By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 45 pages. Published by Boosey and Hawkes.

Guitar

SKU: M7.VOGG-244

Composed by Stephan Schmidt. This edition: Ring/Spiral binding. Sheet music with CD. 128 pages. Voggenreiter #VOGG 244. Published by Voggenreiter (M7.VOGG-244).

ISBN 9783802402449. German.

Für alle Liebhaber der Konzertgitarre! 'Das klassische Gitarrenbuch' enthält 50 der schönsten Übungs- und Vortragsstücke für klassische Gitarre in Noten und Tabulatur, mit Fingersätzen versehen und um Spieltipps ergänzt. Ideal für alle Gitarristen, die bisher Lieder begleitet haben und einen Einstieg ins klassische Gitarrenspiel suchen. Zusätzlich eine Einführung in Geschichte, Notation und Spieltechnik der Konzertgitarre. Die beiliegende CD, von Profigitarristen eingespielt, gibt wertvolle Hilfestellung beim Nachspielen. Songliste: Präludium in C-Dur (Carcassi), Präludium in C-Dur (Carulli), Präludium in E-Moll (Carcassi), Präludium in D-Dur (Carcassi), Greensleeves (Anonym), Allemande (Susato), Tanz (Fuhrmann), La Rotta (Anonym), BarockMenuett in G-Dur (Petzold), Französischer Tanz (Campion), Menuett (de Visée), Menuett in A-Moll (Krieger), Triumphmarsch (Charpentier), Menuett in E-Moll (Weiß), Bourrée in E-Moll (Bach), KlassikWalzer in C-Dur (Carulli), Arietta (Küffner), Etüde in A-Moll (Aguado), Andantino in G-Dur (Carulli), Für Elise (Beethoven), Menuett in C-Dur (Carcassi), Walzer in E-Moll (Carulli), Walzer in A-Dur (Carulli), Andante in A-Moll (Carulli), Altwiener Ländler (Diabelli), Allegro in A-Moll (Giuliani), Andantino Grazioso (Carcassi), Etüde in E-Dur (Aguado), Freude, schöner Götterfunken (Beethoven), Moderato in C-Dur (Sor), Etüde in A-Moll (Sor), Menuett in G-Dur (Sor), Klaviersonate in A-Dur (Mozart), Andante Grazioso (Mozart), Danza (Giuliani), Etüde in A-Dur (Carcassi), Etüde in B-Moll (Sor), RomantikRomantischer Walzer (Anonym), Il vecchio castello (Mussorgsky), Estudio Nr. 1 (Tárrega), Adagio in A-Dur (Tárrega), Estudio in E-Moll (Tárrega), Lágrima (Tárrega), Spanische Romanze (Anonym), Romance Irlandaise (Tudy), FolkloreDat du min Leevsten büst (Volkslied), Ich denk,'es war ein gutes Jahr (Mey), Das Lied von der Spieluhr (Mey), House of the Rising Sun (Traditional), Malagueña (Spanischer Tanz), Kehraus (Schmidt).

SKU: HL.1341909

Faded Black. Michael Kelly Guitars. Guitars. Michael Kelly Guitar Co. #MKPSOBBERA. Published by Michael Kelly Guitar Co. (HL.1341909).

UPC: 809164027805. 15.5x42.5x4.0 inches.

