Magnificat in C Chorale SATB SATB/SATB (Double) [Conducteur] Carus Verlag
By Johann Christian Bach. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. Fo...(+)
By Johann Christian Bach.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. For SATB/SATB
Choir, 2 Trumpets, 2
Violins, Viola, Basso
continuo. CW E 21.
Magnificat; Stuttgart
Urtext editions; Use
during church year:
Advent, Christmas. Score.
Language: Latin. Composed
1758. 40 pages. Duration
6 min. Published by Carus
Verlag (German import).
Composed by Johann Sebastian Bach (1685-1750), edited by Chrisoph Wolff, Johanne...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Chrisoph Wolff, Johannes
Muntschick. BWV 232. For
SSATB solos, SSATB choir
and piano accompaniment.
Urtext. Format: vocal
score. With choral
notation, piano reduction
and introductory text.
Baroque. Text language
Latin. 199 pages.
7.5x10.5 inches.
Published by C.F. Peters.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810203 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810203
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music. Vocal score. Warb
E 22. Duration 12
minutes. Carus Verlag #CV
38.102/03. Published by
Carus Verlag
(CA.3810203).
ISBN
M-007-13749-6.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810211 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810211
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music. Part.
Warb E 22. Duration 12
minutes. Carus Verlag #CV
38.102/11. Published by
Carus Verlag
(CA.3810211).
ISBN
M-007-25258-8.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810209 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810209
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music. Set of
Orchestra Parts. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/09. Published by
Carus Verlag
(CA.3810209).
ISBN
M-007-25257-1.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810212 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810212
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music. Part.
Warb E 22. Duration 12
minutes. Carus Verlag #CV
38.102/12. Published by
Carus Verlag
(CA.3810212).
ISBN
M-007-25259-5.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810213 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810213
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music. Part. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/13. Published by
Carus Verlag
(CA.3810213).
ISBN
M-007-25260-1.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810219 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810219
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music. Set of
Orchestra Parts. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/19. Published by
Carus Verlag
(CA.3810219).
ISBN
M-007-24974-8.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810205 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810205
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music. Choral Score. Warb
E 22. Duration 12
minutes. Carus Verlag #CV
38.102/05. Published by
Carus Verlag
(CA.3810205).
ISBN
M-007-25252-6.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810214 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810214
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Violoncello.
Sacred vocal music.
Single Part, Cello. Warb
E 22. Duration 12
minutes. Carus Verlag #CV
38.102/14. Published by
Carus Verlag
(CA.3810214).
ISBN
M-007-25261-8.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810200 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810200
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music. Full Score. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/00. Published by
Carus Verlag
(CA.3810200).
ISBN
M-007-25076-8.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Violin 2. Warb E
14. 4 pages. Duration 5
minutes. Carus Verlag #CV
38.104/12. Published by
Carus Verlag
(CA.3810412).
ISBN
9790007215088. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Choral
Score. Warb E 14.
Duration 5 minutes. Carus
Verlag #CV 38.104/05.
Published by Carus Verlag
(CA.3810405).
ISBN
9790007215057. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Set of
Orchestra Parts. Warb E
14. Duration 5 minutes.
Carus Verlag #CV
38.104/19. Published by
Carus Verlag
(CA.3810419).
ISBN
9790007215118. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and parts available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext. 1x
38.104/21 oboe 1, 1x
38.104/22 oboe 2, 1x
38.104/31 horn 1, 1x
38.104/32 horn 2.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Set of
Orchestra Parts. Warb E
14. Duration 5 minutes.
Carus Verlag #CV
38.104/09. Published by
Carus Verlag
(CA.3810409).
ISBN
9790007215064. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and parts available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Violin. Warb E 14.
4 pages. Duration 5
minutes. Carus Verlag #CV
38.104/11. Published by
Carus Verlag
(CA.3810411).
ISBN
9790007215071. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Organ. Warb E 14. 4
pages. Duration 5
minutes. Carus Verlag #CV
38.104/49. Published by
Carus Verlag
(CA.3810449).
