious in tone (such as the larger works for orchestra and strings), his vivid response to urban society and rural life in New Zealand is revealed. With Douglas Lilburn, John Ritchie and others, Larry Pruden belongs to the earliest generation of New Zealand composers to discover a genuine vernacular, and in his music is reflected the trail-blazing spirit of the pioneers, their passion for creativity and their rebelliousness of spirit.The scores in the Collected Edition are based on Pruden's underlying autograph or holograph manuscripts, which have been consulted extensively throughout the editorial process. Comparison has been made to all extant forms of each title, published and unpublished. In some cases, several variants exist, and the goal has been to determine as far as possible the composer's final intention and to convey this comprehensively in the published score. Emendations have been made to account for the composer's revisions and for certain errors and inconsistencies, and each volume includes a short commentary and editorial notes on the source materials.In consultation with the Estate of Larry Pruden, Promethean Editions appointed an Editorial Panel and an Advisory Panel to oversee publication of the Collected Edition. The role of the Editorial Panel has been to undertake the research into the composer's archival and manuscript materials and to make the necessary editorial decisions and ensure the accuracy of the musical and textual content of the Edition. The Advisory Panel has been responsible for monitoring the overall approach to the project and for ensuring the maintenance of a wider perspective.

Composed by Charles Camilleri (1931-). Published by Metropolis Music (IS.CP6040EM).

Oboe Solo

SKU: IS.O6029EM

Composed by Charles Camilleri. Woodwinds - Oboe. Metropolis Music Publishers #O6029EM. Published by Metropolis Music Publishers (IS.O6029EM).

ISBN 9790365060290.

Char les Camilleri (1931 - 2009) was a Maltese composer. As a teenager, he composed a number of works based on folk music and legends of his native Malta. He moved from his early influences by Maltese folk music to a musical form in which nothing is fixed and his compositions evolve from themselves with a sense of fluency and inevitability. He composed over 100 works for orchestra, chamber ensemble, voice and solo instruments. Camilleri's work has been performed throughout the world and his research of folk music and improvisation, the influences of the sounds of Africa and Asia, together with the academic study of European music, helped him create a universal style. Camilleri is recognized in Malta as one of the major composers of his generation. He died on 3 January 2009 at the age of 77. His funeral took place two days later at Naxxar, his long-time town of residence. Flags across Malta were flown at half-mast in tribute to him.

Piano Solo

SKU: IS.PN6133EM

Composed by Charles Camilleri. Keyboards - Piano. Metropolis Music Publishers #PN6133EM. Published by Metropolis Music Publishers (IS.PN6133EM).

ISBN 9790365061334.

Char les Camilleri (1931 - 2009) was a Maltese composer. As a teenager, he composed a number of works based on folk music and legends of his native Malta. He moved from his early influences by Maltese folk music to a musical form in which nothing is fixed and his compositions evolve from themselves with a sense of fluency and inevitability. He composed over 100 works for orchestra, chamber ensemble, voice and solo instruments. Camilleri's work has been performed throughout the world and his research of folk music and improvisation, the influences of the sounds of Africa and Asia, together with the academic study of European music, helped him create a universal style. Camilleri is recognized in Malta as one of the major composers of his generation. He died on 3 January 2009 at the age of 77. His funeral took place two days later at Naxxar, his long-time town of residence. Flags across Malta were flown at half-mast in tribute to him.

Piano Solo

SKU: IS.PN6534EM

Composed by Charles Camilleri. Keyboards - Piano. Metropolis Music Publishers #PN6534EM. Published by Metropolis Music Publishers (IS.PN6534EM).

ISBN 9790365065349.

Char les Camilleri (1931 - 2009) was a Maltese composer. As a teenager, he composed a number of works based on folk music and legends of his native Malta. He moved from his early influences by Maltese folk music to a musical form in which nothing is fixed and his compositions evolve from themselves with a sense of fluency and inevitability. He composed over 100 works for orchestra, chamber ensemble, voice and solo instruments. Camilleri's work has been performed throughout the world and his research of folk music and improvisation, the influences of the sounds of Africa and Asia, together with the academic study of European music, helped him create a universal style. Camilleri is recognized in Malta as one of the major composers of his generation. He died on 3 January 2009 at the age of 77. His funeral took place two days later at Naxxar, his long-time town of residence. Flags across Malta were flown at half-mast in tribute to him.

