Instruments en Mib [Fake Book] - Intermédiaire Hal Leonard
Eb Instruments - Difficulty: easy-medium to medium Sixth Edition. Composed by Va...(+)
Eb Instruments -
Difficulty: easy-medium
to medium
Sixth Edition. Composed
by Various. Hal Leonard
Instrumental Fake Books.
Jazz. Fakebook (spiral
bound). With melody,
standard notation and
chord names. 428 pages.
Published by Hal Leonar
Instruments en Do [Fake Book] - Intermédiaire Hal Leonard
(Sixth Edition) For C instrument. Format: fakebook (spiral bound). With melody, ...(+)
(Sixth Edition) For C
instrument. Format:
fakebook (spiral bound).
With melody, standard
notation and chord names.
Jazz. Series: Hal Leonard
Instrumental Fake Books.
512 pages. 8.5x11 inches.
Published by Hal Leonard.
(Sixth Edition) Fakebook (spiral bound) for bass clef instrument. With melody, s...(+)
(Sixth Edition) Fakebook
(spiral bound) for bass
clef instrument. With
melody, standard notation
and chord names. Series:
Hal Leonard Instrumental
Fake Books. 462 pages.
Published by Hal Leonard.
Concert Band/Harmonie - Grade 2.5 SKU: BT.CMP-0189-98-010 Composed by Wol...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.CMP-0189-98-010
Composed by Wolfgang
Amadeus Mozart. Arranged
by Douglas Court.
Passport Plus Series. Set
(Score & Parts). Composed
1998. Curnow Music #CMP
0189-98-010. Published by
Curnow Music
(BT.CMP-0189-98-010).
It has been
said that the magic of
Mozart’s music
lies in its ability to
truly and purely express
the inner self. This
delightful Grade 21/2
adaptation of a
well-known theme from
The Magic Flute
will help your young
musicians gain a deeper
understanding of Mozart
and the amazing gift that
made him the incomparable
master of flawless
composition. In addition,
your musicians will
discover that Mozart is
FUN! Douglas Court uses
creative variations to
skillfully bring this
delightful music to your
concert band stage with
remarkable authenticity.
A great one to program
for “the Mozart
year!â€
<
I>The Magical Mozart
van Douglas Court is een
verzameling van
eenvoudige variaties op
een alom bekend thema uit
de prachtige opera Die
Zauberflöte van
Wolfgang Amadeus Mozart.
Breng met The Magical
Mozart een
vleugjemagie van een van
de grootste componisten
aller tijden in uw
volgende
concert.
In The
Magical Mozart
verarbeitete der
amerikanische Komponist
Douglas Court ein
bekanntes Thema aus der
Oper Die
Zauberflöte. Diese
Melodie wurde über die
Jahre hinweg schon mit
verschiedenen Texten in
sakralen Hymnen
verwendet. Douglas Courts
einfache, aber
ansprechende Bearbeitung
für Blasorchester ist
ein wunderbarer Einstieg
für Musiker und
Publikum in die
zauberhafte Musik des
großen Meisters.
Concert Band - Grade 2.5 SKU: BT.CMP-0189-98-040 Composed by Wolfgang Ama...(+)
Concert Band - Grade 2.5
SKU:
BT.CMP-0189-98-040
Composed by Wolfgang
Amadeus Mozart. Arranged
by Douglas Court.
Passport Plus Series. Set
(Score & Parts). Composed
1998. Curnow Music #CMP
0189-98-040. Published by
Curnow Music
(BT.CMP-0189-98-040).
It has been
said that the magic of
Mozart’s music
lies in its ability to
truly and purely express
the inner self. This
delightful Grade 21/2
adaptation of a
well-known theme from
The Magic Flute
will help your young
musicians gain a deeper
understanding of Mozart
and the amazing gift that
made him the incomparable
master of flawless
composition. In addition,
your musicians will
discover that Mozart is
FUN! Douglas Court uses
creative variations to
skillfully bring this
delightful music to your
concert band stage with
remarkable authenticity.
A great one to program
for “the Mozart
year!â€
<
I>The Magical Mozart
van Douglas Court is een
verzameling van
eenvoudige variaties op
een alom bekend thema uit
de prachtige opera Die
Zauberflöte van
Wolfgang Amadeus Mozart.
Breng met The Magical
Mozart een
vleugjemagie van een van
de grootste componisten
aller tijden in uw
volgende
concert.
In The
Magical Mozart
verarbeitete der
amerikanische Komponist
Douglas Court ein
bekanntes Thema aus der
Oper Die
Zauberflöte. Diese
Melodie wurde über die
Jahre hinweg schon mit
verschiedenen Texten in
sakralen Hymnen
verwendet. Douglas Courts
einfache, aber
ansprechende Bearbeitung
für Blasorchester ist
ein wunderbarer Einstieg
für Musiker und
Publikum in die
zauberhafte Musik des
großen Meisters.
Unison/-2-part choir - Easy SKU: WD.080689471179 Many Gifts, One Voice...(+)
Unison/-2-part choir -
Easy
SKU:
WD.080689471179
Many Gifts, One
Voice. Composed by
Daniel Semsen. Arranged
by Daniel Semsen. Choral,
cantatas. Children's.
Book. Duration 40-45
minutes. Word Music
#080689471179. Published
by Word Music
(WD.080689471179).