ISBN
9790007215125. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Viola. Warb E 14. 4
pages. Duration 5
minutes. Carus Verlag #CV
38.104/13. Published by
Carus Verlag
(CA.3810413).
ISBN
9790007215095. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, basso continuo.
Warb E 14. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 38.104/14.
Published by Carus Verlag
(CA.3810414).
ISBN
9790007215101. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Vocal
score. Warb E 14.
Duration 5 minutes. Carus
Verlag #CV 38.104/03.
Published by Carus Verlag
(CA.3810403).
ISBN
9790007143978. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score available
separately - see item
CA.3810400.
Magnificat a 8.
Composed by Johann
Christian Bach. Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Magnificat A
8 E 21. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part,
Cello/Double Bass.
Composed 1758. Warb 21 CW
E 21. 4 pages. Duration 6
minutes. Carus Verlag #CV
38.101/14. Published by
Carus Verlag
(CA.3810114).
ISBN
9790007054182. Language:
Latin.
The
double-choir Magnificat,
scored with strings and
trumpets and the later of
the two Magnificats by
Johann Christian Bach,
was composed in Milan
during 1758 and was used
at a service in honour of
St. Nepomuk. Score and
part available separately
- see item
CA.3810100.
Magnificat a 8.
Composed by Johann
Christian Bach. Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Magnificat A
8 E 21. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part,
Violin 1. Composed 1758.
Warb 21 CW E 21. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 38.101/11.
Published by Carus Verlag
(CA.3810111).
ISBN
9790007054151. Language:
Latin.
The
double-choir Magnificat,
scored with strings and
trumpets and the later of
the two Magnificats by
Johann Christian Bach,
was composed in Milan
during 1758 and was used
at a service in honour of
St. Nepomuk. Score and
part available separately
- see item
CA.3810100.
Magnificat a 8.
Composed by Johann
Christian Bach. Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Magnificat A
8 E 21. Sacred vocal
music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part,
Viola. Composed 1758.
Warb 21 CW E 21. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 38.101/13.
Published by Carus Verlag
(CA.3810113).
ISBN
9790007054175. Language:
Latin.
The
double-choir Magnificat,
scored with strings and
trumpets and the later of
the two Magnificats by
Johann Christian Bach,
was composed in Milan
during 1758 and was used
at a service in honour of
St. Nepomuk. Score and
part available separately
- see item
CA.3810100.
Orchestra Soli SATB Voices, SATB Choir, Obda, Ctto, 3 Trb, 2 Vl, Va, Bc SKU: ...(+)
Orchestra Soli SATB
Voices, SATB Choir, Obda,
Ctto, 3 Trb, 2 Vl, Va, Bc
SKU: CA.3112107
Cantata for the 2nd
day of Christmas.
Composed by Johann
Sebastian Bach and Martin
Luther. Edited by Frieder
Rempp. Sacred vocal
music, Cantatas; use
during church year:
Christmas; Hymns by
Martin Luther: Christum
wir sollen loben schon;
Stuttgart Editions
(Urtext): Stuttgart Bach
Edition - Bach vocal.
Hymns by Martin Luther:
Christum wir sollen loben
schon; Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Christmas.
Study score. Composed
1724. BWV 121. 32 pages.
Duration 21 minutes.
Carus Verlag #CV
31.121/07. Published by
Carus Verlag
(CA.3112107).
ISBN
9790007241544. Language:
German/English.
Thi
s six-movement chorale
cantata was first
performed on 26 December
1724. The text is based
on the Lutheran
translation of the early
Christian hymn A solis
ortus cardinem. The outer
movements frame two arias
for tenor and bass, and
two secco recitatives for
alto and soprano. The
first and sixth movements
are in old-fashioned
style, with four-part
vocal writing and colla
parte instruments. In the
aria (movement 2) the
tenor is accompanied by
an obbligato oboe
d'amore, and in the 4th
and most striking
movement, the three
string parts accompany
the bass. The demands on
the singers,
instrumentalists, and
chorus are typical of a
Bach cantata. Score
available separately -
see item CA.3112100.
