By Joseph M. Martin. For SAB choir and piano with optional orchestration and rhythm. The Joseph M. Martin Choral Series. General Worship, Praise and Worship, Thanksgiving and Gratitude, Sacred. Octavo. 12 pages. Published by Hope Publishing Company

By Joseph Martin / Joseph Martin. For SATB choir. Scripture References: Phil. 2:10-11 -- Isaiah 12:4 -- Acts 18:9. Praise and Worship, Sacred, Thanksgiving. Choral octavo. 12 pages

Choir Secular (Men's Choir)

SKU: AP.51100

Composed by Austin Hunt. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-51100. Published by Alfred Music (AP.51100).

UPC: 038081581378. Lat.

Celebrating the marvels of modern architecture, this well-constructed tenor/bass feature salutes human achievement and perseverance. Engineered especially for changed and changing voices, this innovative original provides an appropriate blueprint for developing ensembles. Listen for the sturdy piano and percussion accompaniment that suggests the sound of a growing cityscape. Eyes on the skyline!

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

By Michael Burkhardt. For SATB chorus, Brass Quartet, and Organ, with opt. Tuba and Timpani. Easter. Sacred. Moderately Easy. Octavo. 11 pages

By Robert J Powell. For SATB Chorus and Brass quartet (2 Trumpets, 2 Trombones). Instrumental Part. Sacred. 16 pages

By David N. Childs. For flute. Instrumental accompaniment only. Octavo sold separately (SBMP 563). Choral. Instrumental part

Arranged by Nancy Raabe. For SATB choir, organ accompaniment, congregation, trumpet, optional tambourine. Augsburg Choral Hymn Series. Sacred, Reformation. Octavo. 16 pages. Published by Augsburg Fortress

SATB choir, piano

SKU: LO.10-5648L

Composed by Faye Lopez. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5648L. Published by Lorenz Publishing Company (LO.10-5648L).

ISBN 9780787776275.

The energy and excitement contained in this music literally leaps off the page! Functioning equally well as a general anthem or a Call to Worship, this short piece for SATB choirs is sure to please. Featuring the cherished American folk Hymn, LAND OF REST, this Celtic-styled anthem is pure joy. “All hail the power of Jesus’ name, with praise before Him fall!”.

(A Large Print, No Repeats Southern Christmas Musical). By Wayne Haun and Dake Clark. Arranged by Wayne Haun. For SATB choir. Traditional and Southern Gospel. Christmas. Easy. Choral score. Duration 28 minutes. Published by Lillenas Publishing Company

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116913

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Whitsun. Single Part, Viola. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/13. Published by Carus Verlag (CA.3116913).

ISBN 9790007209346. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116912

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Whitsun. Single Part, Violin 2. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/12. Published by Carus Verlag (CA.3116912).

ISBN 9790007209339. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116911

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Whitsun. Single Part, Violin 1. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/11. Published by Carus Verlag (CA.3116911).

ISBN 9790007209322. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116914

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Whitsun. Single Part, basso continuo. Composed 1726. BWV 169. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.169/14. Published by Carus Verlag (CA.3116914).

ISBN 9790007209353. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116905

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Whitsun. Choral Score. Composed 1726. BWV 169. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.169/05. Published by Carus Verlag (CA.3116905).

ISBN 9790007170752. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score available separately - see item CA.3116900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116949

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Whitsun. Single Part, Organ. Composed 1726. BWV 169. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.169/49. Published by Carus Verlag (CA.3116949).

ISBN 9790007209377. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

SATB double choir, a cappella (SATB) - Easy to Moderately Difficult

SKU: OU.9780193512191

Composed by Bob Chilcott. Sacred choral - mixed voices. Vocal score. 20 pages. Duration 4'. Oxford University Press #9780193512191. Published by Oxford University Press (OU.9780193512191).

ISBN 9780193512191. 10 x 7 inches.

For SATB double choir unaccompanied This optimistic and affirmatory anthem sets a useful service text of general thanksgiving from the Book of Common Prayer. Chilcott makes full use of the imitation and antiphonal effects that these forces enable, while keeping the vocal lines well within the capabilities of most choirs.

Flutist's Happy Birthday arranged by Ervin Monroe. For flute choir. Classical, Chamber Music. Published by Little Piper

SATB choir, organ - Medium/Medium Difficult

SKU: PL.0424

Composed by Peter Pindar Stearns. Cathedral. Choral, General. Octavo. Paraclete Press #0424. Published by Paraclete Press (PL.0424).

Stearns' energetic setting of this 15th century text provides a great match of choral and organ textures. This anthem would be an ideal work to start off the fall choir season. In the words of the composer, I am responding to the text- always the text and what it illicits from my 60 year old reservoir of musical ideas. These many sacred choral works of mine are simply my response to the text I have chosen, combined with a long lifetime of prayer..

SATB choir; orchestra

SKU: HP.GC916O

Composed by Russ Borchardt and Stan Pethel. Piano Accompaniment with Optional Orchestra. General Worship, Adoration & Praise, Sacred. Set of Instrumental Parts. Hope Publishing Company #GC916O. Published by Hope Publishing Company (HP.GC916O).

UPC: 763628247188.

Origi nal anthem
Choral Piece by Stan Pethel and Russ Borchardt.

Orchestra string orchestra - Grade 4

SKU: KJ.SO235F

Composed by Rudolf Stephan. String Tracks. Score. Neil A. Kjos Music Company #SO235F. Published by Neil A. Kjos Music Company (KJ.SO235F).

