Chamber Music String Quartet SKU: PR.114410380 Composed by Lowell Lieberm...(+)
Chamber Music String
Quartet
SKU:
PR.114410380
Composed
by Lowell Liebermann.
Saddle, Tape Junction.
Set of Score and Parts.
With Standard notation.
Composed 1998. Opus 60.
48 + 92 pages. Duration
30 minutes. Theodore
Presser Company
#114-41038. Published by
Theodore Presser Company
(PR.114410380).
UPC:
680160015160. 9.5 x 13
inches.
My second
String Quartet was
written twenty years
after the first, Opus 4
from 1978. The First
Quartet is an obsessively
contrapuntal work in one
movement, which was no
doubt influenced by my
studies with David
Diamond. I had always
intended to return to the
medium once I left the
astringency of my earlier
style, but it was only
when the National
Federation of Music Clubs
commissioned a major
chamber work, with
unspecified
instrumentation, to
celebrate their 100th
Anniversary that I was
enabled to do so. The
Second Quartet is in four
movements: Moderato,
Allegro isterico, an
Andante theme with 11
variations, and the
closing Allegro, which
then returns to the tempo
of the first movement. An
audience member at the
premiere told me that she
heard echoes of recent
tragic events such as the
Oklahoma bombing in this
work. While I had no such
programmatic intent while
writing the quartet, it
was not an entirely
incorrect assessment of
the work's intended
emotional impact. The
quartet is pervaded by a
sense of seriousness,
even mournfulness. The
second movement's scherzo
is an aggressively
animated piece of musical
machinery. The third
movement's Variations
unfold into a greater
variety of moods than the
others - but the moments
of lyricism are countered
by aggressive or ironic
outbursts. The final
movement's attempt at
triumph quickly subsides
into a return of the
first movement, before
being transformed onto a
sense of resignation and
acceptance as the
chromaticism of the
opening theme is
transformed into a pure
and diatonic C-Major. The
work received its world
premiere by the Shanghai
Quartet at the 100th
Anniversary Congress of
the National Federation
of Music Clubs at the
Congress Hotel in Chicago
on August 19th
1998. My second String
Quartet was written
twenty years after the
first, Opus 4 from
1978. The First
Quartet is an obsessively
contrapuntal work in one
movement, which was no
doubt influenced by my
studies with David
Diamond. I had always
intended to return to the
medium once I left the
astringency of my earlier
style, but it was only
when the National
Federation of Music Clubs
commissioned a major
chamber work, with
unspecified
instrumentation, to
celebrate their 100th
Anniversary that I was
enabled to do so.The
Second Quartet is in four
movements:Â Moderato,
Allegro isterico, an
Andante theme with 11
variations, and the
closing Allegro, which
then returns to the tempo
of the first movement.An
audience member at the
premiere told me that she
heard echoes of recent
tragic events such as the
Oklahoma bombing in this
work. While I had no
such programmatic intent
while writing the
quartet, it was not an
entirely incorrect
assessment of the
work’s intended
emotional impact. The
quartet is pervaded by a
sense of seriousness,
even mournfulness.Â
The second
movement’s scherzo
is an aggressively
animated piece of musical
machinery. The third
movement’s
Variations unfold into a
greater variety of moods
than the others –
but the moments of
lyricism are countered by
aggressive or ironic
outbursts. The final
movement’s attempt
at triumph quickly
subsides into a return of
the first movement,
before being transformed
onto a sense of
resignation and
acceptance as the
chromaticism of the
opening theme is
transformed into a pure
and diatonic C-Major.The
work received its world
premiere by the Shanghai
Quartet at the 100th
Anniversary Congress of
the National Federation
of Music Clubs at the
Congress Hotel in Chicago
on August 19th 1998.
SAMz chorus and Piano (SAM) - Grade 2+ SKU: ZB.ZE-4088 From GREATER TH...(+)
SAMz chorus and Piano
(SAM) - Grade 2+
SKU:
ZB.ZE-4088
From
GREATER THAN ANYTHING (ZE
4071). Composed by
Niko Schlenker.
Arrangement for mixed
voices and piano. Gospel
Music. Octavo. Zebe
Publishing #ZE 4088.
Published by Zebe
Publishing (ZB.ZE-4088).
Single Print
from Niko Schlenker's
GREATER THAN ANYTHING
(ZE4070) includes the
vocal part.
SKU: BR.BV-272 Erganzt und revidiert. Composed by Kurt Thomas. Edi...(+)
SKU: BR.BV-272
Erganzt und
revidiert. Composed
by Kurt Thomas. Edited by
Alexander Wagner.
Softbound. Buchverlag
Breitkopf & Hartel (Music
Books).