Soli SATB, SATB Choir, Obda, Ctto, 3 Trb, 2 Vl, Va, Bc SKU: CA.3112100 (+)
Soli SATB, SATB Choir,
Obda, Ctto, 3 Trb, 2 Vl,
Va, Bc
SKU:
CA.3112100
Cantata
for the 2nd day of
Christmas. Composed
by Johann Sebastian Bach
and Martin Luther. Edited
by Frieder Rempp. Hymns
by Martin Luther:
Christum wir sollen loben
schon; Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Christmas. Full
score. Composed 1724. BWV
121. 32 pages. Duration
21 minutes. Carus Verlag
#CV 31.121/00. Published
by Carus Verlag
(CA.3112100).
ISBN
9790007181536. Language:
German/English.
Thi
s six-movement chorale
cantata was first
performed on 26 December
1724. The text is based
on the Lutheran
translation of the early
Christian hymn A solis
ortus cardinem. The outer
movements frame two arias
for tenor and bass, and
two secco recitatives for
alto and soprano. The
first and sixth movements
are in old-fashioned
style, with four-part
vocal writing and colla
parte instruments. In the
aria (movement 2) the
tenor is accompanied by
an obbligato oboe
d'amore, and in the 4th
and most striking
movement, the three
string parts accompany
the bass. The demands on
the singers,
instrumentalists, and
chorus are typical of a
Bach cantata.
Soli SATB, SATB Choir, Obda, Ctto, 3 Trb, 2 Vl, Va, Bc SKU: CA.3112111 (+)
Soli SATB, SATB Choir,
Obda, Ctto, 3 Trb, 2 Vl,
Va, Bc
SKU:
CA.3112111
Cantata
for the 2nd day of
Christmas. Composed
by Johann Sebastian Bach
and Martin Luther. Edited
by Frieder Rempp. Hymns
by Martin Luther:
Christum wir sollen loben
schon; Stuttgart Urtext
Edition: Bach vocal.
Violin 1. Sacred vocal
music, Cantatas,
Christmas. Single Part,
Violin 1. Composed 1724.
BWV 121. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
31.121/11. Published by
Carus Verlag
(CA.3112111).
ISBN
9790007207342. Language:
German/English.
Thi
s six-movement chorale
cantata was first
performed on 26 December
1724. The text is based
on the Lutheran
translation of the early
Christian hymn A solis
ortus cardinem. The outer
movements frame two arias
for tenor and bass, and
two secco recitatives for
alto and soprano. The
first and sixth movements
are in old-fashioned
style, with four-part
vocal writing and colla
parte instruments. In the
aria (movement 2) the
tenor is accompanied by
an obbligato oboe
d'amore, and in the 4th
and most striking
movement, the three
string parts accompany
the bass. The demands on
the singers,
instrumentalists, and
chorus are typical of a
Bach cantata. Score and
part available separately
- see item
CA.3112100.
Soli SATB, SATB Choir, Obda, Ctto, 3 Trb, 2 Vl, Va, Bc SKU: CA.3112105 (+)
Soli SATB, SATB Choir,
Obda, Ctto, 3 Trb, 2 Vl,
Va, Bc
SKU:
CA.3112105
Cantata
for the 2nd day of
Christmas. Composed
by Johann Sebastian Bach
and Martin Luther. Edited
by Frieder Rempp. Hymns
by Martin Luther:
Christum wir sollen loben
schon; Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Christmas.
Choral Score. Composed
1724. BWV 121. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
31.121/05. Published by
Carus Verlag
(CA.3112105).
ISBN
9790007186302. Language:
German/English.
Thi
s six-movement chorale
cantata was first
performed on 26 December
1724. The text is based
on the Lutheran
translation of the early
Christian hymn A solis
ortus cardinem. The outer
movements frame two arias
for tenor and bass, and
two secco recitatives for
alto and soprano. The
first and sixth movements
are in old-fashioned
style, with four-part
vocal writing and colla
parte instruments. In the
aria (movement 2) the
tenor is accompanied by
an obbligato oboe
d'amore, and in the 4th
and most striking
movement, the three
string parts accompany
the bass. The demands on
the singers,
instrumentalists, and
chorus are typical of a
Bach cantata. Score
available separately -
see item CA.3112100.