With Piano Accompaniment. By Various. Arranged by Jeanne Baxtresser. For Flute, Piano Accompaniment. Published by Theodore Presser Company.

Composed by Camille Saint- Saens (1835-1921). Arranged by Jasmine Choi. Set of Score and Parts. Duration 8 minutes. Theodore Presser Company #114- 41934. Published by Theodore Presser Company

(Creative Solos for the Church Musician). By Ed Hogan. For Solo Instrument with Piano or Track Accompaniment. This edition: Paperback. Instrumental Collections & Church Orchestras. Preludes, offertories, recitals, talent contests, personal worship, and instruction. Multicultural and Sacred. Moderate. Book. 32 pages. Published by Lillenas Publishing Company

Flute and Piano - Grade 5

SKU: HL.14015939

Composed by Erik Norby. Music Sales America. Classical. Book and Part(s). Composed 2005. 44 pages. Edition Wilhelm Hansen #WH30509. Published by Edition Wilhelm Hansen (HL.14015939).

ISBN 9788759888469. 9.5x14.25x0.125 inches.

Illuminatio ns - Capriccio For Flute And Orchestra was composed by Erik Norby in 1977. Programme Note: The title should rightly be pronounced in French (same spelling), as the piece was composed for and is dedicated to French flute virtuoso Jean-Pierre Rampal, who premiered ILLUMINATIONS in connection withhimreceiving the Danish Sonnings Musikpris in 1978. The title reflects my endeavour to create different illuminative effects in sound, for which the flute is an excellent medium, with its apparent ability to transform light phenomena into musical shapes. Tue music in ILLUMINATIONS sometimes sounds like glittering reflections, sometimes like a roaring bonfire. The absence of ordinaryflutes in the orchestra further enables the soloist to shine above a darker orchestral background. Several motives and shapes are illuminated along the way, and the music progresses in kaleidoscopic pattems of prismatic refractions. Erik Norby.

Score and Parts. By Morton Gould. (Flute). Woodwind Solo. Size 9x12 inches. 84 pages. Published by G. Schirmer, Inc.

Edited by Donald Peck. Collection and set of performance parts for flute and piano accompaniment. 153 pages. Published by Carl Fischer.

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

Flute and Piano

SKU: IS.FP7297EM

Composed by Peter Benoit. Woodwinds - Flute. Metropolis Music Publishers #FP7297EM. Published by Metropolis Music Publishers (IS.FP7297EM).

ISBN 9790365072972.

Pete r Benoit, one of the great Flemish Romantic composers and often considered the origin of the Flemish School, was better known for his piano and choral music than for his wind music. Nevertheless, his one entry into the flute repertoire - the Concerto - is an exemplary piece of high Romanticism that combines symphonic writing with idiomatic, virtuosic flute technique. Composed as part of a ‘legendary triptych’ - the Stories and Ballads for Piano, the Symphonic Tale for Piano and orchestra, and the Flute Concerto - the three movements show the Concerto for the tone poem it is at heart. The first Preludium (Will-o’-the-Wisps ) begins with a fiery orchestral fanfare, with an equally grand entrance by the soloist that introduces the first theme and launches the movement into the formidable back-and-forth between soloist and orchestral forces. The second, Melancholia, somewhat resembles the Molique Andante in its construction - a clear, wistful theme is embellished and carefully expanded into a full musical showpiece for flute. The Finale (Dance of the Wisps) then immediately launches into a display of the flutist’s agility, moving through various permutations of the theme before coming to an exuberant, grateful landing.

Flute and Piano

SKU: IS.FP7398EM

Composed by Nico Schoeters. Woodwinds - Flute. Metropolis Music Publishers #FP7398EM. Published by Metropolis Music Publishers (IS.FP7398EM).

ISBN 9790365073986.

Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012.

Pachelbel's Canon for Flute and Piano composed by Johann Pachelbel (1653-1706). Arranged by Tony Santorella. For flute solo and piano accompaniment. Solo with Accompaniment. Classical. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

Composed by Sir Arthur Seymour Sullivan (1842-1900) and W.S. Gilbert. Arranged by David Overton and James Galway. Southern Music. Softcover. 24 pages. Lauren Keiser Music Publishing #B577. Published by Lauren Keiser Music Publishing

By Jindrich Feld. For flute and piano. Flute. Classical. Piano reduction. Publication language: Czech/German

Flute and Piano. Composed by Camille Saint-Saens (1835-1921). Arranged by Giuseppe Gariboldi. Editions Durand. Classical. Softcover. 20 pages. Editions Durand #DF16280. Published by Editions Durand (HL.50565814).

