Performed by Carole King. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Adult contemporary and pop rock. 256 pages. 9x12 inches. Published by Hal Leonard.

Orchestra String Orchestra - Grade 1

SKU: CF.BAS24

Composed by Larry Clark. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 8+8+5+5+5+2+8 pages. Carl Fischer Music #BAS24. Published by Carl Fischer Music (CF.BAS24).

ISBN 9780825854736. UPC: 798408054731. 8.5 X 11 inches. Key: D major.

An excellent tool for teaching cooperation to beginning string orchestra, this piece features bold contemporary harmonies with simple rhythms and a light and uplifting feel that is sure to keep the interest of your students. All of the melodic and harmonic structures are based on the first 6 notes from the D Major scale giving the beginning student a manageable tonal and technical framework. Sure to be a hit at concerts or festivals!

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

Violin and piano

SKU: BO.B.3632

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3632).

Duo-Sonata for violin and piano was written between September and October of 2010. It is made up of three movements, each of which has unique characteristics. The first, Allegro appassionato, is monothematic, although the theme itself is presented in several ways. Following a vigorous start featuring violin cadenza, the movement is developed with a lively feel, alternating lyrical fragments with other energetic ones. Its conclusion is resounding.

Meanwh ile, the second movement, Quasi un lamento, is introspective and fragile. A long melody is sustained by a delicate and transparent piano accompaniment, evoking once again the theme of the first movement and concluding with a Lento of descending piano harmonies while the violin follows, in octaves, with heartfelt glissando.

The third movement, Scherzando-Allegro, is a light-hearted game between the piano and the violin. The main theme is repeated once again, this time with a binary time signature. The violin uses ricochet (the rebounding of notes in a bow stroke), as well as natural and artificial harmonies in quick time. The piano part unfolds completely naturally, excluding any gratuitous artifice.

Play-Along Audio Tracks. Composed by Various. Real Book Play-Along. Audio File. 4 pages. Published by Hal Leonard

Concert Band - Grade 0.5

SKU: AP.49506S

Trombone Section Feature. Composed by Jordan Sterk. Concert Band; Performance Music Ensemble; Single Titles. Developing Band Series. Light Concert. Score. Duration 1:41. Alfred Music #00-49506S. Published by Alfred Music (AP.49506S).

ISBN 9781470649739. UPC: 038081570518. English.

Trombones in Paradise by Jordan Sterk will give your trombone section an opportunity to shine in this bright and fun feature piece. Using only the first six notes of the B-flat concert scale and only natural glissandos for the trombones, this piece is sure to come together quickly and be enjoyed by your young students. Your entire band will love learning one of their first syncopated rhythms based around the 3-2 son clave, a staple rhythm of Afro-Cuban and Latin music. Less common young band Latin percussion instruments such as maracas and claves provide additional parts for your percussionists and add an authentic flair to the music. (1:41).

By The Red Hot Chili Peppers. Bass Recorded Versions Persona. Rock. Softcover. Duration 240 seconds. Published by Hal Leonard

(For Percussion Quartet). By Brian Slawson. For Glockenspiel, xylophone, one small marimba (4 octave), one 4.3 octave marimba (low A), temple blocks, triangle (4 players). This edition: Percussion quartet. Concert Percussion Ensembles. NOTE: If needed, both marimba parts may be performed by sharing one 4.3 octave marimba (low A). Easy. Folio parts on CD-Rom. 8 pages. Duration 2:00. Published by Tapspace Publications

Alto saxophone, piano

SKU: FG.55011-432-6

Composed by Matthew Whittall. Fennica Gehrman #55011-432-6. Published by Fennica Gehrman (FG.55011-432-6).

ISBN 9790550114326.

Acco rding to the composer, the sonata for alto saxophone and piano, which he regards as his first mature composition, takes its title from the astronomical term referring to the spacetime boundary in a black hole beyond which light can no longer escape - a point of no return. Event Horizons is an intensely emotional piece, stemming from reflections on the immensity of the universe and one's own place in it. The title was merely a catalyst, an image that sparked the creative process. Whittall was also greatly affected by the spaciousness and subtle intricacies of Eastern music - the gamelan music of Bali in particularly.