Thin design, big sound! Patriot Decree SB Open Pore guitars combine boutique-inspired styling and exceptional tone, in a thin, lightweight body design. The striking open pore texture and satin finish enhance resonance without compromising the instrument's tone. The exotic sungkai tonewood top is paired with a slim mahogany body to give the Patriot SB Open Pore a distinctly resonant and clear sound. A 22-fret ebony fingerboard produces a bright tone and allows for first, fluid lines. The set-in mahogany neck, with its contoured heel and modern C shape, is comfortable to play and allows easy access to the upper frets. The Great 8 Mod gives you quick and easy access to a wide range of tonal options. Its two Rockfield® Select Wound Custom humbuckers eacch with a mini toggle switch allow you to to coil split the pickups. The 3-way pickup selector gives you eight different unique sonic options to choose from. The Patriot SB Open Pore features a Tune-O-Matic bridge with string-thru body design and Grover® tuners, and is finished with speed knobs and sleek chrome hardware. Features: • Single-cutaway electric guitar with lightweight slim body design • Mahogany body provides warmth and punch while accentuating the mids and highs • Mahogany neck with ebony fretboard • Two Rockfield® SWC humbucker pickups • Great 8 Mod with 3-way pickup selector and two mini toggle coil-split switches • 22 medium jumbo frets • Grover® tuners, string-thru body with Tune-O-Matic bridge.

SKU: HL.1341907

Cherry Red. Michael Kelly Guitars. Guitars. Michael Kelly Guitar Co. #MKPSOTRERA. Published by Michael Kelly Guitar Co. (HL.1341907).

UPC: 809164027829. 15.75x42.5x3.75 inches.

Thin design, big sound! Patriot Decree SB Open Pore guitars combine boutique-inspired styling and exceptional tone, in a thin, lightweight body design. The striking open pore texture and satin finish enhance resonance without compromising the instrument's tone. The exotic sungkai tonewood top is paired with a slim mahogany body to give the Patriot SB Open Pore a distinctly resonant and clear sound. A 22-fret ebony fingerboard produces a bright tone and allows for first, fluid lines. The set-in mahogany neck, with its contoured heel and modern C shape, is comfortable to play and allows easy access to the upper frets. The Great 8 Mod gives you quick and easy access to a wide range of tonal options. Its two Rockfield® Select Wound Custom humbuckers eacch with a mini toggle switch allow you to to coil split the pickups. The 3-way pickup selector gives you eight different unique sonic options to choose from. The Patriot SB Open Pore features a Tune-O-Matic bridge with string-thru body design and Grover® tuners, and is finished with speed knobs and sleek chrome hardware. Features: • Single-cutaway electric guitar with lightweight slim body design • Mahogany body provides warmth and punch while accentuating the mids and highs • Mahogany neck with ebony fretboard • Two Rockfield® SWC humbucker pickups • Great 8 Mod with 3-way pickup selector and two mini toggle coil-split switches • 22 medium jumbo frets • Grover® tuners, string-thru body with Tune-O-Matic bridge.

SKU: HL.1341916

Lefty Faded Black. Michael Kelly Guitars. Guitars. Michael Kelly Guitar Co. #MKPSOBBERAL. Published by Michael Kelly Guitar Co. (HL.1341916).

UPC: 809164027812. 15.75x42.25x4.0 inches.

Thin design, big sound! Patriot Decree SB Open Pore guitars combine boutique-inspired styling and exceptional tone, in a thin, lightweight body design. The striking open pore texture and satin finish enhance resonance without compromising the instrument's tone. The exotic sungkai tonewood top is paired with a slim mahogany body to give the Patriot SB Open Pore a distinctly resonant and clear sound. A 22-fret ebony fingerboard produces a bright tone and allows for first, fluid lines. The set-in mahogany neck, with its contoured heel and modern C shape, is comfortable to play and allows easy access to the upper frets. The Great 8 Mod gives you quick and easy access to a wide range of tonal options. Its two Rockfield® Select Wound Custom humbuckers eacch with a mini toggle switch allow you to to coil split the pickups. The 3-way pickup selector gives you eight different unique sonic options to choose from. The Patriot SB Open Pore features a Tune-O-Matic bridge with string-thru body design and Grover® tuners, and is finished with speed knobs and sleek chrome hardware. Features: • Single-cutaway electric guitar with lightweight slim body design • Mahogany body provides warmth and punch while accentuating the mids and highs • Mahogany neck with ebony fretboard • Two Rockfield® SWC humbucker pickups • Great 8 Mod with 3-way pickup selector and two mini toggle coil-split switches • 22 medium jumbo frets • Grover® tuners, string-thru body with Tune-O-Matic bridge.

