Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
Organ and Djembe - intermediate SKU: HL.49019730 In memoriam Albert Sc...(+)
Organ and Djembe -
intermediate
SKU:
HL.49019730
In
memoriam Albert
Schweitzer. Composed
by Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. Composed 2012.
32 pages. Duration 7'
30''. Schott Music
#ED21680. Published by
Schott Music
(HL.49019730).
ISBN
9790001194341.
9.0x12.0x0.1
inches.
'African
Patchwork' was created
for the European 'Albert
Schweitzer Year 2013' in
remembrance of the
foundation of the
hospital in Lambarene 100
years ago (1913). The
organ sound, thought of
as an ideal here, is the
typical 'Albert
Schweitzer sound':
romantic, soft diapasons
and string parts, hardly
any mixtures, cymbals and
tongues. This dark
fundamental sound is
joined by the djembe with
its richness of high
harmonics and its ability
of modulation (the
best-known of the African
drums can be used in
different sizes).
Depending on the
percussionist's
creativity, the
percussion part, notated
in a quite rudimentary
way, can be extended by
various playing
techniques, drum changes
and pitch modulations of
the drumhead. The notated
percussion part can also
be used as a basis for
intuitive and
improvisational
playing.
SATB choir, piano SKU: LO.10-5739MD Composed by Jay Rouse. Choral. Crossi...(+)
SATB choir, piano
SKU:
LO.10-5739MD
Composed
by Jay Rouse. Choral.
Crossings Worship Series.
Sacred Anthem, Christmas.
Octavo. Medallion Music
#10/5739MD. Published by
Medallion Music
(LO.10-5739MD).
ISBN
9780787777883.
The
traditional carol, THE
FIRST NOWELL, has been
given a modern treatment
by arranger Jay Rouse.
Choir-driven, the anthem
begins simply as it
expands in texture.
Creative and expertly
executed modulations and
key changes give this
arrangement direction and
ever-developing energy as
it arrives at its
climactic and powerful
ending.
SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, ...(+)
SATB choir, assembly,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in f, trombone 1,
trombone 2, tuba, timpani
- Early intermediate
SKU: GI.G-8679
Concertato on
LANCASHIRE. Composed
by Smart Henr. Arranged
by Robert J. Powell.
Eastertide, Easter
Sunday, Christ the King.
Choral. Tune Name:
Lancashire. Sacred.
Octavo. 12 pages. GIA
Publications #8679.
Published by GIA
Publications (GI.G-8679).
UPC: 785147867906.
English. Text Source:
Text I: John of Damascus,
ca. 675-ca. 749, tr. John
Mason Neale, 1818-1866,
alt., Text II: Ernest W.
Shurtleff, 1862-1917.
Text by Ernest W.
Shurtleff.
This
majestic arrangement of
LANCASHIRE by Robert
Powell, with innovative
modulations and
interludes, will engage
and inspire your
congregation. The
addition of optional
brass quintet and timpani
makes this a triumphant
complement to any
celebration. A second
text is included, which
can expand the usefulness
of the piece to other
occasions. Trombone I can
be substituted for Horn
in F.
Composed by Mack Wilberg.
Sacred choral - mixed
voices. Sacred. Vocal
score. 12 pages. Duration
5'. Oxford University
Press #9780193524385.
Published by Oxford
University Press
(OU.9780193524385).
ISBN 9780193524385.
6.9 x 10.5
inches.
For SATB
and organ or orchestra
This is an arrangement of
the 19th-century hymn by
Philip Bliss, with words
by Horatio Spafford
following several
personal tragedies.
Wilberg keeps the first
two verses in unison,
before allowing fuller
textures to take over,
with two upward
modulations leading to a
triumphant close.
Jazz Ensemble - Grade 3.5 SKU: KN.43374S Composed by Mike Tomaro. Jazz En...(+)
Jazz Ensemble - Grade 3.5
SKU: KN.43374S
Composed by Mike Tomaro.
Jazz Ensemble Series.
Kendor Music Inc #43374S.
Published by Kendor Music
Inc (KN.43374S).
UPC:
822795433746.
Commi
ssioned by the
Pennsylvania Unit of IAJE
for the 2000 All-State
Jazz Ensemble, this
ambitious chart features
two open solo sections
(one for brass, one for
saxes), several dramatic
modulations, and some
solo trades between the
drummer and band that'll
bring the house down.
Rhythm section parts are
partially notated with
chords cued, and
supplements with chord
changes for both open
solos sections are
included. Duration
6:30.
(Voice and Piano) SKU: HL.14029581 Composed by Salvador Segui. Music Sale...(+)
(Voice and Piano)
SKU:
HL.14029581
Composed
by Salvador Segui. Music
Sales America. Theory.
Book [Softcover]. Music
Sales #UMT22288.
Published by Music Sales
(HL.14029581).
ISBN
9780711952287.
Salv
ador Segui Perez
(1939-2004) was a Spanish
musician, academic and
composer, who studied in
Spain, Italy and France.