Much of the resulting music is reminiscent of the ringing of bells or gongs, which in so many cultures has great ceremonial and spiritual importance. They can be seen as a symbol of connection between the natural and meta-physical worlds. At its core, Event Horizons is an intense rite of passage, a quest for ultimate understanding, and perhaps reaches it, at least in part.

By Ed Huckeby. Holiday. Young Concert Band. Command. Full score and set of parts. Composed 2003. Duration 0:02:23. Published by C.L. Barnhouse.
Level: Grade 2.5.

String Quartet (2vl,va,vc)

SKU: BR.EB-9260

Composed by Manuela Kerer. Chamber music; Folder. Edition Breitkopf.

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017

Music post-1945; New music (post-2000). Set of parts. Composed 2016/17. 32 pages. Duration 15' - 18'. Breitkopf and Haertel #EB 9260. Published by Breitkopf and Haertel (BR.EB-9260).

ISBN 9790004185605. 9 x 12 inches.

When Hugo Ticciati asked me to write a new piece for his quartet, I was immediately enthusiastic about this project. I love how Hugo and his O/MODERNT String Quartet unite old and new music in a completely natural way. So, I was absolutely excited about Hugo`s idea of having my piece based on two of my idols, Bach and Beethoven, deconstructing the one and constructing the other. With all my respect for these great composers I gave to the piece a very personal inner part consisting of my own music that influenced and inspired the other parts. For the whole piece I felt very close to Beethoven, who said: To make a fugue is not art, which [is something] I have made dozens of times in my study. But the imagination will assert its rights and must come today, in light of the old traditional form, to another truly poetic element. De/Con is a travel into different centuries with different sound-languages. For me, it was like having a wonderful constructive discussion with Johann Sebastian Bach and Ludwig van Beethoven, each of us trying to speak our own language, approaching the others step by step. The piece could be defined as a Love Letter to two of the greatest composers ever. De/Con could be preceded by (parts of) Johann Sebastian Bach's Die Kunst der Fuge (The Art of the Fugue) and succeeded by Ludwig van Beethoven's Grosse Fuge (Great Fugue). Ideally, then, all parts should be played attacca. It could, but it hasn't to be played with these two pieces. (Manuela Kerer)

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017.

Orchestra - Grade 2.5

SKU: AP.48086S

A Pirate's Tale. Composed by Anthony Granata. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Light Concert. Score. 12 pages. Duration 1:40. Highland/Etling #00-48086S. Published by Highland/Etling (AP.48086S).

UPC: 038081554389. English.

Not to be confused with the nautical term Ahoy!, the phrase All hands hoay! actually means all hands on deck for some serious work! In other words, string players, it's time to get those fingers moving with this simple, rugged, and modal seafaring melody. Written in the often-inaccessible key of F-sharp natural minor, this fun musical pirate's tale will have your students' little fingers stretching nonstop. The melody is evenly passed around, with a middle section featuring your violas and a jaunty contrapuntal ending. Younger orchestras will have a blast with this exciting original, All Hands Hoay! by Anthony Granata, as they get right down to work! (1:40) This title available in MakeMusic Cloud.

String Quartet (2vl,va,vc)

SKU: BR.EB-9259

Composed by Manuela Kerer. Chamber music; stapled. Edition Breitkopf.

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017

Music post-1945; New music (post-2000). Full score. Composed 2016/17. 32 pages. Duration 15' - 18'. Breitkopf and Haertel #EB 9259. Published by Breitkopf and Haertel (BR.EB-9259).

ISBN 9790004185599. 9 x 12 inches.

