| Sanctuary Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.11441825S Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano SKU:
PR.11441825S Composed
by Stacy Garrop.
Contemporary. Score. With
Standard notation.
Composed 2013. 40 pages.
Duration 23 minutes.
Theodore Presser Company
#114-41825S. Published by
Theodore Presser Company
(PR.11441825S). UPC:
680160643745. 9 x 12
inches. In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G. $31.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sanctuary Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.114418250 Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano SKU:
PR.114418250 Composed
by Stacy Garrop.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2013. 40+16+16
pages. Duration 23
minutes. Theodore Presser
Company #114-41825.
Published by Theodore
Presser Company
(PR.114418250). UPC:
680160640959. 9 x 12
inches. In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Left Of The Middle P/v/g Music Sales
| | |
| The Little Black Songbook: More Acoustic Hits Music Sales
| | |
| ambig Breitkopf & Härtel
Various (1 to x players, sitting, synchronous or choreographed, 1 table, 1 crota...(+)
Various (1 to x players,
sitting, synchronous or
choreographed, 1 table, 1
crotale (c#3) ad lib.)
SKU: BR.EB-9367
For Hands/Fingers and
Feet. Composed by
Nicolaus A. Huber.
Stapled. Edition
Breitkopf. World
premiere: Odessa, June
24, 2019 (Michael Murphy
(perc))ambig can be
played on its own or
together with Clash Music
(EB 9054) and/or can be
performed with the text
of rappig (in EB 9367).
New music (post-2000);
Music post-1945. Score.
Composed 2019. 8 pages.
Duration 6'. Breitkopf
and Haertel #EB 9367.
Published by Breitkopf
and Haertel (BR.EB-9367).
ISBN 9790004188378. 10
x 12.5 inches. I
got the word ambig[uous]
from Thomas Bauer: Die
Vereindeutigung der Welt
(Stuttgart: Reclam 2018).
In this booklet, the
author speaks out against
a restrictive, perhaps
even limited unambiguity
and sets fundamentaism
against cultures of
ambiguity. Born out of
the duality of the human
body, I work in this
piece with two hands, two
fingers, two feet and the
combinations of sound and
touch developed from
them. Only at the end, a
new (double or single)
sound is added. This does
not at all correspond to
a cohesive concept of
material, just as the use
of our body limbs in
reverse is deliberately
very close to the
subject, even when
several performers play
synchronously or
choreographed. In
Schnebel's case, this was
still material available
to everyone. I think of
it more as a counter to
VR (virtual reality). I
do like to still be able
to open my refrigerator
with my own hand, and not
have a hacker
interfering. In Clash
Music, a pair of cymbals,
the proletarians of many
kinds of music, is
elevated to an instrument
capable of expression and
structure. Clash Music
and ambig ought to be
played together as one
piece - rather RV than
VR! Added as a third
piece can be rappig (25
seconds, see page IV).
Any possible combination
of two or three pieces
can be selected.
(Nicolaus A. Huber,
2019)On the audio sample
Luk Wolf performs the
text of
rappig.
World
premiere: Odessa, June
24, 2019 (Michael Murphy
(perc))ambig can be
played on its own or
together with Clash Music
(EB 9054) and/or can be
performed with the text
of rappig (in EB
9367). $28.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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