For many years he was the
professor of music
theory, and later
director, at the Valencia
conservatory. Teoria
Musical - Volume 2 is
suitable for any musician
of grade 4 or 5 standard,
and covers all aspects of
musical theory, including
the following: musical
syntax, acoustic theory,
sound production,
instrumental families and
ensembles, keys and
scales (including
tetrachords and
modulations), intervals,
enharmonics, and more!
There are also sections
on various eras of
musical history, from
ancient Greece and the
Gregorian chants of the
Middle Ages, to
modernatonal music and
electronic music. A
comprehensive volume,
this book is ideal for
any inquisitive music
student.
Walk By Faith! Chorale SATB SATB [Octavo] Hope Publishing Company
By Joel Raney / J. Williams. For SATB choir with optional Rhythm. Scripture Refe...(+)
By Joel Raney / J.
Williams. For SATB choir
with optional Rhythm.
Scripture Reference:
Hebrews 11:1-39. Blues,
Gospel, Spirituals,
Sacred. Choral octavo. 12
pages
Harpsichord SKU: HL.48188417 Composed by Domenico Scarlatti. Edited by Ke...(+)
Harpsichord
SKU:
HL.48188417
Composed
by Domenico Scarlatti.
Edited by Kenneth
Gilbert. Heugel. Baroque.
Softcover. 200 pages.
Heugel & Cie #HE32522.
Published by Heugel & Cie
(HL.48188417).
UPC:
888680866266.
9.0x12.0x0.53
inches.
“Ital
ian composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
second volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The second
volume, comprising
Sonatas 53-103, includes
the popular and
recognised Sonatas in F
minor (K. 69) and B minor
(K. 87). Bearing in mind
that Domenico Scarlatti
was a highly competent
and popular Keyboard
player in his day, so
much so that he was
employed in the service
of two royal families,
his Sonatas are composed
with much experience,
understanding and
expertise, creating an
essential addition to the
repertoire of all
Keyboard players of the
Baroque genre.
â€.
Bread of the World Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
By Mark Burrows. Arranged by Mary Mcdonald. For SATB choir, descant, piano. Sacr...(+)
By Mark Burrows. Arranged
by Mary Mcdonald. For
SATB choir, descant,
piano. Sacred Anthem,
Holy Communion, Maundy
Thursday. Octavo.
Published by Lorenz
Publishing Company
Jazz ensemble jazz band - Grade 2 SKU: LO.60-1126H Composed by Peter Blai...(+)
Jazz ensemble jazz band -
Grade 2
SKU:
LO.60-1126H
Composed
by Peter Blair. Jazz.
Score and set of parts.
Heritage Music Press
#60/1126H. Published by
Heritage Music Press
(LO.60-1126H).
UPC:
000308066586.
Belie
ve it or not, wicked is
in, while keen, boss, and
even groovy are out! Call
it whatever you want, but
this solid chart starts
swingin' from bar one and
never looks back. It's
got all the ingredients
you'll need to create a
real showstopper: a great
shout chorus, modulations
galore and plenty of
well-crafted ensemble
writing. All this and
it's easy too!
Volume 11, K. 507-555. Composed by Domenico Scarlatti (1685-1757). Leduc. Cla...(+)
Volume 11, K. 507-555.
Composed by Domenico
Scarlatti (1685-1757).
Leduc.
Classical. Softcover. 195
pages. Heugel and Cie
#HE32298.
Published by Heugel and
Cie
Arranged by Mark Hayes. For Choir. (SATB (with Opt. Baritone Solo)). Choral Oct...(+)
Arranged by Mark Hayes.
For Choir. (SATB (with
Opt. Baritone Solo)).
Choral Octavo. Spiritual,
Christmas. Level: Level 5
(grade L5). Choral
Octavo. 28 pages.
Published by Alfred
Publishing.
SATB choir SKU: LP.OR-9125 27 Inspirational Classics. Arranged by ...(+)
SATB choir
SKU:
LP.OR-9125
27
Inspirational
Classics. Arranged by
Thomas Fettke. Choral.
Masters Chorale.
Multicultural and Sacred.
Score and parts.
Published by Lillenas
Publishing Company
(LP.OR-9125).
UPC:
765762089709.
Twent
y-seven inspirational
classics arranged for
SATB choir in a flexible
4-part format designed
for large or small
choirs. A sequel to Tom
Fettke's classic choral
songbook Great Is the
Lord . Along with its
finest features Carry the
Light offers individual
song selections choral
arrangements that are
more fully realized
written-out introductions
modulations and endings.
Sample songs: Carry the
Light; The Strength of
the Lord; Awesome God;
His Strength Is Perfect;
When I Look into Your
Holiness; God and God
Alone; Lamb of God..
Handbells (3-5 octaves) - Level 2 SKU: LO.20-1622L Composed by Matthew Pr...(+)
Handbells (3-5 octaves) -
Level 2
SKU:
LO.20-1622L
Composed
by Matthew Prins.
Christmas, Sacred.