Piano 4 Hands

SKU: IS.PN6030EM

Composed by Charles Camilleri. Keyboards - Piano. Metropolis Music Publishers #PN6030EM. Published by Metropolis Music Publishers (IS.PN6030EM).

ISBN 9790365060306.

Char les Camilleri (1931 - 2009) was a Maltese composer. As a teenager, he composed a number of works based on folk music and legends of his native Malta. He moved from his early influences by Maltese folk music to a musical form in which nothing is fixed and his compositions evolve from themselves with a sense of fluency and inevitability. He composed over 100 works for orchestra, chamber ensemble, voice and solo instruments. Camilleri's work has been performed throughout the world and his research of folk music and improvisation, the influences of the sounds of Africa and Asia, together with the academic study of European music, helped him create a universal style. Camilleri is recognized in Malta as one of the major composers of his generation. He died on 3 January 2009 at the age of 77. His funeral took place two days later at Naxxar, his long-time town of residence. Flags across Malta were flown at half-mast in tribute to him.

Composed by Ivana Loudova (1941-). For bass clarinet and piano. Classical; 20th century. Piano score and part. Composed 1972 (Air); 1976 (Aulos). 6 pages (score); 5 pages (part). Published by Alea Publishing

12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited by Christoph Sassmannshaus / Melissa Lusk. Stapled. Baerenreiter's Sassmannshaus. Performance score, parts. 16/23/21 pages pages. Published by Baerenreiter Verlag

18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited by Christoph Sassmannshaus / Melissa Lusk. Stapled. Baerenreiter's Sassmannshaus. Performance score, parts. 22/24/17 pages pages. Published by Baerenreiter Verlag

Voice 4 (Bass)in B (Notviolin)(Tsecond romb,Tthird romb,horn-Bar,Euph,B-Tuba ) (4. Voice (Bass) in B (Treble clef) (2. Trombone, 3. Trombone, Baritone horn, Euphonium, B-Tuba))

SKU: BA.BA11242-49

Edited by Andreas Dewey, Bernhard Blitsch, and Richard Mailänder. Ring stitching. Eigenteil des Erzbistums Köln. Single part. 82 pages. Baerenreiter Verlag #BA11242_49. Published by Baerenreiter Verlag (BA.BA11242-49).

ISBN 9790006563630. 15 x 21 cm inches.

The acclaimed percussionist Christian Dierstein has joined forces with a research group at the Basel Academy of Music to examine the techniques of percussion playing from an innovative perspective. The main focus falls less on the instruments than on their sound producers: beaters, mallets, sticks, bows, specific manual techniques up to and including electronic pulse generators. This book describes all of them in detail and illustrates their range of application in carefully selected and annotated examples from the repertoire.

Many essays by guest authors such as Nicolaus A. Huber, Steven Schick, Fritz Hauser and Bernhard Wulff relate the performance descriptions to ongoing aesthetic debates. They reveal that sound production and interaction with sound-generating objects have moved centre stage in contemporary composition and its expanded concepts of material and performance. The result is a comprehensive reference book for composers and performers that will also serve as a source of inspiration for future innovative approaches in percussion playing.

The authors
Christian Dierstein completed his musical studies with Bernhard Wulff (Freiburg), Gaston Sylvestre (Paris) and Wassilios Papadopulus (Mannheim). A multiple prize-winner at music competitions, he has played percussion withEnsemble Recherchesince 1988 andTrio Accantosince 1994 together with Nic Hodges and Marcus Weiss. In addition he has been professor of percussion and contemporary chamber music at the Basel Academy of Music since 2001.

Michel Roth is professor of composition and music theatre at the Basel Academy of Music and a member of its research department. As a composer he is a regular guest at music festivals, recently with a focus on music theatre. In 2017 Barenreiter published hisTechniques of Trombone Playingco-written with Mike Svoboda. This was awarded theBest Editionprize by the German Music Publishers Association in 2018.