Volume 2 was
already the heart of the
three-volume edition.
Now, thanks to Alexander
Wagners in-depth
revision, the many and
detailed conducting
examples generally
present a greater
stylistic variety. Among
the 20th-century works
are, for the first tim.
Music pedagogy; Early
modern; Music post-1945.
Book. 240 pages.
Breitkopf and Haertel #BV
272. Published by
Breitkopf and Haertel
(BR.BV-272).
ISBN
9783765102721. 6.5 x 9
inches.
With its
many music examples,
Volume 2 was already the
heart of the three-volume
set in its original
edition. Now, thanks to
Alexander Wagner's
in-depth revision, the
many and detailed
conducting examples
generally present a
greater stylistic
variety. Among the
20th-century works are,
for the first time,
examples by Bartok,
Stravinsky, Orff,
Bernstein and others.
Wagner expanded the
work's concept by adding
two new chapters: Degree
of Difficulty in Choral
Music and The Use of the
Piano in Choral
Methodology. The section
on The Conducting of
Recitatives has been
omitted, since it will be
included later in the
revised edition of Volume
3.
Dostojewski Ort und
Zeit Russland in den 60er
Jahren des 19.
Jahrhunderts
SAMz chorus, solo voice and Piano (SAM) - Grade 2+ SKU: ZB.ZE-4085 Fro...(+)
SAMz chorus, solo voice
and Piano (SAM) - Grade
2+
SKU: ZB.ZE-4085
From GREATER THAN
ANYTHING (ZE 4071).
Composed by Niko
Schlenker. Arrangement
for mixed voices, soloist
and piano. Gospel Music.
Octavo. Zebe Publishing
#ZE 4085. Published by
Zebe Publishing
(ZB.ZE-4085).
Single Print
from Niko Schlenker's
GREATER THAN ANYTHING
(ZE4070) includes the
vocal part.
Chamber Music String Quartet SKU: PR.11440902S Composed by Behzad Ranjbar...(+)
Chamber Music String
Quartet
SKU:
PR.11440902S
Composed
by Behzad Ranjbaran. Full
score. With Standard
notation. Composed 1990.
44 pages. Duration 22
minutes. Theodore Presser
Company #114-40902S.
Published by Theodore
Presser Company
(PR.11440902S).
UPC:
680160013708.
The
quartet begins with a
5-note motif, played in
unison that permeates
melodically and
harmonically throughout
the movement. The
energetic and hard-driven
character of the second
musical idea propels the
music forward with fast
moving notes and greater
urgency. It often
alternates with the more
lyrical rendition of the
5-note motif, yielding
contrasting sections.
After a brief coda, the
5-note motif concludes
the movement much the
same way it had begun but
with greater intensity.
The second movement
explores the world of
fantasy. To some extent
the beginning and the
ending of the movement
function as the opening
and closing doors that
separate the reality from
the dream and
subconscious. It is one
continuous movement in an
arch form that gradually
accelerates to an
expansive emotional
climax and returning
steadily to the surface
led by an ethereal solo
cello. The transcendent
ending is similar to the
beginning, though half
step higher. The third
movement begins boldly
with the 5-note motif
transformed into a dance
character in a compound
meter. The asymmetrical
meter of the Persian folk
music influences much of
the rhythmic character of
the movement. The return
of many materials from
earlier movements
interwoven into the
fabric of this movement
reinforces the cyclical
and organic character of
the quarter.
Particularly, a
mysterious passage,
reminiscence of the
second movement leading
to a brief full-blown
ballad is a favorite
moment of Ranjbaran's in
the quartet. A blazingly
virtuosic viola leads the
quartet to an uplifting
conclusion.
Tuba Solo SKU: KN.21073 Composed by Mike Forbes. Arranged by Mike Forbes....(+)
Tuba Solo
SKU:
KN.21073
Composed by
Mike Forbes. Arranged by
Mike Forbes. Solo. Kendor
Ensemble Series. Score.
Kendor Music Inc #21073.
Published by Kendor Music
Inc (KN.21073).
UPC:
822795210736.
Final
ly, a chance for tubists
to play some of the
greatest melodies from
the orchestral library!
Containing 39 orchestral
excerpts from other
instruments, not only are
they fun to play, they
will develop the player's
sense of phrase and
interpretation, develop a
singing tone and greater
agility in the low
register, increase
control in the high
register, give experience
with complex rhythms and
multiple tonguing, and
gain a greater knowledge
of the orchestral
repertoire.
SAMz chorus, solo voice and Piano (SAM) - Grade 2 SKU: ZB.ZE-4084 Fro...(+)
SAMz chorus, solo voice
and Piano (SAM) - Grade 2
SKU: ZB.ZE-4084
From GREATER THAN
ANYTHING (ZE 4071).