(Easily Prepared Arrangements for Weddings, Easter, and Funerals). Arranged by Cindy Berry. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Easter; Sacred; Spring; Wedding. Late Intermediate. 112 pages. Published by Alfred Music

By Various. Piano/Vocal/Guitar Songbook. Softcover. 394 pages. Published by Hal Leonard

Concert Band - Grade 5

SKU: ML.013780090

Composed by Valdemar Gomes. Full set. Molenaar Edition #013780090. Published by Molenaar Edition (ML.013780090).

The Spanish war galleon with 64 cannons, built in Cuba between 1770 and 1771 for an English shipowner in the service of the King of Spain left Peru for Cadiz in 1784 with a huge cargo of copper, gold, silver and other valuables on board. There were also more than 400 people on board, including passengers, crew and Inca prisoners after a revolt. The Atlantic crossing went smoothly, passing Portugal to take advantage of favourable winds. The shipwreck off Peniche was the result of human error, apparently due to French maps with dramatic errors in the position of the islands of Berlengas and neighbouring islets. On 2 February 1786, the sea was calm and the night clear, but they hit the rock formation Papoa and the hull immediately broke in two. The bottom sank quickly, while the deck remained afloat for some time. 128 people lost their lives, including many Indians who were trapped in the basement. This shipwreck is considered one of the most important in maritime history.

What the composer wants to convey, and what can be felt as one listens, is first of all the sound of power, of hope, of the glory of conquest, of the splendour of wealth. This is followed by the perception of the maritime environment, the harmony with the softness of the ocean, the gliding of the hull in the foam of the sea on sunny, blue days. But along with this tranquillity, you soon hear a rhythmic chain that makes you feel a representation of the hustle and bustle, of the busy crew, of the hard work of a sailor, of the desperation of an exotic people imprisoned in a dark, damp cellar. A distinct rhythm that reminds us of the salero of Andalusia, with its Arab influences and its people, the soothing of the resignation of others who are forced to submit. Then we clearly hear a crescendo that makes us imagine the agony of the collision that precedes the shipwreck. The breaking of the hull, the water flooding everything, the despair, the clash of bodies on the rocks, the tragedy to come. Before the grand finale, in which the return of musical softness reminds us that the story is over. The supremacy of nature over human greed. The waves, though gentle, sweep the wreckage, the lives and the treasures of the New World to the bottom of the sea.

Het Spaans oorlogsgaljoen met 64 kanonnen, gebouwd in Cuba tussen 1770 en 1771 voor een Engelse reder in dienst van de koning van Spanje vertrok in 1784 vanuit Peru naar Cádiz met een enorme lading koper, goud, zilver en andere kostbaarheden aan boord. Er waren ook meer dan 400 mensen aan boord, waaronder passagiers, bemanning en Inca gevangenen na een opstand. De oversteek van de Atlantische Oceaan verliep vlot, waarbij Portugal werd gepasseerd om te profiteren van gunstige winden. De schipbreuk bij Peniche was het resultaat van een menselijke fout, blijkbaar te wijten aan Franse kaarten met dramatische fouten in de positie van de eilanden Berlengas en naburige eilandjes. Op 2 februari 1786 was de zee kalm en de nacht helder, maar ze raakten de rotsformatie Papoa en de romp brak onmiddellijk in tweeën. De bodem zonk snel, terwijl het dek nog enige tijd bleef drijven. 128 mensen verloren het leven, waaronder veel indianen die vastzaten in de kelder. Dit scheepswrak wordt beschouwd als een van de belangrijkste in de maritieme geschiedenis.

