By Wolfgang Amadeus Mozart (1756-1791). Edited by Christoph Wolff. Piano and orchestra. For viola. This edition: Stapled, Urtext edition. Single part. KV 271, No. 9. Published by Baerenreiter Verlag

Concerto for Piano and Orchestra No. 21. By Wolfgang Amadeus Mozart. Edited by Hans Engel; Horst Heussner. For Viola. Single Part. KV 467. Published by Baerenreiter-Ausgaben (German import). (BA5317 79)

(Solo Viola with Piano Reduction). By John Williams. For solo viola and piano. John Williams Signature Edition - String. 32 pages. Published by Hal Leonard

Piano Reduction - with Comments in English. By Max Bruch. Edited by N. Gertsch. Viola. Pages: Score = IV and 12 * Va Part = 4. Urtext edition (Paper-bound). Published by G. Henle.

For Viola and Piano. Composed by Amanda Harberg. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2011. 10 pages. Duration 5 minutes. Theodore Presser Company #114-41675. Published by Theodore Presser Company (PR.114416750).

Viola and Piano

SKU: IS.VAP4359EM

Composed by August Baeyens. Strings - Viola. Metropolis Music Publishers #VAP4359EM. Published by Metropolis Music Publishers (IS.VAP4359EM).

ISBN 9790365043590.

Augu st Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss; this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. It makes sense that the first concerto he wrote for a solo instrument was his Concerto for Viola (Concerto voor altviool) in 1956. A recipient of the first prize award for viola while in conservatory, he performed as a violist in orchestras throughout Flanders. The concerto is in three movements: Moderato, Larghetto espressivo, and Allegro.

Viola and Piano

SKU: IS.VAP6164BEM

Composed by Dirk Brosse. Strings - Viola. The Dirk Brosse Collection. Metropolis Music Publishers #VAP6164BEM. Published by Metropolis Music Publishers (IS.VAP6164BEM).

ISBN 9790365099870.

This composition tells the story of a quest to find truth, which is relative and constantly changing. It is often to be found in the place where water becomes steam, somewhere in Between on the dividing line between Ying and Yang, somewhere in a twilight zone between dark and light, between Black and White. Black, White & In Between was conceived as a concertino for violin and string orchestra. It has been recorded by the London Philharmonic Orchestra under direction of the composer with Marta Abraham as soloist.

Viola and Piano

SKU: BT.EMBZ627

Composed by Gyula David. Book Only. Composed 1952. 52 pages. Editio Musica Budapest #EMBZ627. Published by Editio Musica Budapest (BT.EMBZ627).

Gyula Dávid (1913-1977) was one of the most important members of the generation of Hungarian composers who followed Bartók and Kodály. His ?uvre includes stage, orchestral, oratorial, chamber, and solo instrumental works. Although he rarely quoted folk material directly in his music, folksong, popular music and the spirit of the Hungarian musical tradition permeates his works. In the last two decades of his life he wrote atonal and twelve-tone compositions. With his Wind Quintet (composed 1949) he created a genre which plays an important role in the new Hungarian music. Gyula Dávid studied composition with Albert Siklós and Zoltán Kodály at the Academy of Music in Budapest,graduating in 1938. Between 1938 and 1945 he worked in several orchestras as viola player. From 1945 to 1949 he was conductor at Hungarian National Theatre, than he became leader of the Ensemble of the Hungarian Army. From 1961 to his retirement he was professor at the Teacher Training Faculty of the Academy of Music in Budapest. Between 1951 and 1960 he taught wind chamber music, music theory and wind orchestration at the Academy of Music. He was one of the founders of the Hungarian Artists' Union. He was awarded the Erkel Prize (1952, 1955) and the Kossuth Prize (1957).

Viola and piano

SKU: M7.DOHR-88836

Concertino. Composed by Adrian Connell. Sheet music. Score and part. Duration 10'. MDS (Music Distribution Services) #DOHR 88836. Published by MDS (Music Distribution Services) (M7.DOHR-88836).

ISBN 9790202098363.

Ther e comes a time in life when your parents have passed on. What we are left with is the memories of their love, guidance, support, and the happy times together. Last August when my mum sadly passed away, I wrote an Elegy as part of my grieving. However, as a family we had happy times together and it seemed only right to compose a work which would celebrate this. So, I added a first and last movement to create a short concertino. The movements are: Prelude: Peter John Connell: The Cheeky Chap Elegy: Mavis June Connell (Time To Remember) Rondo: Family Fun (Adrian Connell) Performance note The work can also be performed with accompaniment of string orchestra and harp using the set of parts for the version for clarinet and orchestra (E.D. 88833).

Viola, Piano

SKU: SU.80601210

For Viola, Piano. Composed by Kenneth Fuchs. Strings, Viola, Orchestra, Piano Reduction, Keyboard, Piano/Harpsichord. Accompanied by piano. Score. Edward B. Marks Music #80601210. Published by Edward B. Marks Music (SU.80601210).

Viola, Piano Composed: 2010 Published by: E.B. Marks.

By Frank Bridge (1879-1941). For Viola and Piano. Masterworks; Part(s); Score; Solo; String - Viola and Piano. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Viola, Piano

SKU: SU.80601211

For Viola, Piano. Composed by Kenneth Fuchs. Strings, Viola, Orchestra, Piano Reduction, Keyboard, Piano/Harpsichord. Accompanied by piano. Part. Edward B. Marks Music #80601211. Published by Edward B. Marks Music (SU.80601211).