Composed by Niko
Schlenker. Arrangement
for mixed voices, soloist
and piano. Gospel Music.
Octavo. Zebe Publishing
#ZE 4084. Published by
Zebe Publishing
(ZB.ZE-4084).
Single Print
from Niko Schlenker's
GREATER THAN ANYTHING
(ZE4070) includes the
vocal part.
SATB chorus a cappella (SATB) - Grade 2+ SKU: ZB.ZE-4089 From GREATER ...(+)
SATB chorus a cappella
(SATB) - Grade 2+
SKU:
ZB.ZE-4089
From
GREATER THAN ANYTHING (ZE
4071 und ZE 5021).
Composed by Niko
Schlenker. Arrangement
for mixed voices a
cappella. Gospel Music.
Octavo. Zebe Publishing
#ZE 4089. Published by
Zebe Publishing
(ZB.ZE-4089).
Single Print
from Niko Schlenker's
GREATER THAN ANYTHING
(ZE4070) / SING
HALLELUJAH! (ZE5021)
includes the vocal
part.
SAMz chorus, solo voice and Piano (SAM) - Grade 2 SKU: ZB.ZE-4086 Fro...(+)
SAMz chorus, solo voice
and Piano (SAM) - Grade 2
SKU: ZB.ZE-4086
From GREATER THAN
ANYTHING (ZE 4071).
Composed by Niko
Schlenker. Arrangement
for mixed voices, soloist
and piano. Gospel Music.
Octavo. Zebe Publishing
#ZE 4086. Published by
Zebe Publishing
(ZB.ZE-4086).
Single Print
from Niko Schlenker's
GREATER THAN ANYTHING
(ZE4070) includes the
vocal part.
Rock Harmonica Harmonica [Partition + Accès audio] - Facile Mel Bay
(Power Licks, High-End Licks and Speed Licks!). Composed by David Barrett. For h...(+)
(Power Licks, High-End
Licks and Speed Licks!).
Composed by David
Barrett. For harmonica.
School of Blues.
Beginning-Intermediate.
Book and online audio.
Published by Mel Bay
Publications, Inc
Composed by Stacy Garrop. Contemporary. Score and part(s). With Standard notatio...(+)
Composed by Stacy Garrop.
Contemporary. Score and
part(s). With Standard
notation. Composed 2006,
rev. 2015. 32 pages.
Duration 13 minutes.
Theodore Presser Company
#114-41828. Published by
Theodore Presser Company
(PR.114418280).
Cello (Vol 3) SKU: HL.49003447 Systematische Schule vom Anfang bis zur...(+)
Cello (Vol 3)
SKU:
HL.49003447
Systematische Schule
vom Anfang bis zur
Vollendung. Composed
by Joachim Stutschewsky.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 58
pages. Schott Music #ED
1588-01. Published by
Schott Music
(HL.49003447).
ISBN
9790001033893. UPC:
840126938531.
9.0x12.0x0.182 inches.
German -
English.
SATB chorus, solo voice and Piano (SATB) - Grade 2+ SKU: ZB.ZE-4083 Fr...(+)
SATB chorus, solo voice
and Piano (SATB) - Grade
2+
SKU: ZB.ZE-4083
From GREATER THAN
ANYTHING (ZE 4071).
Composed by Niko
Schlenker. Arrangement
for mixed voices, soloist
and piano. Gospel Music.
Octavo. Zebe Publishing
#ZE 4083. Published by
Zebe Publishing
(ZB.ZE-4083).
Single Print
from Niko Schlenker's
GREATER THAN ANYTHING
(ZE4070) includes the
vocal part.
A
Period Piece for Bands of
Winds. Composed by
Carter Pann. Spiral.
Large Score. 58 pages.
Duration 12:30. Theodore
Presser Company
#115-40233L. Published by
Theodore Presser Company
(PR.11540233L).
ISBN
9781491129418. UPC:
680160674367. 11 x 14
inches.
At Her
Ladyship's Request (2016)
was an idea born out of
admiration for the wind
works of Percy Grainger -
most notably his
Lincolnshire Posey. The
names and places here are
all fictitious. Four
countrymen have come
forward at Her Ladyship's
request as we commoners
(and for as long as I can
remember) have been led
to believe Her Highness
has grown complacent in
her aged betrothal to His
Lordship. I. It has long
been established in this
hill country that young,
svelte Tom Abel has
caught her fancy eye. He
knocks about with the
swagger of a visiting
dignitary, confident and
cocksure. And then there
is his father's fortune.
Cecil Abel may be the
richest man in the land
save for His Lordship.