Wat de componist wil overbrengen, en wat men kan voelen als men luistert, is allereerst het geluid van macht, van hoop, van de glorie van verovering, van de pracht van rijkdom. Dit wordt gevolgd door de perceptie van de maritieme omgeving, de harmonie met de zachtheid van de oceaan, het glijden van de romp in het schuim van de zee op zonnige, blauwe dagen. Maar samen met deze rust hoor je al snel een ritmische ketting die je een voorstelling geeft van de drukte, van de drukke bemanning, van het harde werk van een zeeman, van de wanhoop van een exotisch volk dat gevangen zit in een donkere, vochtige kelder. Een duidelijk ritme dat ons doet denken aan de salero van Andalusië, met zijn Arabische invloeden en zijn mensen, het sussen van de berusting van anderen die gedwongen worden zich te onderwerpen. Dan horen we duidelijk een crescendo dat ons de lijdensweg doet voorstellen van de aanvaring die voorafgaat aan de schipbreuk. Het breken van de romp, het water dat alles overspoelt, de wanhoop, het botsen van lichamen op de rotsen, de tragedie die komen gaat. Vóór de grote finale, waarin de terugkeer van de muzikale zachtheid ons eraan herinnert dat het verhaal voorbij is. De overmacht van de natuur over de hebzucht van de mens. De golven, hoewel zacht, vegen het wrak, de levens en de schatten van de Nieuwe Wereld naar de bodem van de zee.

Le galion de guerre espagnol de 64 canons, construit à Cuba entre 1770 et 1771 pour un armateur anglais au service du roi d'Espagne, a quitté le Pérou pour Cadix en 1784 avec à son bord une énorme cargaison de cuivre, d'or, d'argent et d'autres objets de valeur. Il y avait également plus de 400 personnes à bord, dont des passagers, des membres d'équipage et des prisonniers incas à la suite d'une révolte. La traversée de l'Atlantique s'est déroulée sans encombre, en passant par le Portugal pour profiter des vents favorables. Le naufrage au large de Peniche est le résultat d'une erreur humaine, apparemment due à des cartes françaises comportant des erreurs dramatiques dans la position des îles de Berlengas et des îlots voisins. Le 2 février 1786, alors que la mer est calme et la nuit claire, le navire heurte la formation rocheuse de Papoa et la coque se brise immédiatement en deux. Le fond coule rapidement, tandis que le pont reste à flot pendant un certain temps. 128 personnes ont perdu la vie, dont de nombreux Indiens qui étaient coincés dans les sous-sols. Ce naufrage est considéré comme l'un des plus importants de l'histoire maritime.

Ce que le compositeur veut transmettre, et ce que l'on ressent à l'écoute, c'est d'abord le son de la puissance, de l'espoir, de la gloire de la conquête, de la splendeur de la richesse. C'est ensuite la perception de l'environnement maritime, l'harmonie avec la douceur de l'océan, le glissement de la coque dans l'écume de la mer par des journées bleues et ensoleillées. Mais à côté de cette tranquillité, on entend bientôt une chaîne rythmique qui nous fait ressentir une représentation de l'agitation, de l'équipage affairé, du dur labeur d'un marin, du désespoir d'un peuple exotique emprisonné dans une cave sombre et humide. Un rythme distinct qui nous rappelle le salero d'Andalousie, avec ses influences arabes et son peuple, l'apaisement de la résignation des autres qui sont obligés de se soumettre. Puis on entend clairement un crescendo qui nous fait imaginer l'agonie de la collision qui précède le naufrage. La rupture de la coque, l'eau qui envahit tout, le désespoir, le choc des corps sur les rochers, la tragédie à venir. Avant le grand final, où le retour de la douceur musicale nous rappelle que l'histoire est terminée. La suprématie de la nature sur la cupidité humaine. Les vagues, bien que douces, emportent les épaves, les vies et les trésors du Nouveau Monde au fond de la mer.