UPC:
080689471179.
Place
s! Lights! Curtain Up!
It’s time for The
Star Factor and you have
a front-row seat! The
setting is Camp Heart &
Soul, a summer arts camp
that features a talent
showcase with an exciting
twist: the showcase
winner earns the
opportunity to compete on
a national TV show. As
everyone excitedly
prepares for the
performance, their
initial group cooperation
begins to crumble as
their celebrity coach
tells them that
“looking out for
yourself is the only way
to become a star!â€
A series of zany
complications climax at
the broadcast of the show
when all the would-be
“starsâ€
finally learn that being
part of the Body of
Christ is what is
important, and every
person has a special and
unique role to play. The
Star Factor is another
home-run musical from the
gifted pen of Christy
Semsen, combining
humorous characters,
clever storytelling, and
memorable songs that
deliver a solid
contemporary spiritual
theme the whole audience
will appreciate. Daniel
Semsen has produced
state-of-the-art
accompaniment tracks
– worthy of any
television show –
and a comprehensive
Teacher's Resource Kit
and performance
Instructional DVD will
provide all the
production help and ideas
you need for an impactful
and unforgettable
experience. So set your
DVR for The Star Factor
– it’s an
experience you’ll
want to become a part of
again and again!
Volume 108 - Joe Henderson "Inner Urge" by Joe Henderson. Edited by Jamey Aebers...(+)
Volume 108 - Joe
Henderson "Inner Urge" by
Joe Henderson. Edited by
Jamey Aebersold. For any
C, Eb, Bb, bass
instrument or voice.
Play-Along series with
accompaniment CD. Jamey
Aebersold Play-A-Long
series. Intermediate,
advanced. Book and CD. 68
pages. Published by Jamey
Aebersold Jazz
By John Fullam, clarinet; Buffalo Philharmonic Orchestra; The Amberg Chamber Ens...(+)
By John Fullam, clarinet;
Buffalo Philharmonic
Orchestra; The Amberg
Chamber Ensemble. By
Persis Parshall Vehar
(1937-). For clarinet &
ensemble. Mark Masters.
Audio CD. Duration 73:26.
Published by Mark Custom
Music
SSATB chorus, piano - Grade 3 SKU: CA.928200 Composed by Henri Duparc. Ar...(+)
SSATB chorus, piano -
Grade 3
SKU:
CA.928200
Composed by
Henri Duparc. Arranged by
Denis Rouger. Carus
digital: Notenausgabe als
PDF. Full Score. Composed
1880. Duration 5 minutes.
Carus Verlag #928200.
Published by Carus Verlag
(CA.928200).
ISBN
9790007300869. Key: C
minor / c major. French.
Text: Baudelaire,
Charles.
Sounds,
colors and scents can
conjure up places of
longing. During the
Romantic period, the
desire to travel and see
other places was seen as
an expression of some
inner state of mind. In
L'invitation au voyage,
the boundaries between
what is real and
imaginary seem to
dissolve in the lyrical
perception of a journey
to the inner self: There
we find nothing but order
and beauty, splendor,
peace, and
delightâ€. This is
unattainable perfection
as a place of longing,
where we are freed from
all earthly cares. A
never-ending
sixteenth-note figure in
the piano accompaniment
flickers like a
shimmering veil over
these words, which in
their poetry seem to
remove us far from our
earthly existence.
“The world falls
asleep in a warm
light!
This art
song was originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted it
to suit the requirements
and expressive
possibilities offered by
a larger ensemble,
without losing any of the
qualities of the
original. Each part in
the choir has a melodic
line drawn from the
harmonic and rhythmic
framework. In the
process, the variety and
refinement of the choral
language combines with an
enormous flexibility in
form and expression, as
French melodies or German
art songs demand from a
soloist and
pianist.
The songs
have been recorded by the
figure humaine chamber
choir on the CD ... wo
die Zitronen blühn
(Carus 83.514).
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano
SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202.
What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement.
Oboe, clarinet and bassoon (Mixed Ensemble) - intermediate SKU: HL.49044189(+)
Oboe, clarinet and
bassoon (Mixed Ensemble)
- intermediate
SKU:
HL.49044189
Oboe,
Clarinet & Bassoon.
Composed by Claus-Dieter
Ludwig. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Ensemble. Softcover. 18
pages. Duration 10'.
Schott Music #ED20436.
Published by Schott Music
(HL.49044189).
ISBN
9790001153126. UPC:
841886011809.
9.0x11.75x0.077
inches.
Most
well-known and generally
popular - that's what the
Happy Birthday meals
served by Claus-Dieter
Ludwig are. Meanwhile,
they are available in
various instrumentations
(for piano solo and piano
duet, for accordion duo,
string quartet and piano
trio). Now, the work has
been rearranged by
Wolfgang Birtel - and the
wind instruments are
finally invited to the
buffet! The classic trio
d'anches with oboe,
clarinet and bassoon
deals with the epicurean
delights of Happy
Birthday in five courses
to which other music
titles have been added as
well. Enjoy 'Andante
festivo e culinario',
'Lento lasagne e
lambrusco', 'Marcia
marsala e mozzarella',
'Valzero vongole e
vaniglia' and the
crowning dessert, a fiery
'Tango tartufo e
tagliatelle'!