Handbell score. Lorenz
Publishing Company
#20/1622L. Published by
Lorenz Publishing Company
(LO.20-1622L).
ISBN
9780787706777.
Leve
l 2 • Cascading
peals, confident
harmonies, and uplifting
modulations add to this
celebration of glory to
the newborn King. Shakes,
martellato lifts, and LVs
are utilized
throughout.
For Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Joanna Co...(+)
For Piano. Composed by
Ludwig van Beethoven
(1770-
1827). Edited by Joanna
Cobb
Biermann. Henle Music
Folios. Softcover. G.
Henle
#HN1456. Published by G.
Henle
The
final collaboration with
WLP from the
distinguished composer,
choral conductor, and
organist Colin Mawby
before his passing, this
collection contains
pieces reflecting
Mawby’s signature
styles: plaintive
melodies, seventh and
ninth chords,
modulations, and
propulsive
rhythms. Several of
these psalms lend
themselves to the
organ. As preludes,
postludes, or performed
together as a concert
piece, the Psalms in this
collection are an
excellent addition to any
pianist’s
repertoire. Contents:
Psalm 25 “To you, O
Lord, I lift my
soulâ€, Psalm 31
“I trust in you, O
Lord, you are my
Godâ€, Psalm 85
“For he will speak
peace to his
peopleâ€, Psalm 95
“Come let us sing
with joy to the
Lordâ€, Psalm 97
“The Lord reigns,
let the earth be
gladâ€, Psalm 145
“I will extol you,
my God and
kingâ€.
For orchestra.
Composed by George Perle.
This edition: Saddle
stitching. Sheet music.
Edition Schott. Study
score. Composed 1993. 74
pages. Duration 21'.
Schott Music #ED30233.
Published by Schott Music
(HL.49044283).
ISBN
9781627219839. UPC:
888680031329.
8.5x11.0x0.25
inches.
Choral (Studiotrax CD) SKU: HL.35031291 Composed by Conrad Kocher. Arrang...(+)
Choral (Studiotrax CD)
SKU: HL.35031291
Composed by Conrad
Kocher. Arranged by
Heather Sorenson. Shawnee
Sacred. Anthem, General
Worship, Hymn, Sacred,
Thanksgiving. CD.
Duration 270 seconds.
Published by Shawnee
Press (HL.35031291).
Uses:
Creation, General,
Thanksgiving Scripture:
Psalm 33:1-6; Psalm
95:1-6; Isaiah 6:3 Music
of scope and authority
brings to glorious
splendor one of
Christendom's most
celebrated texts in this
anthem full of sweeping
harmonies. Like an
impressionistic painting,
this sacred tone poem
musically displays the
various colors of the
beauty of creation. Some
divisi and modulations
throughout, combined with
excellent part-writing,
will make choirs sound
their very best.
Stunning! Score and Parts
(fl 1-2, ob, cl, hn 1-2,
tpt 1-3, tbn 1-2, tba,
chm, timp, perc, solo vn,
vn 1-2, va, vc, db)
available as a digital
download. An alternative
accompaniment for Organ
is also available as a
digital download.
Violin 1 Part Violin 1 (Violin) SKU: HL.51483303 For String Orchestra ...(+)
Violin 1 Part Violin 1
(Violin)
SKU:
HL.51483303
For
String Orchestra Violin 1
Part. Composed by
Antonin Dvorá, Antonin
Dvorak, and k. Edited by
Peter Jost. Henle Music
Folios. Classical.
Softcover. 15 pages. G.
Henle #HN3303. Published
by G. Henle
(HL.51483303).
UPC:
196288207146.
9.25x12.0x0.072
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Blues JamTrax Guitare notes et tablatures [Partition + CD] Music Sales
Written by Ralph Agresta. For guitar. Includes instructional book and accompanim...(+)
Written by Ralph Agresta.
For guitar. Includes
instructional book and
accompaniment CD. With
guitar tablature,
standard notation, chord
names, guitar chord
diagrams and introductory
text. Learn to play and
blues. 22 pages. 9x12
inches. Published by
Music Sales.
Volume 1, K.1-52.
Composed by Domenico
Scarlatti. Edited by
Kenneth Gilbert. Leduc.
Baroque. Softcover. 204
pages. Heugel and Cie
#HE32645. Published by
Heugel and Cie
(HL.48188514).
UPC:
888680872649.
9.0x12.0x0.562
inches.
â??Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
first volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. This first
volume, comprising
Sonatas 1-52, includes
the popular and
recognised Sonatas in D
minor (K. 9), E major (K.
20) and B minor (K. 27).
Bearing in mind that
Domenico Scarlatti was a
highly competent and
popular Keyboard player
in his day, so much so
that he was employed in
the service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre. â?.
Further Adventures for the Intermediate Guitarist. Performed by Metallica. Guita...(+)
Further Adventures for
the Intermediate
Guitarist. Performed by
Metallica. Guitar
Educational. Softcover
with CD. With notes and
tablature. Size 9x12
inches. 72 pages.
Published by Cherry Lane
Music.
