Marinarella Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band (Score) SKU: HL.4007741 Concert Band - Grade 4 - Score an...(+)
Concert Band (Score)
SKU: HL.4007741
Concert Band - Grade 4
- Score and Parts.
Composed by Julius Fucik.
Arranged by Wil van der
Beek. De Haske Concert
Band. Classical, Concert
Band. Softcover. 52
pages. Duration 690
seconds. De Haske
Publications #1053913140.
Published by De Haske
Publications
(HL.4007741).
UPC:
196288089223.
Juliu
s Fucik (1872-1916) was
born in Prague, Czech
Republic. He studied
under Antonin Dvorak and
at a young age played in
military bands and later
became bandmaster, a
profession he practiced
in various cities with
many bands. In 1913 he
settled in Berlin where
he started his own music
publishing house. As a
composer Fucik is known
for his light
entertaining music
however he also wrote
chamber music, songs,
choral works, a mass, a
requiem and an unfinished
opera. Many of his works
have fallen into oblivion
but many of his marches
such as Einzug der
Gladiatoren,
Regimentskinder and
Florentiner Marsch are
still often played. With
the concert overture
Marinarella, Fucik takes
us toan imaginary seaside
resort on a beautiful
spring day. Marinarella,
a girl of the sea,
accompanies us on our
stroll. Leisurely walking
couples on the boulevard,
the murmur of the sea,
fragments of a waltz
melody from a cafe and a
concert band performing a
promenade concert pass
you by. A fantastic
opening work for any
concert.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Composed by Anton
Diabelli. Edited by Frank
Hondgen. Sacred vocal
music, Masses, Latin.
Choral Score. Op. 147.
Duration 30 minutes.
Carus Verlag #CV
27.086/05. Published by
Carus Verlag
(CA.2708605).
ISBN
M-007-18803-0. Key: F
major.
Latin.
Diabelli's
church music has unjustly
largely fallen into
oblivion. In his Pastoral
Mass in F, the Austrian
composer of the
Biedermeier period
succeeded in achieving a
balance between artistic
aspirations and a form
suitable for practical
performance. With a
duration of about 30
minutes, the work is of
easy to medium
difficulty, and is
therefore extremely
suitable for amateur
choirs with orchestra.
The Pastoral Mass is
suitable for performance
both at Christmas time
and beyond.
Piano Trio: piano, violon, violoncelle [Set de Parties séparées] Tonos
By Astor Piazzolla (1921-1992), arranged by Jose Bragato, edited by Pablo Ziegle...(+)
By Astor Piazzolla
(1921-1992), arranged by
Jose Bragato, edited by
Pablo Ziegler (1944-).
Set of performance parts
for piano trio (violin,
violoncello, piano).
Published by Tonos
(German import).
Cello and piano SKU: M7.DUX-957 12 Tangos For Cello & Piano. Compo...(+)
Cello and piano
SKU:
M7.DUX-957
12
Tangos For Cello &
Piano. Composed by
Chris Gall. Sheet music.
Score and part. 68 pages.
Edition Dux Verlag #DUX
957. Published by Edition
Dux Verlag (M7.DUX-957).
ISBN
9783868492972.
TANG
O - das ist das Album des
World Music Ensembles
Quadro Nuevo, das nach
einer
'Buenos-Aires-Expedition'
zusammen mit dem
Pianisten Chris Gall
veröffentlicht wurde.
TANGO FOR TWO - das ist
die daraus entstandene
Sammlung von 12 Tangos
für die spannende
'Duo-Besetzung'. Neben
Eigenkompositionen wurden
unter anderem Stücke
von Ãngel Villoldo (El
Choclo), Carlos Gardel
(Por una cabeza, El
dÃa que me quieras)
und Astor Piazzolla
(Libertango, Oblivion)
für das Duospiel
arrangiert. Die Reihe ist
erhältlich für
Tenorsaxophon,
Altsaxophon, Klarinette,
Trompete, Flöte,
Violine und Violoncello,
wahlweise in der
Besetzung Solo + Piano
oder Solo mit CD. Die CD
beinhaltet alle 12 Titel
als Play-along- und
Duo-Versionen. Die
Arrangements von Mulo
Francel und Chris Gall
liegen im mittleren
Schwierigkeitsgrad. Der
Ausgabe liegt ein
36-seitiger Einleger mit
der Violoncellostimme
bei.
(P+KRB) SKU: HL.49042459 Composed by Carl Maria von Weber. Edited by Andr...(+)
(P+KRB)
SKU:
HL.49042459
Composed
by Carl Maria von Weber.
Edited by Andreas
Fukerider and Claudia
Theis. This edition:
Full-cloth binding. Sheet
music. Edition Schott.
Score and critical
commentary, complete
edition. 274 pages.
Schott Music #WGA1061.
Published by Schott Music
(HL.49042459).
ISBN
9783795794682.
8.75x12.25x1.022
inches.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Baritone voice and piano - Moderately Difficult SKU: OU.9780193451513 Com...(+)
Baritone voice and piano
- Moderately Difficult
SKU:
OU.9780193451513
Composed by Michael
Berkeley. Voice & Piano.
Version for baritone and
piano. 28 pages. Duration
20'. Oxford University
Press #9780193451513.
Published by Oxford
University Press
(OU.9780193451513).
ISBN 9780193451513. 12
x 8 inches.
for
baritone and piano A
beautifully constructed
song-cycle set to poems
from Christina Rosetti to
WB Yeats and the
sixteenth century French
poet Pontus de Tyard.
Exploring the themes of
yearning and longing at
the end of a love affair,
the subject of the texts
focus largely on a desire
for rest and even
oblivion. The music
responds accordingly,
ranging from the bright
and chromatic to simple,
poignant settings of
folk-inspired
tunes.
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB)
SKU:
HL.49042462
No.
1-4. Composed by Carl
Maria von Weber. Edited
by Markus Bandur. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. Op.
24+39+49+70. 372 pages.
Schott Music #WGA1071.
Published by Schott Music
(HL.49042462).
ISBN
9783795794637. German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Alon...(+)
Instrumental
Play-Along(r)
Series. Composed by
Various.
Instrumental Play-Along.
Video Games. Softcover
Audio
Online. 24 pages.
Published
by Hal Leonard