By Walter Noona. For piano. Level: Level 4. Piano method. Published by Roger Dean.

Cello, double bass

SKU: KU.GM-307_VCKB

Composed by Tomaso Giovanni Albinoni. Edited by Walter Kolneder. Bach format (230 x 302). Folded. Part. Op. 2/5. 4 pages. Edition Kunzelmann #GM-307_VCKB. Published by Edition Kunzelmann (KU.GM-307_VCKB).

Key: D major.

Arranged by Artem Vassiliev. For Flute. This edition: ED13163. Schott Master Play-Along Series. 12 favourite works from the Classical era, with authentic orchestral backing tracks. Play Along. Collection and Play-Along CD. 28 pages. Published by Schott Music.

By Antonio Vivaldi. (Cello). Dowani Book/CD. BOOK W/CD. Size 9x12 inches. 24 pages. Published by Dowani.

12 favourite works from the Classical era, with authentic orchestral backing tracks. Arranged by Artem Vassiliev. This edition: Saddle stitching. Sheet music with CD. Instrumental Play-Along. Play Along. Edition with CD. 28 pages. Schott Music #ED 13166. Published by Schott Music

By Various. Arranged by Daniel Kelley. For Cello or Bassoon in C. Quartets. Intermediate Music for Four. Classical. Intermediate. Part 4. Published by Last Resort Music Publishing

By George Alexander Osborne. For clarinet (violin) and piano. Winds and Piano. Duos. Score and set of parts. Published by Rosewood Publications

Arranged by Artem Vassiliev. For Alto Saxophone. This edition: ED13165. Schott Master Play-Along Series. 12 favourite works from the Classical era, with authentic orchestral backing tracks. Play Along. Collection and Play-Along CD. 28 pages. Published by Schott Music.

(Cello Part). Composed by Dr. Shinichi Suzuki. For Cello. This edition: Revised. Book; CD; Method/Instruction; String - Cello (Suzuki); Suzuki. Suzuki Cello School. 20 pages. Published by Alfred Music

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

Cello and Piano

SKU: BT.EMBZ14110

By Lajos Vigh. By Arpad Pejtsik. Educational Tool. Book Only. Composed 1996. 40 pages. Editio Musica Budapest #EMBZ14110. Published by Editio Musica Budapest (BT.EMBZ14110).

ABRSM Syllabus title, Grade 5 The original source of these sonatas for cello and double bass duo was a collection created by G.A. Perti and his pupils in Bologna around 1695. Among the easy and small-scale movements (at most 28 measures long), the most quintessential dances of the Baroque era are represented.Some of these compositions can be played after a mere 3 years of instrumental study, therefore music students can use them as an opportunity to familiarize themselves with the fundamentals of baroque style. The simple development of the continuo allows for it to be played by a pupil performing alongside their teacher. The pieces also sound great when played on two cellos.

Organ

SKU: CA.5027200

Composed by Josef Gabriel Rheinberger. Edited by Martin Weyer. Carus digital: Extra digital products. Full Score. Composed 1898. WoO 26. Carus Verlag #5027200. Published by Carus Verlag (CA.5027200).

ISBN 9790007298371.

As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends.

In 1897, at the request of the English publisher Novello, Rheinberger compiled a collection of six pieces for the series “Village Organist” and had these published as “Six Short Pieces”. He drew largely on older pieces for this, but also composed three new pieces. What resulted is a delightful group of little gems for worship or organ teaching, including a short character piece, “Consolation” .

Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition

Organ

SKU: CA.5027300

Composed by Josef Gabriel Rheinberger. Edited by Martin Weyer. Carus digital: Extra digital products. Full Score. Carus Verlag #5027300. Published by Carus Verlag (CA.5027300).

ISBN 9790007298456.

As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends. They are ideally suited for mass and organ lessons.

This organ volume brings together twelve compositions Rheinberger wrote for different occasions and at various points during his career. Included in the collection are seven short pieces in different keys that date from the early 1860s. Rheinberger wrote these at the request of his teacher Herzog and others for several organ collections of “easy, performable” pieces – and they are rewarding pieces for liturgical use. The works without opus numbers (WoO 10, 37, 56, 70) can no longer be regarded as early works. The Fugue in F minor WoO 10 of 1867, with its tendency to translate counterpoint into expressive chordal writing, already displays many characteristics of the late Rheinberger, the Canzonetta WoO 77 is a late work from autumn 1899, whereas the Romanze WoO 70 is a second version of no. 1 of the Miscellaneen op. 174 in the easier to play key of C major.

Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition.

Organ

SKU: CA.5027100

Composed by Josef Gabriel Rheinberger. Edited by Martin Weyer. Carus digital: Extra digital products. Full Score. WoO 25. Carus Verlag #5027100. Published by Carus Verlag (CA.5027100).

ISBN 9790007298357.

As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends.

The posthumously compiled collection of ten smaller organ pieces WoO 25 brings together a series of interesting pieces from the years 1854 to 1896. It includes one of just two chorale settings by Rheinberger, the prelude on “Wenn ich einmal soll scheiden”. With short trios, preludes and fugues in different keys, the collection is particularly suitable for use in worship, but also for teaching.

Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition

Brass Band - Grade 3

SKU: BT.GOB-000039-030

Composed by Felix Alexandre Guilmant. Arranged by Klaas van der Woude. Set (Score & Parts). 26 pages. Gobelin Music Publications #GOB 000039-030. Published by Gobelin Music Publications (BT.GOB-000039-030).

