(from Scottish Folksong Suite). Arranged by Ken Berg. (TTBB a cappella). Choral. Size 6.75x10.75 inches. 6 pages. Published by Hal Leonard.

(from Scottish Folksong Suite). Arranged by Ken Berg. (SATB). Festival Choral. 16 pages. Published by Hal Leonard.

(from Scottish Folksong Suite). Arranged by Ken Berg. (SATB a cappella). Festival Choral. 8 pages. Published by Hal Leonard.

(28 Well Known Masterpieces). Arranged by Robert Schultz. For Piano. Piano Collection. Simply Series. Masterwork. Easy Piano. Book. 80 pages. Published by Alfred Music Publishing

Arrangements of syllabus repertoire for lessons, practice and performance. Composed by Richard Mainwaring. Classical. Score and Parts. Trinity College London #TCL020345. Published by Trinity College London

(No. 2 from Scottish Folk Song Suite). By Lee R. Kesselman. (SSA). Celtic Voices. Size 6.8x10.5 inches. 6 pages. Published by Boosey and Hawkes.

SATB. Arranged by Ken Berg. (SATB). Choral. Size 6.75x10.5 inches. 16 pages. Published by Hal Leonard.

Composed by Various. Classical. Textbook. Trinity College London #TCL020314. Published by Trinity College London

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0910314-010

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 1991. De Haske Publications #DHP 0910314-010. Published by De Haske Publications (BT.DHP-0910314-010).

After Israel (Rikudim), Hungary (Puszta) and France (Suite Provencale) it was Scotland, with its famous highlands, that was to be a source of inspiration for Jan Van der Roost. In a musically impressive way the composer combines the caracteristics of Scottish folk-music with his own creativity. As may be expected from Jan Van der Roost ‘A Highland Rhapsody’ developed into a gripping concert piece, which will be appreciated by both players and audiences.

In diesem Werk widmet sich Jan Van der Roost Schottland und dessen berühmten Hochland. In musikalisch gekonnter Weise verbindet er die charakteristischen Eigenarten der schottischen Volksmusik mit seiner eigenen kompositorischen Kreativität. Mit der Highland Rhapsody gelang es Jan Van der Roost, die Atmosphäre dieser rauen, aber wunderschönen Landschaft einzufangen und damit ein einzigartiges Konzertwerk zu schaffen, das Musiker und Publikum begeistern wird.

C’est de l’imagination de Jan Van der Roost, compositeur connu travers le monde entier, qu’est née cette pièce dansante, expressive et facile jouer. En associant les caractéristiques de la musique traditionnelle écossaise son talent de compositeur, Jan Van der Roost nous dépeint avec finesse et légèreté la beauté subtile des paysages de cette région montagneuse du Nord de l’Écosse, les Highlands.

Dall’immag inazione di Jan Van der Roost, compositore estremamente versatile, è nato questo brano danzante, espressivo e facile da eseguire. Associando le caratteristiche della musica tradizionale scozzese al suo talento, Jan Van der Roost ci dipinge con delicatezza la sottile bellezza dei paesaggi delle Highlands, regione montagnosa del nord della Scozia.

(from Scottish Folksong Suite). Arranged by Ken Berg. (SSA). Festival Choral. 24 pages. Published by Hal Leonard.

(No. 4 from Scottish Folk Song Suite). By Lee R. Kesselman. (2 part). Celtic Voices. Size 6.8x10.5 inches. 10 pages. Published by Boosey & Hawkes.

(9 Original Solos for the Intermediate Pianist Portraying Musical Visits Around the World). By Martha Mier. For Piano. Book; Piano Collection; Piano Supplemental. Intermediate. 24 pages. Published by Alfred Music Publishing

Piano - advanced

SKU: BT.LCM9790570121533

Exam Material. Book Only. 112 pages. London College Music #LCM9790570121533. Published by London College Music (BT.LCM9790570121533).

English.

These Piano Anthologies contain pieces which have been carefully selected from previous piano exam lists dating from 1988 to 2006. All of the pieces in these volumes have proved popular with piano students, teachers and listeners, and we are pleased to be able to make them available again in these new collections. Pieces from these anthologies may be chosen as List B and C pieces, allowing students to increase their choice of repertoire beyond the already extensive selection offered in the LCM piano repertoire lists for grade, recital grade and leisure play options. It is hoped that these anthologies will also be of interest to piano students generally. The range of styles broadlycovers the late 18th century to the present. Some familiar pieces are present in these volumes, but they include pieces additionally from composers who have had a distinguished career in the role of teacher or student at LCM. Amongst the former are William Lloyd Webber and Martyn Williams, and amongst the latter are Nicholas Grace and John Guilfoyle, who now have eminent academic and professional musical careers.

Guitar Solo

SKU: IS.G6764EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6764EM. Published by Metropolis Music Publishers (IS.G6764EM).

ISBN 9790365067640.

This sonata (WeissSW No. 23, London) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XVII comes from Weissâ??s middle â??productiveâ?? period, thought to have taken place between 1719 and 1725. The original tablature manuscript is in the British Library (London Ms. Add. 30387). It is the only London Sonata with a title: Divertimento à solo. The Sonata has ten separate movements: Prelude (PrÇ£lude), Entrée, Bourée I and II, Gavotte I and II, Sarabande, Menuet I and II, and Saltarella. The Entrée is nothing more than an Allemande. The Saltarella resembles the Scottish Gigue. The pairs of the middle â??dancesâ?? are intended to be played side by side, as one coherent movement in which the second part complements the musical notion of the first part. There are concordant copies of the first parts of the Bourée, Gavotte and Menuet in the Sächsisches Landesbibliothek in Dresden (Suite XXVI). Bourée I can also be found in the Bayerische Staatsbibliothek in München, although it is quite different from the London version. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Composed by Percy Aldridge Grainger (1882-1961). Arranged by Richard W. Sargeant Jr. Transcriptions, Suites. Reprint Source: Edwardsville: Serenissima Music, Inc., 2013. Plate 40864. 20th Century, American Celtic/Irish/Scottish English. Study score (paperback). Composed 40864. 64 pages. Duration 17 minutes. Published by Serenissima (SA.40864).