By Various. Bass. Children. Softcover. Duration 180 seconds. Published by Hal Leonard

By The Red Hot Chili Peppers. Bass Recorded Versions Persona. Rock. Softcover. Duration 240 seconds. Published by Hal Leonard

(Bass Guitar)

SKU: HL.14078573

Bosworth. General Merchandise. Duration 240 seconds. Hal Leonard #BOE7820. Published by Hal Leonard (HL.14078573).

Composed by Felix Bartholdy Mendelssohn (1809-1847). Score and part. Duration 5 minutes, 30 seconds. Published by Alea Publishing (A7.ALEA1148).

SKU: HL.1364412

Effects. Guitar Pedal. Duration 160 seconds. Line 6 #99-060-3100. Published by Line 6 (HL.1364412).

UPC: 614252340236. 6.5x7.5x3.0 inches.

POD® Express Bass is an ultra-portable bass amp and effects processor that enables bassists to take their tones wherever they choose. Simple controls make it easy to use, while models derived from the award-winning HX® family of processors ensure exceptional sounc quality and authentic feel. POD® Express Bass gives bassists seven amps, seven cabs, and 17 distortion, compression, synth, modulation, and delay effects – including a looper – and it may be powered by three AA batteries (included) or an optional 9-volt power supply. Additional features include stereo outputs, tap tempo, a tuner, a noise gate, a headphone output, and a USB-C audio interface with re-amping capabilities. Add an optional expression pedal for volume control, or up to two footswitches to select presets or turn effects on and off. • Ultra-portable design lets bassists take it anywhere • Familiar controls make it easy to quickly dial in tones • HX-quality models for exceptional sound and feel • 7 amps, 7 cabs, and 17 effects, including a looper • Powered by 3 AA batteries or an optional 9-volt power supply • Stereo Main outputs and stereo headphone output • USB-C audio interface for recording, monitoring, re-amping • Connect an optional expression pedal or 2 external footswitches.

Chamber Music & Piano Accompaniment 1 Double Bass 1 Piano - Grade 1

SKU: FL.FX073776

Composed by Jean-Michel Adagas. Original Composition. Classical, Educational. Score and Set of Parts. 3 (score); 1 (parts) pages. Duration 2 minutes, 10 seconds. FLEX Editions #FX073776. Published by FLEX Editions (FL.FX073776).

A piece to be played from 1 year of double bass practice ; Instruments: 1 Double Bass 1 Piano; Difficuly Level: Grade 1.

Composed by Traditional Spiritual. Arranged by Dan Davison. Sws. Octavo. 16 pages. Duration 2 minutes, 50 seconds. BriLee Music #BL1155. Published by BriLee Music

The companion MP3 CD to book 5 of the bestselling series Piano Gefällt Mir! by Hans-Günter Heumann features demonstration tracks with recorded Piano, Bass and Drums, as well as backing with the Piano part taken out, allowing you to play along. **Please note: The CD included with this title can only be played through an MP3 compatible program.**

For Tuba. By Various. Instrumental Folio. Pop. Softcover. 160 pages. Duration 175 seconds. Published by Hal Leonard

Fanfare and Fantasy. Composed by Tyler Arcari. Score and part(s). With Standard notation. 32 322 pages. Duration 4 minutes, 6 seconds. Carl Fischer #CPS0185. Published by Carl Fischer (CF.CPS185).

Composed by Victor C Johnson. Octavo. 12 pages. Duration 3 minutes, 14 seconds. Carl Fischer #CM09450. Published by Carl Fischer (CF.CM9450).

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal and more. - Grade 3.5

SKU: CF.CPS201F

Composed by Peter Terry. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 32 pages. Duration 4 minutes, 46 seconds. Carl Fischer Music #CPS201F. Published by Carl Fischer Music (CF.CPS201F).

UPC: 680160905775. 9 x 12 inches.