Felix-Alexandre Guilmant-Amédée (Boulogne-sur-Mer, March 12, 1837 - Meudon, March 29, 1911) was a French composer and organist.
Like many other composers, he was very talented on a young age, he was 12 years when he was playing organ smoothly. He studied with Lemmens with Charles-Marie Widor and Gigout. Between 1871 and 1901 he the leading man in the Paris organ scenery, along with his fellow students, later on he teached at the Paris Conservatoire National Superieur de Musique, inter alia, Joseph Bonnet and Marcel Dupre. Known are his organ sonatas, which are equivalent to the famous organ symphonies of Widor.
His work was very popular.
Also knownunder the title Morceau Symphonique, Opus 88.

Félix-Alexandre- Amédée Guilmant (Boulogne-sur-Mer, 12 maart 1837 - Meudon, 29 maart 1911) was een Frans componist en organist.
Zoals zoveel andere componisten was ook hij op vrij jonge leeftijd al zeer begaafd, hij was12 jaar toen hij al vlot orgel speelde. Hij studeerde bij Lemmens samen met Charles Marie Widor en Gigout. Tussen 1871 en 1901 gaf hij de leiding aan de Parijse orgelwereld, samen met met zijn mede-studenten, later gaf hij zelf lesaan het Parijse Conservatoire national supérieur de musique, onder andere aan Joseph Bonnet en Marcel Dupré. Bekend zijn de orgelsonates. deze zijn gelijkwaardig aan de beroemde orgelsymfonieën van Widor.
Zijn oeuvre was danook zeer geliefd.
Ook bekend onder de titel Morceau Symphonique opus 88.

Brass Band - Grade 3

SKU: BT.GOB-000039-130

Composed by Felix Alexandre Guilmant. Arranged by Klaas van der Woude. Score Only. 17 pages. Gobelin Music Publications #GOB 000039-130. Published by Gobelin Music Publications (BT.GOB-000039-130).

Felix-Alexandre Guilmant-Amédée (Boulogne-sur-Mer, March 12, 1837 - Meudon, March 29, 1911) was a French composer and organist.
Like many other composers, he was very talented on a young age, he was 12 years when he was playing organ smoothly. He studied with Lemmens with Charles-Marie Widor and Gigout. Between 1871 and 1901 he the leading man in the Paris organ scenery, along with his fellow students, later on he teached at the Paris Conservatoire National Superieur de Musique, inter alia, Joseph Bonnet and Marcel Dupre. Known are his organ sonatas, which are equivalent to the famous organ symphonies of Widor.
His work was very popular.
Also knownunder the title Morceau Symphonique, Opus 88.

Félix-Alexandre- Amédée Guilmant (Boulogne-sur-Mer, 12 maart 1837 - Meudon, 29 maart 1911) was een Frans componist en organist.
Zoals zoveel andere componisten was ook hij op vrij jonge leeftijd al zeer begaafd, hij was12 jaar toen hij al vlot orgel speelde. Hij studeerde bij Lemmens samen met Charles Marie Widor en Gigout. Tussen 1871 en 1901 gaf hij de leiding aan de Parijse orgelwereld, samen met met zijn mede-studenten, later gaf hij zelf lesaan het Parijse Conservatoire national supérieur de musique, onder andere aan Joseph Bonnet en Marcel Dupré. Bekend zijn de orgelsonates. deze zijn gelijkwaardig aan de beroemde orgelsymfonieën van Widor.
Zijn oeuvre was danook zeer geliefd.
Ook bekend onder de titel Morceau Symphonique opus 88.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Robert Bancalari. For mandolin. Squareback saddle stitch. Intermediate. Book and online audio. Published by Mel Bay Publications, Inc

SATB Choir, Basso Continuo - Level 3

SKU: CA.2729205

Composed by Heinrich Ignaz Franz von Biber. Edited by Daniel E. Abraham. Sacred vocal music. Sacred vocal music. Choral Score. ChaB 50. Duration 9 minutes. Carus Verlag #CV 27.292/05. Published by Carus Verlag (CA.2729205).

ISBN 9790007240554. Language: Latin.

Well-known for his magnificent instrumental works and violin sonatas, Heinrich Ignaz Franz Biber is unjustly less recognized as a composer of sacred music. His works for Salzburg Cathedral were mainly written after 1670. The Stabat Mater is an impressive setting for use in worship, and includes four or six verses of the hymn. The four-part composition displays great simplicity yet stunning beauty, particularly in the concise contrapuntal presentation of each individual verse. Score available separately - see item CA.2729200.

SATB Choir, Basso Continuo - Level 3

SKU: CA.2729211

Composed by Heinrich Ignaz Franz von Biber. Edited by Daniel E. Abraham. Sacred vocal music. Basso continuo. Sacred vocal music. Single Part, basso continuo. ChaB 50. Duration 9 minutes. Carus Verlag #CV 27.292/11. Published by Carus Verlag (CA.2729211).

ISBN 9790007248789. Language: Latin.

Well-known for his magnificent instrumental works and violin sonatas, Heinrich Ignaz Franz Biber is unjustly less recognized as a composer of sacred music. His works for Salzburg Cathedral were mainly written after 1670. The Stabat Mater is an impressive setting for use in worship, and includes four or six verses of the hymn. The four-part composition displays great simplicity yet stunning beauty, particularly in the concise contrapuntal presentation of each individual verse. Score and part available separately - see item CA.2729200.