Die spanische Kriegsgaleone mit 64 Kanonen, die zwischen 1770 und 1771 auf Kuba für einen englischen Reeder im Dienste des spanischen Königs gebaut wurde, verließ Peru 1784 in Richtung Cádiz mit einer riesigen Ladung Kupfer, Gold, Silber und anderen Wertgegenständen an Bord. An Bord befanden sich auch mehr als 400 Menschen, darunter Passagiere, Besatzungsmitglieder und Inka-Gefangene nach einem Aufstand. Die Atlantiküberquerung verlief reibungslos, wobei Portugal passiert wurde, um die günstigen Winde zu nutzen. Der Schiffbruch vor Peniche war das Ergebnis menschlichen Versagens, das offenbar auf französische Karten zurückzuführen war, die in Bezug auf die Position der Inseln Berlengas und der benachbarten Eilande dramatische Fehler enthielten. Am 2. Februar 1786 stießen sie bei ruhiger See und klarer Nacht auf die Felsformation Papoa und der Rumpf brach sofort entzwei. Der Boden sank schnell, während das Deck noch einige Zeit über Wasser blieb. 128 Menschen kamen ums Leben, darunter viele Indianer, die im Keller eingeschlossen waren. Dieses Schiffswrack gilt als eines der bedeutendsten

Was der Komponist vermitteln will und was man beim Zuhören spürt, ist zunächst der Klang der Macht, der Hoffnung, des Ruhms der Eroberung, des Glanzes des Reichtums. Es folgt die Wahrnehmung der maritimen Umgebung, die Harmonie mit der Sanftheit des Meeres, das Gleiten des Schiffsrumpfes im Schaum des Meeres an sonnigen, blauen Tagen. Doch neben dieser Ruhe hört man bald eine rhythmische Kette, die die Hektik, die geschäftige Mannschaft, die harte Arbeit eines Seemanns, die Verzweiflung eines exotischen Volkes, das in einem dunklen, feuchten Keller gefangen ist, wiedergibt. Ein ausgeprägter Rhythmus, der an den Salero Andalusiens erinnert, mit seinen arabischen Einflüssen und seinen Menschen, der die Resignation der anderen besänftigt, die gezwungen sind, sich zu fügen. Dann hören wir deutlich ein Crescendo, das uns die Qualen des Zusammenstoßes, der dem Schiffbruch vorausgeht, erahnen lässt. Das Zerbrechen des Rumpfes, das Wasser, das alles überflutet, die Verzweiflung, das Aufeinanderprallen der Körper auf den Felsen, die bevorstehende Tragödie. Vor dem großen Finale, in dem die Rückkehr der musikalischen Sanftheit uns daran erinnert, dass die Geschichte zu Ende ist. Die Vorherrschaft der Natur über die menschliche Gier. Die Wellen, so sanft sie auch sein mögen, spülen die Trümmer, das Leben und die Schätze der Neuen Welt auf den Grund des Meeres.

By Fred Bock. Fred Bock Publications. Size 9.3x12 inches. 147 pages. Published by Fred Bock Music Company.

Performed by Nirvana. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Grunge and alternative rock. 244 pages. 9x12 inches. Published by Hal Leonard.

(The Complete Illustrated Lyrics). Book. Softcover. 390 pages. Published by Backbeat Books

Choral Piano, Trumpet, SATB chorus

SKU: CF.CM9789

Composed by German Carol. Arranged by Mark Burrows. Duration 2 minutes, 57 seconds. Carl Fischer Music #CM9789. Published by Carl Fischer Music (CF.CM9789).

ISBN 9781491164600. UPC: 680160923519. Key: F major. Latin, English. Traditional.