Jens Ruland studied percussion with Carlos Tarcha at the Cologne University of Music (2007-12) where he completed his performance and teaching degree with distinction. Since 2012 he has consolidated his studies with Christian Dierstein in Basel. He is a founding member ofhand werk(Cologne),232 percussion(Cologne),Ensem ble New4Art(Switzerland) and the music theatre duoAkt-tkA(Spain and Switzerland).

(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

7 Recital Pieces in First Position for Viola and Piano or Two Violas. Edited by Lusk, Melissa / Sassmannshaus, Christoph / Sassmannshaus, Kurt. Stapled. Barenreiter's Sassmannshaus. Performance Score(s), Part(s). 11/11/11 pages. Baerenreiter Verlag #BA08992. Published by Baerenreiter Verlag

(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

Composed by J. Peter Close; Holger Sassmannshaus. Stapled. Barenreiter's Sassmannshaus. Instructional. Performance score. 72 pages. Published by Baerenreiter Verlag (BA.BA9660).

Chamber Music flute, piano

SKU: PR.114424240

Free at Last!. Composed by Adolphus Hailstork. Set of Score and Parts. Duration 11 minutes. Theodore Presser Company #114-42424. Published by Theodore Presser Company (PR.114424240).

ISBN 9781491137581. UPC: 680160691036.

THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.
Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry” and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,” a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.

SKU: CA.402500

Composed by Ludwig van Beethoven. Edited by Jan Schumacher. Choral collections. Conductor's score, with CD. Sacred vocal music, Mass sections, Psalms, German, Secular choral music. Choir Book. 136 pages. Carus Verlag #CV 04.025/00. Published by Carus Verlag (CA.402500).

ISBN 9790007187941.

The anniversary edition for all choirs! With their extensive forces and complex parts, the performance of Beethoven's choral-symphonic works is hugely demanding for many choirs. For the major Beethoven anniversary in 2020 Carus is therefore expanding the repertoire of works available for mixed choirs. The Choral Collection Beethoven (ed. Jan Schumacher) contains especially attractive arrangements of Beethoven's music from three centuries. Contents include the choral-symphonic repertoire in versions with piano accompaniment, some lesser-known unaccompanied works, and some seldom-performed works, such as pieces from his incidental music. During his lifetime Beethoven was so admired that contemporaries arranged his music - mainly the well-known instrumental works - for chorus. Some of these choral works were even performed at Beethoven's own funeral. Subsequent generations of composers have also immersed themselves in Beethoven's output. In addition, for the anniversary Carus has commissioned choral arrangements of Beethoven's works from several contemporary composers. The Choral Collection Beethoven contains around 40 secular and sacred choral movements in a wide range of styles. Editor Jan Schumacher has created an indispensable resource with the Beethoven Choral Collection, particularly for amateur choirs, but the edition is also suitable for vocal ensembles and chamber choirs. Guaranteed enjoyment of Beethoven's music well beyond the anniversary year. * 41 choral settings for SATB, some with piano accompaniment * well within the capabilities of amateur choirs * suitable for concerts, church services, and many social occasions * also contains arrangements of Beethoven's vocal and instrumental works from three centuries, by composers including Gottlieb Benedict Bierey, Heribert Breuer, Peter Cornelius, Gunnar Eriksson, Gunther Martin Gottsche, Clytus Gottwald, John Hoybye, Hans Georg Nageli, Peter Schindler, Ignaz Ritter von Seyfried, Friedrich Silcher, and many others * CD with selected works included with the conductor's score (Deutscher Jugendkammerchor, conducted by Florian Benfer) * economical choral edition (editionchor) available Contents (selection) * Choruses and canons: Auld Lang Syne, Gluck zum neuen Jahr, and Das Reden / Schweigen and many more. * Historic arrangements for chorus, including from the Moonlight Sonata, the Appassionata, the 7th Symphony, and many other works. * New arrangements for chorus, including the songs Bitten, Ich liebe dich, Marmotte, and many others. * Arrangements for chorus and piano, including the choral movements from the Choral Fantasia, the oratorio Christus am Olberge and the incidental music Die Ruinen von Athen, and the finale of the 9th Symphony.