Mr. Stephan's objective with this work is to give each section an opportunity to be in the spotlight. Each soli section is a variation of some aspect of the opening theme and is designed to 'show off' an inherent trait of the section. This dynamic selection is not to be missed!

SATB vocal soli, SATB choir, 2 flute, 2 oboe, 2 clarinet, 2 horn, 2 violin, 2 viola, basso continuo, [3 trombone]

SKU: CA.4005519

Composed by Wolfgang Amadeus Mozart. Arranged by Walter Heinz Bernstein. This edition: urtext. Stuttgart Urtext Edition: Mozart. Litaniae De Venerabili Altaris Rev.2002. Litanies, Corpus Christi, Eucharist, Communion, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1772. KV 125. Duration 32 minutes. Carus Verlag #CV 40.055/19. Published by Carus Verlag (CA.4005519).

ISBN 9790007217242. Key: B flat major. Language: Latin.

The large-scale church works of Wolfgang Amadeus Mozart include, along with his Masses, Requiem and Vespers, his four litanies, all composed in and for Salzburg. The Litany KV 125, dated March 1772, employs the identical text and nine-movement structure als its sister work, the larger-scaled KV 243 of March 1776. Score and parts available separately - see item CA.4005500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 horns, 2 violins, 2 violas, basso continuo, [3 trombones]

SKU: CA.4005509

Composed by Wolfgang Amadeus Mozart. Arranged by Walter Heinz Bernstein. This edition: urtext. 1x 40.055/21 flute 1, 1x 40.055/22 flute 2, 1x 40.055/23 oboe 1, 1x 40.055/24 oboe 2, 1x 40.055/31 horn 1, 1x 40.055/32 horn 2, 1x 40.055/33 clarino 1, 1x 40.055/34 clarino 2, 1x 40.055/35 trombone 1, 1x 40.055/36 trombone 2, 1x 40.055/37 trombone 3. Stuttgart Urtext Edition: Mozart. German title: Litaniae De Venerabili Altaris Rev.2002. Litanies, Corpus Christi, Eucharist, Communion, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1772. KV 125. 68 pages. Duration 32 minutes. Carus Verlag #CV 40.055/09. Published by Carus Verlag (CA.4005509).

ISBN 9790007059361. Key: B flat major. Language: Latin.

The large-scale church works of Wolfgang Amadeus Mozart include, along with his Masses, Requiem and Vespers, his four litanies, all composed in and for Salzburg. The Litany KV 125, dated March 1772, employs the identical text and nine-movement structure als its sister work, the larger-scaled KV 243 of March 1776. Score and parts available separately - see item CA.4005500.

Chorus (with soloists) and orchestra (solos: SATB, speaker - choir: SATB - 2.2.0.0. - 0.0.0.0. - 2 lte - str (2vagb) - bc)

SKU: BR.PB-5611

Composed by Johann Sebastian Bach. Edited by Malcolm Bruno. Choir; Softbound. Partitur-Bibliothek (Score Library).

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198.

Oratorio/passion; Baroque. Full score. 136 pages. Duration 85'. Breitkopf and Haertel #PB 5611. Published by Breitkopf and Haertel (BR.PB-5611).

ISBN 9790004215081. 10 x 12.5 inches.

Welcome comebackBach's St John and St. Matthew Passions are popular and well established in concert life. Of a third, the Markus Passion, only Picander's original libretto is extant. Parallel arias from various cantatas replace the lacking music for arias, and instead of the lost recitative and the turba [crowd] choruses, the spoken gospel text is bilingually published in this edition (in German/English). The freshly-prepared performance material including a detailed commentary is supplemented by a newly-arranged piano reduction.,,Une version qui n'a rien d'authentique, mais qui tient la route. C'est du Bach de bout en bout et, contrairement a d'autres reconstitutions, l'editeur ne propose rien pour les recitatifs. L'evangeliste pourrait meme etre un recitant. Interessante suggestion. (Alain Paris, La Lettre du Musicien)

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198.

Chorus (with soloists) and piano (solos: SATB, speaker - choir: SATB - 2.2.0.0. - 0.0.0.0. - 2 lte - str (2vagb) - bc)

SKU: BR.EB-8916

Composed by Johann Sebastian Bach. Edited by Malcolm Bruno. Arranged by Andreas (KlA) Kohs. Choir; Softbound. Edition Breitkopf.

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198.

Oratorio/passion; Baroque. Piano/Vocal Score. 92 pages. Duration 85'. Breitkopf and Haertel #EB 8916. Published by Breitkopf and Haertel (BR.EB-8916).

ISBN 9790004185827. 7.5 x 10.5 inches.

Welcome comebackBach's St John and St. Matthew Passions are popular and well established in concert life. Of a third, the Markus Passion, only Picander's original libretto is extant. Parallel arias from various cantatas replace the lacking music for arias, and instead of the lost recitative and the turba [crowd] choruses, the spoken gospel text is bilingually published in this edition (in German/English). The freshly-prepared performance material including a detailed commentary is supplemented by a newly-arranged piano reduction.,,Une version qui n'a rien d'authentique, mais qui tient la route. C'est du Bach de bout en bout et, contrairement a d'autres reconstitutions, l'editeur ne propose rien pour les recitatifs. L'evangeliste pourrait meme etre un recitant. Interessante suggestion. (Alain Paris, La Lettre du Musicien)

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198.

Composed by Neil Harmon. For SATB choir, keyboard (piano or organ) or chamber orchestra. Year C: Easter4. Easter, General, Good Shepherd Sunday, 21st Century. Moderately Easy. Octavo. Scripture: Psalms 23; Text Language: English. Published by MorningStar Music Publishers