In Dulci Jubilo is a traditional Christmas Carol with a text that dates back to the Middle Ages. One unique aspect is the use of both Latin and German lyrics. In this setting alternative English lyrics serve in place of the German. Below is the pronunciation guide and translation for the Latin lyrics that are woven throughout. In dulci jubilo                                 een    Â   DOOL-chee        YOO-bee-lohIn sweet jubilation In praesepio;een       preh-SHE-pee-ohin a manger;Matris in gremio,MAH-trees  à ‚ Â Â Â Â  een      GREH-mee-ohIn his mother’s lap, Alpha es et O!AHL-fah    ehs   eht     Â   OHYou are the Alpha and Omega!  O Jesu parvule,oh     Ã‚ Â Â  YEH-soo    Â  Â Â Â Â Â Â   PAHR-voo-lehO tiny Jesus,O puer optime;oh         POO-ehr    Â  Â Â Â Â Â  OHP-tee-mehO O princeps gloriae.oh     Ã‚ Â Â  PREEN-chehps   à ‚ Â Â Â Â Â Â  Â Â Â  GLOH-ree-ehO Prince of Glory. Trahe me post te.TRAH-heh   Â  Â Â Â Â  meh     pohst   tehDraw me to you.  O patris caritas!oh     Ã‚ Â Â  PAH-treehs     Ã‚ Â  KAH-ree-tahsO love of the Father! O Nati lenitas!oh     Ã‚ Â Â  NAH-tee    Â  Â Â Â Â Â  LEH-nee-tahsO gentleness! Per nostra crimina:pehr   à ‚  NOH-strah         KREE-mee-nahby our crimes Coelorum gaudia,cheh-LOH-room       à ‚ Â Â Â Â  GOW-dee-ahThe joys of heaven, Qualis gloria!KWA-lees  Â  Â Â Â Â Â  GLOH-ree-ahWhat kind of glory!  Ubi sunt gaudia,OO-bee       à ‚ Â Â Â Â  soont   GOW-dee-ahWhere are the joys,Nova cantica;NOH-vah  Â  Â Â Â Â Â Â  Ã‚  KAHN-tee-kahNew songs;In Regis curia.een       REH-jees    à ‚ Â Â Â Â Â  KOO-ree-ahIn the King’s court.  .

Recorder and Piano - Advanced

SKU: FP.FDD02

Composed by David Dubery. Sheet Music and Books. An evocative piece for treble recorder or oboe and piano inspired by two historic Stockport landmarks. Classical. Collection. Forsyths Publications #FDD02. Published by Forsyths Publications (FP.FDD02).

ISBN 9790570503834.

Vern on Park, Stockport’s oldest park, was created on land donated by Lord Vernon (George John Warren). It was built by poor mill workers who called it pinch-belly park and opened on 20th September 1858. Comprising twenty-one acres, it houses a museum, a bandstand, ornamental fountains, a fernery, rockery, borders and sunken rose garden as well terraced walkways that overlook the river and weir. The piece depicts a solitary walker engrossed in his own thoughts on a winter’s day, the landscape, and the park’s Victorian past.

At the very end of the piece a reminder of the park’s Victorian origins can be detected in a quote from Elgar’s Salut d’amour of 1899, which may well have been played by a band in the bandstand. Stockport market celebrated its 750th anniversary in 2010. It dated back to September 1260 when a Royal Charter allowed Robert de Stokeport, the Mayor, to hold a weekly market within the defensive walls of the Norman Castle on the present site of Castle Yard.

The Glass Umbrella was a popular name given to the 1861 covered market built of timber, glass and iron - nine bays with open sides and a glass canopy. In 1912, one bay was removed to enable electric trams and trolley buses to turn a sharp corner.

The piece depicts a lively market day, the multiculturalism of the present day and the old cries of pick and pay without delay. The bells of St Mary’s Church are depicted by a cascading peel tuned to the ten bells of the church tower, and a fleeting reference to John Wainwright’s famous Christmas hymn Christians Awake, and the Westminster chimes striking the hour from St Mary’s, bring to piece to a conclusion. Separate parts are provided for recorder and oboe.