Composed by Various. Piano/Vocal/Guitar Songbook. RandB, Pop. Softcover. 160 pages. Published by Hal Leonard

The Battle on the Heath. Composed by Kevin Houben. Set (Score & Parts). Composed 2020. Hal Leonard Europe #HBE002-007. Published by Hal Leonard Europe

SKU: HL.1215598

Black. Pioneer DJ. DJ Gear. Duration 153 seconds. Hal Leonard #OPUS-QUAD. Published by Hal Leonard (HL.1215598).

UPC: 841300102311. 24.0x40.5x11.0 inches.

This new professional all-in-one DJ system puts you in control of the music, like the conductor of an orchestra. Creating harmony between beautiful design and musical playability, it includes new and evolved features such as standalone 4-deck playback. All this combines to provide a spectacular DJ experience that you can harness to inspire your audience in any space or location.

4 guitars and orchestra - Advanced

SKU: DZ.DZ-3140L

Composed by Louis Trepanier. Score and parts. Les Productions d'OZ #DZ 3140L. Published by Les Productions d'OZ (DZ.DZ-3140L).

For Flute Duo. Composed by Stephen Lias (1966-). Premiered at the National Flute Association Convention by Christina Guenther, Flute, Mariana Stratta Gariazzo, Flute. Performance score. With Standard notation. Composed 2013. 8 pages. Duration 8 minutes. Alias Press #494-03090. Published by Alias Press

The Early Sonatas. Composed by Franz Schubert (1797-1828). Edited by Walburga Litschauer. This edition: urtext edition. Paperback. Performance score, anthology. Baerenreiter Verlag #BA09642. Published by Baerenreiter Verlag

Composed by Shelton Ridge Love. Beckenhorst Press #BP2249. Published by Beckenhorst Press

(solos: SATB - choir: SATB - 3(picc).3(cor ang).3(B-clar) 3(dbl bsn) - 4.4.3.1 - timp.perc- hp- org - str)

SKU: BR.CHB-5318-02

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Chor-Bibliothek (Choral Library).

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

Requiem; Romantic; Late-romantic. Choral score. 60 pages. Duration 95'. Breitkopf and Haertel #ChB 5318-02. Published by Breitkopf and Haertel (BR.CHB-5318-02).

ISBN 9790004412510. 7.5 x 10.5 inches.

The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorak used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorak scholar Klaus Doge succeeded in tracking down its location and evaluating this important source for the first time. It contains the Fassung letzter Hand and, moreover, offers valuable insights into Dvorak's conducting workshop. It served as the principal source for the Breitkopf Urtext edition.

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

9 X-traordinary and Challenging Piano Pieces. Composed by Melody Bober. Book; Piano Collection; Piano Supplemental. Recital. 24 pages. Published by Alfred Music

Solo Piano

SKU: SU.00220516

For Solo Piano. Composed by Johannes Brahms. Keyboard, Piano/Harpsichord. CD (PDF Scores). CD Sheet Music #00220516. Published by CD Sheet Music (SU.00220516).

This CD Sheet Musicâ?¢ collection makes availble complete piano/vocal scores for all twenty-eight Verdi operas â?? both familiar and lesser known (including two versions of Don Carlo): Aida Alzira Aroldo Attila Un Ballo in Maschera La Battaglia di Legnano Il Corsaro Don Carlo (4-act version) Don Carlo (5-act version) I Due Foscari Ernani Falstaff La Forza del Destino Un Giorno di Regno Giovanna dâ??Arco Jerusalem I Lombardi Luisa Miller Macbeth I Masnadieri Nabucco Oberto Otello Rigoletto Simon Boccanegra La Traviata Il Trovatore I Vespri Siciliani Added feature: alphabetical index for searching by aria, first line, and title (along with characters and location in the score) Also includes: composer biographies and relevant articles from the 1911 edition of Groveâ??s Dictionary of Music and Musicians 8000 pages; 2 CDR Set

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

(5-String - G Tuning). By William Bay. For Banjo (5-String). Chord Book. All Styles. Beginning. Chart. 4 pages. Published by Mel Bay Publications, Inc

String Quartet

SKU: PR.16400222S

Composed by Dan Welcher. Full score (study). With Standard notation. Duration 11 minutes. Theodore Presser Company #164-00222S. Published by Theodore Presser Company (PR.16400222S).

UPC: 680160037841.

