White Light Hautbois, Piano (duo) - Intermédiaire Anglo Music
Oboe and Piano - intermediate SKU: BT.AMP-343-401 For Oboe and Piano(+)
Oboe and Piano -
intermediate
SKU:
BT.AMP-343-401
For
Oboe and Piano.
Composed by Philip
Sparke. Anglo
Instrumental series. Book
Only. Composed 2012. 16
pages. Anglo Music Press
#AMP 343-401. Published
by Anglo Music Press
(BT.AMP-343-401).
ISBN
9789043138628. 9x12
inches.
English-German-French-Dut
ch.
White
Light was
commissioned by Fumiko
Teramoto, oboist with the
Musashino Grand Concert
Band from Tokyo, Japan.
The request was for a
moderately slow piece, of
intermediate difficulty,
which included White in
the title, as this is her
lucky colour. Composer
Philip Sparke decided to
use this suggestion to
write a piece that was
bright and light in terms
of harmony and colour,
with much use of simple
major and minor chords
and an emphasis on pure
and transparent timbres.
He was also keen to
capture the essence and
history of the oboe as a
solo instrument - the
piece is pastoral in
character and often
almost baroque in style.
Also available for oboe
and concert band
(AMP317-010/140).
Wit is de
gelukskleur van het
opdrachtgevende orkest
van dit uitdagende
solowerk voor hobo en
piano. Philip Sparke
schreef daarom een
opgewekte compositie. Het
zwaartepunt ligt op de
heldere klanken van het
hoge hout en de
harmonie,klankkleur en
instrumentatie is helder
en doorzichtig.Ook
verkrijgbaar voor hobo en
harmonieorkest (AMP
317-010/140).
WeiÃ
ƒÅ¸ ist die
Glücksfarbe des
auftraggebenden
Blasorchesters und daher
im Titel dieses Solowerks
für Oboe und
Klavier. Passend dazu
schuf Philip Sparke ein
Stück, das sowohl
heiter als auch hell in
seiner Harmonik, seinen
Farben und seiner
Orchestrierung ist, viele
einfache Dur- und
Mollakkorde enthält
und den Schwerpunkt auf
die klaren Klänge der
hohen Holzbläser im
Orchester legt. Ebenfalls
erhältlich für Oboe
und Blasorchester (AMP
317-010/140).
In
questo lavoro per oboe
solista e pianoforte,
Philip Sparke crea un
pezzo che è allo
stesso tempo allegro e
luminoso nella sua
armonia e nei colori, e
che nell'orchestrazione
contiene molti semplici
accordi maggiori e
minori. Disponibile anche
per oboe e banda (AMP
317-010/140).
Oboe & piano (piano reduction) SKU: SU.50016690 For oboe & piano (pian...(+)
Oboe & piano (piano
reduction)
SKU:
SU.50016690
For
oboe & piano (piano
reduction). Composed
by Hugo Kauder.
Woodwinds, Oboe/English
Horn, Orchestra, Piano
Reduction. Orchestral
Reduction. Score & Parts.
Seesaw Music Corp
#50016690. Published by
Seesaw Music Corp
(SU.50016690).
Oboe, Piano
Reduction of string
orchestra version
Published by: Seesaw
Music.
Oboe and Piano SKU: BT.EMBZ3769 Per oboe, archi e cembalo RV 461 (F.VI...(+)
Oboe and Piano
SKU:
BT.EMBZ3769
Per
oboe, archi e cembalo RV
461 (F.VII. No. 5, P.V.
42). By Oliver Nagy.
By Antonio Vivaldi,
Oliver Nagy, and Tibor
Szeszler. Book Only.
Composed 1963. 28 pages.
Editio Musica Budapest
#EMBZ3769. Published by
Editio Musica Budapest
(BT.EMBZ3769).
English-German-Hungari
an.
The source of
the present edition of
the Oboe Concerto in A
minor by Antonio Vivaldi
is the Collected Works of
Vivaldi, edited by
Malipiero, published by
Ricordi 1955. The title
of the original score is
Concerto in La minore per
oboe, archi e cembalo the
original setting: Oboe,
Violini I-II, Viole,
Violoncelli, Contrabassi
and Cembalo. The
arrangement for oboe and
piano is kept in accurate
conformity with the
musical text of score,
the continuo part -
however - has been more
freely adapted (of course
within the possibilities
of baroque style). The
piano part contains the
entire orchestral
material in the Tutti-s,
thus the soloist is not
obliged to play all the
Tutti parts.However, in
Movement I and III the
first and last Tutti may
never be omitted by the
performer.
Die
Grundlage dieser Ausgabe
des Oboenkonzertes in
A-Moll von Antonio
Vivaldi ist die von
Malipiero redigierte
Gesamtausgabe (Ricordi,
1955). Der Titel der
Originalpartitur lautet:
Concerto in La minore per
oboe, archi e cembalo:
die Besetzung ist
folgende: Oboe, Violini
I-II, Viole, Violoncelli,
Contrabassi, Cembalo. Die
Ausgabe für Oboe und
Klavier ist dem Urtext
der Partitur getreu, doch
ist die Ausarbeitung des
Continuos etwas freier
behandelt (natürlich
nur im Rahmen der vom
Stil der Barockmusik
gebotenen
Möglichkeit). Die
Klavierstimme enthält
an den Tuttistellen das
Stimmaterial des ganzen
Orchesters: der Solist
ist daher nicht
verpflichtet,
sämtliche
Tuttimitzuspielen. (Im I.
und III. Satz dürfen
jedoch die ersten und
letzten Tutti vom
Solisten nicht
weggelassen werden.