Shout for Joy All the Earth! is a bold fantasia for the advancing concert band based on the composer's choral work of the same name. This work celebrates being alive and captures moments of intense joy and relaxed contemplation. The overall mood of this piece emphasizes the feeling that when we are overcome by joy we feel as if all of nature is celebrating with us.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal and more. - Grade 3.5

SKU: CF.CPS201

Composed by Peter Terry. SWS FS. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 12+12+6+12+12+12+4+4+6+6+ 6+6+8+8+8+4+4+6+6+6+4+8+4 +3+6+8+32 pages. Duration 4 minutes, 46 seconds. Carl Fischer Music #CPS201. Published by Carl Fischer Music (CF.CPS201).

UPC: 680160905072. 9 x 12 inches.

Shout for Joy All the Earth! is a bold fantasia for the advancing concert band based on the composer's choral work of the same name. This work celebrates being alive and captures moments of intense joy and relaxed contemplation. The overall mood of this piece emphasizes the feeling that when we are overcome by joy we feel as if all of nature is celebrating with us.

Composed by Larry Clark. Score and part(s). With Standard notation. 24 162 pages. Duration 4 minutes, 52 seconds. Carl Fischer #YPS0180. Published by Carl Fischer (CF.YPS180).

Composed by Irving Berlin. Arranged by Jerry Nowak. For concert band (piccolo, flute 1, flute 2, oboe, clarinet 1 in Bb, clarinet 2 in Bb, clarinet 3 in Bb, bass clarinet in Bb, bassoon, alto saxophone 1 in Eb, alto saxophone 2 in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet 1 in Bb, trumpet 2 in Bb, trumpet). Symphonic Performance Series. Score and parts. Duration 3 minutes, 22 seconds. Published by Carl Fischer

Grade 3

SKU: CL.032-3824-01

Composed by L. Barton. Jazz Ensemble. Audio recording available separately (item CL.991-2009-01). Extra full score. Composed 2009. Duration 2 minutes, 37 seconds. C.L. Barnhouse #032-3824-01. Published by C.L. Barnhouse (CL.032-3824-01).

A high energy rock chart loaded with appeal! Trumpets are featured throughout but there’s plenty for everyone else to do. Includes an easy written out bass solo. Utilizing repetitive rhythms and fingerings that lay well on the instrument, the difficulty level of this piece is easily attainable by younger, less experienced groups and with less than perfect instrumentation. Easy changes and written out solos will encourage developing soloists, yet will also showcase mature players. Appeal, accessibility, and modest ranges make this chart an excellent concert or contest selection and an all-around winner for your jazz ensemble!

March. Composed by Carl Teike. Edited by Van B. Ragsdale. Score and part(s). With Standard notation. 24 328 pages. Duration 3 minutes, 19 seconds. Carl Fischer #SPS0068. Published by Carl Fischer (CF.SPS68).

Concert band - Grade 3

SKU: CL.012-4201-75

March. Composed by Huffine. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR378). Oversized, spiral-bound score. Composed 2013. Duration 2 minutes, 39 seconds. Opus III Wind Orchestra Publications #012-4201-75. Published by Opus III Wind Orchestra Publications (CL.012-4201-75).

The title certainly tells the story of this delightful march! The lower voices of your band finally have a chance to show off with a march of their own! A wonderful way to showcase the low brass and low woodwinds. It's bass-clef fun from start to finish!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Flute

SKU: HL.48182140

Composed by Pierre Gabaye. Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL23092. Published by Alphonse Leduc (HL.48182140).

UPC: 888680835033. 9.0x12.0x0.1 inches.

Successful French composer, Pierre Gabaye (1930-2000) studied at the Paris Conservatoire where he won the 1956 Prix de Rome. His competence is proved by his Sonatina for Flute and Bassoon. Gabaye's compositional style has been described as following the French neo-classical tradition, such as the music of Poulenc. Sonatina for Flute and Bassoon exemplifies the composer's light-hearted music. A typical performance of the duet lasts about 10 minutes and 40 seconds and comprises three movements. For all advanced flautists and bassoonists seeking alternative ensemble performance repertoire, Gabaye's Sonatina for Flute and Bassoon is ideal..