Tom, his only son, will
run his face straight
into that pile the moment
his old man kicks. II. It
is rare to spy Father
Daniel Bennett, High
Priest from the Abbey at
Lockwood Cross, loitering
in our very own town
square...but not as of
late. III. Is Her
Ladyship so desperate as
to call upon Old Man
Dimplesweet? Were you to
confirm this, I would
have straightened my back
and spit the ground
before you. Then I saw
what could not possibly
be misconstrued. And
where is His Lordship
anyway? IV. Pettybone!
Conniving... insidious. I
don't believe there has
been a greater rivalry
among men for
generations. The Duke's
ego alone could run our
nation. The grudges he
grows are notorious. His
mount is legendary. The
day has come to collect
his toll. At Her
Ladyship’s Request
(2016) was an idea born
out of admiration for the
wind works of Percy
Grainger – most
notably his Lincolnshire
Posey.The names and
places here are all
fictitious. Four
countrymen have come
forward at Her
Ladyship’s request
as we commoners (and for
as long as I can
remember) have been led
to believe Her Highness
has grown complacent in
her aged betrothal to His
Lordship.I. It has long
been established in this
hill country that young,
svelte Tom Abel has
caught her fancy eye. He
knocks about with the
swagger of a visiting
dignitary, confident and
cocksure. And then there
is his father’s
fortune. Cecil Abel may
be the richest man in the
land save for His
Lordship. Tom, his only
son, will run his face
straight into that pile
the moment his old man
kicks.II. It is rare to
spy Father Daniel
Bennett, High Priest from
the Abbey at Lockwood
Cross, loitering in our
very own town
square…but not as
of late.III. Is Her
Ladyship so desperate as
to call upon Old Man
Dimplesweet? Were you to
confirm this, I would
have straightened my back
and spit the ground
before you. Then I saw
what could not possibly
be misconstrued. And
where is His Lordship
anyway?IV. Pettybone!
Conniving…
insidious. I don’t
believe there has been a
greater rivalry among men
for generations. The
Duke’s ego alone
could run our nation. The
grudges he grows are
notorious. His mount is
legendary. The day has
come to collect his
toll.
Choir SKU: WD.080689421235 Composed by David Wise. Arranged by David Wise...(+)
Choir
SKU:
WD.080689421235
Composed by David Wise.
Arranged by David Wise.
Choral. Sacred Anthem.
Octavo. Word Music
#080689421235. Published
by Word Music
(WD.080689421235).
UPC:
080689421235.
This
moving, compelling
arrangement by David Wise
combines three of
today’s modern
worship classics,
spotlighting our desire
for His
presence…our deep
need for communion with
Him…welcoming and
inviting the Holy Spirit
into our midst. There is
no greater unifier, no
greater or more precious
moments of pure
worship.
Traditional Hymns with a Popular Twist. Composed by Ed Hogan. Conductor's score,...(+)
Traditional Hymns with a
Popular Twist. Composed
by Ed Hogan. Conductor's
score, enhanced CD.
Lorenz Publishing Company
#9780834178199. Published
by Lorenz Publishing
Company
(Four Songs from South Africa). Arranged by Alexander L'Estrange. Choir Secular....(+)
(Four Songs from South
Africa). Arranged by
Alexander L'Estrange.
Choir Secular. For with
Piano (3-Part Mixed Choir
(SAB)). Book; Choral
Collection. Faber
Edition: Choral Basics.
Multicultural; World.
Published by Faber Music
Orchestra SKU: HL.14019145 Composed by Magnus Lindberg. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14019145
Composed
by Magnus Lindberg. Music
Sales America. Classical.
Book [Softcover]. 48
pages. Music Sales
#KP00119. Published by
Music Sales
(HL.14019145).
ISBN
9788759860625.
12.0x16.5x0.436 inches.
English.
This work
was written with a mix
between computer
technology and the more
traditional orchestra,
the piece was composed in
such a way that it would
support its own
acoustics. Lindberg
worked with amplification
of instruments and
electronically
transformed sounds thus
producing greater
possibilities to abandon
acoustic limits. In order
for the piece to be
supported by it's own
acoustics, the piece had
to be written in terms of
foreground and background
harmony, every foreground
chord would always have
it's background, a shadow
existing without it's
main chord. Another theme
to the piece is that of
textural motion as rapid
gestures and motions are
a big part of the
composer's interest.
Static repitions seemed
to limit the piece
however so they were
compensated for on
another level, so with a
repetitive rhythmic
pattern, the harmonic
material changes rapidly
or when a chain of chords
is static the rhythmic
and timbral qualities
vary frequently. Work for
orchestra commissioned by
the Finnish Broadcasting
Company.