This work follows my Quartet No. 1 by five years. In terms of style and aesthetic aim, however, it seems light years away. Where the first work, a 28-minute, four-movement piece, took aim at cosmic conflicts and heroic resolutions, the present work is intended as a kind of divertissment. Harbor Music lasts a mere eleven minutes, is cast in a single movement with six sections, and should leave both performers and listeners with a feeling of good humor and affection.   The title comes from my experience as a guest in the magnificent city of Sydney, Australia. One of its most attractive features is its unique system of ferry boats: the city is laid out around a large, multi-channeled harbor, with destinations more easily approached by water than by land. Consequently, inhabitants of Sydney get around on small, people-friendly boats that come and go from the central docks at Circular Quay. During a week's visit in 1991, I must have boarded these boats at least a dozen times, always bound for a new location - the resort town of Manley, or the Zoo at Taronga Park, or the shopping district at Darling Harbour.   In casting about for a form for my second string quartet, a kind of loose rondo came to mind. Each new destination would be approached from the same starting-out point (although there are subtle variations in the repeating theme; it's always in a new key, and the texture is never the same). The result, I hope, is a sense of constant new information presented with introductory frames of a more familiar nature.   The embarkation theme, which begins the piece, is a sort of bi-tonal fanfare in which the violins are in G major and the viola and cello are in B-flat major. It is bold, eager, and forward-looking. The first voyage maintains this bi-tonality, beginning as a 9/8 due for second violin and viola in a kind of rocking motion -much as a boat produces when reaching the deeper water in the harbor. A sweet, nostalgic theme emerges over this rocking accompaniment. This music is developed somewhat, then transforms quickly into a much faster and lighter episode, filled with rising and falling scales (again, in differing keys). A scherzando interlude in short notes and changing meters provides contrast, and the episode ends with a reprise of the scales.   The second embarkation follows, this time in A major/C major. It leads quickly into a very warm and slow theme, in wide-leaping intervals for the viola. This section is interrupted twice by solo cadenzas for the cello, suggesting distant boat-horns in major thirds. The end of the episode becomes a transition, with boat-horns leading into the final appearance of the embarkation music, this time in trills and tremolos instead of sharply accented chords. The nostalgic theme of the first episode makes a final appearance, serving now as a coda. The rocking motion continues, in a lullaby fashion, leaving us drowsy and satisfied on our homeward journey.   Harbor Music was written for the Cavani Quartet, and is dedicated to Richard J. Bogomolny. Commissioned by his employees at First National Supermarkets as a gift, it represents a thank you from many of the people (including this composer) who have benefitted from his vision and generosity. An ardent advocate of chamber music (and a cellist himself), Mr. Bogomolny has for many years been Chairman of the Board of Chamber Music America. -- Dan Welcher.

Double bass (solos: SATB - choir: SATB - 3(picc).3(cor ang).3(B-clar) 3(dbl bsn) - 4.4.3.1 - timp.perc- hp- org - str)

SKU: BR.OB-5380-27

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library).

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

Requiem; Romantic; Late-romantic. Part. 20 pages. Duration 95'. Breitkopf and Haertel #OB 5380-27. Published by Breitkopf and Haertel (BR.OB-5380-27).

ISBN 9790004341865. 10 x 12.5 inches.

The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorak used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorak scholar Klaus Doge succeeded in tracking down its location and evaluating this important source for the first time. It contains the Fassung letzter Hand and, moreover, offers valuable insights into Dvorak's conducting workshop. It served as the principal source for the Breitkopf Urtext edition.

Dvorak's Requiem is one of the Czech composer's great sacred works and one of the greatest Requiem settings in music history.

Concert band - Grade 4

SKU: CL.012-4455-01

Composed by J. Bell. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR388). Extra full score. Composed 2016. Duration 3 minutes, 50 seconds. Opus III Wind Orchestra Publications #012-4455-01. Published by Opus III Wind Orchestra Publications (CL.012-4455-01).

The Addision Red Line is a popular train stop for the CTA in Chicago. Nearby, Wrigley Field, the home of the Chicago Cubs, hosts games that bring a myriad of people out to enjoy baseball at this historic location. The energy of people passing by, going to restaurants, or meeting with friends, all centered around the passion and fervor that baseball season brings, creates an exciting and unique atmosphere. The Addison Red Line is a fun and challenging, upbeat work that would make a great addition for any concert.

Choral TBB choir, piano

SKU: CF.CM9777

Composed by Matthew Emery. Duration 4 minutes, 8 seconds. Carl Fischer Music #CM9777. Published by Carl Fischer Music (CF.CM9777).

ISBN 9781491164488. UPC: 680160923380. Key: Bb major. English. Marjorie Pickthall.

Text: excerpt from Brading by Marjorie PickthallHere, where the legions parted; Here, where the shields were laid, Wild orchid, honey-hearted, Grows in the wind-swept shade.Here, where the soldiers rested; Here, where they set their spears, The little larks, brown-breasted, Fall down like falling tears.Here, where the swords came after; Here, where the ships went by,The sea-winds send their laughter Between the downs and the sky.Program note:Between the downs and the sky is a meditation on the text and the notion of here. Reflective and commemorative in nature, the poem speaks to themes of remembrance and our shared connections to humanity translated through the natural world. Pickthall pairs anthropomorphized images of nature against the impacts of human violence and strife.I am drawn to the location-less setting of “here”. We are left with a certain placeless-ness in the poem. “Here” could mean anywhere and everywhere; it could also mean right in front of us in this exact moment. “Here” is also a call to attention, here where we witness, where we notice, where we are called to. Here, where we love, where we mourn, where we hope to become whole.Musically, “here” is metamorphosed through various ostinati gestures as if to depict memory, reflections, echoes which reverberate long after the initial source, a heart beat, relentless waves pounding shores, etc. The work also juxtaposes extreme high and low registers particularly in the piano writing to capture the title image of the “here” found in-between the downs and the sky.The work moves in and out of unison, two part, and optional three part writing; from m. 45 to the end, the middle line baritone part is completely optional. The music functions the same with or without the inner voice part. This is done to aid in the accessibility of the work, to make the music as approachable and successful to groups of all abilities.

By Sharon Kaplan. For Piano. Piano Theory Supplement. Color by Note. Coloring Book. 28 pages. Published by Alfred Publishing.

Score and Parts Concert Band (Score & Parts) - Level 3.5

SKU: HL.4008212

De Haske Concert & Contest Collection. Composed by Jacob De Haan. De Haske Concert Band. Concert. Softcover. Duration 570 seconds. De Haske Publications #034075. Published by De Haske Publications (HL.4008212).

UPC: 196288138983.

This composition musically reveals the secrets of the former Duchy of Savoy. The slow, almost magical beginning describes the beautiful mountain location of the merged villages of La Motte-Servolex. The vastness of the Alps is echoed in the lyrical theme, which is followed by a faster, march-like section. After the romantic, almost religious middle section, the fast motif returns and the composition ends with a blissful final theme.