When Hugo Ticciati asked me to write a new piece for his quartet, I was immediately enthusiastic about this project. I love how Hugo and his O/MODERNT String Quartet unite old and new music in a completely natural way. So, I was absolutely excited about Hugo`s idea of having my piece based on two of my idols, Bach and Beethoven, deconstructing the one and constructing the other. With all my respect for these great composers I gave to the piece a very personal inner part consisting of my own music that influenced and inspired the other parts. For the whole piece I felt very close to Beethoven, who said: To make a fugue is not art, which [is something] I have made dozens of times in my study. But the imagination will assert its rights and must come today, in light of the old traditional form, to another truly poetic element. De/Con is a travel into different centuries with different sound-languages. For me, it was like having a wonderful constructive discussion with Johann Sebastian Bach and Ludwig van Beethoven, each of us trying to speak our own language, approaching the others step by step. The piece could be defined as a Love Letter to two of the greatest composers ever. De/Con could be preceded by (parts of) Johann Sebastian Bach's Die Kunst der Fuge (The Art of the Fugue) and succeeded by Ludwig van Beethoven's Grosse Fuge (Great Fugue). Ideally, then, all parts should be played attacca. It could, but it hasn't to be played with these two pieces. (Manuela Kerer)

World premiere: Stockholm (Festival O/MODERNT), June 19, 2017.

Orchestra String Orchestra - Grade 2.5

SKU: FJ.ST6542S

Score Only. Composed by Katie O'Hara LaBrie. Series; String Orchestra. FJH Developing Strings. Light Concert; Novelty. Score. The FJH Music Company Inc #98-ST6542S. Published by The FJH Music Company Inc (FJ.ST6542S).

English.

Major or minor? Natural or harmonic? B? or B?? These are the questions posed in this jaunty 6/8 tune that explores contrasting D Major and D minor modalities. In addition to its musical value, use this work to teach advanced finger patterns that will provide students with a solid understanding of the fingerboard and accidentals. A lively and spirited work that is sure to keep your students and audience engaged and entertained.

Composed by Melody Bober. For Piano. Graded Standard Repertoire; Piano Suite; Piano Supplemental; Sheet; Solo. Recital Suite Series. Form: Suite. Recital. Late Intermediate. 12 pages. Published by Alfred Music

By The Red Hot Chili Peppers. Guitar Recorded Version. Alternative, Rock. Softcover. 128 pages. Published by Hal Leonard

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000915-010

Composed by Harrie Janssen. Set (Score & Parts). Gobelin Music Publications #GOB 000915-010. Published by Gobelin Music Publications (BT.GOB-000915-010).

Based on the poems by German poet Carl Hauptmann (late Romanticism) and the English poet William Wordsworth (early Romanticism).

Carl Hauptmann was in poor health as a child, but highly intelligent. He studied philosophy, psychology and biology. In the latter he was admitted to the degree of doctor. His marriage provided financial independence, so that he could focus on his studies.
Hauptmann wrote various novels, plays, poetry and scientific works.

Night

Twilight floats above the valley's night
mists are hanging,
there's a whispering brook.
Now the covering veil is lifting quite:
come and look!
See the magicland before our gaze:
tall as dreams the silver mountains stand,
crossed by silent silver paths shining from a secret land.
Noble, pure, the dreaming country sleeps.
By the path the shadow black and hogh of a beach.
a wisp of a white smoke creeps to the dark'ning sky.
Where the valley is the darkest hued countless little lights shine silently.
O my soul!
Drink of solitude!



Carl Hauptmann



Wordsworth 'introduced' a new type of poetry, based on the speech of the common man. This was his answer to the poetry of the classicism which was bound by rigid rules. His definition of poetry was: the spontaneous overflow of powerful feelings from emotions recollected in tranquility.

My heart leaps up when I behold a rainbow in the sky

My heart leaps up when I behold A rainbow in the sky:
So was it when my life began.
So is it now I am a man.
So be it when I shall grow old,
Or let me die!
The Child is father of the Man.
And I could wish my days to be Bound each to each by natural piety.


William Wordsworth

In a truly poetic manner Harrie Janssen has transformed the contemplative thoughts of the poets into two compositions for Concert Band.