Singer Edition 20-Pak (full color) Choral (singer 20 pak)

SKU: HL.123456

Express Musical for Young Voices. Arranged by Roger Emerson. Music Express Books. Elementary, Musicals. Duration 1500 seconds. Published by Hal Leonard (HL.123456).

ISBN 9781480363083. UPC: 884088958350. 8.5x11.0x0.824 inches.

An Express Musical for Young Voices. “Move that car! We're ready to begin. A garage is a place to make music in. With keyboard, drums, guitar and bass; add a singer and we're all in place!” Explore the instruments of a rock band and start your own garage band. This unique musical revue features fresh new arrangements for unison voices with optional harmony that are accessible and appropriate for upper elementary and middle school singers. Use the program dialog for performance options; connect to the standards with teaching objectives for each song; and extend learning with online video interviews featuring John Jacobson and the studio musicians who recorded the songs in musical revue. “Here we go; the band is complete. We got the singer and we got the beat! Let's twist and shout and harmonize, too. We're ready to play a tune for you.” Songs include: We Got the Beat, Twist and Shout, Stand By Me, Your Song, Livin' on a Prayer, Making the Band. 25 Minutes. Suggested for grades 4-8.

(For Symphonic Band - Full Score). By David Maslanka. Concert Band. For Flute I, Flute II, Piccolo, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Contrabass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Horn I, Horn II, Hor. Carl Fischer Classic Band Editions. Full Score. Standard notation. 78 pages. Duration 8 minutes, 30 seconds. Published by Carl Fischer

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more.

SKU: PR.16500100F

Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F).

ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches.

Commissione d for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,”giving rise to the work’s title.
This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,” butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty” than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?” takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.”Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,”cons tantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.” This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key” of the hymn seems to shift — until the “Lord of all, toThee we praise” melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tune”heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty” with long spaces between them, but it soonchanges to a series of “Amen” cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth” contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sight”and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected.

Solo voices, choir, orchestra (Solo SATB voices, Mixed choir, 4Fl(Flote I-III muta in Piccolo-Flote), 2 Ob+EnglHn, 3clar(clar III muta in Bass-clar), 3bsn(bassoonott III muta in Kontra-bassoonott), 4Hn, 4Trp, 3tbn, Tb, 3timp, Tri, Tr-Kl, Be-Hang, Tam, Glsp, Gl, Cel, 2 harp, Org, Str)

SKU: BA.BA06863

September 1927 Version. Composed by Leos Janacek. Edited by Jirí Zahrádka. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek. Series B, Volume 5-II. September 1927 Version. Complete edition, Score. 179 pages. Duration 41 minutes, 13 seconds. Baerenreiter Verlag #BA06863_00. Published by Baerenreiter Verlag (BA.BA06863).

ISBN 9790260105317. 34.2 x 27 cm inches. Text Language: Church Slavic.

“The Glagolitic Mass”, one of the 20th century masterpieces of sacred music, has a very complex genesis and constitutes an intricate editorial challenge.

This new critical edition presents two different versions of the work in two separate volumes (B/5-I, BA 6862 und B/5-II, BA 6863): the “September 1927” version which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928. This second version was then revised further and published after Janacek’s death by Universal Edition Wien in 1930. Known as the “final authorised version“, it has been newly edited for this publication which is based on the engraver’s copy of the score prepared by Janacek’s regular copyist Václav Sedlacek.

The new Barenreiter edition also contains an informative preface (Cz/Eng/Ger/Fr/Ru) as well as detailed critical commentary. The “September 1927” version can be seen more as a supplement and appears without text commentary.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding