By Jorge Polanuer. Piano. Softcover with CD. Size 9x12 inches. 39 pages. Published by Centerstream Publications.

Piano

SKU: M7.BP-1399

Composed by Theodor Kirchner. Edited by Harry Joelson. Sheet music. Op. 34. Amadeus Verlag #BP 1399. Published by Amadeus Verlag (M7.BP-1399).

ISBN 9790015139901.

Orchestra (2.2.cor ang.2.2 - 4.2.3.1 - timp.perc(4) - cel.jeu de timbres - 2hp - str)

SKU: BR.PB-5539

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

A l'exemple de Schubert - Ravel re-invents the waltz, inspired by Liszt, Chopin, Schumann and Chabrier, transforming the rhapsodic gyrations of the dance and sending it whirling into the 20th century.

Have a look into ISBN 9790004213490. 10 x 12.5 inches.

Ravel needed only two weeks of intensive concentration to orchestrate his piano suite Valses nobles et sentimentales, which was given its premiere performance in March 1911. Consisting of seven waltzes and one epilogue, the work stamped Ravel as a creative personality whose masterpiece breathed an unbelievably new kind of musicality and incredibly intensive poetry. Let us not forget that this was twelve years before La Valse, with which it shares a number of similarities. The new edition of the complete performance material in Breitkopf's Urtext series was prepared by the Ravel expert Jean-Francois Monnard.

A l'exemple de Schubert - Ravel re-invents the waltz, inspired by Liszt, Chopin, Schumann and Chabrier, transforming the rhapsodic gyrations of the dance and sending it whirling into the 20th century.

Piano - intermediate

SKU: HL.49019064

Piano Solo. Composed by Antonin Dvorá and k. Edited by Klaus Dö and ge. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Op. 56/2. 7 pages. Schott Music #ED09940. Published by Schott Music (HL.49019064).

ISBN 9790001180832. UPC: 884088675394. 9.0x12.0x0.052 inches.

The remark of the music critic Louis Ehlert on the Slavonic Dances that this 'is good for the soul of a decent musician' could also apply to Dvorak's compositions of waltzes and mazurkas: They are a successful balancing act between compositional stylization and musical immediacy.

Piano

SKU: BT.PWM0239

Composed by Frederic Chopin. Book Only. 124 pages. Polskie Wydawnictwo Muzyczne #PWM0239. Published by Polskie Wydawnictwo Muzyczne (BT.PWM0239).

(Violin and Piano). By Scott Joplin (1868-1917). Arranged by Donald Fraser. Fentone Instrumental Books. 28 pages. Fentone Music #F639. Published by Fentone Music .

Edited by Dallas Weekley. For 1 Piano four-hands. Piano. Level: Intermediate. Music Book. Published by Neil A. Kjos Music Company.

Piano

SKU: HL.50511400

Piano Solo. Composed by Frederic Chopin. Romantic. EMB. Classical. Book [Softcover]. 79 pages. Editio Musica Budapest #Z6787. Published by Editio Musica Budapest (HL.50511400).

ISBN 9790080067871. UPC: 073999598193. 9.0x12.0x0.204 inches.

By Tomas Svoboda. Piano solo. For Piano solo. Composed 1974. 23 pages. Duration 13 minutes. Published by Thomas C. Stangland Co.

(Horn BC 4 Part). By Various. Arranged by Thomas Bacon. For Horn Quartet. Brass Solos and Ensembles - Horn Quartet. Southern Music. Grade 4. 64 pages. Southern Music Company #B399HN4BC. Published by Southern Music Company

(3rd Horn Part). By Various. Arranged by Thomas Bacon. For Horn Quartet. Brass Solos and Ensembles - Horn Quartet. Southern Music. Grade 4. Softcover. 64 pages. Southern Music Company #B399HN3. Published by Southern Music Company

(2nd Horn Part). By Various. Arranged by Thomas Bacon. For Horn Quartet. Brass Solos and Ensembles - Horn Quartet. Southern Music. Grade 4. Softcover. 64 pages. Southern Music Company #B399HN2. Published by Southern Music Company

(1st Horn Part). By Various. Arranged by Thomas Bacon. For Horn Quartet. Brass Solos and Ensembles - Horn Quartet. Southern Music. Grade 4. 64 pages. Southern Music Company #B399HN1. Published by Southern Music Company

Piano - intermediate

SKU: HL.49008951

From the Opera Margarete. Composed by Charles Francois Gounod. This edition: Saddle stitching. Sheet music. Einzelausgaben (Single Sheets). Classical. 6 pages. Schott Music #ED07233. Published by Schott Music (HL.49008951).