Flute; Piano

SKU: HL.49045188

For Flute and Piano. Composed by Cecile Chaminade. Edited by Edmund Waechter and Elisabeth Weinzierl. This edition: Saddle stitching. Sheet music. Woodwind Solo. Classical. Softcover. Op. 107. 36 pages. Schott Music #FTR229. Published by Schott Music (HL.49045188).

ISBN 9790001200806. UPC: 841886023314.

The great talent of Cecile Chaminade (1857-1944) showed very early: At the age of 12, she published her first composition. Georges Bizet, a friend of the family, predicted her great future. After her successful debut as a pianist in Paris in 1877, she began busy concert activities as a solo pianist, chamber musician and conductor in many European countries as well as in the USA and Canada.Although many of her compositions became bestsellers during her lifetime, they are almost all missing in the concert programmes of today. Only the Concertino for flute and orchestra Op. 107 is still performed regularly. The demanding piece was written in 1902 as a competition piece at the Paris Conservatoire - initially still with piano accompaniment. The orchestral version was composed by Chaminade two years later.The piece begins with a wide melody and then turns into a virtuoso solo section which is followed by a cadenza. The piece ends with the initial theme as recapitulation and a coda.

(For Flute and Orchestra (Piano Reduction and Flute Part)). By Dan Welcher. For Solo Flute and Piano. Solo part with piano reduction. Standard notation. Composed 1973. 38 pages. Duration 25:00

Composed by Aaron Copland (1900-1990). For flute and keyboard. Format: piano/flute book (includes seperate pull out performance part for flute). With introductory text. 20th century. 29 pages. 9x12 inches. Published by Boosey and Hawkes.

Composed by John La Montaine (1920-). Fredonia Press #FRD04. Published by Fredonia Press

By Carl August Nielsen. For Flute, Piano Accompaniment. Carl Nielsen Collected Works. 20th Century. Level: Advanced. Sheet Music, Instrumental Work. Text language: English / Danish. Published by Edition Wilhelm Hansen.

Koncert for Flojte og Orkester (Concerto for Flute and Orchestra) - Arranged for Flute and Piano by Carl August Nielsen (1865-1931). For flute solo and piano accompaniment. 20th Century. Difficulty: medium-difficult. Instrumental solo book. Solo part, standard notation, piano reduction and introductory text. 54 pages. Published by Edition Samfundet

For Flute and Piano. Composed by Anton Emil Titl. Edited by Sir James Galway. Arranged by James Galway. Southern Music. Classical. Softcover. 8 pages. Southern Music Company #SU806. Published by Southern Music Company

Flute and Piano

SKU: HL.50510536

By Istvan Mariassy. By Johann Sebastian Bach. Arranged by Istvá, n Má, riá, and ssy. Baroque. EMB. Piano score. 26 pages. Editio Musica Budapest #Z13185. Published by Editio Musica Budapest (HL.50510536).

ISBN 9790080131855. UPC: 073999395167. 9.0x12.0x0.113 inches. Hungarian, English, German. Johann Sebastian Bach; Istvan Mariassy.

Flute and piano.

Composed by Luigi Gianella (1778-1817). Edited by Adriano Lincetto. For flute and piano. Woodwind music. Flute/piano score. Published by Noten Roehr

(For Flute And Piano (Or Orchestra)). Composed by Max Bruch (1838-1920). Arranged by Mark Sparks. For flute, piano. Romantic. Solo part with piano reduction. Standard Notation. 12 pages. Duration 8 minutes. Theodore Presser Company #114-41637. Published by Theodore Presser Company

Flute and Piano

SKU: HL.14029016

Composed by Ole Schmidt. Music Sales America. 20th Century. Book [Softcover]. Composed 2002. Edition Wilhelm Hansen #WH28537. Published by Edition Wilhelm Hansen (HL.14029016).

ISBN 9788759860113.

Flut e/Piano reduction of this work for Flute and Orchestra.

(For Flute and Orchestra - Solo Flute and Piano Reduction). By Martin Kennedy. For Solo Flute and Piano. Solo part with piano reduction. Standard notation. 33 pages. Duration 20 minutes. Published by Theodore Presser Company