Two Symphonic Interludes is gebaseerd op gedichten van de Duitse dichter Carl Hauptmann (laat Romantiek) en de Engelse dichter William Wordsworth (vroeg Romantiek).

Carl Hauptmann had als kind een zeer zwakke gezondheidmaar was zeer intelligent. Hij studeerde Filosofie, Psychologie en Biologie. In het laatste vak promoveerde hij. Het huwelijk zorgde voor financiele onafhankelijkheid zodat hij zich kon richten op zijn verdere studie. Hauptmannschreef enkele romans, toneelstukken, poëzie en wetenschappelijke werken.

NIGHT - Carl Hauptmann

Twilight floats above the valley's night
mists are hanging,
there's a whispering brook.
Now thecovering veil is lifting quite:
come and look!
See the magic land before our gaze:
tall as dreams the silver mountains stand,
crossed by silent silver paths shining from a secret land.
Noble, pure, thedreaming country sleeps.
By the path the shadow black and hogh of a beech.
a wisp of a white smoke creeps to the dark'ning sky.
Where the valley is the darkest hued countless little lights shine silently.
O mysoul!
Drink of solitude!

Wordsworth 'introduceerde' een nieuw soort poëzie, gebaseerd op de taal van de gewone man. Het was een reactie op de aan strenge regels gebonden poëzie van het Classicisme. Zijn definitievan poëzie luidde: 'the spontaneous overflow of powerful feelings from emotions recollected in tranquility'.

My heart leaps up when I behold a rainbow in the sky - William Wordsworth

My heart leaps up whenI behold
A rainbow in the sky:
So was it when my life began.
So is it now I am a man.
So be it when I shall grow old,
Or let me die!
The Child is father of the Man.
And I could wish my days to be

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000915-140

Composed by Harrie Janssen. Score Only. Gobelin Music Publications #GOB 000915-140. Published by Gobelin Music Publications (BT.GOB-000915-140).

Based on the poems by German poet Carl Hauptmann (late Romanticism) and the English poet William Wordsworth (early Romanticism).

Carl Hauptmann was in poor health as a child, but highly intelligent. He studied philosophy, psychology and biology. In the latter he was admitted to the degree of doctor. His marriage provided financial independence, so that he could focus on his studies.
Hauptmann wrote various novels, plays, poetry and scientific works.

Night

Twilight floats above the valley's night
mists are hanging,
there's a whispering brook.
Now the covering veil is lifting quite:
come and look!
See the magicland before our gaze:
tall as dreams the silver mountains stand,
crossed by silent silver paths shining from a secret land.
Noble, pure, the dreaming country sleeps.
By the path the shadow black and hogh of a beach.
a wisp of a white smoke creeps to the dark'ning sky.
Where the valley is the darkest hued countless little lights shine silently.
O my soul!
Drink of solitude!



Carl Hauptmann



Wordsworth 'introduced' a new type of poetry, based on the speech of the common man. This was his answer to the poetry of the classicism which was bound by rigid rules. His definition of poetry was: the spontaneous overflow of powerful feelings from emotions recollected in tranquility.

My heart leaps up when I behold a rainbow in the sky

My heart leaps up when I behold A rainbow in the sky:
So was it when my life began.
So is it now I am a man.
So be it when I shall grow old,
Or let me die!
The Child is father of the Man.
And I could wish my days to be Bound each to each by natural piety.


William Wordsworth

In a truly poetic manner Harrie Janssen has transformed the contemplative thoughts of the poets into two compositions for Concert Band.

Two Symphonic Interludes is gebaseerd op gedichten van de Duitse dichter Carl Hauptmann (laat Romantiek) en de Engelse dichter William Wordsworth (vroeg Romantiek).

Carl Hauptmann had als kind een zeer zwakke gezondheidmaar was zeer intelligent. Hij studeerde Filosofie, Psychologie en Biologie. In het laatste vak promoveerde hij. Het huwelijk zorgde voor financiele onafhankelijkheid zodat hij zich kon richten op zijn verdere studie. Hauptmannschreef enkele romans, toneelstukken, poëzie en wetenschappelijke werken.