For Oboe and Piano. Composed by Bela Bartok (1881-1945). Arranged by Hywel Dav...(+)
For Oboe and Piano.
Composed
by Bela Bartok
(1881-1945).
Arranged by Hywel Davies.
Boosey and Hawkes Chamber
Music. Softcover. 16
pages.
Boosey and Hawkes
#M060132070.
Published by Boosey and
Hawkes
Oboe and Piano SKU: BT.EMBZ8318 Composed by Bela Bartok. EMB Music of Bel...(+)
Oboe and Piano
SKU:
BT.EMBZ8318
Composed
by Bela Bartok. EMB Music
of Bela Bartok. Book
Only. Composed 1981. 6
pages. Editio Musica
Budapest #EMBZ8318.
Published by Editio
Musica Budapest
(BT.EMBZ8318).
English-German-Hungari
an.
An Evening in
the Village was composed
in 1908 as no. 5 of the
Ten Easy Piano Pieces. It
has become one of
Bartók's favorite
works, which the composer
himself was fond of
playing at recitals. As
he explained in an
American interview, it
was ''an original
composition that is ...
with themes of my own
invention but ... the
themes are in the style
of the
Hungarian-Transylvanian
folk tunes. There are two
themes. The first one is
a parlando-rubato-rhythm
and the second one is
more in a dance-like
rhythm. The second one is
more or less the
imitation of a peasant
flute playing.''
Bartók also
orchestrated the piece in
1931 as no. 1 of
Hungarian Sketches. In
2015 we are launching
aseries entitled
Bartók Transcriptions
for Music Students to
mark the 70th anniversary
of the composer s death.
This involves reissuing
our tried publications,
and publishing some
further, new
transcriptions that
fulfill in every respect
the strict aesthetic
demands of the earlier
ones. We trust these
publications will allow
us to introduce still
more music students to
the realm of one of the
great geniuses of
20th-century music.
Das 1908 als Nr.
5 der Zehn leichten
Klavierstücke
komponierte Klavierwerk
Ein Abend am Lande ist
ein echter
Bartók-Schlager, der
auch vom Komponisten
selbst mit Vorliebe im
Rahmen seiner Konzerte
vorgetragen wurde. In
einem amerikanischen
Interview äußerte
er sich dazu, ''…
es handelt sich um eine
Originalkomposition, das
heißt, ihre Themen
stammen von mir, wobei
diese Themen jedoch den
Stil der
siebenbürgisch-ungaris
chen Volkslieder
aufgreifen. Von seinen
zwei Themen hat das erste
Parlando-Rubato-Charakter
, das zweite ist eher von
einem Tanzrhythmus
geprägt … und
ist mehr oder weniger die
Imitation eines
bäuerlichen
Blockflötenspiels.''
Im Jahr 1931
instrumentierte
Bartókdas Stück als
Nr. 1 der Bilder aus
Ungarn auch für
Orchester.
Arranged by Evelyn Rothwell, composed by Franz Joseph Haydn (1732-1809). Set of ...(+)
Arranged by Evelyn
Rothwell, composed by
Franz Joseph Haydn
(1732-1809). Set of
performance parts for
oboe and piano. 46 pages.
Published by Oxford
University Press.
Oboe & Piano - advanced SKU: ST.H217 Composed by Roger Steptoe. Wind & br...(+)
Oboe & Piano - advanced
SKU: ST.H217
Composed by Roger
Steptoe. Wind & brass
music. Standard:
Advanced. Score and part.
Stainer & Bell Ltd.
#H217. Published by
Stainer & Bell Ltd.
(ST.H217).
ISBN
9790220215797.
Stan
dard: Advanced.
Orchestral material is
available on rental.
Oboe and piano SKU: M7.SAE-4-09 Composed by Giulio Romano Caccini. Arrang...(+)
Oboe and piano
SKU:
M7.SAE-4-09
Composed
by Giulio Romano Caccini.
Arranged by Lucian
Moraru. Sheet music.
Score and part. 10 pages.
SonArt Edition #SAE 4-09.
Published by SonArt
Edition (M7.SAE-4-09).
ISBN
9790707651384.
This
is a unique arrangement
for oboe and piano, a
work that preserves the
beauty of the original
work, an master piece for
sacred music, but at the
same time different in
essence due to the
creative and innovative
flavour that was
introduced in
orchestration on this
occasion. The piece has
been carefully adapted to
suit the technical needs
of each instrument, being
a smart choice for
players that want to
achieve the acclaim from
the audience. This piece
of music is suitable both
for concerts given by
professionals and for
auditions in schools,
colleges, conservatories
or can be used in various
other private events.