ISBN 9790001089845. UPC: 073999224689. 9.0x12.0x0.051 inches.

Piano

SKU: HL.50560113

Piano Solo. Composed by Johannes Brahms. This edition: DC1147800. Editions Durand. Classical. 16 pages. Editions Durand #DC1147800. Published by Editions Durand (HL.50560113).

UPC: 073999562637. 8.75x12.0x0.099 inches.

(Score & Parts). Boosey and Hawkes Chamber Music. Book only. Published by Hal Leonard.

(Everything You Need to Know to Start Playing Now!). Composed by Miriam Davidson. For Accordion. Accordion; Book; DVD; Digital Download; Method/Instruction. Teach Yourself Series. Beginner. 96 pages. Published by Alfred Music

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Guitar; Methods and Music for Children

SKU: UT.CH-393

Composed by Enrique Granados. Arranged by Alessandra Lucchi Alessandro Borin. Classical. Score and Parts. Ut Orpheus #CH 393. Published by Ut Orpheus (UT.CH-393).

ISBN 9790215328457. 9 x 12 inches.

Though the Catalan composer and p ianist Enrique Granados (1867-1916) is often considered more conservative than Albéniz or Falla, his music made a significant contribution to the development of a national Spanish school. Granados’ musical language is rooted in mainstream European traditions, frequently blended with elements derived from traditional Spanish folk music, including brash guitarish idioms in imitation of the punteado and rasgueado styles of playing. 
His Valses poéticos, dedicated to Joaquin Malats, are a suite of eight waltzes with a lively Introduction in duple meter and a reprise of the first dance at the conclusion of the final piece. We cannot be sure when Granados composed his Poetic Waltzes, but almost certainly they were of early vintage, in 1893-94. In any case, these waltzes have remained popular with performers from that day to this, especially among guitarist. This transcription, conceived for a chamber guitar ensemble (in formations ranging from duo to quartet), is an effective aid for the study of ensemble music from high school to a conservatory level.

Concert band - Grade 3

SKU: CL.012-4522-75

(A Small Cafe In Paris). Composed by J. Bell. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR391). Oversized, spiral-bound score. Composed 2017. Duration 2 minutes, 33 seconds. Opus III Wind Orchestra Publications #012-4522-75. Published by Opus III Wind Orchestra Publications (CL.012-4522-75).

Un Petit Cafe a Paris is a fun and engaging waltz that captures the atmosphere of a small Parisian cafe through the very recognizable style of the Bal-musette, which can often be heard throughout the streets of Paris. Inspired by the style of music brought to Paris by Auvergnat immigrants, and performed in small dance halls where waltzes were very popular. A refreshing and light-hearted happy piece that makes a fantastic addition to any concert.

(A Graded Collection of Piano Duets by Master Composers). Edited by Gayle Kowalchyk, E. L. Lancaster, and Jane Magrath. For Piano. Book; Duet or Duo; Graded Standard Repertoire; Masterworks; Piano Duet (1 Piano, 4 Hands). Alfred Masterwork Edition: Master

Concert band - Grade 3

SKU: CL.012-4518-01

(Sobre Las Olas). Composed by Rosas. Arranged by Longfield. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR392). Extra full score. Composed 2017. Duration 2 minutes, 50 seconds. Opus III Wind Orchestra Publications #012-4518-01. Published by Opus III Wind Orchestra Publications (CL.012-4518-01).

Mexican composer Juventino Rosas composed one of the most famous Viennese waltzes, Sobre Las Olas (also known as Over The Waves.) This arrangement, abridged from the original score, places this classic within reach of your ensemble, and treats your audience to one of the most well-known and beloved melodies. An excellent choice for student ensembles as well as adult community bands.

(11 Colorful Solos for Late Elementary Pianists). Composed by Dennis Alexander. For Piano. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. Five-Star Series. Recital. Late Elementary. 32 pages. Published by Alfred Music