NIGHT - Carl Hauptmann

Twilight floats above the valley's night
mists are hanging,
there's a whispering brook.
Now thecovering veil is lifting quite:
come and look!
See the magic land before our gaze:
tall as dreams the silver mountains stand,
crossed by silent silver paths shining from a secret land.
Noble, pure, thedreaming country sleeps.
By the path the shadow black and hogh of a beech.
a wisp of a white smoke creeps to the dark'ning sky.
Where the valley is the darkest hued countless little lights shine silently.
O mysoul!
Drink of solitude!

Wordsworth 'introduceerde' een nieuw soort poëzie, gebaseerd op de taal van de gewone man. Het was een reactie op de aan strenge regels gebonden poëzie van het Classicisme. Zijn definitievan poëzie luidde: 'the spontaneous overflow of powerful feelings from emotions recollected in tranquility'.

My heart leaps up when I behold a rainbow in the sky - William Wordsworth

My heart leaps up whenI behold
A rainbow in the sky:
So was it when my life began.
So is it now I am a man.
So be it when I shall grow old,
Or let me die!
The Child is father of the Man.
And I could wish my days to be

Composed by John Miller. Squareback saddle stitch, Technique. Grossman Audio. Blues. Book and online audio. Mel Bay Publications, Inc #30887M. Published by Mel Bay Publications, Inc

A Cappella (SATB) SKU: HU.F057152415X Composed by Morten Lauridsen. Choral. Choral Signature Series. O nata lux. Softcover Book. 8 pages. Faber Music #F057152415X. Published by Faber Music

SKU: HL.3710490

18-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1932618. Published by Hal Leonard (HL.3710490).

UPC: 697643115033. 18.0x18.0x0.103 inches.

Series Description: Paiste first pioneered color coated cymbals with COLORSOUND 5 in 1984 as a means for artistic expression during the time period when popular music became visual in music videos on television. In the 1990s VISIONS made an appearance, and in recent years certain Artist Inspiration models feature color coating – Stewart Copeland's Blue Bell Ride, Aquiles Priester's Giga Bell Ride and Danny Carey's Dry Heavy Ride. Throughout, the Color Sound finish was available for custom orders, including cymbals featured by international top artists Joey Jordison, Tico Torres and Paul Bostaph. With Color Sound 900 Paiste launches the latest incarnation in the color cymbal saga. Color Sound 900 cymbals are based on the range of models in the concurrently launched 900 Series. While they feature essentially corresponding sound and function, the color coating causes a slightly drier sound, shortens the sustain a bit, and results in a more focused attack. Significantly, the same flexibility and giving feel as in the 900 Series is present. Extensive research and design efforts have resulted in the most stunningly beautiful finishes: luminous translucent colors preserve the natural appearance of grooves and hammer marks and present a vibrantly radiant appearance. Notably, decades of experience have proven the Color Sound finish to be exceedingly tough and durable – the finish will not ever crack, chip or peel. Size: 18-inches Weight: Medium thin Volume: Medium to loud Stick Sound: Washy, trashy Intensity: Lively Sustain: Medium Bell character: Integrated Sound character: Fairly dark, energetic. Medium wide range, complex mix. Explosive, shattering crash. Exotic stick sound over a complex, trashy wash. Assertive china for exotic effects. While Color Sound 900 feature essentially the same sound and function as the 900 Series, the color coating causes a slightly drier sound, shortens the sustain a bit, and results in a more focused attack.

Concert band - Grade 3

SKU: MH.1-59913-054-8

Composed by Bob Margolis. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.1-59913-054-8).

ISBN 9781599130545.

Roya l Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half- step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion.

Composed by Gwyneth W. Walker (1947-). For high voice, piano. Secular, 21st century. Medium. Collection. Published by E.C. Schirmer Publishing

Composed by Gwyneth W. Walker (1947-). Secular, 21st century. Duration 17 minutes, 30 seconds. E.C. Schirmer Publishing #8516. Published by E.C. Schirmer Publishing (EC.8516).