Viola, Piano Composed: 2010 Published by: E.B. Marks.

(For Viola And Piano). By Astor Piazzolla (1921-1992). Arranged by Brett L. Allen. For Viola, Piano. 29 pages. Published by Berben

Composed by Johann Nepomuk Hummel (1778-1837), edited by Franz Beyer. Instrumental solo book for viola solo and piano accompaniment. With solo part, standard notation and piano reduction. 19 pages. Published by Edition Kunzelmann.

Piano; Viola (2(pic).1.1.bcl.1-2.3.0.0 -timp.perc(s.d, cym, wdbl, xyl)-str)

SKU: HL.49014026

Composed by Matyas Seiber. Arranged by Donald Banks. This edition: Folding. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 1953. 14 pages. Duration 8'. Schott Music #ED10422. Published by Schott Music (HL.49014026).

ISBN 9790220102516. UPC: 073999778861. 9.25x12.25x0.091 inches.

For viola and small orchestra (piano reduction).

Viola & piano - Moderately Difficult

SKU: OU.9780193524644

Composed by Ralph Vaughan Williams. Arranged by Martin Outram. Viola & Piano. Viola and piano reduction (viola solo version). 36 pages. Duration 15'. Oxford University Press #9780193524644. Published by Oxford University Press (OU.9780193524644).

ISBN 9780193524644. 12 x 9 inches.

This engaging work was composed in 1929 and premiered the following year by its dedicatee, the legendary Spanish cellist Pablo Casals. This arrangement for solo viola and orchestra is compatible with the original orchestral accompaniment, materials for which are available on hire.

(Viola and Piano Reduction). By Alessandro Rolla (1757-1841). Edited by Kenneth Martinson. For viola, piano. This edition: Urtext, Staple Center Bound with 1 insert. In the key of D major. Classical. Level 5 (of 6). Piano Score and 1 part. Text Language:

For Viola and Orchestra. By Samuel Adler. For Viola Solo, Piano. This edition: Solo Part and Piano Reduction. Classical. Solo Part with Piano Reduction. Composed 1998. 33 pages. Duration 23:00. Published by Theodore Presser Company.

(Viola and Piano Reduction). By Alessandro Rolla (1757-1841). Edited by Kenneth Martinson. For viola, piano. This edition: Urtext, Staple Center Bound with 1 insert. In the key of F major. Classical. Level 5 (of 6). Piano Score and 1 part. Text Language: English. BI. 550. 44 pages. Published by Gems Music Publications

(2 Viola and Piano Reduction). By Felix-Jean Prot. Edited by Kenneth Martinson. For 2 violas, piano. This edition: Urtext, Staple Center Bound with 2 inserts. In the key of G major. Classical. Level 4 (of 6). Piano Score and 2 parts. Text Language: English. Composed 1786. 51 pages. Published by Gems Music Publications

(Viola and Piano Reduction). By Carl Stamitz (1745-1801). Edited by Kenneth Martinson. For viola, piano. This edition: Urtext, Staple Center Bound with 1 insert. In the keys of B-flat/A major. Classical. Level 6 (of 6). Piano Score and 1 part. Text Language: English. 46 pages. Published by Gems Music Publications

Viola

SKU: HL.48187485

Composed by Darius Milhaud. Heugel. Classical. Softcover. 24 pages. Heugel & Cie #HE31119. Published by Heugel & Cie (HL.48187485).

UPC: 888680844837. 9.0x12.0x0.132 inches.

“1st Sonata was written by Darius Milhaud and is based on anonymous tunes of the XVIII century and was dedicated to Germain Prevost. Initially composed for Viola and Orchestra, this score features the Viola and Piano scores. It is composed of four distinct parts: 1. Entrée 2. Française 3. Air 4. Final Fairly difficult, this Sonata can be used for recitals and contests by upper-intermediate players. Born in 1892, Darius Milhaud became a professor at the Paris Conservatoire after the WWII, and composed a wide musical repertoire. One of the characteristic of the music he composed was its polytonality and its numerous influences (mainly French Provence, Jazz, South American and Jewish).”.

Piano Accompaniment; Viola

SKU: HL.48024311

Viola and Piano. Composed by Richard H. Walthew. Boosey & Hawkes Chamber Music. Classical. Softcover. 40 pages. Boosey & Hawkes #M060128028. Published by Boosey & Hawkes (HL.48024311).

ISBN 9780851629582. 9.0x12.0x0.165 inches.

New edition of this charming suite by the British composer Richard Walthew (1872-1951), originally published in 1900. The work was frequently performed by Lionel Tertis over his long career; his fingerings and bowings are of great interest to students and scholars, so these are included for reference in the viola cue stave in the piano score; the viola part itself is left 'clean' for performers to make their own decisions In 1943 Tertis premiered A Mosaic in Ten Pieces in the version for viola and orchestra in a concert broadcast by the BBC. The performance was reviewed in the Musical Times: “It is the work of a happy craftsman, genial, jesting (so few composers joke now). In a slow movement Walthew is at his serene best. Brahms would have enjoyed the Valsette, and Elgar beamed upon other parts. Tertis's phrasing is the best lesson I can imagine for any young musician...”.