Viola and Piano

SKU: BT.EMBZ627

Composed by Gyula David. Book Only. Composed 1952. 52 pages. Editio Musica Budapest #EMBZ627. Published by Editio Musica Budapest (BT.EMBZ627).

Gyula Dávid (1913-1977) was one of the most important members of the generation of Hungarian composers who followed Bartók and Kodály. His ?uvre includes stage, orchestral, oratorial, chamber, and solo instrumental works. Although he rarely quoted folk material directly in his music, folksong, popular music and the spirit of the Hungarian musical tradition permeates his works. In the last two decades of his life he wrote atonal and twelve-tone compositions. With his Wind Quintet (composed 1949) he created a genre which plays an important role in the new Hungarian music. Gyula Dávid studied composition with Albert Siklós and Zoltán Kodály at the Academy of Music in Budapest,graduating in 1938. Between 1938 and 1945 he worked in several orchestras as viola player. From 1945 to 1949 he was conductor at Hungarian National Theatre, than he became leader of the Ensemble of the Hungarian Army. From 1961 to his retirement he was professor at the Teacher Training Faculty of the Academy of Music in Budapest. Between 1951 and 1960 he taught wind chamber music, music theory and wind orchestration at the Academy of Music. He was one of the founders of the Hungarian Artists' Union. He was awarded the Erkel Prize (1952, 1955) and the Kossuth Prize (1957).

Composed by Seth F. Josel, Ming Tsao. For guitar. Paperback with CD. Published by Baerenreiter Verlag

Wind Quintet

SKU: FG.55011-508-8

Composed by Kimmo Hakola. Score. Fennica Gehrman #55011-508-8. Published by Fennica Gehrman (FG.55011-508-8).

ISBN 9790550115088.

Kimm o Hakola's Wind Quintet op. 96 (2017) was commissioned by the Kimito Island Music Festival. The composer sees that making the ensemble ultimately breathe and express itself as an organic, coherent subject should be the aim in composing for wind quintet. The normal chamber-music configuration is not a sufficient basis for me in composing a wind quintet: the instruments have to be compressed, reduced, even crushed together so that, in pairs and different combinations, they produce new, viable audio units. Collision often generates something new. Kimmo Hakola has gone through a number of styles and influences in his career as a composer, his idiom expanding at times to embrace Romanticism, Orientalism and klezmer. He has attained international recognition with an output that spans various genres from intimate solo works to full-length operas such as La Fenice (2011) commissioned by the Savonlinna Opera Festival. Many of his works are expansive and epic: his Piano Concerto (1996), for instance, clocks in at 55 minutes. Hakola says that he sees music as drama. His dramas explore almost Shakespearean extremes, from moments of raging sound and fury and violent battles to quiet moments of meditation and heart-rending monologues.

Wind Quintet

SKU: FG.55011-509-5

Composed by Kimmo Hakola. Parts. Fennica Gehrman #55011-509-5. Published by Fennica Gehrman (FG.55011-509-5).

ISBN 9790550115095.

Kimm o Hakola's Wind Quintet op. 96 (2017) was commissioned by the Kimito Island Music Festival. The composer sees that making the ensemble ultimately breathe and express itself as an organic, coherent subject should be the aim in composing for wind quintet. The normal chamber-music configuration is not a sufficient basis for me in composing a wind quintet: the instruments have to be compressed, reduced, even crushed together so that, in pairs and different combinations, they produce new, viable audio units. Collision often generates something new. Kimmo Hakola has gone through a number of styles and influences in his career as a composer, his idiom expanding at times to embrace Romanticism, Orientalism and klezmer. He has attained international recognition with an output that spans various genres from intimate solo works to full-length operas such as La Fenice (2011) commissioned by the Savonlinna Opera Festival. Many of his works are expansive and epic: his Piano Concerto (1996), for instance, clocks in at 55 minutes. Hakola says that he sees music as drama. His dramas explore almost Shakespearean extremes, from moments of raging sound and fury and violent battles to quiet moments of meditation and heart-rending monologues.